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Pacific Standard Time: Art in L.A. recordings, 2008-2012

To access physical materials at the Getty, go to the library catalog record for this collection and click "Request an Item." Click here for general library access policy. See the Administrative Information section of this finding aid for access restrictions specific to the records described below. Please note, some of the records may be stored off site; advanced notice is required for access to these materials.
Descriptive Summary
Administrative History
Scope and Content of Collection
Restrictions
Indexing Terms
Related Material
Administrative Information
Container List
Series I. Getty Foundation funded Pacific Standard Time oral histories, 2008-2012
18th Street Arts Center, 2011-2012
American Museum of Ceramic Art: "Common Ground: Ceramics in Southern California 1945-1975," 2009-2010
Armand Hammer Museum of Art and Cultural Center: "Now Dig This! Art and Black Los Angeles 1960-1980," 2008-2010
Armory Center for the Arts: "Speaking in Tongues: The Art of Wallace Berman and Robert Heinecken, 1961-1976," 2009-2010
California African American Museum: "Places of Validation, Art and Progression," circa 2011
California Institute of the Arts: "The Experimental Impulse," 2011-2012
City of Los Angeles Cultural Affairs Department: "Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center," 2010
Huntington Library, Museum, and Botanic Gardens: "The House that Sam Built: Sam Maloof and Art in the Pomona Valley, 1945-1985," mid 1990s, 2011
Japanese American National Museum: "Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles," 2011-2012
Los Angeles Contemporary Exhibitions: "Los Angeles Goes Live: Performance Art in Southern California 1970-1983," 2009-2011
Los Angeles County Museum of Art: "California Design, 1930-1965: 'Living in a Modern Way,'" 2011
Los Angeles Filmforum: "Alternative Projections: Experimental Film in Los Angeles 1945-1980," 2009-2010
Orange County Museum of Art: "State of Mind: New California Art circa 1970," 2009-2011
Otis College of Art and Design: "Doin' It in Public: Feminism and Art at the Woman's Building (1973-1991)," 2009-2012
Pomona College Museum of Art: "It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973," 2008-2010
Ruth Chandler Williamson Gallery: "Clay's Tectonic Shift: John Mason, Ken Price, Peter Voulkos: 1956-1968," 2009-2011
UCLA Film and Television Archive: L.A. Rebellion, 2010-2011
USC Fisher Museum of Art: "Sight Specific: LACPS and the Politics of Community," 2011
Vincent Price Art Museum: "'Round the Clock: Chinese American Artists Working in Los Angeles"
Series II. Getty produced Pacific Standard Time audio recordings, 2008-2012
Series II.A. Getty produced oral histories and events 2008-2012
Series II.B. Crosscurrents in L.A.: Painting and Sculpture, 1950-1970 exhibition audio, 2011
Series III. Audiovisual documentation of Pacific Standard Time partner institution exhibitions, 2010-2012
Pacific Standard Time: Art in L.A. Recordings, 2008-2012
Series II. Getty produced Pacific Standard Time audio recordings, 2008-2012 1.55 Linear Feet (2 boxes and 3 enclosures)
Materials principally comprise 2008-2012 audiovisual recordings of oral history interviews, public conversations, symposia, lectures, and recorded content used in exhibitions generated by the Getty Research Institute (GRI) through its Pacific Standard Time: Art in L.A. initiative. The GRI recorded these interviews and events to document and preserve the art historical record of Los Angeles from 1945 to 1980. When available, supporting documentation such as transcripts, photographs and ephemera is also included with the use copy of the recording. In these recordings, leading artists, filmmakers, musicians, curators, and critics were asked to discuss their contributions to Los Angeles' vibrant postwar art scene during these years. Materials principally comprise interviews with curators/art historians that were actively involved with the Getty's Pacific Standard Time: Art in L.A. initiatives.
A few interviews were also conducted to provide short audio clips for a 2011-2012 exhibition at the J. Paul Getty Museum, Crosscurrents in L.A.: Painting and Sculpture, 1950-1970. The clips were intended for public visitors to enjoy while they viewed corresponding works in the exhibition.
Arrangement
Records are arranged in two subseries:
Getty produced oral histories and events, 2008-2012, 4.85 Linear Feet
Crosscurrents in L.A.: Painting and Sculpture, 1950-1970 exhibition audio, 2011, 0.3 Linear Ft.
Materials are open and available to qualified researchers. Use copies exist for most recordings. Original recordings and duplication masters are restricted.
Access to digital files in accessions 2012.IA.118; 2012.IA.124; 2012.IA.125; 2012.IA.126; 2012.IA.127; 2012.IA.129 and 2013.IA.68 is available on Getty networked computers and in the Special Collections Reading Room through the links provided in the inventory.
Series II.A. Getty produced oral histories and events 2008-2012 4.85 Linear Feet (13 boxes and 42 enclosures)
Materials principally comprise audiovisual recordings of oral history interviews, public conversations, and lectures from 2008 to 2012, generated by the Getty Research Institute (GRI) through its Pacific Standard Time: Art in L.A. initiative. The GRI recorded these interviews and events to document and preserve the art historical record of Los Angeles from 1945 to 1980. When available, supporting documentation such as transcripts, photographs and ephemera is also included with the use copy of the recording. Project background documentation relating to Pacific Standard Time: Art in L.A. as a whole are also included at the beginning of the series. In these recordings, leading artists, filmmakers, musicians, curators, and critics were asked to discuss their contributions to Los Angeles' vibrant postwar art scene during these years.
Arrangement
Project background materials relating to Pacific Standard Time: Art in L.A. as a whole are at the beginning of the series. All other materials are arranged alphabetically by the interviewee's surname or by title.
Pacific Standard Time: Art in L.A. project background:
box
2011.IA.48-01 Ephemera: general city-wide exhibition brochures, 2011
2011.IA.48-01 Ephemera: Getty exhibition brochures and announcements, 2011
Artists and Archives Symposium, 2011 0.1 Linear Feet
Artists and Archives online (On-site access only)
enclosure
2012.IA.118-01 Access copy video and event documentation (1 DVD and printed materials)
Avant-Garde Antics: The Art of Display in Postwar Los Angeles lecture by Lucy Bradnock, June 8, 2010
Avant-Garde Antics online
enclosure
2012.IA.124-01 Access copy video (1 DVD)
box
Shared 2012.IA.094; 095; 096; 097; 098; 099; 100; 101; 102; 103; 104; 105; 106; 107; 108; 124 Original video recording (1 miniDV)
Luchita Hurtado Mullican Oral History Interview on Husband Lee Mullican,
Luchita Hurtado Mullican Oral History Interview on Husband Lee Mullican online
enclosure
2012.IA.129-01 Access copy: video July 6, 2011 (1 DVD: MP4 use copy)
Questioning the Standard: New Narratives of Art in Los Angeles, May 13, 2011
Questioning the Standard: New Narratives of Art in Los Angeles online (On-site access only)
Series II.B. Crosscurrents in L.A.: Painting and Sculpture, 1950-1970 exhibition audio, 2011 0.3 Linear Feet (1 box and 3 enclosures)
Materials principally comprise interviews with curators/art historians that were actively involved with the Getty's Modern Art in Los Angeles and Pacific Standard Time: Art in L.A. initiatives. These projects were sponsored by the Getty to locate, collect, document, and preserve the art historical record of Los Angeles' vibrant postwar art scene. Between October 2011 and February 2012, a major exhibition at the J. Paul Getty Museum, Crosscurrents in L.A.: Painting and Sculpture, 1950-1970, presented a survey of postwar painting and sculpture in Los Angeles, accompanied by a book that is at once an exhibition catalog and an overview of postwar art history in Southern California. These interviews were conducted to provide short audio clips for public visitors to enjoy while they viewed corresponding works in the exhibition.
Arrangement
Materials are arranged alphabetically by title.
Materials are open and available to qualified researchers. Use copies exist for most recordings. Original recordings and duplication masters are restricted.
Sarah Bancroft interview on Richard Diebenkorn, 2011 0.1 Linear Feet
Sarah Bancroft interview on Richard Diebenkorn online
enclosure
2012.IA.125-01 Access copy video and transcript (1 DVD and printed materials)
box
Shared 2012.IA.109; 110; 111; 112; 113; 114; 115; 116; 117; 119; 122; 125; 126; 127 Duplication master video (1 DVD)
Thomas Crow interview on the hard-edge painting movement in Los Angeles, 2011 0.1 Linear Feet
Thomas Crow interview on the hard-edge painting movement in Los Angeles online (On-site access only)
enclosure
2012.IA.127-01 Access copy video and transcript (1 DVD and printed materials)
box
Shared 2012.IA.109; 110; 111; 112; 113; 114; 115; 116; 117; 119; 122; 125; 126; 127 Duplication master video (1 DVD)
Andrew Perchuk interview on David Hockney, 2011 0.1 Linear Feet
Andrew Perchuk interview on David Hockney online (On-site access only)
enclosure
2012.IA.126-01 Access copy video and transcript (1 DVD and printed materials)
box
Shared 2012.IA.109; 110; 111; 112; 113; 114; 115; 116; 117; 119; 122; 125; 126; 127 Duplication master video (1 DVD)


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