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Pacific Standard Time: Art in L.A. recordings, 2008-2012

To access physical materials at the Getty, go to the library catalog record for this collection and click "Request an Item." Click here for general library access policy. See the Administrative Information section of this finding aid for access restrictions specific to the records described below. Please note, some of the records may be stored off site; advanced notice is required for access to these materials.
Descriptive Summary
Administrative History
Scope and Content of Collection
Restrictions
Indexing Terms
Related Material
Administrative Information
Container List
Series I. Getty Foundation funded Pacific Standard Time oral histories, 2008-2012
18th Street Arts Center, 2011-2012
American Museum of Ceramic Art: "Common Ground: Ceramics in Southern California 1945-1975," 2009-2010
Armand Hammer Museum of Art and Cultural Center: "Now Dig This! Art and Black Los Angeles 1960-1980," 2008-2010
Armory Center for the Arts: "Speaking in Tongues: The Art of Wallace Berman and Robert Heinecken, 1961-1976," 2009-2010
California African American Museum: "Places of Validation, Art and Progression," circa 2011
California Institute of the Arts: "The Experimental Impulse," 2011-2012
City of Los Angeles Cultural Affairs Department: "Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center," 2010
Huntington Library, Museum, and Botanic Gardens: "The House that Sam Built: Sam Maloof and Art in the Pomona Valley, 1945-1985," mid 1990s, 2011
Japanese American National Museum: "Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles," 2011-2012
Los Angeles Contemporary Exhibitions: "Los Angeles Goes Live: Performance Art in Southern California 1970-1983," 2009-2011
Los Angeles County Museum of Art: "California Design, 1930-1965: 'Living in a Modern Way,'" 2011
Los Angeles Filmforum: "Alternative Projections: Experimental Film in Los Angeles 1945-1980," 2009-2010
Orange County Museum of Art: "State of Mind: New California Art circa 1970," 2009-2011
Otis College of Art and Design: "Doin' It in Public: Feminism and Art at the Woman's Building (1973-1991)," 2009-2012
Pomona College Museum of Art: "It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973," 2008-2010
Ruth Chandler Williamson Gallery: "Clay's Tectonic Shift: John Mason, Ken Price, Peter Voulkos: 1956-1968," 2009-2011
UCLA Film and Television Archive: L.A. Rebellion, 2010-2011
USC Fisher Museum of Art: "Sight Specific: LACPS and the Politics of Community," 2011
Vincent Price Art Museum: "'Round the Clock: Chinese American Artists Working in Los Angeles"
Series II. Getty produced Pacific Standard Time audio recordings, 2008-2012
Series II.A. Getty produced oral histories and events 2008-2012
Series II.B. Crosscurrents in L.A.: Painting and Sculpture, 1950-1970 exhibition audio, 2011
Series III. Audiovisual documentation of Pacific Standard Time partner institution exhibitions, 2010-2012
Pacific Standard Time: Art in L.A. Recordings, 2008-2012
Series I. Getty Foundation funded Pacific Standard Time oral histories, 2008-2012 8.5 Linear Feet (18 boxes and 5 enclosures: printed material, 1 hard drive, 26 video tapes, 276 optical discs. 1.52 TB)
Ruth Chandler Williamson Gallery: "Clay's Tectonic Shift: John Mason, Ken Price, Peter Voulkos: 1956-1968," 2009-2011 (electronic resource; 2 MB)
Clay's Tectonic Shift transcripts online

Resource comprises transcripts of interviews with artists and art historians conducted by the Ruth Chandler Williamson Gallery (Scripps College, Claremont, California) in relation to their 2012 exhibition "Clay's Tectonic Shift: John Mason, Ken Price, Peter Voulkos: 1956-1968." The interviews and exhibition were part of Pacific Standard Time: Art in L.A., a city-wide project that focused on the postwar (1945-1980) art scene in Los Angeles.
Dr. Mary Davis MacNaughton, director of the Williamson Gallery, described the concept behind the exhibition and catalog: "Mason, Price, and Voulkos changed the conversation in ceramics from craft to art, creating fired-clay sculpture that was unprecedented in ambition and originality. The exhibition presents important works in this development. These three artists were the catalysts for a new ceramic scene and a definitive shift in the way ceramics were understood. From that point until the present day, clay has simply never been viewed in the same way again."
Ruth Chandler Williamson Gallery. "Exhibitions," accessed June 19, 2012, http://rcwg.scrippscollege.edu/exhibitions/clays-tectonic-shift-john-mason-ken-price-and-peter-voulkos-1956-1968
Arrangement
Digital files are arranged alphabetically by the surname of the interviewee. (Files were transferred electronically; no physical carrier was received.)
The transcripts are open to researchers. The transcripts exist solely in digital format and are available online.
David Armstrong, October 23, 2010
John Baldessari, November 5, 2010
Larry Bell, September 29, 2010
Billy Al Bengston, August 26, 2010
Chris Burden, September 28, 2010
Tony DeLap, November 23, 2010
Joe Goode, October 4, 2010
Stanley Grinstein, September 22, 2010
George Herms, November 23, 2010
John Mason, 2010
Douglas McClellan, September 20, 2010
Harrison McIntosh, August 21, 2009
Ken Price, 2010
Peter Selz, August 20, 2010
Henry Takemoto, November 2010
Maurice Truchman, 2010 and 2011
Jack Zajac, October 25, 2010
box
2011.IA.48-01 Printed ephemera: Screenshot of exhibition webpage, 2012


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