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Series II. Audio recordings and transcripts 1996-1997 and undated
(approximately 179 audiotapes and 15 3.5-inch computer disks)
|
Materials comprise a original audio recordings (Digial Audio Tapes), duplicates (analog audiocassetes), and transcripts (3.5
inch computer disks) related to the production of
Art Works: Behind the Scenes at the Getty. Recordings date from around 1997 and appear to have been conducted by Mountainair
Films.
|
Arrangement |
Materials are arranged into two subseries: |
Series II.A. Unedited audio and transcripts;
|
Series II.B. Audio edits, mixes, and voiceovers.
|
|
Series II.A. Unedited audio and transcripts, 1996-1997 |
|
Arrangement note |
|
Transcripts precede recordings. Unedited audio recordings are arranged by shoot, alphabetically by location, mirroring the
arrangement of the video recordings insofar as possible.
|
Box |
|
1998.IA.01-010 |
|
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Transcripts of audio recordings circa 1997
(15 3.5 inch floppy disks)
|
|
|
|
Materials comprise unedited transcriptions and translations of the audio recordings related to the production of
Art Works. The material was transferred to the archives on fifteen 3.5 inch floppy disks in a variety of file formats created
on a MacIntosh computer. The data has been removed from 14 of the 15 disks, but has not yet been reformatted for dissemination.
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Chiapas, Mexico: Bonampak Murals
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Original recordings |
Box |
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1998.IA.01-015 |
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Getty Bonampak ambiance, March 23-24, 1997
(1 Original DAT)
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Ambiance |
Box |
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1998.IA.01-017 |
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Getty Mary Miller sync sound, March 24, 1997
(1 original DAT)
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Getty Bonampak; 15 takes; Script reading ends; Tape #10 |
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Duplication masters |
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Barcodes: THM11417; THM11418; THM11419 |
Box |
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1998.IA.01-012 |
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Copy 1
("Tape 4" analog audiocassette; 1-3 not found)
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Box |
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1998.IA.01-013 |
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Additional copies
(2 copies of "Tape 4" analog audiocassettes; Tape 1-3 not found)
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Czech Republic
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Box |
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1998.IA.01-018 |
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Getty policeman sync
(1 production DAT)
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ID Number: THM11216; Cameral roll: 224; Contents: Audio of robbing of artifacts (statue of Saint) from the Church. Ladislav
Kosnar, First Lieutenant; Village of Karlovy Vary Police Department.
|
1998.IA.01-018 |
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Getty re-stripes, priest and police interview, December 4, 1997
(1 DAT)
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ID Number: THM11211 |
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Dunhuang, China: Mogao Grottoes and Silk Road
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Box |
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1998.IA.01-016 |
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Dunhuang and Silk Road, December 3, 1997
(1 Original DAT)
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Voice-over session master; "Magao Grottoes" and "landmarks"; ID Number: THM11238 |
Box |
|
1998.IA.01-017 |
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Mr. Li number 3
(1 original DAT)
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ID Number: THM11210; Camera roll: 132, 138 |
1998.IA.01-017 |
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Mrs. Fan
(1 original DAT)
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ID Number: THM11219; Camera roll: 156, 158, 160 |
1998.IA.01-017 |
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Camel wild sound
(1 original DAT)
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ID Number: THM11209 |
1998.IA.01-017 |
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|
Camel wild track, October 7, 1997
(1 DAT)
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ID Number: THM11230 |
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Getty Center
|
|
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|
|
Getty employee interviews: |
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|
Materials comprise a complete set of the original recordings (Digial Audio Tapes) of interviews conducted by Mountainair Films,
one set of duplicates (analog audiocassetes), and on set of transcripts of the interviews (3.5 inch computer disks).
|
|
|
|
|
Interviews were conducted in April 1997 with the following employees: Josephine Ramirez, Diane Brigham, Roul Herrera, Brian
Considine, Lynn O' Leary Archer, Merritt Price, Mark Leonard, Jim Bower, Sally Hibband, Fran Terpak, Osofu, Micheal Roth,
Moiro Kenney, Tom Reese, Barbara Whitney, and Debbie Gribbon.
|
Box |
|
1998.IA.01-011 |
|
|
|
|
Original recordings
(Set of 19 DAT)
|
Box |
|
1998.IA.01-013 |
|
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|
Duplication masters
(set of 19 analog audiocassettes)
|
|
|
|
|
|
|
The Getty: |
Box |
|
1998.IA.01-015 |
|
|
|
|
The Getty 1, March 19, 1997
(1 Original DAT)
|
|
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|
Roll #1. Introduction describing model of new gallery. Primary person talking alone. Some other people are beginning to enter
conversation. Continues until the end. Mixer: Susumu.
|
1998.IA.01-015 |
|
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|
The Getty 2, March 24, 1997
(1 Original DAT)
|
|
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|
|
|
Roll #2. The director of the Getty and chief curator in a walking and talking meeting through gallery spaces talking about
signage and furniture. Mixer: Susumu.
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|
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|
Getty open, October 17, 1997
(1 Nagra and 1 original DAT)
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|
CAM A-264, A-279; Nagra ID Number: THM11203; DAT ID Number: THM11202 |
Box |
|
1998.IA.01-016 |
|
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|
Van Gogh, kids observing 1, October 28, 1996
(1 Nagra)
|
1998.IA.01-016 |
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[Paintings?], kids, October 28, 1996
(1 Nagra)
|
1998.IA.01-016 |
|
|
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|
Van Gogh, kids observing 2, October 28, 1996
(1 Nagra)
|
Box |
|
1998.IA.01-017 |
|
|
|
|
Getty museum, November 25, 1997
(1 DAT)
|
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|
|
|
|
ID Number: THM11204; Nonbroadcast VTX |
|
|
|
|
|
Los Angeles exhibit
|
|
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|
|
|
|
Duplication masters |
|
|
|
|
Barcodes: THM11410; THM11413; THM11414; THM11415 |
Box |
|
1998.IA.01-012 |
|
|
|
|
Copy 1
(Set of 4 analog audiocassettes)
|
Box |
|
1998.IA.01-014 |
|
|
|
|
Additional copies
(8 analog audiocassettes)
|
|
|
|
|
|
Mexico City: Landmarks Project
|
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|
|
|
|
Original recordings |
Box |
|
1998.IA.01-015 |
|
|
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|
Mexico: Getty tape 7, March 19, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
|
|
|
|
|
Apolonio, Susan BG, Lorenzo, Luis (14:40), Lorenzo (in English); Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
|
|
|
Mexico: Getty tape 8, March 19, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
|
|
|
|
|
Natasha, Susan, Rodrigo (15:45), Rocio (35:15, continued on tape #9); Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
|
|
|
Mexico: Getty tape 9, March 19, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
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|
|
Rocio (continued from tape #8), Alejandra; Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
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|
Mexico, September 20, 1997
(1 Original DAT)
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|
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O.F. Kidz N Cameras, BGs |
|
|
|
|
|
|
Duplication masters |
|
|
|
|
Barcode: THM11420 |
Box |
|
1998.IA.01-013 |
|
|
|
|
Copy 1
(Set of 3 analog audiocassettes)
|
Box |
|
1998.IA.01-014 |
|
|
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|
Additional copies
(6 analog audiocassettes)
|
|
|
|
|
|
Pakistan: Hunza Valley, Hunza Baltit Fort, Karakoram Mountain Range
|
Box |
|
1998.IA.01-017 |
|
|
|
Baltit Fort librarian on camera
(1 original DAT and 1 production DAT)
|
|
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|
|
ID Number: THM11458(original), THM11223 (production); Camera roll: 180, 182, 184 |
1998.IA.01-017 |
|
|
|
Fort manager off camera
(1 original DAT)
|
|
|
|
|
ID Number: THM11459; audio only |
1998.IA.01-017 |
|
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|
Baltit Fort engineer off camera
(1 original DAT)
|
|
|
|
|
ID Number: THM11460 |
1998.IA.01-017 |
|
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|
Baltit Fort librarian off camera
(1 original DAT)
|
|
|
|
|
ID Number: THM11461 |
1998.IA.01-017 |
|
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|
Baltit Fort manager on camera
(1 original DAT)
|
|
|
|
|
ID Number: THM11462; Camera roll: 180 |
|
|
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|
Paris, France: Landmarks Project
|
Box |
|
1998.IA.01-018 |
|
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|
Tournage France p.getty
(1 original DAT)
|
|
|
|
|
ID Number: THM11217; Tournage means "shooting" in French, so possibly an audio shooting in France. |
|
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|
Quito, Ecuador
|
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|
|
Original recordings
(DAT)
|
Box |
|
1998.IA.01-015 |
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|
Quito: Getty tape 1, March 14, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
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Santiago Lopez, Christina (translator), Susan in BG; Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
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|
Quito: Getty tape 2, March 14, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
|
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Father Chamorrow, Christina (translator), Susan in BG; Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
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|
Quito: Getty tape 3, March 14, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
|
|
|
|
|
Maria Ramos, Susan, Joseph Semann (14:00, 3/15/1997), Christina, Santiago Mantilla (30:50); Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
|
|
|
Quito: Getty tape 4, March 17, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
|
|
|
|
|
Catalina Sosa, Susan, OLGA Woolfson; Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
|
|
|
Quito: Getty tape 5, March 17, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
|
|
|
|
|
Manuel Calisto, Susan, Osualdo Munoz, Christina (32:30); Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
|
|
|
Quito: Getty tape 6, March 17, 1997
(1 Original DAT and 1 DAT clone w/ TC "split audio")
|
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|
|
Christina Morrison, Susan (14:55); Clones: W.O. #4294, date: 4/1/1997 |
1998.IA.01-015 |
|
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|
|
Quito city ambiance, September 14-16, 1997
(1 Original DAT)
|
|
|
|
|
|
Getty Shoot |
|
|
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|
|
|
Duplication masters |
|
|
|
|
Barcodes: THM11424; THM11425; THM11426; THM11427; THM11428; THM11416 |
Box |
|
1998.IA.01-012 |
|
|
|
|
Copy 1
(Set of 6 analog audiocassettes)
|
Box |
|
1998.IA.01-014 |
|
|
|
|
Additional copies
(12 analog audiocassettes)
|
|
|
|
|
|
Temecula, California: Wave Your Banner Project
|
|
|
|
|
|
|
Original recordings |
Box |
|
1998.IA.01-016 |
|
|
|
|
Temecula roll 1: kids observing, December 12, 1996
(1 original DAT)
|
1998.IA.01-016 |
|
|
|
|
Temecula roll 2: kids observing, December 12, 1996
(1 original DAT)
|
1998.IA.01-016 |
|
|
|
|
Temecula roll 3: kids observing, December 12, 1996
(1 original DAT)
|
|
|
|
|
|
|
Duplication masters |
|
|
|
|
Barcodes: "Tape 1" THM11406; "Tape 2" and "Tape 3" barcodes not found. |
|
|
|
|
|
|
|
Copy 1
(Set of 3 analog audiocassettes)
|
Box |
|
1998.IA.01-014 |
|
|
|
|
Additional copies
(4 analog audiocassettes)
|
|
|
|
|
|
Utah
|
|
|
|
|
|
|
Original recordings |
Box |
|
1998.IA.01-016 |
|
|
|
|
Utah: tape 1, December 10, 1996
(1 original DAT)
|
1998.IA.01-016 |
|
|
|
|
Utah: tape 2, December 10, 1996
(1 original DAT)
|
|
|
|
|
|
|
Duplication masters |
|
|
|
|
Barcodes: "Tape 1" THM11412; "Tape 2" barcode not found. |
Box |
|
1998.IA.01-012 |
|
|
|
|
Copy 1
(Set of 2 analog audiocassettes)
|
Box |
|
1998.IA.01-014 |
|
|
|
|
Additional copies
(3 analog audiocassettes)
|
|
|
|
|
|
Wild Tracks
|
|
|
|
General note |
|
|
|
Wild track, also known as wild sound or wild lines, is audio that is recorded separately from a film/video, but meant to be
synchronized with film/video.
|
|
|
|
|
|
|
Original recordings |
Box |
|
1998.IA.01-015 |
|
|
|
|
"The Getty" wild track 1, April 2, 1997
(1 DAT clone "split audio")
|
|
|
|
|
|
Clones: W.O. #4294, 4/2/1997; VIS and Add track 3/4" |
1998.IA.01-015 |
|
|
|
|
"The Getty" wild track 2
(1 DAT clone "split audio")
|
|
|
|
|
|
Clones: W.O. #4294, 4/2/1997; VIS and Add track 3/4" |
Box |
|
1998.IA.01-017 |
|
|
|
|
Getty wild track, October 15, 1997
(1 DAT)
|
|
|
|
|
|
ID Number: THM11224; Set the internal time code generator on your DAT machine to: 30 NDF (or ndf) |
1998.IA.01-017 |
|
|
|
|
Getty wild track, August 7, 1997
(1 DAT)
|
|
|
|
|
|
ID Number: THM11233; Set the internal time code generator on your DAT machine to: 30 NDF (or ndf) |
1998.IA.01-017 |
|
|
|
|
Getty wild track, October 20, 1997
(1 DAT)
|
|
|
|
|
|
ID Number: THM11234; Camera roll: E277, E278; Set the internal time code generator on your DAT machine to: 30 NDF (or ndf) |
1998.IA.01-017 |
|
|
|
|
Getty wild track, October 21, 1997
(1 DAT)
|
|
|
|
|
|
ID Number: THM11232 |
1998.IA.01-017 |
|
|
|
|
Getty wild track, October 23, 1997
(1 DAT)
|
|
|
|
|
|
ID Number: THM11222; Camera roll: A307-A309, A310-A311, A312-A314, A315; Set the internal time code generator on your DAT
machine to: 30 NDF (or ndf)
|
|
|
|
|
|
|
Duplication masters |
|
|
|
|
Barcodes: THM11421; THM11422; THM11423 |
Box |
|
1998.IA.01-012 |
|
|
|
|
Copy 1
(Set of 3 analog audiocassettes)
|
Box |
|
1998.IA.01-014 |
|
|
|
|
Additional copies
(3 analog audiocassettes)
|
|
|
|
|
|
Unidentified audio:
|
Box |
|
1998.IA.01-018 |
|
|
|
The Getty roll 1, October 14, 1997
(1 production DAT)
|
|
|
|
|
ID Number: THM11196 |
1998.IA.01-018 |
|
|
|
The Getty roll 1, August 4, 1997
(1 production DAT)
|
|
|
|
|
ID Number: THM11197 |
1998.IA.01-018 |
|
|
|
The Getty roll 2, August 6, 1997
(1 original DAT)
|
|
|
|
|
ID Number: THM11199 |
1998.IA.01-018 |
|
|
|
The Getty roll 3, October 18, 1997
(1 production DAT)
|
|
|
|
|
ID Number: THM11198 |
1998.IA.01-018 |
|
|
|
The Getty roll 5, October 20, 1997
(1 production DAT)
|
|
|
|
|
ID Number: THM11200 |
1998.IA.01-018 |
|
|
|
The Getty roll 6, October 22, 1997
(1 production DAT)
|
|
|
|
|
ID Number: THM11201 |
1998.IA.01-018 |
|
|
|
Getty 1
(1 production DAT)
|
Box |
|
1998.IA.01-017 |
|
|
|
DAT 1, November 20, 1997
(1 original DAT)
|
|
|
|
|
ID Number: THM11208; Film VTX |
1998.IA.01-017 |
|
|
|
DAT 2, November 20, 1997
(1 original DAT)
|
|
|
|
|
ID Number: THM11206; Film VTX |
1998.IA.01-017 |
|
|
|
DAT 3, November 20, 1997
(1 original DAT)
|
|
|
|
|
ID Number: THM11207; Film VTX |
1998.IA.01-017 |
|
|
|
Getty #91-491, August 7, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11231; Camera roll: A26-A28, A29-A31, B23-B25; Set the internal time code generator on your DAT machine to:
30 NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, September 11, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11228; Camera roll: 128, 130, 132, 134, 136, 138; Set the internal time code generator on your DAT machine to:
30 NDF (or ndf)/ 48khz
|
1998.IA.01-017 |
|
|
|
Getty, September 15, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11236; Camera roll: 152, 154, 156, 158, 160, 162; Set the internal time code generator on your DAT machine to:
30 NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 1, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11221; Camera roll: 176, 178, 180, 182, 184, 186; Set the internal time code generator on your DAT machine to:
30 NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 15, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11235; Camera roll: A258, B252, B253, B354, B255, A256, A257; Set the internal time code generator on your DAT
machine to: 30 NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 20, 1997
(1 DAT)
|
|
|
|
|
ID Number: 11227; Camera roll: A264, A279-A281, A282-A284; Set the internal time code generator on your DAT machine to: 30
NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 20, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11226; Camera roll: A285-A287, A288-A290; Set the internal time code generator on your DAT machine to: 30 NDF
(or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 20, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11220; Camera roll: A291, B272, B273, E274-E276; Set the internal time code generator on your DAT machine to:
30 NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 21, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11229; Camera roll: A292-A294, A295-A297; Set the internal time code generator on your DAT machine to: 30 NDF
(or ndf)
|
1998.IA.01-017 |
|
|
|
Getty, October 21, 1997
(1 DAT)
|
|
|
|
|
ID Number: THM11225; Camera roll: A298, A301, A302, A306, B299, B300; Set the internal time code generator on your DAT machine
to: 30 NDF (or ndf)
|
1998.IA.01-017 |
|
|
|
The Getty, March 27, 1997
(1 DAT)
|
|
|
|
|
Mountainair/Baseline Films |
1998.IA.01-017 |
|
|
|
Unlabeled
(3 audiocassettes)
|
|
Series II.B. Audio edits, mixes, and voiceovers, 1996-1997 |
Box |
|
1998.IA.01-013 |
|
|
"Quito" Part 1 and Part 2
(1 analog audiocassette)
|
|
|
|
ID Number: THM11409 |
|
|
|
|
|
Opening "Experience" and Irises (Temecula students)
(1 analog audiocassette)
|
|
|
|
ID Number: THM11411 |
Box |
|
1998.IA.01-013 |
|
|
Banner Project (Temecula) and Getty Museum section
(1 analog audiocassette)
|
|
|
|
ID Number: THM11408 |
1998.IA.01-013 |
|
|
Getty Research Institute and Mexico City landmarks, 1 Alejandra
(1 analog audiocassette)
|
|
|
|
ID Number: THM11407 |
1998.IA.01-013 |
|
|
LA Landmarks (Osofu, Raul) and virtual database (Jim Bowers)
(1 analog audiocassette)
|
|
|
|
ID Number: THM11405 |
1998.IA.01-013 |
|
|
Mountainair Films "Getty project," November 1, 1996
(Set of 3 analog audiocassettes)
|
|
|
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Xfer from 1/4" Nagra, Parts: 1, 2, and 3. W.O. #A-3837 |
Box |
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1998.IA.01-016 |
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The banner, end credits, December 4, 1997
(1 original DAT)
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ID Number: THM11463 |
Box |
|
1998.IA.01-018 |
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Getty, final mixes, all, November 16, 1997
(1 original DAT)
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1998.IA.01-018 |
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Final mixdown A
(1 original D88)
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ID Number: THM11239 |
1998.IA.01-018 |
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Final mixdown B
(1 original D88)
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ID Number: THM11240 |
1998.IA.01-018 |
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Getty film project voiceovers
(1 audiocassette)
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ID Number: THM11401 |
1998.IA.01-018 |
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Getty film project voiceovers, November 19, 1997
(1 audiocassette)
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ID Number: THM11402 |
1998.IA.01-018 |
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Getty film project voiceovers |
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ID Number: THM11403 |
1998.IA.01-018 |
|
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Getty film project voiceovers, November 21, 1997
(1 audiocassette)
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|
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ID Number: THM11404 |