| Title: | Allan Kaprow papers |
| Dates: | 1940-1997 |
| Number: | 980063 |
| Creator/Collector: | Kaprow, Allan |
| Extent: | 63.5 Linear Feet (119 boxes, 16 flat file folders, 2 rolls) |
| Abstract: | The Allan Kaprow Papers offer comprehensive documentation of an artistic career that spanned the latter half of the 20th century and continues into the 21st. Arranged chronologically so as to demonstrate the artist's passage from student of art and art history to practicing artist, art theorist and art educator, the collection contains drawings, term papers and notebooks from Kaprow's student days, followed by ca. 250 Project Files, comprising the complete extant documentation of Kaprow's Environments, Happenings, and Activities. |
| Request Materials: | Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy. |
| Language: | Collection material is in English . |
| Repository: | The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 Business Number: (310) 440-7390 Fax Number: (310) 440-7780 reference@getty.edu URL: http://hdl.handle.net/10020/askref (310) 440-7390 |
| Author: | Annette Leddy. |
Allan Kaprow was born in Atlantic City, New Jersey, on August 23, 1927, and spent his childhood in Tuscon, Arizona. His family then moved to New York, where Kaprow attended the High School of Music and Art, graduating in 1945. He received his B.A. degree from New York University, where he majored in philosophy and art history and was a principle cartoonist for the college magazine. He then earned a Master's Degree in art history at Columbia University where he studied with Meyer Schapiro, to whom he dedicated his Thesis on Piet Mondrian in 1951. He also studied painting with Hans Hofmann (1947-1948) at Hofmann's school, and musical composition with John Cage at the New School for Social Research (1957-1958).
In the mid-1950s Kaprow began exhibiting his work, expressionist or fauvist-style paintings, at the Hansa Gallery, an East Village cooperative that he co-founded with a group of other young artists including Jan Müller, Felix Pasilis, and Jean Follett. By 1958, Kaprow's paintings had evolved into the interactive installations that he called Environments, at that time a novel concept in the American art scene. From this Kaprow moved to the notion of creating an event determined, like Cage's music, by a score that allowed for chance developments. The elements of these event pieces were always to be everyday objects (tires, cheap mirrors, aluminum foil, plastic strips), people (participants), and often sound (bits of household or workworld dialogue, breathing, industrial noise). He also generally dispensed with the gallery space and utilized urban spaces or sites in nature.
Kaprow had a long career as a professor of art and art history. He taught at Rutgers University (1953-1961), SUNY Stony Brook (1961-1968), California Institute of the Arts (1969-1974) and UC San Diego (1974-1993), and has been a visiting lecturer at numerous museums and universities. He also co-directed an educational program for the Berkeley public schools in 1969, Project Other Ways, and has authored several proposals regarding art education reform in the United States.
Beginning with his prescient article "The Legacy of Jackson Pollock," published in Art News in 1958, Kaprow has consistently produced critical and theoretical pieces that explain his kind of art as the most adequate aesthetic response to contemporary life. Assemblage, Environments, and Happenings (1966) presented the work of like-minded artists through both photographs and critical essays, and is a standard text in the field of performance art. Kaprow's Essays on the Blurring of Art and Life (1993), a collection of pieces written over four decades, has made his theories about the practice of art in the present day available to a new generation of artists and critics. In addition, major catalogs of Kaprow's work have been published in connection with retrospectives in the U.S. and Europe, most notably 7 Environments (1992).
The critical and public acceptance of Kaprow's work may be attributed as much to the polemics of Kaprow's writings and lectures as to his anticipation that American art would move away from the hermetic aesthetic of Abstract Expressionism and return, in certain respects, to the anti-subjective populism of Futurism, Constructivism and Dada. For four decades Kaprow has continued to work within the form of the Environment, Happening, or Activity, and has reinvented certain early works several times, making a total of nearly 250 pieces. His influence on other artists, especially the performance and installation artists of the 1970s and 1980s, has been significant. More than forty years after the first Happening, his work is the subject of continual critical discussion. While the form Kaprow largely invented has lost its shock-value, the quality of his ephemeral pieces continues to resonate through their scores and other surviving documentation.
The Allan Kaprow Papers offer comprehensive documentation of an artistic career that spanned the latter half of the 20th century and continues into the 21st. Arranged chronologically so as to demonstrate the artist's passage from student of art and art history to practicing artist, art theorist and art educator, the collection contains drawings, term papers and notebooks from Kaprow's student days, followed by ca. 250 Project Files, comprising the complete extant documentation of Kaprow's Environments, Happenings, and Activities. These files form the core of the collection and demonstrate the evolution of Kaprow's Happening from a relatively scripted, grand, social event (Chicken; Household) to an austere, inter-subjective experience (Time Pieces; Rates of Exchange). They contain the artist's notes and drafts of the casually poetic scores, along with correspondence and photo-documentation by Peter Moore, Robert McElroy, and Julian Wasser, among other photographers. A variety of Printed Matter, including Scrapbooks, Clippings and Posters, document the work's presentation and reception in the art world. There are also Film, Video and Audio recordings of many Happenings and Activities. Kaprow's writings, arranged chronologically by year, represent the artist's consistent production of articles, essays, books, and lectures about the practice of contemporary art and issues in art education. Teaching files contain correspondence with university officials and colleagues; together with Professional Correspondence they portray the financial difficulties attendant on an unconventional art career that has taken place outside the usual venues and generated few objects that could be sold for profit. Artists' Files comprise texts, objects or photographs sent to Kaprow, and evoke the international community of avant-garde artists to which Kaprow belongs.
The papers are organized in 10 series:
Series I. Education,
1940-1996
Series II. Hansa Gallery,
1953-1958
Series III. Project Files,
1946-1999
Series IV. Printed Matter,
1952-1997
Series V. Writings, 1953-1997
Series VI. Teaching Files, 1952-1993
Series VII. Professional Correspondence, 1946-1998
Series VIII. Artists' Files, 1955-1996
Series IX. Personal, 1946-1996
Series X. Films and Video and Audio Tapes, 1957-1995
Oversize from Series I-X, 1949-1970
Open for use by qualified researchers, except un-reformatted audiotapes, videotapes and films.
Contact Library Reproductions and Permissions.
Many audiovisual items have been reformatted. Some are available in the repository as CD and DVD use copies, as indicated in the container list; others have been digitized and are available online to on-site Readers and Getty staff: http://hdl.handle.net/10020/980063s10
Allan Kaprow Papers, 1940-1997, The Getty Research Institute, Los Angeles, Accession no. 980063.
http://hdl.handle.net/10020/cifa980063
Collection acquired from Allan Kaprow in 1998.
435 monographs and serials were transferred to the library 1999 Apr 20.
Peter Kirby created an inventory and reformatted audio cassettes, Super 8 films, video tapes and 1/4 inch audio tapes in 2003. The remainder of audio visual materials were reformatted between 2004 and 2008 by the Getty Research Library. In 2018 graduate intern Jacob Zaborowski added content from audio visual physical use copies to the digital preservation system.
| Series I. Education, 1940-1996 3 lin. ft. | |||||||||||
| Education files include Oversize, and offer evidence of an early inclination toward art, such as an elementary school award for handicrafts and a Christmas card Kaprow designed for his high school. Otherwise, the series documents the intellectual aspect of Kaprow's development as an artist. It consists of notebooks for undergraduate and graduate courses in Art History and Philosophy, along with Kaprow's student essays, including a paper on Jackson Pollock that Kaprow wrote for a course with Meyer Schapiro, whose comments are on the paper. Also included are musical scores Kaprow created for courses with John Cage at the New School for Social Research. | |||||||||||
| box | |||||||||||
| 1 | Education, 1940-1952 | ||||||||||
| 1 | 1 | Brandes School, Arizona, 1940-1941 | |||||||||
| Brochure of Kaprow's elementary school and award he won for handicrafts. | |||||||||||
| 1 | 2 | High School of Music & Art, New York, 1941-1945 | |||||||||
| Christmas card designed by Kaprow for the school, Principal's letter of congratulations about the card, graduation invitations and program, diploma, and diploma from Junior High in Tucson. | |||||||||||
| 1 | 3 | New York University, 1946-1949 | |||||||||
| Kaprow essay on Hart Crane, program for student plays, exams for courses on Aesthetics and Ethics, notebook and study cards for Philosophy course, letter of conferment of degree. | |||||||||||
| 1 | 4 | New York University, 1946-1949 | |||||||||
| Philosophy notebook cover. | |||||||||||
| 1 | 5 | Columbia University, 1950-1952 | |||||||||
| One course notebook on Greek art and one on Romanesque painting, with loose notes on assorted topics. | |||||||||||
| 1 | 6 | Columbia University, 1950-1952 | |||||||||
| One course notebook on Modern Art and one on Early Christian painting, with loose notes on assorted topics. | |||||||||||
| 1 | 7 | Columbia University, 1950-1952 | |||||||||
| One course notebook on Baroque painting in Italy and one on Modern Art, with loose notes on assorted topics. | |||||||||||
| box | |||||||||||
| 2 | Education, , 1950-1958 1996 | ||||||||||
| 2 | 1 | Columbia University, 1950-1952 | |||||||||
| One course notebook on Medieval Art and one on Greek art. | |||||||||||
| 2 | 2 | Columbia University, 1950 | |||||||||
| Essay on Jackson Pollock for course taught by Meyer Schapiro, with Schapiro's comments. | |||||||||||
| 2 | 3 | Columbia University, 1950 | |||||||||
| Essay on The South Portal Tympanum of St. Sernin at Toulouse, for course on Romanesque sculpture taught by Meyer Schapiro, with Schapiro's comments. | |||||||||||
| 2 | 4 | Columbia University, 1950-1952 | |||||||||
| Handwritten draft of essay on Humanism and Raphael's "Disputa" and "Parnassus." | |||||||||||
| 2 | 5 | Columbia University, 1950-1952 | |||||||||
| Handwritten draft of essay on Titian. | |||||||||||
| 2 | 6 | Columbia University, 1950-1952 | |||||||||
| Essay on Frans Hals. | |||||||||||
| 2 | 7 | Columbia University, 1950-1952 | |||||||||
| Handwritten draft of essay on Piero della Francesca and Fernand Leger. | |||||||||||
| 2 | 8 | Columbia University, 1950-1952 | |||||||||
| Handwritten draft of review of Modigliani show at MOMA. | |||||||||||
| 2 | 9 | Columbia University, 1951 | |||||||||
| Master's thesis on Piet Mondrian, with dedication to Meyer Schapiro. | |||||||||||
| 2 | 10 | Columbia University, 1951 | |||||||||
| A second copy of above M.A. thesis, with handwritten corrections on tablet. | |||||||||||
| 2 | 11 | Columbia University, 1952 | |||||||||
| Master's Degree Diploma. | |||||||||||
| 2 | 12 | Goya Exhibition Program, 1950 | |||||||||
| With Kaprow's notes written in margins. | |||||||||||
| 2 | 13 | Book List, 1956 | |||||||||
| A list of books about art and artists. | |||||||||||
| 2 | 14 | New School for Social Research, 1957 | |||||||||
| Handwritten musical score ("Music"). | |||||||||||
| 2 | 15 | New School for Social Research, 1957-1958 | |||||||||
| Handwritten musical score ("Roulette"). | |||||||||||
| 2 | 16 | New School for Social Research, 1957-1958 | |||||||||
| Musical score ("Saw"), 2 copies. | |||||||||||
| 2 | 17 | Invitations, 1994-1996 | |||||||||
| Symposium and Memorial in honor of Meyer Schapiro. | |||||||||||
| Series II. Hansa Gallery, 1953-1958 0.25 Linear Feet | |||||||||||
| This Series consists of posters and announcements for exhibitions at the Hansa Gallery, where Kaprow's paintings and early environments were first exhibited. | |||||||||||
| box | |||||||||||
| 3 | Hansa Gallery, 1953-1958 | ||||||||||
| 3 | 1 | Announcements, 1953 | |||||||||
| Jan Müller mimeos. | |||||||||||
| 3 | 2 | Announcements, 1954-1958 | |||||||||
| For Kaprow's paintings and drawings exhibitions. | |||||||||||
| 3 | 3 | Posters, 195? | |||||||||
| for Kaprow solo and group exhibitions. | |||||||||||
| Series III. Project Files, 1946-1999 14 Linear Feet | |||||||||||
| Project Files form the core of the collection. Arranged chronologically by year and, where possible, by month, they begin with .5 linear feet of slides and photographs of Kaprow's early paintings, and drafts of early scores. The remaining Project Files document the 231 Environments, Happenings, or Activities in the collection, including some that were never realized. Typically, a file contains a score, often both handwritten and revised typewritten versions; correspondence with the sponsoring institution regarding funding, site specifications, and travel arrangements; photographs of the work; and possibly clippings or press releases. Files for Happenings created between 1967 and 1969 often contain a poster that served as both publicity for a Happening and as its score (see also Series IV.D. Posters). Files for Activities created between 1970 and 1979 often contain Activity Booklets, that is, booklets made to look like training manuals that document a piece with photographs and text and may also serve as scores for future reinventions. Pieces Kaprow reinvented more than once in his career (such as "Yard" or "Words") are listed in the chronological sequence each time they were reinvented, and the entry for the original piece lists all subsequent reinventions for which there is documentation in the collection. (For a more complete list of Kaprow's work, see his Curriculum Vita in the Research file for 980063). The entry for each project begins with the name of the sponsoring institution or, where that is not known, the location. Please note that the dates of projects have been authenticated by reference to announcements or clippings or by discussions with Allan Kaprow and that dates on the versos of photographs are not authoritative. Moreover, research related to the GRI book on Kaprow has led to date reassignments that are noted in brackets next to the title of the Project file, but the files have not been moved. Slides, negatives, minox, and color prints have been physically separated from the Project files for conservation purposes and are listed under the relevant project as Photographic material. | |||||||||||
| box | |||||||||||
| 4 | Project Files, 1946-1958 | ||||||||||
| 4 | 1 | Varieties, 1946-1947 | |||||||||
| Ten complete issues from the New York University magazine for which Kaprow was a principle cartoonist. Includes covers and internal cartoons by Kaprow. | |||||||||||
| 4 | 2 | Varieties, 1946-1947 | |||||||||
| 15 individual cartoons Kaprow drew for the N.Y. University magazine, with 1 copy of Varieties Cartoon Cavalcade and 1 Kaprow drawing. | |||||||||||
| 4 | 3 | Red forest, 1953 | |||||||||
| Black and white photographs of the Kaprow painting. No Photo credit. | |||||||||||
| 4 | 4 | Early works, ca. 1954-1957 | |||||||||
| Slides, negatives, and transparencies of early paintings, sculpture, and collages, including "Red Dancers," and "Woman Out of Fire," with an incomplete list in Kaprow's handwriting. No Photo credit. | |||||||||||
| box | folder | ||||||||||
| 112 | 1 | Photographic material | |||||||||
| box | folder | ||||||||||
| 4 | 5A | Early works, ca. 1952-1953 | |||||||||
| 4 | 5B | Early works, ca. 1954 | |||||||||
| 4 | 5C | Early works, ca. 1955 | |||||||||
| 4 | 5 | Early works, ca. 1956-57 | |||||||||
| 4 | 6 | Caged pheasant #1 and #2, 1956 | |||||||||
| Black and white photographs and color transparencies and slides of the piece. Photo credits: Mary Kristen. | |||||||||||
| box | folder | ||||||||||
| 112 | 2 | Photographic material | |||||||||
| box | folder | ||||||||||
| 4 | 7 | Tape score, 1957 | |||||||||
| Handwritten with photocopy. | |||||||||||
| 4 | 8 | Tape Score, 1957 | |||||||||
| Handwritten, with diagram of theater and a drawing. | |||||||||||
| 4 | 9 | Tape score, 1957-1958 | |||||||||
| Handwritten. | |||||||||||
| 4 | 10 | Composition, 1957-1958 | |||||||||
| Handwritten score involving music, dancers, and objects. | |||||||||||
| 4 | 11 | Score, n.d. | |||||||||
| 1 handwritten page. May not be Kaprow's work. | |||||||||||
| 4 | 12 | Rearrangeable panels, 1957-1995 | |||||||||
| Black and white photographs of early version; color transparencies of later version, with Kaprow statement from 1990. Photo credit: John Millaire; Rudolph Burckhardt; Photodyne. | |||||||||||
| box | folder | ||||||||||
| 112 | 3 | Photographic material | |||||||||
| box | folder | ||||||||||
| 4 | 13 | Throat and cough piece, 1957-1958 | |||||||||
| 1 page handwritten score. | |||||||||||
| 4 | 14 | Untitled environment, Mar 1958 | |||||||||
| First environment at the Hansa Gallery. Black and white photographs, color slides, one drawing. Photo credit: Jon Henry; Francesco Cantarella. | |||||||||||
| box | folder | ||||||||||
| 112 | 4 | Photographic material | |||||||||
| 4 | 15 | Untitled environment, Dec 1958 | |||||||||
| Second environment at Hansa for solo show. Writings, correspondence, announcements, black and white photographs. Photo credit: Francesco Cantarella. See also 1980 for later reinvention at Berlin Academy for show entitled "Eyes and Ears." | |||||||||||
| box | |||||||||||
| 5 | Project Files, 1958-1959 | ||||||||||
| 5 | 1 | A pastorale, 1958 | |||||||||
| George Segal's farm, North Brunswick, N.J. Handwritten score with diagrams. Part of score was incorporated into 18 Happenings. | |||||||||||
| 5 | 2 | Communication, Apr 1958 | |||||||||
| Douglass College, N.J. Handwritten score with diagrams and retrospective statement by Kaprow discussing this first public Happening. | |||||||||||
| 5 | 3 | Mountain, Dec 1959 | |||||||||
| Color snapshots and slides of this object shown at Reuben Gallery. No Photo credit. | |||||||||||
| box | folder | ||||||||||
| 112 | 5 | Photographic material | |||||||||
| 5 | 4 | Notes for electronic sound pieces, late 1950s | |||||||||
| 5 | 5 | Something to take place: a happening, 1959 | |||||||||
| Published in Anthologist, v. 30, no. 4 (CJPA87-S944). Unrevised score of "18 Happenings in 6 Parts." | |||||||||||
| 5 | 6 | 18 happenings in 6 parts, 1959 | |||||||||
| Reuben Gallery, NYC. Handwritten notes, scores, schemas and drawings. | |||||||||||
| 5 | 6 | 18 happenings in 6 parts, 1959 | |||||||||
| Reuben Gallery, NYC. Handwritten notes, scores, schemas and drawings. | |||||||||||
| 5 | 6A | 18 happenings in 6 parts, 1959 | |||||||||
| Audience instructions. | |||||||||||
| 5 | 7 | 18 happenings in 6 parts, 1959 | |||||||||
| Texts and speeches not filed under "Rooms." | |||||||||||
| 5 | 8 | 18 happenings in 6 parts, 1959 | |||||||||
| Room 1, Sets 1-5. | |||||||||||
| 5 | 9 | 18 happenings in 6 parts, 1959 | |||||||||
| Room 2, Sets 1-5. | |||||||||||
| 5 | 9 | 18 happenings in 6 parts, 1959 | |||||||||
| Room 2, Sets 1-5. | |||||||||||
| 5 | 9A | 18 happenings in 6 parts, 1959 | |||||||||
| Room 3, Sets 1-6. | |||||||||||
| 5 | 10 | 18 happenings in 6 parts, 1959 | |||||||||
| Slides of artwork used in piece. No photo credit. | |||||||||||
| box | folder | ||||||||||
| 112 | 6 | Photographic material | |||||||||
| box | folder | ||||||||||
| 5 | 11 | 18 happenings in 6 parts, 1959 | |||||||||
| Photographs not filed under Rooms. Photo credit: Scott Hyde | |||||||||||
| 5 | 12 | 18 happenings in 6 parts, 1959 | |||||||||
| Correspondence (Organizational and post-performance response) | |||||||||||
| 5 | 12A | 18 happenings in 6 parts, 1959 | |||||||||
| Columbia University monitoring templates (where separated from materials) | |||||||||||
| 5 | 13 | Laughs and Balloons, A Happening in One Night, 1959 | |||||||||
| Reuben Gallery. Handwritten score. | |||||||||||
| box | |||||||||||
| 6 | Project Files, 1960-1962 | ||||||||||
| 6 | 1 | The big laugh, Jan 1960 | |||||||||
| Reuben Gallery. Score, 4 black and white photographs. No Photo credit. | |||||||||||
| 6 | 2 | Coca cola Shirley Cannonball, Feb 1960 | |||||||||
| Judson Gallery. Score, black and white photographs, negatives. No Photo credit. | |||||||||||
| 6 | 3 | Garage Environment, Sept 1960 | |||||||||
| In Kaprow's studio, Old Bridge, N.J. Black and white photographs and slides. No Photo credit. | |||||||||||
| 6 | 4 | Apple Shrine, Nov 1960 | |||||||||
| Judson Gallery, NYC. Black and white photographs and transparencies of 1960 version, with letter to the Village Voice regarding lack of critical response to the piece. Photo credit: Robert McElroy. See Box 33 for later reinvention in "7 Environments," Milan, Fondazione Mudima, 1991. | |||||||||||
| 6 | 5 | Stockroom, 1960 | |||||||||
| Stockholm. Score and black and white photographs. Photo credit: Vera Spoerri. See also "7 Environments," 1992, Box 33, for later reinvention. | |||||||||||
| 6 | 6 | A Spring Happening, Mar 1961 | |||||||||
| Reuben Gallery. Score, clipping of review, black and white and color photos and slides. Photo credit: Robert McElroy. | |||||||||||
| 6 | 7 | Yard, May 1961 | |||||||||
| Martha Jackson Gallery and David Anderson Gallery. Press release, Kaprow's statement, black and white and color photographs and transparencies. Photo credit: Robert McElroy; K. Heyman. For later versions of "Yard," see 1967 (Pasadena Art Musuem), 1970 (Köln), 1981 (Dusseldorf), 1982 (Staatliche Museen, Berlin), 1984 (Whitney Museum, NY), 1986 (Museum am Ostwall, Dortmund), 1991 (Fondazione Mudima, Milan), 1998 (MOCA LA). | |||||||||||
| 6 | 8 | Night, May 1961 | |||||||||
| Ann Arbor, as part of festival Open House 61. Score, letters, drawings, black and white photos. No Photo credit. | |||||||||||
| 6 | 9 | Chapel, 1961 | |||||||||
| A version of "Stockroom" (1960), this title was given in proposal to Bill Seitz of MOMA and was not realized. Proposal and letter to Seitz. | |||||||||||
| box | |||||||||||
| 7 | Project Files, 1962 | ||||||||||
| 7 | 1 | Service for the Dead, Part I, Mar 1962 | |||||||||
| Maidman Playhouse, NYC. Sponsored by NY Poet's Theatre. Handwritten and typewritten score. Published version of score (clipping from Art International, 1963 Jan 25), Black and white photographs, plus 4 glass slides. Photo credit: Robert McElroy. | |||||||||||
| 7 | 2 | Mirrors: A Happening, May 1962 | |||||||||
| Handwritten and typewritten score. Not performed; Kaprow developed it into a limited edition etching. | |||||||||||
| 7 | 3 | Service for the Dead, Part II, Aug 1962 | |||||||||
| Bridgehampton, NY, as part of Ergo Suits Festival. Handwritten and typewritten score. Black and white photographs, negatives, and glass slides. No Photo credit. | |||||||||||
| 7 | 4 | Sweeping, Aug 1962 | |||||||||
| Woodstock, NY, as part of Ergo Suits Festival. Handwritten and typewritten score. Black and white photographs and 1 glass slide. Photo credit: Peter Moore; Robert McElroy. | |||||||||||
| 7 | 5 | Words, Sept 1962 | |||||||||
| Smolin Gallery, NYC. Handwritten and typewritten score, press release, brochure, clipping. black and white photographs, 1 glass slide. Photo credit: Robert McElroy. See also 1984 reinvention of "Words" for Whitney show (Blam!), 1984 and 1992 reinvention for Galerie Donguy exhibition (4 Environments). | |||||||||||
| 7 | 6 | Courtyard, Nov 1962 | |||||||||
| Smolin Gallery, NYC. Mills Hotel, NYC. Score, press release, announcement, review, black and white photographs, plus 6 Kodachromes. Photo credit: Lawrence Shustak, Peter Moore. See also Box 15. | |||||||||||
| 7 | 7 | Courtyard, Nov 1962 | |||||||||
| More black and white photographs of the event, with 7 glass slides. Photo credit: Peter Moore. See also Box 15, for larger photographs of the event. | |||||||||||
| 7 | 8 | Mushroom, Nov 1962 | |||||||||
| Center Arts Council (Walker) sponsored Happening held in mushroom caves in St. Paul. Handwritten and typewritten scores and reviews. | |||||||||||
| 7 | 9 | Chicken, Nov 1962 | |||||||||
| Philadelphia Arts Council. Performed at YM/YWHA in Philadelphia. Score, correspondence, reviews, poster (duplicate in flat files), black and white photographs and slides. Photo credit: Edwin Sabol. | |||||||||||
| 7 | 10 | Fight, Part I, version 1, 1962 | |||||||||
| Handwritten and typewritten score. Never performed. | |||||||||||
| 7 | 11 | Fight, Part I, version 2, 1962 | |||||||||
| Handwritten score. Never performed. | |||||||||||
| box | |||||||||||
| 8 | Project Files, 1963-1964 | ||||||||||
| 8 | 1 | Birds, Feb [1964] | |||||||||
| University of Southern Illinois, Carbondale. Handwritten and typewritten score. Black and white photographs. No Photo credit. | |||||||||||
| 8 | 2 | Push and Pull: A Furniture Comedy for Hans Hofmann, Apr 1963 | |||||||||
| Created for "Hans Hofmann and His Students," MOMA, NY. Typewritten score, performance instructions, exhibition list, press release, 2 clippings, black and white photographs, glass slides. Photo credit: Paul Berg, St. Louis Post Dispatch. For later reinventions of this environment, see also Pasadena Art Museum, 1967; "7 Environments," 1991; and "Out of Actions," MOCA LA, 1998. | |||||||||||
| 8 | 3 | Tree, May 1963 | |||||||||
| Performed as part of Yam Festival at George Segal's farm. Typewritten version of score, black and white photographs, 5 glass slides. Photo credit: Peter Moore. | |||||||||||
| 8 | 4 | Bon Marché, July 1963 | |||||||||
| At a Bon Marché department store in Paris, as part of Theatre of Nations Festival. Handwritten and typewritten score. Letter from Kaprow to Mr. O'Doherty describing the Happening a few weeks after it occurred, and a general explanation of Happenings. Black and white photographs, negatives, glass slides. Photo credit: Mercedes Guardado Olivenza; Shunk-Kender. | |||||||||||
| 8 | 5 | Out, Sept 1963 | |||||||||
| Edinburgh, at the International Arts Festival. Kaprow's handwritten and typewritten account of event and clipping of published version. Black and white photographs, one of which shows Eugene Ionesco in attendance. Photo credit: Alan Daiches; The Scotsman Publications. | |||||||||||
| 8 | 6 | Sea, Sept 1963 | |||||||||
| Prepared for Edinburgh International Writer's Conference, Sept. 1963, but cancelled at insistence of Chairman Kenneth Tynan. Handwritten and typewritten score with drawings. | |||||||||||
| 8 | 7 | Eat, Jan 1964 | |||||||||
| Ebling Brewery Caves, Bronx, NY, sponsored by Smolin Gallery. Black and white photographs, slides and glass slides. Photo credit: Peter Moore; Robert McElroy. See also Box 10 for larger photographs of the event and Box 33 for later reinventions at "7 Environments," Fondazione Mudima and Studio Morra, and "4 Environments," Paris. | |||||||||||
| box | |||||||||||
| 9 | Project Files, 1964-1966 | ||||||||||
| 9 | 1A | Household, [May] 1964 | |||||||||
| Cornell University, Ithaca, NY. Handwritten and typewritten score, also score for first version, entitled "Silver Foil," which was cancelled due to danger of the site. See Box 50 for photographs and Series X. for Kaprow's film and VHS use copy of Household. | |||||||||||
| 9 | 1B | Household, [May] 1964 | |||||||||
| Cornell University, Ithaca, NY. Black and white photographs, 26 glass slides. Photo credit: Sol Goldberg, Ithaca, NY. Photo credit for location photos of Silver Foil site: Alan Koslin. See Box 50 for photographs and Series X. for Kaprow's film and VHS use copy of Household. | |||||||||||
| 9 | 2 | Orange, Mar 1964 | |||||||||
| Miami Arts Council, Coral Gables, FL. Handwritten and typewritten scores, diagram, black and white photographs, 2 glass slides. Photo credit: Terry S. Lindquist. | |||||||||||
| 9 | 3 | Paper: A Happening, Mar 1964 | |||||||||
| UC Berkeley All Student Art Festival. Earlier draft called Tenants. Handwritten and typewritten score, black and white photographs, 4 color slides. Photo credit: Florian Steiner. | |||||||||||
| 9 | 4 | Originale, Sept 1964 | |||||||||
| 2nd Annual New York Avant Garde Festival. Typewritten diagrammatic score by Karlheinz Stockhausen. (Kaprow directed this event). Black and white photographs. Photo credit: Peter Moore. 1 announcement for 1989 screening of Peter Moore film of the 1964 event. | |||||||||||
| 9 | 5 | Raining, Jan 1965 | |||||||||
| Handwritten and typewritten score. Not performed. Score was made into a booklet included in the Guggenheim exhibition entitled "Eleven from the Reuben Gallery." | |||||||||||
| 9 | 6 | Soap, Feb 1965 | |||||||||
| Florida State University, Sarasota. Cancelled due to "misinterpretation of intent." Handwritten and typewritten score, program, clippings, letter from pre-event participant. See also ref3712 roll 2 for score (black paint on butcher paper) intended for use in Happening. | |||||||||||
| 9 | 7 | Calling, Aug 1965 | |||||||||
| New York. Handwritten and typewritten score, black and white photographs, 19 glass slides, 3 slides. Photo credit: Peter Moore. | |||||||||||
| 9 | 8 | 3 Country Happening, Spring, 1966 | |||||||||
| Proposal for a happening in 3 countries, with Kaprow (USA), Minujin (Argentina), and Vostell (Germany) in the form of a map/poster (duplicate of one in Series II, Posters), a letter from Horst Hahn (1969). | |||||||||||
| 9 | 9 | Self-Service, June 1966 | |||||||||
| Harry Abrams, Institute of Contemporary Art, Boston, and Pasadena Art Museum. Handwritten and typewritten score, schedule of events to take place throughout the summer (in NYC, Boston and Los Angeles), maps, lists of participants. | |||||||||||
| 9 | 10 | Self-Service, June 1966 | |||||||||
| Black and white photographs of event. Photo credit: Peter Moore. | |||||||||||
| 9 | 11 | Towers, July 1966 | |||||||||
| Central Park, NYC. Handwritten note, telegram, black and white photographs, 14 slides. Photo credit: Elliott Landy. | |||||||||||
| box | |||||||||||
| 10 | Project Files, 1964 | ||||||||||
| 10 | 1 | Originale, 1964 | |||||||||
| Large black and white photograph of event. Photo credit: Hans Namuth. See also Box 9. | |||||||||||
| 10 | 2 | Eat, 1964 | |||||||||
| Large black and white photographs of event. Photo credit: Peter Moore. See also Box 8. | |||||||||||
| box | |||||||||||
| 11 | Project Files, 1966 | ||||||||||
| 11 | 1 | Gas, [August] 1966 | |||||||||
| Dwan Gallery and WCBS TV, Long Island, NY. Schedule of events and locations. Handwritten and typewritten score; addresses and phone numbers of some participants; letters from WCBS producers of the documentary about the event, to city officials, business proprietors and others (i.e. Marshall MacLuhan) explaining the event in advance; Dwan Gallery press releases, the documentary's script; clippings and one ms. describing the event; 1 poster (duplicate in flat files). | |||||||||||
| 11 | 2 | Gas, 1966 | |||||||||
| Black and white photographs of the event. Photo credit: Burton Berinsky; Ken Dewey; Peter Moore; | |||||||||||
| 11 | 3 | Gas, 1966 | |||||||||
| Black and white photographs of the event. Photo credit: Peter Moore; Burton Berinsky. | |||||||||||
| 11 | 4 | Gas, 1966 | |||||||||
| Negatives, slides, and contact sheets (some of which have views of Kaprow's family or other events.) Photo credit: Peter Moore. | |||||||||||
| 11 | 5 | Gas, 1966 | |||||||||
| Negatives and contact sheets. Photo credit: Peter Moore. | |||||||||||
| 11 | 6 | Gas, 1966 | |||||||||
| Black and white transparencies. No Photo credit. | |||||||||||
| box | |||||||||||
| 12 | Project Files, 1967 | ||||||||||
| 12 | 1 | Flick, Feb 1967 | |||||||||
| NYC. Anti-war protest event performed (in part) after poetry reading at Loeb. Typewritten score. | |||||||||||
| 12 | 2 | Sweep-In, Apr 1967 | |||||||||
| Lower East Side NYC. Contact prints and negatives, including views of miscellaneous unidentified events. Photo credit: Peter Moore. | |||||||||||
| 12 | 3 | Interruption, May 1967 | |||||||||
| State University of New York, Stony Brook. Handwritten and typewritten score, clippings recounting the experience, letters from faculty at Stony Brook complaining about the disruption to their lives. | |||||||||||
| 12 | 4 | L&M; Gold, June 1967 | |||||||||
| Proposal by Liggett & Myers Tobacco Co. to employ a Happening consultant to advise them on how to create publicity happenings for their new product, L&M Golden 100's. Kaprow's ideas for such a campaign written by hand on product press release. 2 black and white photographs of cigarette boxes. No Photo credit. | |||||||||||
| 12 | 5 | Moving, [Nov-Dec] 1967 | |||||||||
| Museum of Contemporary Art, Chicago. Activity booklet, clippings regarding city's war against commercial signs, correspondence regarding arrangments for the Happening and an exhibition including "Words" that occurred around the same time. | |||||||||||
| 12 | 6 | Moving, 1967 | |||||||||
| Black and white photographs. Photo credit: Peter Moore. | |||||||||||
| 12 | 7 | Moving, 1967 | |||||||||
| Negatives and black and white and color transparencies. No Photo credit. | |||||||||||
| 12 | 8 | Watching, Sept 1967 | |||||||||
| WCBS-TV. Handwritten and typewritten score, correspondence. | |||||||||||
| 12 | 9 | Environments, Oct 1967 | |||||||||
| Pasadena Art Museum. Included reinventions of "Yard," and "Push and Pull." "Fluids" created for the exhibition, was performed in various locations throughout the LA area. Handwritten score, letters from the Pasadena Art Museum, color snapshots of a backyard performance which was the trial run for "Fluids," black and white photographs of the other pieces. Photo credit: Julien Wasser. | |||||||||||
| 12 | 10 | Fluids, Oct 1967 | |||||||||
| Black and white photographs. Photo credit: Julian Wasser. | |||||||||||
| box | |||||||||||
| 13 | Project Files, 1967-1968 | ||||||||||
| 13 | 1 | Fluids, Oct 1967 | |||||||||
| Black and white photographs. Photo credit: Bruce Breland. | |||||||||||
| 13 | 2 | Fluids, Oct 1967 | |||||||||
| Black and white photographs. Photo credit: Bruce Breland. | |||||||||||
| 13 | 3 | Fluids, Oct 1967 | |||||||||
| Slides and transparencies. Photo credit: Bruce Breland. | |||||||||||
| 13 | 4 | Record I, Mar 1968 | |||||||||
| University of Texas, Austin. Handwritten score, poster (printed score), letters from UT staff, contract. Not performed. | |||||||||||
| 13 | 5 | Arrivals, Apr 1968 | |||||||||
| Nassau Community College, Hempstead, NY. Poster (printed score). | |||||||||||
| 13 | 6 | Overtime, May 1968 | |||||||||
| Created for SUNY New Paltz (cancelled) and then adapted for UC San Diego. Handwritten score, poster (printed score) done for New Paltz, correspondence with UCSD and SUNY staff, black and white photographs. No Photo credit. | |||||||||||
| 13 | 7 | Record II, Apr 1968 | |||||||||
| University of Texas. Handwritten score, poster (printed score), activity booklet, letters from UT staff, black and white photographs, photocopies of photographs. Photo Credit: Howard Smagula. | |||||||||||
| 13 | 8 | Population, May 1968 | |||||||||
| Colby College, New Hampshire. Typewritten score, poster (printed score), correspondence with college staff, correspondence with George Braziller regarding possible book, slides, transparencies, 1 black and white photograph. Photo credit: Louis Thompson? | |||||||||||
| 13 | 9 | Message Units I, May 1968 | |||||||||
| Typewritten score, in a letter to E.A.T. president Francis Mason, Jr. | |||||||||||
| 13 | 10 | Hello, Nov 1968 | |||||||||
| WGBH-TV, Boston for program "The Medium is the Medium," broadcast April 1969. Announcement, contact sheet, issue of Art Rite, no. 7, Autumn, 1974, containing article by Kaprow explaining Hello's plan and execution. | |||||||||||
| 13 | 11 | Noise, 1968 | |||||||||
| For the 6th annual New York Avant Garde festival (on a ferry boat). Handwritten score. | |||||||||||
| box | |||||||||||
| 14 | Project Files, 1968-1969 | ||||||||||
| 14 | 1 | Transfer, [Feb] 1968 | |||||||||
| Wesleyan University, Middletown, CT. Handwritten score, poster (printed score), negatives, transparencies, black and white photographs. Photo credit: Andy Glantz? | |||||||||||
| 14 | 2 | Runner, [Feb] 1968 | |||||||||
| Washington Univ, St. Louis. Handwritten score and poster (printed score), correspondence with university staff (partly regarding the concurrent exhibition of Kaprow's work in the university gallery), black and white photographs (of the exhibition), transparencies, slides. Photo credit: John Millaire; Herb Weitman. | |||||||||||
| 14 | 3 | Round Trip, Mar 1968 | |||||||||
| SUNY, Albany. Handwritten score, poster (printed score), correspondence, black and white photographs. Photo credit: Nick Brady; Klaus Schnitzer. | |||||||||||
| 14 | 4 | Sign, June 1968 | |||||||||
| Typewritten proposal for E.A.T. project that was not realized, with letter from Kaprow to E.A.T. president Francis Mason. | |||||||||||
| 14 | 5 | Travelog, July 1968 | |||||||||
| 8th International Artists' Seminar, Fairleigh Dickinson University, Madison, N.J. Typewritten score, drawings, announcements, correspondence, black and white photographs. No Photo credit. | |||||||||||
| 14 | 6 | Travelog, July 1968 | |||||||||
| Black and white photographs, slides. No Photo credit. | |||||||||||
| 14 | 7 | Refills, Aug 1968 | |||||||||
| Dwan Gallery. Typewritten score, letter from Kaprow, black and white photographs. Photo credit: Gerald S. Frank. | |||||||||||
| 14 | 8 | Charity, Mar 1969 | |||||||||
| Other Ways, Berkeley, CA. Typewritten score, clippings, black and white photographs. No Photo credit. | |||||||||||
| box | |||||||||||
| 15 | Project Files, 1962-1969 | ||||||||||
| 15 | 1 | Courtyard, 1962 | |||||||||
| 8 large black and white photographs. See also Box 7. | |||||||||||
| 15 | 2 | Transfer, 1968 | |||||||||
| 10 large photos. See also Box 14. | |||||||||||
| 15 | 3 | Days Off, 1969 | |||||||||
| MOMA Calendar. See also boxes 17 and 23. | |||||||||||
| box | |||||||||||
| 16 | Project Files, 1969 | ||||||||||
| 16 | 1 | Pose, Mar 1969 | |||||||||
| Other Ways, Berkeley, CA. Clippings, snapshots, slides. See Folder 3 for score (on poster). No Photo credit. | |||||||||||
| 16 | 2 | Forecast, Apr 1969 | |||||||||
| Handwritten and typewritten score. | |||||||||||
| 16 | 3 | Fine!, [Mar] 1969 | |||||||||
| Other Ways, Berkeley, CA. Handwritten score, typewritten score, photocopies of parking citations, poster (printed score for this and 6 other happenings sponsored by Other Ways), black and white snapshots (some captioned), negatives. No Photo credit. | |||||||||||
| 16 | 4 | Shape, [Mar] 1969 | |||||||||
| Other Ways, Berkeley, CA. Sardonic description (score), letters, clippings reporting on the event, black and white transparencies and photographs. No Photo credit. | |||||||||||
| 16 | 5 | Shape, Apr 1969 | |||||||||
| Black and white photographs, slides and negatives. See Folder 4 for score (on poster). Photo credit: Gretchen Garlinghouse, Diane Gilkerson, Deborah Patten, Ken Graves. | |||||||||||
| 16 | 6 | Transplant, [May] 1969 | |||||||||
| Nevada Southern University. Typewritten score, correspondence, black and white photographs. No Photo credit. | |||||||||||
| 16 | 7 | Takeoff, [Apr] 1969 | |||||||||
| UC San Diego. Typewritten score, black and white snapshots, negatives. Also done at Cal State, Sacramento in May 1969. No Photo credit. | |||||||||||
| 16 | 8 | Course, May 1969 | |||||||||
| University of Iowa, Iowa City. Handwritten score, typewritten score, poster (printed score), map with directions, correspondence with students and faculty, issue of Iowa Alumni Review (June-July 1969) with article about Kaprow, black and white photographs, slides, negatives. Photo credit: Nancy Brush. | |||||||||||
| 16 | 9 | Giveaway, May 1969 | |||||||||
| Other Ways, Berkeley, CA. Handwritten list of locations, black and white snapshots, negatives, slides. See folder 3 for score (on poster). No Photo credit. | |||||||||||
| box | |||||||||||
| 17 | Project Files, 1969 | ||||||||||
| 17 | 1 | Purpose, May 1969 | |||||||||
| Other Ways, Berkeley, CA. Black and white snapshots, slides, negatives. See Box 16, folder 3 for score (on poster). No Photo credit. | |||||||||||
| 17 | 2 | Dial, May 1969 | |||||||||
| San Francisco Art Institute. Handwritten and typewritten score, black and white snapshots. No Photo credit. | |||||||||||
| 17 | 3 | Homemovies: A Marriage Happening for Catherine and Daniel Schmidt, July 1969 | |||||||||
| New Jersey and New York. Handwritten and typewritten score, notes, wedding invitation, poster (score), paste-up of poster. | |||||||||||
| 17 | 4 | Work, Sept 1969 | |||||||||
| Typewritten score, correspondence with the Jewish Museum, NY. Happening cancelled. | |||||||||||
| 17 | 5 | Days Off: A Calendar of Happenings, Oct 1969 | |||||||||
| John Gibson Gallery and MOMA, NY. Correspondence, notes, press release, black and white photographs, announcement stickers. Photo credit: centro de arte y comunicación (argentina), Charles Gatewood. | |||||||||||
| 17 | 6 | Days Off, Oct 1969 | |||||||||
| Black and white photographs used in the calendar. Photo credit: Colby Junior College, Howard Smagula, Allan Kaprow, Andy Glantz, John Milaire, Peter Moore, Julian Wasser. See also Boxes 15 and 23. | |||||||||||
| 17 | 7 | Heavenly Passtime - Year 2000, Oct 1969 | |||||||||
| E.A.T. proposal/typewritten score for the Pepsi Cola Pavilion, Japan World Exhibition 70, Osaka. Never performed. Correspondence, brochure, diagrams. | |||||||||||
| 17 | 8 | Home Brew, Nov 1969 | |||||||||
| KPFK, Los Angeles. Typewritten score with correspondence. | |||||||||||
| 17 | 9 | Moonsounds, Dec 1969 | |||||||||
| Blau wedding. Typewritten score, map to El Mirage Dry Lake, letter to Kaprow from Dick Blau. | |||||||||||
| 17 | 10 | Solo, 1969 | |||||||||
| Handwritten score. | |||||||||||
| box | |||||||||||
| 18 | Project Files, 1970 | ||||||||||
| 18 | 1 | Graft, Jan 1970 | |||||||||
| Kent State University Creative Arts Festival. Handwritten and typewritten scores, correspondence, contract, poster, black and white photographs. Photo credit: Doug Moore. | |||||||||||
| 18 | 2 | Good Morning!, May 1970 | |||||||||
| San Francisco State. Handwritten score. | |||||||||||
| 18 | 3 | Level, Aug 1970 | |||||||||
| Art Council of the Aspen Institute for Humanistic Studies. Handwritten and typewritten score, letter, slides. No Photo credit. | |||||||||||
| 18 | 4 | A Supermarket Event, Aug 1970 | |||||||||
| Art Council of the Aspen Institute for Humanistic Studies. Handwritten and typewritten reports on the event by members of Kaprow's Happenings workshop. One clipping folded in origami figure labelled "Bull". | |||||||||||
| 18 | 5 | Don't, Sept 1970 | |||||||||
| Los Angeles County Department of Parks and Recreation "summer change 70" program. Handwritten and typewritten score, letter describing the event and reactions, brochure documenting the event. | |||||||||||
| 18 | 6 | Publicity, Oct 1970 | |||||||||
| California Institute of the Arts. Handwritten and typewritten score, black and white photographs, pages of an Italian newspaper. No Photo credit. | |||||||||||
| 18 | 7 | Sales Pitch, Oct 1970 | |||||||||
| Proposal submitted to E.A.T., a variant of "Hello" (1969). | |||||||||||
| 18 | 8 | Ribbon Cutting, Nov 1970 | |||||||||
| For dedication ceremony celebrating opening of UC Berkeley University Art Museum and the Hans Hoffmann wing. Typewritten score in body of letter to Museum Director. | |||||||||||
| 18 | 9 | Sawdust, Nov 1970 | |||||||||
| Cologne Art Festival. Typewritten score, correspondence with Wolf Vostell, Dick Higgins, and others, clipping, issue of Kunst Nachrichten (Feb. 1971) covering the festival. | |||||||||||
| 18 | 10 | Sawdust, Nov. 1970 | |||||||||
| Black and white photographs. Photo credit: Werner Krüger, Archiv Sohm, Wolf Vostell, Christian Dalchow, Hartmut Beifuß. | |||||||||||
| 18 | 11 | Car Spaces (Pasadena Freeway Project), Nov 1970 | |||||||||
| California Institute for the Arts. Black and white photographs, minox negatives, memo from Arts in Society magazine, which published some of the photographs(?) | |||||||||||
| box | |||||||||||
| 19 | Project Files, 1970-1971 | ||||||||||
| 19 | 1 | Sweet Wall, Nov 1970 | |||||||||
| Galerie René Block, Berlin. Letter from René Block, activity booklet, black and white photographs. Photo credit: Galerie René Block, Peter Smokler, Kalionzes, Dick Higgins, Bee Ottinger. | |||||||||||
| 19 | 2 | Sweet Wall, Nov 1970 | |||||||||
| Black and white photographs, negatives, slides. No Photo credit. | |||||||||||
| 19 | 3 | Yard, [Nov] 1970 | |||||||||
| Köln. Black and white photographs. Photo credit: Wolf Vostell; Werner Kruger. | |||||||||||
| 19 | 4 | Tracts, May 1971 | |||||||||
| California Institute of the Arts. Poster (printed score), black and white photographs, slides. No Photo credit. | |||||||||||
| 19 | 5 | Tag, June 1971 | |||||||||
| Aspen Design Conference. Typewritten score, press release, Aspen trail map, black and white photographs. | |||||||||||
| 19 | 6 | Labor Day, Sept 1971 | |||||||||
| Centro Apollinaire, Milan. Typewritten score, announcements, correspondence. | |||||||||||
| 19 | 7 | Print-Out, Sept 1971 | |||||||||
| Cultural Affairs Com. of Milan. Typewritten score, poster (printed score), black and white photographs, negatives, slides. Photo credit: J. Minkoff Genére. | |||||||||||
| 19 | 8 | City Works, Sept-Oct 1971 | |||||||||
| Galerie Baecker, Bochum. Handwritten and typewritten scores, correspondence, receipts, poster. | |||||||||||
| 19 | 9 | Scales, Oct 1971 | |||||||||
| California Institute of the Arts. Typewritten score, clipping, color slides. No Photo credit. | |||||||||||
| 19 | 10 | Calendar, Oct 1971 | |||||||||
| Handwritten and typewritten scores. | |||||||||||
| 19 | 11 | Unidentified exhibition and event, 1971 | |||||||||
| Art Systems. Black and white photographs. Photo credit: Scheidler? | |||||||||||
| box | |||||||||||
| 20 | Project Files, 1972-1973 | ||||||||||
| 20 | 1 | Message Units, , Feb 1972 May 1972 | |||||||||
| California Institute of the Arts (Feb.) and University of Illinois, Normal (May). Typewritten score. | |||||||||||
| 20 | 2 | Easy, , Feb 1972 May 1972 | |||||||||
| California Institute of the Arts. Colorado College (May?) Typewritten score, Kaprow's introduction to activity booklet of the event, printed pages from the booklet with black and white photos on them, slides. Photo credit: Alvin Comiter. | |||||||||||
| 20 | 3 | Baggage, April 1972 | |||||||||
| Rice University. Typewritten score, Kaprow's retrospective description of the event, black and white photographs, slides. Photo credit: Bob Covington. | |||||||||||
| 20 | 4 | Meters, May 1972 | |||||||||
| California Institute of the Arts. Handwritten score. | |||||||||||
| 20 | 5 | Burbank, Sept 1972 | |||||||||
| California Institute of the Arts. Handwritten and typewritten scores, color slides. | |||||||||||
| 20 | 6 | Meteorology, Sept 1972 | |||||||||
| Galerie Baecker, Bochum. Handwritten and typewritten score. See also Box 22. | |||||||||||
| 20 | 7 | Idea, [Sep] 1972 | |||||||||
| Portland Center for Visual Arts, Portland, Oregon. Typewritten score. | |||||||||||
| 20 | 8 | Entr'Acte, Dec 1972 | |||||||||
| California Institute of the Arts. Handwritten and typewritten score, black and white photographs, slides. No Photo credit. | |||||||||||
| 20 | 9 | George Brecht Dedication Ceremony, 1972 | |||||||||
| Cologne. Letter from Wolf Vostell, black and white photographs. Photo credit: Erik Andersch. | |||||||||||
| 20 | 10 | Copy, 1972 | |||||||||
| Handwritten and typewritten score. | |||||||||||
| 20 | 11 | Private Lines, 1972 | |||||||||
| Video score (handwritten and drawn). | |||||||||||
| 20 | 12 | Operazione Vesuvio, Jan 1973 | |||||||||
| Il Centro, Milan (3 part exhibition on Mt. Vesuvius). Clippings and press releases describing the exhibition and Kaprow's event. | |||||||||||
| 20 | 13 | Loss, Jan 1973 | |||||||||
| New York City. Handwritten and typewritten score, Kaprow ms. describing and explaining the activity, activity booklet, correspondence, black and white photographs, slides, negatives. Photo credit: Peter Moore. | |||||||||||
| 20 | 14 | Highs, Feb 1973 | |||||||||
| University of Kansas Museum of Art. Handwritten and typewritten score. Black and white photographs, slides, Minox. No Photo credit. | |||||||||||
| 20 | 15 | Dial, Feb 1973 | |||||||||
| Western Washington University, Bellingham, Washington. Handwritten and typewritten score, drawings, black and white photographs. Photo credit: David D. Johnson | |||||||||||
| 20 | 16 | Anniversary, [May] 1973 | |||||||||
| Sacramento, CA. For Jane and John Fitzgibbon. Handwritten score. | |||||||||||
| 20 | 17 | Basic Thermal Units, Mar 1973 | |||||||||
| For three German museums. Handwritten and typewritten scores, correspondence, clippings (in German). See also Box 21. | |||||||||||
| 20 | 18 | Basic Thermal Units, Mar 1973 | |||||||||
| Black and white photographs and Minox. Photo credit: Timm Rautert. | |||||||||||
| box | |||||||||||
| 21 | Project Files, 1972-1973 | ||||||||||
| 21 | 1 | Baggage, Apr 1972 | |||||||||
| Large printed pages of booklet about the event. See also Box 20. | |||||||||||
| 21 | 2 | Basic Thermal Units, Mar 1973 | |||||||||
| Large (12" x 15") black and white photographs. See also Box 20. | |||||||||||
| box | |||||||||||
| 22 | Project Files, 1972 | ||||||||||
| 22 | Meteorology, Sept 1972 | ||||||||||
| Large (15" x 19") black and white photographs. Photo credit: Lothar Wolleh. See also box 20. | |||||||||||
| box | |||||||||||
| 23 | Project Files, 1969-1973 | ||||||||||
| 23 | 1 | Days Off, Oct 1969 | |||||||||
| Printed pages (12" x 19") for booklet about event. See also Boxes 15 and 17. | |||||||||||
| 23 | 2 | Time Pieces, 1973 | |||||||||
| Printed pages (12" x 19") for booklet about event. See also Box 24. | |||||||||||
| 23 | 3 | Moving, 1967 | |||||||||
| Poster (15" x 19") for event mounted on board. See also Box 12. | |||||||||||
| 23 | 4 | Rates of Exchange, 1975 | |||||||||
| Large activity booklet. See also Box 26. | |||||||||||
| box | |||||||||||
| 24 | Project Files, 1973 | ||||||||||
| 24 | 1 | Clockwork, May 1973 | |||||||||
| California Institute of the Arts. Handwritten and typewritten score. | |||||||||||
| 24 | 2 | Wink, May 1973 | |||||||||
| California Institute of the Arts. Handwritten score. | |||||||||||
| 24 | 3 | Time Pieces, Sept 1973 | |||||||||
| Neuer Berliner Kunstverein for its festival "Aktionen Der Avantgarde," Berlin. Handwritten and typewritten score, activity booklet, booklet in various stages of revision, correspondence. | |||||||||||
| 24 | 4 | Time Pieces, Sept 1973 | |||||||||
| Slides, black and white photographs. Photo credit: Jürgen Müller-Schneck. | |||||||||||
| 24 | 5 | Time Pieces, Sept 1973 | |||||||||
| Black and white photographs. Photo credit: Hermann Kiessling. | |||||||||||
| 24 | 6 | Creatures, Sept 1973 | |||||||||
| Galerie Baecker, Bochum. Typewritten score, drawings, clippings, press packets. | |||||||||||
| 24 | 7 | Creatures, Sept 1973 | |||||||||
| Black and white snapshots and minox. No Photo credit. | |||||||||||
| 24 | 8 | Air Condition, Oct 1973 | |||||||||
| California Institute of the Arts. Handwritten score, transcript of audio tape of event, activity booklet, printed pages from booklet, black and white photographs and slides. Photo credit: Alvin Comiter. | |||||||||||
| 24 | 9 | Routine, Dec 1973 | |||||||||
| Portland Center for the Visual Arts, Oregon. Handwritten and typewritten scores, activity booklet, Kaprow's introduction to booklet about event, correspondence, black and white photographs, slides. | |||||||||||
| box | |||||||||||
| 25 | Project Files, 1974 | ||||||||||
| 25 | 1 | Then, Mar 1974 | |||||||||
| Videotape produced by art/tapes, Florence, Italy. Handwritten score and drawings for video, letter/contract. | |||||||||||
| 25 | 2 | 2nd Routine, Mar 1974 | |||||||||
| Stefanotty Gallery, NY. Handwritten and typewritten score, transcript of conference at D'Arc, slides, black and white photographs. Photo credit: Peter Moore. | |||||||||||
| 25 | 3 | Dial, May 1974 | |||||||||
| California Institute of the Arts. Black and white photographs. No Photo credit. | |||||||||||
| 25 | 4 | 3rd Routine, July 1974 | |||||||||
| "Project 74", Kölnischer Kunstverein, Cologne. Handwritten and typewritten score, Kaprow's postscript to event for booklet, printed text and photos for booklet, slides. | |||||||||||
| 25 | 5 | On Time, Sept 1974 | |||||||||
| Galerie Gerald Piltzer, Turenne. Handwritten score, activity booklet, posters, black and white photographs. | |||||||||||
| 25 | 6 | Take Off, Oct 1974 | |||||||||
| Galleria Martini & Ronchetti, Genoa. Handwritten and typewritten score, black and white photographs, slides, booklet text. | |||||||||||
| 25 | 7 | Affect, Oct 1974 | |||||||||
| Galleria Martano, Turin. Handwritten and typewritten score, printed pages of booklet, black and white photographs. | |||||||||||
| box | |||||||||||
| 26 | Project Files, 1975 | ||||||||||
| 26 | 1 | Rates of Exchange, Mar 1975 | |||||||||
| Stefanotty Gallery, NYC. Handwritten and typewritten scores for three parts: Reflecting, Walking and Shaking, Clothing. Black and white photographs and printed text for booklet. Activity booklet in Box 23 (because too large for file). | |||||||||||
| 26 | 2 | Rates of Exchange, Mar 1975 | |||||||||
| Transcripts of audio tapes of the activities, with Linda Bastien, Victoris, Frantisek (or J.P.). | |||||||||||
| 26 | 3 | Rates of Exchange, Mar 1975 | |||||||||
| Transcripts of audio tapes of the activities, with Michael, Max, Baecker. | |||||||||||
| 26 | 4 | Rates of Exchange, Mar 1975 | |||||||||
| Transcripts of audio tapes of the activities, with Marcia Tucker, Frantisek, Antonio, Inge Baecker. | |||||||||||
| 26 | 5 | Philadelphia Bicentennial Project, May 1975 | |||||||||
| Letter to Acey Wolgin describing score for a proposed happening. | |||||||||||
| 26 | 6 | Echo-Logy, May 1975 | |||||||||
| Merrieworld West Gallery, Far Hills, NY. Handwritten and typewritten scores, black and white snapshots, activity booklet, printed pages from booklet. Photo credit: Lizbeth Marano. | |||||||||||
| 26 | 7 | Comfort Zones, June 1975 | |||||||||
| Galeria Vandrés, Madrid. Handwritten and typewritten score in English and Spanish. Black and white photographs, negatives, activity booklet, printed pages from booklets. | |||||||||||
| 26 | 8 | Match, Aug 1975 | |||||||||
| Kunst und Museumverein Wuppertal, Germany. Handwritten and typewritten scores, correspondence, activity booklet, printed pages from booklet, black and white photograph. Photo credit: Jürgen Müller-Schneck. | |||||||||||
| 26 | 9 | Warm-Ups, Oct 1975 | |||||||||
| Center for Advanced Visual Studies, MIT, Boston. Handwritten and typewritten score, activity booklet, printed pages of booklet, correspondence, black and white photographs. Photo credit: Bee Ottinger. | |||||||||||
| 26 | 10 | Likely Stories, Nov 1975 | |||||||||
| Galleria Luciano Anselmino, Milan. Handwritten and typewritten score, activity booklet, printed pages from booklet, black and white and color photographs. Photo credit: Skip Norman | |||||||||||
| box | |||||||||||
| 27 | Project Files, 1975-1976 | ||||||||||
| 27 | 1 | Useful Fictions, Dec 1975 | |||||||||
| Galleria Schema, Florence. Handwritten and typewritten score, printed pages of booklet, black and white photographs. Photo credit: Bee Ottinger. | |||||||||||
| 27 | 2 | Natural Distances, Mar 1976 | |||||||||
| Los Angeles Institute of Contemporary Art. Typewritten score, printed pages of booklet, black and white photographs. | |||||||||||
| 27 | 3 | Maneuvers, Mar 1976 | |||||||||
| Galleria Framart, Naples. Handwritten score, activity booklet, slides, black and white photographs. No Photo credit. | |||||||||||
| 27 | 4 | 7 Kinds of Sympathy, Mar 1976 | |||||||||
| Museum of the 20th Century, Vienna. Handwritten score, activity booklet, printed pages from booklet, black and white photographs. Photo credit: Bee Ottinger. | |||||||||||
| 27 | 5 | Satisfaction, Apr 1976 | |||||||||
| D'Arc Gallery, NYC. Handwritten and typewritten score, activity booklet, printed pages from booklet, black and white photographs. Photo credit: Bee Ottinger | |||||||||||
| 27 | 6 | Durations, May 1976 | |||||||||
| Film in cooperation with Pro Musica Nova, Radio Bremen, Galerie Baeker, Bochum. Handwritten and typewritten score, drawings, clippings, festival program, earlier contracts, and versions of piece originally created in 1968, revised in 1972, and finally performed in 1976. | |||||||||||
| 27 | 7 | Durations, May 1976 | |||||||||
| Black and white photographs. Photo credit: Joseph Somogyi, A. Buttmann. | |||||||||||
| 27 | 8 | Testimonials, [April] 1976 | |||||||||
| Galeria Foksal, Warsaw. Handwritten score, activity booklet, black and white photographs. No Photo credit. | |||||||||||
| 27 | 9 | Pre-Socratic, Aug 1976 | |||||||||
| Artpark, Lewiston, NY. Handwritten score, drawings, clippings, snapshots. | |||||||||||
| 27 | 10 | Frameworks, Aug 1976 | |||||||||
| American Theater Association Convention, Los Angeles. Handwritten score, transcript of audio recording of activity, black and white snapshots. No Photo credit. | |||||||||||
| box | |||||||||||
| 28 | Project Files, 1976-1978 | ||||||||||
| 28 | 1 | Frames of Mind, Sept 1976 | |||||||||
| Neuer Berliner Kunstverein. Handwritten score, shooting score, printed pages of booklet, correspondence, clippings, poster. | |||||||||||
| 28 | 2 | Frames of Mind, Sept 1976 | |||||||||
| Black and white photographs. Photo credit: Dr. Rainer Wick; Jürgen Müller-Schneck. | |||||||||||
| 28 | 3 | Private Parts, Nov 1976 | |||||||||
| University of Wisconsin, Milwaukee. Handwritten score, video script for later filming at Cal State Long Beach. | |||||||||||
| 28 | 4 | Proposal for Documenta, 1977 | |||||||||
| Handwritten proposal. | |||||||||||
| 28 | 5 | Timing, [April 1978] | |||||||||
| What's Cooking, Festival 1, UC San Diego. Handwritten score. | |||||||||||
| 28 | 6 | 2 Appointments, Jan 1978 | |||||||||
| Holly Solomon Gallery, NY. Handwritten and typewritten score, letters from participants describing the experience. | |||||||||||
| 28 | 7 | Peeping Tom, Mar 1978 | |||||||||
| La Jolla. Transcript of tape recording of participants. | |||||||||||
| 28 | 8 | Hello/Good-bye, July 1978 | |||||||||
| Los Angeles. Typewritten score. | |||||||||||
| 28 | 9 | Courtesy, [June 1977] | |||||||||
| KPFA, Los Angeles. Handwritten score. | |||||||||||
| 28 | 10 | Toothbrushing Piece, 1978 | |||||||||
| La Jolla. Transcript of tape recording of participants. | |||||||||||
| 28 | 11 | Standards, [Dec] 1978 | |||||||||
| University of Northern Iowa, Cedar Falls-Waterloo. Handwritten score, activity booklet, background material on Happenings for booklet. | |||||||||||
| 28 | 12 | Standards, Dec 1978 | |||||||||
| Transcript of audio tape of participants. | |||||||||||
| 28 | 13 | Standards, Dec 1978 | |||||||||
| Transcript of audio tape of participants. | |||||||||||
| 28 | 14 | Standards, Dec 1978 | |||||||||
| Black and white snapshots, negatives, transparencies. | |||||||||||
| box | |||||||||||
| 29 | Project Files, 1979-1980 | ||||||||||
| 29 | 1 | Blindsight, Apr 1979 | |||||||||
| Wichita State University, Kansas. Handwritten and typewritten score, transcript of audio recording of participants, writings by participants, activity booklet, and drafts of writings for booklet, correspondence. | |||||||||||
| 29 | 2 | Blindsight, Apr 1979 | |||||||||
| Negatives, black and white photographs, transparencies. No Photo credit. | |||||||||||
| 29 | 3 | Museum Portraits, Mar [1977] | |||||||||
| Hamburger Kunsthalle, Hamburg. Handwritten and typewritten score, correspondence (which explains why piece was not performed). | |||||||||||
| 29 | 4 | Easy Too, July 1979 | |||||||||
| University of Arizona, Tucson. Typewritten score. | |||||||||||
| 29 | 5 | Performing Life, Aug 1979 | |||||||||
| Typewritten score. | |||||||||||
| 29 | 6 | Shadows, Sept 1979 | |||||||||
| Kunstwoche in Ihme Zentrum, Hannover. Handwritten score. | |||||||||||
| 29 | 7 | Tire Tower, Fall 1979 | |||||||||
| Galerie Baecker, Bochum. Typewritten description of project by Inge Baecker. Black and white and color photographs of tower before and after it was destroyed by arson in January 1980. | |||||||||||
| 29 | 8 | Untitled Environment, Jan 1980 | |||||||||
| Berlin Academy, "Eyes and Ears." Reinvention of Dec. 1958 environment. | |||||||||||
| 29 | 9 | Exercise, May 1980 | |||||||||
| L.A.C.E. and Public Spirit, Los Angeles. Handwritten score. | |||||||||||
| 29 | 10 | Convoy, Sept 1980 | |||||||||
| Tel Hai 80 Arts Festival, Israel. Handwritten description, correspondence, clippings. | |||||||||||
| 29 | 11 | Team, Oct 1980 | |||||||||
| L.A.C.E. and Public Spirit 2, Los Angeles. Handwritten and typewritten score, transcript of participant's account. | |||||||||||
| 29 | 12 | Making Faces, Dec 1980 | |||||||||
| Handwritten score. | |||||||||||
| box | |||||||||||
| 30 | Project Files, 1981 | ||||||||||
| 30 | 1 | Meditation Piece, Mar 1981 | |||||||||
| Zen Center, Los Angeles. Typewritten score, description of project, letter. | |||||||||||
| 30 | 2 | Die Zeit Project, Mar 1981 | |||||||||
| An action performed in the pages of Die Zeit. Letters, interview, clippings of the piece, reviews. | |||||||||||
| 30 | 3 | Europe Tour, Apr-May 1981 | |||||||||
| A suite of seven works performed with friends throughout Europe. Correspondence and planning. | |||||||||||
| 30 | 4 | Just Walking on the Edge (Europe tour), Apr 1981 | |||||||||
| Oxfordshire. Handwritten score, transcript of audio tape of participants. | |||||||||||
| 30 | 5 | Leaving No Footprints (Europe tour), May 1981 | |||||||||
| Berlin. Handwritten score, transcript of audio tape of participants. | |||||||||||
| 30 | 6 | Drawing on Stories (Europe tour), May 1981 | |||||||||
| Amsterdam. Handwritten score, drawings, transcript. | |||||||||||
| 30 | 7 | Quiet Please (Europe tour), May 1981 | |||||||||
| Paris. Handwritten score, notes, transcript. | |||||||||||
| 30 | 8 | Going/Staying (Europe tour), May 1981 | |||||||||
| Pouillac-Le-Moustier. Handwritten score, transcript. | |||||||||||
| 30 | 9 | Weighty Matters (Europe tour), May 1981 | |||||||||
| Florence. Handwritten and typewritten score, transcript. | |||||||||||
| 30 | 10 | Our Life Together (Europe tour), May 1981 | |||||||||
| Munich. Handwritten and typewritten score, transcript. | |||||||||||
| 30 | 11 | Europe tour, Apr-May 1981 | |||||||||
| Bound compilation of transcripts. | |||||||||||
| 30 | 12 | Yard, Oct 1981 | |||||||||
| Dusseldorf. Letters, clippings and black and white photographs of this reinvention of the 1960 Happening as part of an exhibition entitled "Black," which also travelled to Japan. Photo credit: Antje Zeis; Ulrich Baatz. | |||||||||||
| box | |||||||||||
| 31 | Project Files, 1981-1987 | ||||||||||
| 31 | 1 | (Meditation 2) Piece for 80 Langston Street, Aug 1981 | |||||||||
| San Francisco. Handwritten score and notes. | |||||||||||
| 31 | 2 | Exercise no. 6, Oct 1981 | |||||||||
| Typewritten score. | |||||||||||
| 31 | 3 | Exercise no. 4, Oct 1981 | |||||||||
| Espace DBD, Los Angeles. Handwritten score. | |||||||||||
| 31 | 4 | Maybe the Shortest Parade, Nov 1981 | |||||||||
| Washington Project for the Arts, Washington, D.C. Typewritten score, correspondence, clippings, poster, slides, black and white photographs. Photo credit: Mary Swift; Mark Gulezian. | |||||||||||
| 31 | 5 | Company, Apr 1982 | |||||||||
| Rutgers University. Score/announcement. | |||||||||||
| 31 | 6 | Photoplay, Oct 1982 | |||||||||
| Los Angeles/San Diego. Handwritten score, typewritten description of activity. | |||||||||||
| 31 | 7 | Yard, Oct 1982 | |||||||||
| Staatliche Museen, Berlin. Correspondence, drawings. | |||||||||||
| 31 | 8 | Carpet Bagging, Dec 1982 | |||||||||
| Handwritten score. | |||||||||||
| 31 | 9 | Untitled, May 1983 | |||||||||
| Video as Attitude, Santa Fe/Albuquerque Museums. Handwritten scores for 6 video spots Kaprow created for the festival, correspondence, brochure, clippings. | |||||||||||
| 31 | 10 | Drag, June 1984 | |||||||||
| UC San Diego. Handwritten and typewritten score, Kaprow's account of the activity. | |||||||||||
| 31 | 11 | A Private Act in a Public Place, Aug 1984 | |||||||||
| International Summer Academy, Salzburg. Typewritten score. See also Box 65, folder 7. | |||||||||||
| 31 | 12 | Blam!, Oct 1984 | |||||||||
| Whitney Museum retrospective on Pop, Minimalism and Performance, which included Kaprow's "Yard" and "Words." (See Box 6 and 7 for files on the first versions of these environments.) Photocopy of letter from Kaprow to Barbara Haskell discussing installation of the exhibition and other matters, drawings, press release, color slides. No Photo credit. | |||||||||||
| 31 | 13 | René Block Said Don't Call This the Milky Way and I Agreed, Nov 1985 | |||||||||
| Hamburg Peace Biennale. Correspondence and 2 black and white photographs of Kaprow's event on verso of which is title. Photo credit: Elke Walford. | |||||||||||
| 31 | 14 | Piece for Coryl's Birthday, Dec 1985 | |||||||||
| Handwritten score. | |||||||||||
| 31 | 15 | Kaprow retrospective, [Oct] 1986 | |||||||||
| Das Museum am Ostwall, Dortmund, Germany. Correspondence, announcements, drawings, black and white photographs of "The Perfect Bed" and events reinvented for the retrospective. Photo credit: Alfred Koch; Erik Andersch. | |||||||||||
| 31 | 16 | Conference Event, Oct 1986 | |||||||||
| The Evaluative Process in Contemporary Art, Richmond Museum of Fine Arts. Handwritten and typewritten score, Kaprow's description of event and reaction to it, correspondence regarding Richmond event and an earlier attempt at a conference event at the University of Iowa, which was interrupted. | |||||||||||
| 31 | 17 | Apples and Oranges, Oct 1986 | |||||||||
| La Commedia del Arte, Los Angeles. Typewritten score, press release, poster, clipping, color snapshots. | |||||||||||
| 31 | 18 | Burdens, Mar 1987 | |||||||||
| Penn State Museum of Art. Transcript of audio tape of event, correspondence. | |||||||||||
| 31 | 19 | Whether Weather, Apr-May 1987 | |||||||||
| Museum of Seasonal Change, San Diego. Handwritten and typewritten score, color slides. | |||||||||||
| 31 | 20 | Events for Documenta 8, Jun-Dec. 1987 | |||||||||
| Documenta 8, Kassel. Handwritten description of two events Kaprow created: "Red Carpet for the Public," and a broom piece; correspondence. | |||||||||||
| box | |||||||||||
| 32 | Project Files, 1987-1992 | ||||||||||
| 32 | 1 | Office Boy, Nov 1987 | |||||||||
| Zabriskie Gallery, NY. Score (as devised by Virginia Zabriskie) in a letter to Kaprow, other letters describing reaction to the event or event planning. | |||||||||||
| 32 | 2 | Help Yourself, 1987 | |||||||||
| Color snapshot and slides. No Photo credit. | |||||||||||
| 32 | 3 | Proceedings, UT Arlington Kaprow Retrospective, Mar 1988 | |||||||||
| Reinvention of Kaprow pieces and symposium on his work. Correspondence, writings on the theme of retrospection, transcript of taped conversation between Barbara Smith, Richard Schechner and Jeff Kelley, snapshots, drawings. See also folders 5 and 6 for "18 Happenings" and "Routine," reinvented as part of this retrospective. | |||||||||||
| 32 | 4 | Proceedings, UT Arlington Kaprow Retrospective, Mar 1988 | |||||||||
| Posters, programs, proposals, workshop notes. | |||||||||||
| 32 | 5 | 18 happenings in 6 parts, Mar 1988 | |||||||||
| New York City. Typewritten score, list of participants, black and white photographs. Photo credit: Peter Moore. | |||||||||||
| 32 | 6 | Routine, [May] 1988 | |||||||||
| Mills College, Oakland, CA. typewritten score. | |||||||||||
| 32 | 7 | What's Watts Watts, 1988 | |||||||||
| Handwritten score. | |||||||||||
| 32 | 8 | An Electronic Happening, July 1989 | |||||||||
| Western Behavioral Science Institute, La Jolla. Handwritten and typewritten score, notes, drawings, e-mails. | |||||||||||
| 32 | 9 | Taking a Shoe for a Walk, Aug 1989 | |||||||||
| Salute to Fluxus, Bonner Kunstverein, Bonn. Handwritten and typewritten score, correspondence, clippings, poster, bound book of black and white photographs. Photo credit: Wolfgang Träger. | |||||||||||
| 32 | 10 | Where the Borders Really Are, Jun 1990 | |||||||||
| A Meeting of the Worlds, An International Festival of Music and the Arts, Finland. Handwritten and typewritten score, correspondence, brochures, programs, maps, press releases. | |||||||||||
| 32 | 11 | Kaprow-Negesy Project, Sept 1991 | |||||||||
| UC San Diego. Handwritten notes, program. | |||||||||||
| 32 | 12 | Cabin, Sept 1991 | |||||||||
| Milan. Color photographs, black and white photocopies. | |||||||||||
| 32 | 13 | Shaking Barrels, 1991 | |||||||||
| Published booklet of tributes to Jerome Rothenberg at 60 containing Kaprow Happening. | |||||||||||
| 32 | 14 | 7 Environments, 1991-1992 | |||||||||
| Fondazione Mudima, Milan (1991) and Studio Morra, Naples (1992). Correspondence and printed matter regarding the exhibition. See also Box 61, folder 23 for correspondence regarding this exhibition. | |||||||||||
| 32 | 15 | 7 Environments, 1991-1992 | |||||||||
| Fondazione Mudima, Milan (1991) and Studio Morra, Naples (1992). Color transparencies, photocopies, black and white photographs of the environments reinvented for the Milan portion of the retrospective. Black and white photographs of "Yard," (Milan). Photo credit: Fabrizio Garghetti. | |||||||||||
| box | |||||||||||
| 33 | Project Files, 1991-1997 | ||||||||||
| 33 | 1 | 7 Environments, 1991-1992 | |||||||||
| Fondazione Mudima, Milan (1991) and Studio Morra, Naples (1992). More of the material found in Box 32, folder 15. Color transparencies, photocopies, black and white photographs of the environments reinvented for the Milan portion of the retrospective. Black and white photographs of "Yard," (Milan). Photo credit: Fabrizio Garghetti. | |||||||||||
| 33 | 2 | 7 Environments, 1991-1992 | |||||||||
| Studio Morra, Naples. Black and white photographs and color snapshots of the Naples portion of the exhibition. Photo credit: Enrico Cattaneo. | |||||||||||
| 33 | 3 | 4 Environments, Sept 1992 | |||||||||
| La Zonmééé, Montreuil and Espace Donguy, Paris. Correspondence between Kaprow and Jacques Donguy regarding the planning of "4 Environments" and other events, such as panels, that the gallery arranged for Kaprow to participate in. Color transparencies and black and white photographs of 4 environments reinvented for retrospective: "Eat," "Apple Shrine," "Short Circuit" (reinvention of 1958 untitled environment), and "Words." See also Box 62 Galerie Donguy files. Photo credit: André Morain. | |||||||||||
| Transparencies and polaroid prints moved to Box 115, folder 19A. | |||||||||||
| 33 | 4 | Beauty Parlor 2, Apr 1993 | |||||||||
| New York. At Trident Group Printing Firm. Correspondence, drawings, black and white photographs. No Photo credit. | |||||||||||
| 33 | 5 | Five Minute Delay, Aug 1993 | |||||||||
| Biennale d'art contemporain, Lyon, France. Correspondence with Jacque Donguy and Theirry Raspail and Thierry Prat regarding the piece Kaprow designed for the international festival in Lyon. The piece was called "Barriers" in the correspondence, but its final name was "Five Minute Delay." Various drawings for the piece included in the correspondence. Handwritten score, drawings, correspondence, negatives, color snapshots. No Photo credit. | |||||||||||
| 33 | 6 | Five Minute Delay, Aug 1993 | |||||||||
| Biennale d'art contemporain, Lyon, France. Handwritten score, drawings, correspondence, negatives, color snapshots. No Photo credit. | |||||||||||
| 33 | 7 | Smarrjack; Load Aug 1994 | |||||||||
| Proposals for Multimediale, NY-Seoul. Handwritten letter containing score. Not performed for this event, but performed later (Feb 1998) for Jerry Rothenberg's class at UC San Diego. | |||||||||||
| 33 | 8 | Hors Limites, Sept 1994 | |||||||||
| Galerie Beaubourg, Paris. Report by David Rammant on the creation of the event. See also Correspondence, Box 62 and 63, Galerie Donguy files. | |||||||||||
| 33 | 9 | Waxworks, May 1995 | |||||||||
| John Gibson Gallery, NY. Color snapshots of the activity. | |||||||||||
| 33 | 10 | Fall, Oct 1995 | |||||||||
| Performance Festival ("Save/Give") at Kasseler Kunstverein. Handwritten score, correspondence, clippings, black and white photographs. Photo credit: Martin Rindlisbacher. | |||||||||||
| 33 | 11 | Assemblage of Hundreds, Nov [1994] | |||||||||
| Benefit for Children's Museum of San Diego. Handwritten score for several possible environments, clipping. | |||||||||||
| 33 | 12 | A Waste of Time, [1994] | |||||||||
| Leipzig. Typewritten score in English and German. | |||||||||||
| 33 | 13 | If the Shoe Fits, Sign It, Apr 1997 | |||||||||
| Grossmont College, El Cajon, CA. Handwritten score. | |||||||||||
| 33 | 14 | Plans of Happenings, Apr 1997 | |||||||||
| Archivio Conz, Verona. Compilation of typewritten scores presented at exhibition. | |||||||||||
| box | |||||||||||
| 34 | Project Files, , and Project-related material, 1996-1999 1940-1977 | ||||||||||
| 34 | 1 | Yard, 1996-1997 | |||||||||
| MOCA, Los Angeles, "Out of Actions." Reinvention of 1960 happening. Correspondence between Kaprow and Paul Schimmel. 1 color slide and three negatives. Photo credit: Staff Photographer. | |||||||||||
| 34 | 2 | Yard, 1998-1999 | |||||||||
| MOCA, Los Angeles,"Out of Actions." Correspondence between Kaprow and Paul Schimmel. | |||||||||||
| 34 | 3 | Yard, 1998 | |||||||||
| "Out of Actions," Spain, Japan and Austria. Correspondence with curators of the exhibition at MAK, Austria, MAC, Barcelona, and MOCA, Tokyo. | |||||||||||
| 34 | 4 | Metal sign, n.d. | |||||||||
| A sign reading, in German, as follows: "Please do not pay any attention to this sign." From unidentified happening? | |||||||||||
| 34 | 5 | unidentified photos, n.d. | |||||||||
| Black and white photographs of an unidentified environment? | |||||||||||
| 34 | 6 | Diary, 1940-1944 | |||||||||
| A handwritten diary, not by Kaprow, that Kaprow purchased at a thrift store and used for research. | |||||||||||
| 34 | 7 | Notes, 1960s? | |||||||||
| Handwritten notes, ideas, lists, diagrams, notebook pages, draft of review of Jenson's art history text. | |||||||||||
| 34 | 8 | Notes, 1970s? | |||||||||
| Handwritten notes, lists, fragments from unidentified happenings and activities. | |||||||||||
| 34 | 9 | Notes, 1990s? | |||||||||
| Handwritten notes, lists, fragments from activities and lectures. | |||||||||||
| 34 | 10 | Draft, 1970s? | |||||||||
| Handwritten draft of essay about how to use the videotapes and booklets about Kaprow activities. | |||||||||||
| 34 | 11 | Project proposal, 1958 | |||||||||
| "Project in Multiple Dimensions," by Kaprow, Robert Watts, and George Brecht. | |||||||||||
| 34 | 12 | Project proposal, 1970 | |||||||||
| "The Cubic Mile." Proposal for EA.T. Projects Outside Art, correspondence, interview transcript. | |||||||||||
| 34 | 13 | Project proposal, 1976? | |||||||||
| Proposal for CME - UNESCO, to study closely the consciousness participation in a Kaprow activity induces. | |||||||||||
| 34 | 14 | Project proposal, 1977 | |||||||||
| "The Use of Art Performance as a Model for Personal and Social Awareness," a proposal to NEA by Kaprow and six other artists. | |||||||||||
| Series IV. Printed Matter, 1952-1997 7 Linear Feet | |||||||||||
| Printed Matter includes ref3712 and is organized in 6 subseries. | |||||||||||
| Series IV.A. Scrapbooks, 1953-1962 1.5 Linear Feet | |||||||||||
| Pages from two different scrapbooks, disbounded and conserved as individual leaves, containing newspaper clippings, announcements, and press releases regarding Kaprow's solo and group exhibitions, Happenings, Environments and Activities. | |||||||||||
| box | |||||||||||
| 35 | Scrapbook, 1953-1959 | ||||||||||
| box | |||||||||||
| 36 | Scrapbook, 1959-1962 | ||||||||||
| box | |||||||||||
| 37 | Cover of scrapbook in Box 36 | ||||||||||
| Series IV.B. Clippings, 1953-1997 2 Linear Feet | |||||||||||
| Reviews, feature articles, newspaper announcements of Kaprow's solo and group exhibitions, Environments, Happenings, and Activities. Some duplication of the scrapbook material, but generally more extensive coverage. Also selected press releases and a box of clipped articles on topics of interest to Kaprow. Arranged chronologically by year. | |||||||||||
| box | |||||||||||
| 38 | Clippings, 1953-1966 | ||||||||||
| 38 | 1 | 1953 | |||||||||
| 38 | 2 | 1954 | |||||||||
| 38 | 3 | 1955 | |||||||||
| 38 | 4 | 1956 | |||||||||
| 38 | 5 | 1957 | |||||||||
| 38 | 6 | 1958 | |||||||||
| 38 | 7 | 1959 | |||||||||
| 38 | 8 | 1960 | |||||||||
| 38 | 9 | 1961 | |||||||||
| 38 | 10 | 1962 | |||||||||
| 38 | 11 | 1963 | |||||||||
| 38 | 12 | 1964 | |||||||||
| 38 | 13 | 1965 | |||||||||
| 38 | 14 | 1966 | |||||||||
| 38 | 15 | 1966 | |||||||||
| box | |||||||||||
| 39 | Clippings, 1967-1983 | ||||||||||
| 39 | 1 | 1967 | |||||||||
| 39 | 2 | 1968 | |||||||||
| 39 | 3 | 1969 | |||||||||
| 39 | 4 | 1970 | |||||||||
| 39 | 5 | 1971 | |||||||||
| 39 | 6 | 1972 | |||||||||
| 39 | 7 | 1973 | |||||||||
| 39 | 8 | 1974 | |||||||||
| 39 | 9 | 1975 | |||||||||
| 39 | 10 | 1976 | |||||||||
| 39 | 11 | 1977 | |||||||||
| 39 | 12 | 1978 | |||||||||
| 39 | 13 | 1979 | |||||||||
| 39 | 14 | 1980 | |||||||||
| 39 | 15 | 1981 | |||||||||
| 39 | 16 | 1982 | |||||||||
| 39 | 17 | 1983 | |||||||||
| box | |||||||||||
| 40 | Clippings and press releases, , 1984-1997 1961-1992 | ||||||||||
| The file of press releases is not comprehensive; additional press releases are filed with the specific piece to which they pertain. | |||||||||||
| 40 | 1 | 1984 | |||||||||
| 40 | 2 | 1985 | |||||||||
| 40 | 3 | 1986 | |||||||||
| 40 | 4 | 1987 | |||||||||
| 40 | 5 | 1988 | |||||||||
| 40 | 6 | 1989 | |||||||||
| 40 | 7 | 1991 | |||||||||
| 40 | 8 | 1992 | |||||||||
| 40 | 9 | 1993 | |||||||||
| 40 | 10 | 1994-1995 | |||||||||
| 40 | 11 | 1997 | |||||||||
| 40 | 12 | n.d. | |||||||||
| 40 | 13 | Collection of cartoons and advertisements using the word "Happening." | |||||||||
| 40 | 14 | Clippings of general interest | |||||||||
| 40 | 15 | Press releases, 1961-1992 | |||||||||
| box | |||||||||||
| 41 | Clippings, 1927-1997 | ||||||||||
| Clippings and photocopies of articles and book chapters, generally on topics of interest to Kaprow, sometimes on topics that include Kaprow. See also Oversize. | |||||||||||
| 41 | 1 | Evreinoff, Nicolos, The Theatre in Life, 1927 | |||||||||
| 41 | 2 | anthologist, 1959 | |||||||||
| 41 | 3 | Klaw, Spencer, "The Cultural Innovators," Fortune, 1960 | |||||||||
| 41 | 4 | "A Gallery of Galleries in Manhattan," Time, 1962 | |||||||||
| 41 | 5 | Restany, Pierre, "les HAPPENINGS," Domus, 1963 | |||||||||
| 41 | 6 | Ascott, Roy, "The construction of change," (serial?) 1964 | |||||||||
| 41 | 7 | Mumma, Gordon, "Alvin Lucier's Music for Solo Performer," Source, 1965 | |||||||||
| 41 | 8 | McLuhan, Marshall, "Great Change-Overs for You," Vogue, 1966 | |||||||||
| 41 | 9 | Lippard, Lucy R., "Pulsa," Arts Canada, 1968 | |||||||||
| 41 | 10 | "The Venerability of Pop," Time, 1969 | |||||||||
| 41 | 11 | Gruen, John, The Party's Over Now (photocopied excerpt), 196? | |||||||||
| 41 | 12 | Seckler, D.G., "The Audience is His Medium," The Artist in America, 196? | |||||||||
| 41 | 13 | Kirby, M., "The Influence of Happenings and Events," (serial?) 1970 | |||||||||
| 41 | 14 | Chalupecky, J., "Art in Our Age," (serial?) 1970 | |||||||||
| 41 | 15 | DeMott, Benjamin, "Looking Back on the Seventies," Atlantic Monthly, 1971 | |||||||||
| 41 | 16 | Roth, Moira, "Toward a History of California Performance," Part II, 1978 | |||||||||
| 41 | 17 | Copeland, Roger, "The Politics of Perception," 1979 | |||||||||
| 41 | 18 | Buchwald, A., "TV Fiction, Reality," 197? | |||||||||
| 41 | 19 | Rohde, Sam, "An Introduction Marinetti's Futurist Cooking," 197? | |||||||||
| 41 | 20 | Musgrave, Victor, "The Unknown Art Movement," 197? | |||||||||
| 41 | 21 | Wortz, Melinda, "Architects of Emptiness," Arts Magazine, 1980 | |||||||||
| 41 | 22 | Cullen, Arthur Barrett, "Roy Lichtenstein," United, 1984 | |||||||||
| 41 | 23 | Tomkins, Calvin, "The Prince of Pop," Vogue, 1993 | |||||||||
| 41 | 24 | Reviews of Essays on the Blurring of Art and Life, 1993-1994 | |||||||||
| 41 | 25 | Reviews of "InSite 94," 1994 | |||||||||
| 41 | 26 | Macys, Ryan, "Conceptual, Interactive showings at the Hyde," The Summit, 1997 | |||||||||
| 41 | 27 | "Schöpfer des Happenings," (serial?) 1997 | |||||||||
| 41 | 28 | Carpenter, Edmund, "Silent Music and Invisible Art," n.d. | |||||||||
| 41 | 29 | [author?], Conversations with Igor Stravinsky (photocopied excerpt from book), n.d. | |||||||||
| Series IV.C. Announcements, 1952-1997 1 lin. ft. | |||||||||||
| Announcements for Kaprow solo exhibitions, events, and speaking engagements and for Kaprow group exhibitions and events and for exhibitions of other artists. Arranged chronologically by year in each category. | |||||||||||
| box | |||||||||||
| 42 | Announcements, 1955-1982 | ||||||||||
| 42 | 1 | AK solo, 1955-1959 | |||||||||
| 42 | 2 | AK solo, 1960-1964 | |||||||||
| 42 | 3 | AK solo, 1965-1969 | |||||||||
| 42 | 4 | AK solo, 1970-1974 | |||||||||
| 42 | 5 | AK solo, 1975-1979 | |||||||||
| 42 | 6 | AK solo, 1980-1984 | |||||||||
| 42 | 7 | AK solo, 1985-1989 | |||||||||
| 42 | 8 | AK solo, 1990-1994 | |||||||||
| 42 | 9 | AK solo, (UC Press catalog advertising Kaprow's book), 1993 | |||||||||
| 42 | 10 | AK solo, 1995-1999 | |||||||||
| 42 | 11 | AK solo, n.d. | |||||||||
| 42 | 12 | AK group, 1953 | |||||||||
| 42 | 13 | AK group, 1954 | |||||||||
| 42 | 14 | AK group, 1957 | |||||||||
| 42 | 15 | AK group, 1958 | |||||||||
| 42 | 16 | AK group, 1959 | |||||||||
| 42 | 17 | AK group, 1960 | |||||||||
| 42 | 18 | AK group, 1962 | |||||||||
| 42 | 19 | AK group, 1963 | |||||||||
| 42 | 20 | AK group, 1964 | |||||||||
| 42 | 21 | AK group, 1965 | |||||||||
| 42 | 22 | AK group, 1966 | |||||||||
| 42 | 23 | AK group, 1967 | |||||||||
| 42 | 24 | AK group, 1968 | |||||||||
| 42 | 25 | AK group, 1969 | |||||||||
| 42 | 26 | AK group, 1969 | |||||||||
| 42 | 27 | AK group, 1970 | |||||||||
| 42 | 28 | AK group, 1972 | |||||||||
| 42 | 29 | AK group, 1973 | |||||||||
| 42 | 30 | AK group, 1974 | |||||||||
| 42 | 31 | AK group, 1976 | |||||||||
| 42 | 32 | AK group, 1977 | |||||||||
| 42 | 33 | AK group, 1978 | |||||||||
| 42 | 34 | AK group, 1979 | |||||||||
| 42 | 35 | AK group, 1980 | |||||||||
| 42 | 36 | AK group, 1981 | |||||||||
| 42 | 37 | AK group, 1982 | |||||||||
| box | |||||||||||
| 43 | Announcements, 1952-1997 | ||||||||||
| 43 | 1 | AK group, 1983 | |||||||||
| 43 | 2 | AK group, (Video as Attitude) 1983 | |||||||||
| 43 | 3 | AK group, 1984 | |||||||||
| 43 | 4 | AK group, 1985 | |||||||||
| 43 | 5 | AK group, 1986 | |||||||||
| 43 | 6 | AK group, 1987 | |||||||||
| 43 | 7 | AK group, 1988 | |||||||||
| 43 | 8 | AK group, 1989 | |||||||||
| 43 | 9 | AK group, 1990 | |||||||||
| 43 | 10 | AK group, 1991 | |||||||||
| 43 | 11 | AK group, 1992 | |||||||||
| 43 | 12 | AK group, 1993 | |||||||||
| 43 | 13 | AK group, 1994 | |||||||||
| 43 | 14 | AK group, 1995 | |||||||||
| 43 | 15 | AK group, 1996 | |||||||||
| 43 | 16 | AK group, 1997 | |||||||||
| 43 | 17 | AK group, n.d. | |||||||||
| 43 | 18 | Other artists, 1952 | |||||||||
| 43 | 19 | Other artists, 1957 | |||||||||
| 43 | 20 | Other artists, 1958-1959 | |||||||||
| 43 | 21 | Other artists, 1960-1961 | |||||||||
| 43 | 22 | Other artists, 1962 | |||||||||
| 43 | 23 | Other artists, 1964 | |||||||||
| 43 | 24 | Other artists, 1966 | |||||||||
| 43 | 25 | Other artists, 1969 | |||||||||
| 43 | 26 | Other artists, 1970 | |||||||||
| 43 | 27 | Other artists, 1971 | |||||||||
| 43 | 28 | Other artists, 1976 | |||||||||
| 43 | 29 | Other artists, 1979 | |||||||||
| 43 | 30 | Other artists, 1984 | |||||||||
| 43 | 31 | Other artists, n.d. | |||||||||
| Series IV.D. Posters, 1951-1995 16 flat file folders | |||||||||||
| Posters announcing Kaprow's solo or group exhibitions, happenings or environments, or the exhibitions of other artists. In some cases the poster also serves as the score for an event. Posters arranged chronologically by year. | |||||||||||
| oversize | |||||||||||
| 1** | Kaprow solo exhibitions or events, 1957-1969 | ||||||||||
| 1** | C-Print of "Rearrangeable Panels," 1957-1958 | ||||||||||
| 1** | "!8 Happenings in 6 Parts," Reuben Gallery, NY, 1959 | ||||||||||
| 1** | "4 Happenings by Alan Kaprow," Smolin Gallery, NY, n.d. | ||||||||||
| 1** | "Bon Marché," Idealia, Paris, 1963 | ||||||||||
| 1** | "Eat," Smolin Gallery, NY, 1964 | ||||||||||
| 1** | Lecture Series, Institute of Contemporary Art, Boston, 1966 | ||||||||||
| 1** | "Gas," Long Island, NY, 1966 | ||||||||||
| 1** | "Fluids," Pasadena Art Museum, 1967 | ||||||||||
| 1** | "Moving," Museum of Contemporary Art, Chicago, 1967 | ||||||||||
| 1** | "Population," Colby Jr. College, 1968 | ||||||||||
| 1** | "Overtime," SUNY, New Platz, 1968 | ||||||||||
| 1** | "Transfer," Wesleyan University, 1968 | ||||||||||
| 1** | "Record," University of Texas, 1968 | ||||||||||
| 1** | "Round Trip," SUNY Albany, 1968 | ||||||||||
| 1** | "Arrivals," Firehouse Gallery, NY 1968 | ||||||||||
| 1** | "Days Off," MOMA, NY, 1969 | ||||||||||
| 1** | Happening, Cooper Union, NY, n.d. | ||||||||||
| oversize | |||||||||||
| 2** | Kaprow solo exhibitions or events, 1970-1984 | ||||||||||
| 2** | "Graft," Kent State University, 1970 | ||||||||||
| 2** | "Sawdust," 1970 | ||||||||||
| 2** | "Time Pieces" (video), 1973 | ||||||||||
| 2** | "Affect," Galleria Martano, Torino, 1974 | ||||||||||
| 2** | "Tree," 1975 | ||||||||||
| 2** | Activity-Model, Galeria Foksai PSP, Warszawa, 1976 | ||||||||||
| 2** | "Maneuvers," Framart/Studio, Napoli, 1976 | ||||||||||
| 2** | Stories of Allan Kaprow's events in his everyday life, School of Visual Arts, NYC, 1984 | ||||||||||
| 2** | Free Seminar and Lecture, Tucson Museum of Art, n.d. | ||||||||||
| 2** | "Ritual and Group Interaction," York University, n.d. | ||||||||||
| oversize | |||||||||||
| 3** | Kaprow solo exhibitions or events, 1993-1996 | ||||||||||
| 3** | "Beauty Parlor," Gibson Gallery, NYC, 1993 | ||||||||||
| 3** | "Hors Limites," Paris, 1994 | ||||||||||
| 3** | Allan Kaprow at Kunsthalle Palazzo, Liestal, 1996 | ||||||||||
| 3** | Activity, Performance, Event, 1994 | ||||||||||
| oversize | |||||||||||
| 4** | Kaprow group exhibitions or events, 1958-1967 | ||||||||||
| 4** | "Collage in America" (Kaprow, Johns, Kline, et al), 1958 | ||||||||||
| 4** | "No Show," Gertrude Stein Gallery, NYC, 1963 | ||||||||||
| 4** | "A New Vocabulary," and "A Happening," n.d. | ||||||||||
| 4** | "Art Now," (Kaprow, Robert Indiana, Richard Stankiewicz), University of Vermont, 1964 | ||||||||||
| 4** | "Festival of Contemporary Arts," Cornell University, 1964 | ||||||||||
| 4** | "Ten from Rutgers University," Bianchini Gallery, NYC, 1965 | ||||||||||
| 4** | "4th annual new york avant garde festival," NYC, 1965 | ||||||||||
| 4** | "4th annual new york avant garde festival," NYC, (different than above with signatures), 1965 | ||||||||||
| 4** | "5th annual new york avant garde festival," NYC (with signatures), 1966 | ||||||||||
| 4** | "Happenings in 3 Countries," (Kaprow, Minujin, Vostell), (3) 1966 | ||||||||||
| 4** | "A Grand Feed," (Kaprow, Phillip, Al Hansen, et. al.), MASS ART Store, NYC, 1966 | ||||||||||
| 4** | "3 Evenings of Fan Music," (Kaprow, Phillip Conner, James Terney) NYC, 1967 | ||||||||||
| 4** | "6th annual NY avant garde festival," 1967 | ||||||||||
| 4** | "Happening at the Reuben Gallery," (Kaprow, Red Grooms, Robert Whitman), NYC, 196? | ||||||||||
| 4** | "Environments, Situations, Spaces," (Oldenburg, Dine, et. al.) Martha Jackson Gallery, NYC, n.d. | ||||||||||
| oversize | |||||||||||
| 5** | Kaprow group exhibitions or events, 1971-1979 | ||||||||||
| 5** | International Design Conference, Aspen, 1971 | ||||||||||
| 5** | "Two American Artists," (Kaprow and Elkin) Western Washington State University, Bellingham, 1973 | ||||||||||
| 5** | "Aktionen der Avantgarde," (Filliou, Vostell, et. al.), Neuer Berliner Kunstverein, Berlin, 1973 | ||||||||||
| 5** | "Author, Sunshine, Muse," (Kaprow, Neal, Plagens) Eastern Michigan University, 1975 | ||||||||||
| 5** | "Southland Video Anthology," (Kaprow, Baldessari, Paik, et. al.), Long Beach Museum of Art, 1975 | ||||||||||
| 5** | "Frames of Mind," Neuer Berliner Kunstverein, 1976 | ||||||||||
| 5** | "Medium Film," (Kaprow, Broodthaers, Weiner), Berlin, 1976 | ||||||||||
| 5** | "13th annual new york avant garde festival," NYC, 1977 | ||||||||||
| 5** | "The Ethics and Economics of Performance Art," (Kaprow, McCarthy, et. al.), LAICA, Los Angeles, 1978 | ||||||||||
| 5** | "The Gallery of Art," (Kaprow, DeKooning, et. al.) University Northern Iowa, 1978-1979 | ||||||||||
| oversize | |||||||||||
| 6** | Kaprow group exhibitions or events, 1980-1989 | ||||||||||
| 6** | "Myth and Ritual," Walker Art Center, Minn., 1980 | ||||||||||
| 6** | "Public Spirit," Los Angeles, 1980 | ||||||||||
| 6** | "The Artist: An Endangered Species?" Washington State University, Pullman, 1981 | ||||||||||
| 6** | "Experimental Theater Festival," UC San Diego, 1982 | ||||||||||
| 6** | "Fluxus," Museum Wiesbaden, 1982 | ||||||||||
| 6** | UC San Diego faculty exhibition, 1984 | ||||||||||
| 6** | "Visiting Artists," University of Mississippi, 1985-1986 | ||||||||||
| 6** | Visiting Artists, University of Colorado, Boulder (2), 1985-1986 | ||||||||||
| 6** | "artists in space project," Hamburg, 1985-1987 | ||||||||||
| 6** | documenta, Kassel, 1987 | ||||||||||
| 6** | Fluxus, Bonn, 1982-1989 | ||||||||||
| oversize | |||||||||||
| 7** | Kaprow group exhibitions or events, 1990-1995 | ||||||||||
| 7** | "Collages," Museé d'Unterlinden, Colmar, 1990 | ||||||||||
| 7** | "The Readymade Boomerang," daadgalerie, Berlin, 1991 | ||||||||||
| 7** | "Site 94," US/Mexico border, 1994 | ||||||||||
| 7** | "Here Comes Everybody," conference on Cage, Mills College, 1995 | ||||||||||
| 7** | Allan Kaprow, Visiting Professor, Fondazione Antonio Ratti, Como, 1995 | ||||||||||
| 7** | "Trash," (Kaprow, Oldenburg, Warhol, et. al.), Real Art Ways, Hartford, n.d. | ||||||||||
| 7** | "The Art-Life Game," UC San Diego Visual Arts, n.d. | ||||||||||
| 7** | "A Museum Lecture Workshop Series, LSU, n.d. | ||||||||||
| 7** | La Commedia del Arte," Barbara Smith, Los Angeles, n.d. | ||||||||||
| 7** | "Performance Art Summer," (Kaprow, Rosenthal, McCarthy, et. al.), Los Angeles, n.d. | ||||||||||
| oversize | |||||||||||
| 8-14** | Other artists' exhibitions or events, 1951-1974, n.d. | ||||||||||
| oversize | |||||||||||
| 8** | "White Paintings," Rauschenberg (Castelli), 1951 | ||||||||||
| 8** | Alfred Jensen at Martha Jackson Gallery, 1959 | ||||||||||
| oversize | |||||||||||
| 9** | B. Thompson (Zabriski), 1960 | ||||||||||
| 9** | Jasper Johns (Castelli), 1961 | ||||||||||
| 9** | Jasper Johns (Sonnabend), 1962 | ||||||||||
| 9** | Tinguely (Galerie handschin), Basel, 1962 | ||||||||||
| 9** | Brecht, Dine, Johns, et. al. (Arts Council) Philadelphia, 1962-1963 | ||||||||||
| 9** | Jasper Johns (Castelli), 1963 | ||||||||||
| 9** | "Hole," Robert Whitman, 1963 | ||||||||||
| 9** | Nam June Paik (Exposition of Music, Galerie Parnass), 1963 | ||||||||||
| 9** | Lichtenstein (Castelli), 1963 | ||||||||||
| 9** | Alfred Jensen (Graham Gallery), 1963 | ||||||||||
| 9** | "No Show," Kusama, Tyler, et. al., n.d. | ||||||||||
| oversize | |||||||||||
| 10** | Kriesberg (Graham Gallery), 1964 | ||||||||||
| 10** | Fluxfest at Cinematheque, 1964 | ||||||||||
| 10** | Vostell, Beuys, et. al. (Aachen), 1964 | ||||||||||
| 10** | Arthur Köppcke (galerie allen), Copenhagen, 1964 | ||||||||||
| 10** | George Segal (Green Gallery), NY, 1964 | ||||||||||
| 10** | "2ieme Festival de la Libre Expresion," Lebel at Centre Americaine des Americaine des Artistes, 1965 | ||||||||||
| 10** | Lebel (Galerie Edouard Smith), 1965 | ||||||||||
| 10** | Alfred Jensen (Royal Marks), 1966 | ||||||||||
| 10** | Ray Johnson (Castelli), 1966 | ||||||||||
| 10** | "3ieme Festival de la Libre Expresion," Jean-Jacques Lebel, Théatre de la Chimère, 1966 | ||||||||||
| oversize | |||||||||||
| 11** | Bill Bollinger (Bykert Gallery), 1967 | ||||||||||
| 11** | Group show: Bollinger, Judd, et. al. (Bykert Gallery), 1967 | ||||||||||
| 11** | Robert Duran (Bykert Gallery), 1967 | ||||||||||
| 11** | Jeff Berner, "The Avant-garde from Dada to McLuhan and Beyond" (Big Sur), 1967 | ||||||||||
| 11** | Oldenburg (Janis Gallery), 1967 | ||||||||||
| 11** | Robert Morris (Castelli Gallery), 1967 | ||||||||||
| 11** | Cy Twombly (Leo Castelli Gallery), 1967 | ||||||||||
| 11** | Ray Johnson (Richard Feigen Gallery), 1968 | ||||||||||
| 11** | Christo Wraps the Museum (MOMA), 1968 | ||||||||||
| 11** | Ron Cooper (Ace Gallery), 1969 | ||||||||||
| oversize | |||||||||||
| 12** | George Miller (18 W. 11th St.), 1970 | ||||||||||
| 12** | Ray Ferrer (Castelli Gallery), 1970 | ||||||||||
| 12** | "Straight Information: a dialogue series of 13 evenings," (School of Visual Arts), 1971-1972 | ||||||||||
| 12** | Alfred Jensen (Pace Gallery), 1972 | ||||||||||
| 12** | Guy Johnson (Hundred Acres), 1972 | ||||||||||
| 12** | Alfred Jensen (Pace Gallery), 1972 | ||||||||||
| 12** | "Push Pins' New Line,"(Gallery at Cal State, Fullerton), 1974 | ||||||||||
| 12** | Bill Bollinger- Sculpture (Bykert Gallery), n.d. | ||||||||||
| 12** | No name or title (Howard Wise Gallery), n.d. | ||||||||||
| 12** | "Slipcover," Les Levine (Architecture League of NY), n.d. | ||||||||||
| oversize | |||||||||||
| 13** | Robert Grosvenor (Dwan Gallery), 1966 | ||||||||||
| 13** | Richard Serra (ACE Gallery), 1970 | ||||||||||
| oversize | |||||||||||
| 14** | "Here and Now With Watchers: Hawkins, Dlugoszewski, Lang, Dorazio," n.d. | ||||||||||
| 14** | Jay Milder (Delancey St. Museum), n.d. | ||||||||||
| oversize | |||||||||||
| 15** | "Calling," words on plastic, 1965 | ||||||||||
| oversize | |||||||||||
| 16** | "Rearrangeable panels," a C-print, 1957 | ||||||||||
| Series IV.E. Serials, 1959-1994 0.5 Linear Feet | |||||||||||
| Sets of avant-garde journals to which Kaprow subscribed and which occasionally featured his work, or individual issues of serials or catalogs with articles or items relevant to Kaprow. | |||||||||||
| box | |||||||||||
| 44 | Serials, 1959-1994 | ||||||||||
| 44 | 1 | The Pittsburgh Bicentennial, 1959 | |||||||||
| Brochure for the Carnegie Institute exhibition of contemporary painting and sculpture | |||||||||||
| 44 | 2 | Scrap, 1960-1961 | |||||||||
| Issues 1-6 of the avant-garde journal. | |||||||||||
| 44 | 3 | The Floating Bear, 1961-1962 | |||||||||
| Issues 1-22 of the avant-garde journal. | |||||||||||
| 44 | 4 | The Floating Bear, 1961-1962 | |||||||||
| Issues 25-37 of the avant-garde journal. | |||||||||||
| 44 | 5 | Art 1963 - A New Vocabulary, 1962 | |||||||||
| Corrected proof of a catalog published by the Arts Council of the YM/YWHA. | |||||||||||
| 44 | 6 | Arts Yearbook 9, 1967 | |||||||||
| This serial is edited by the staff of Arts Magazine. This issue titled "The Museum World." Includes article by Kaprow. | |||||||||||
| 44 | 7 | Judson Newsnotes, June 1967 | |||||||||
| 44 | 8 | Japanese serial (title?), 1968 | |||||||||
| Contains several photographs of Kaprow happenings and environments. | |||||||||||
| 44 | 9 | Magazin KUNST, Nr. 4, 1974 | |||||||||
| Issue on video featuring articles section about Kaprow's "Time Pieces." | |||||||||||
| 44 | 10 | Backworks, 1977 | |||||||||
| Catalog about contemporary photography. | |||||||||||
| 44 | 11 | The Dumb Ox, 1980 | |||||||||
| Issue on performance, guest-edited by Kaprow and Paul McCarthy. | |||||||||||
| 44 | 12 | Community Arts, 1980 | |||||||||
| San Diego serial with interview of Kaprow. | |||||||||||
| 44 | 13 | Arizona Artist, 1980 | |||||||||
| 44 | 14 | To the Astonishing Horizon, 1985 | |||||||||
| Brochure for exhibition by Los Angeles Visual Arts, curated by Peter Frank. | |||||||||||
| 44 | 15 | Made in U.S.A., 1987 | |||||||||
| Brochure of Berkeley Art Museum exhibition. | |||||||||||
| 44 | 16 | Action/Performance and the Photograph, 1993 | |||||||||
| Catalog from Turner/Krull Galleries. | |||||||||||
| 44 | 17 | Performing Arts Journal 46, 1994 | |||||||||
| Features Kaprow essay on the avant-garde. | |||||||||||
| Series IV.F. Miscellaneous, 1965-1995 .5 lin. ft. | |||||||||||
| Papers from Kaprow's books (in the Getty library) and other assorted printed matter. | |||||||||||
| box | |||||||||||
| 45 | Miscellaneous, 1965-1995 | ||||||||||
| 45 | 1 | Vision '65 Conference description, 1965 | |||||||||
| 45 | 2 | Provincetown Fine Arts Workshop information sheet, 1969 | |||||||||
| 45 | 3 | Video distribution catalog, 197? | |||||||||
| 45 | 4 | IREX travel arrangements information, 1985 | |||||||||
| 45 | 5 | UC San Diego course listing Kaprow's book, 1990 | |||||||||
| 45 | 6 | Restaurant newsletter, 1995 | |||||||||
| 45 | 7 | Items tipped in books, 1950-1980 | |||||||||
| 45 | 8 | Items tipped in books, 1982-1996 | |||||||||
| Series V. Writings, 1953-1997 5 lin. ft. | |||||||||||
| Writings is further divided into two subseries. | |||||||||||
| Series V.A. Writings by Kaprow, 1953-1997 3.5 lin. ft. | |||||||||||
| Handwritten and typewritten drafts of Kaprow's writings arranged chronologically by year, followed by files of photographs taken for Assemblage, Environments and Happenings, not all of which were printed in the book; these are arranged alphabetically by the last name of the artists. Photographs taken to illustrate other writings also included. | |||||||||||
| box | |||||||||||
| 46 | Writings by Kaprow, 1953-1964 | ||||||||||
| 46 | 1 | Notes on Rutgers exhibition, 1953 | |||||||||
| Handwritten draft of review of New York School exhibition; typewritten drafts and brief descriptions of various other exhbitions. | |||||||||||
| 46 | 2 | Review of figure painting by Felix Pasilis, 1954 | |||||||||
| Typewritten drafts. | |||||||||||
| 46 | 3 | Three drawings by George Bogdonovitch, 1955 | |||||||||
| Typewritten drafts. | |||||||||||
| 46 | 4 | Rutgers Report on World Affairs, 1955 | |||||||||
| Typewritten drafts. | |||||||||||
| 46 | 5 | American Universities and the Advance-Guard Painter (Rutgers Radio Talk), 1955 | |||||||||
| Typewritten drafts. | |||||||||||
| 46 | 6 | Some Thoughts on Italy and America (Rutgers Radio Talk), 1955 | |||||||||
| Typewritten drafts. | |||||||||||
| 46 | 7 | Hans Hofmann, 1956 | |||||||||
| Handwritten and typewritten drafts. | |||||||||||
| 46 | 8 | Brandeis Youth Foundation Art Program, 1956 | |||||||||
| Short essays on selected European artists, including Pissarro, Chagall, Modigliani. Typewritten and printed versions. | |||||||||||
| 46 | 9 | The Demiurge, 1958 | |||||||||
| Typewritten. | |||||||||||
| 46 | 10 | The Plain of La Crau by Vincent Van Gogh, 1958 | |||||||||
| Typewritten. | |||||||||||
| 46 | 11 | The Principles of Modern Art, 1959 | |||||||||
| Typewritten, with clipping. Published in It Is (New York) no. 4. | |||||||||||
| 46 | 12 | Letter to the Editor, 1959 | |||||||||
| Clipping of Kaprow letter to Art News regarding Irving Sandler article. | |||||||||||
| 46 | 13 | "Some Observations on Contemporary Art," 1961 | |||||||||
| Typewritten ms. published in catalog for the exhibition "New Forms, New Media I," Martha Jackson Gallery. With note describing it as condensed version of essay in Assemblage, Environments and Happenings, which was not finally published until 1966. | |||||||||||
| 46 | 14 | "Happenings in the New York Scene," 1961 | |||||||||
| Handwritten and typewritten drafts, galleys, and clipping of Kaprow article published in Art News 60, no. 3. | |||||||||||
| 46 | 15 | "Irving Kriesberg," 1961 | |||||||||
| Handwritten and typewritten drafts of essay published in the Jewish Museum catalog. | |||||||||||
| 46 | 16 | Lecture at Smolin Gallery, NY, 1962 | |||||||||
| Handwritten draft of essay about Happenings; no title on ms. | |||||||||||
| 46 | 17 | "Nature in the Art of Irving Kriesberg," 1963 | |||||||||
| Handwritten draft of essay published in Art News, Dec. 1963 | |||||||||||
| 46 | 18 | A reading of a Mondrian painting, 1963? | |||||||||
| Handwritten fragmentary draft, possibly an early draft of Mondrian section of "Impurity," | |||||||||||
| 46 | 19 | "The Construction of Boston," 1963 | |||||||||
| Handwritten draft of article describing this theater event. | |||||||||||
| 46 | 20 | "The Effect of Recent Art Upon the Teaching of Art," 1963 | |||||||||
| Presented at CAA; published in Art Journal 23, no. 2. | |||||||||||
| 46 | 21 | "Impurity," 1963 | |||||||||
| Handwritten and typewritten drafts of essay published in Art News 61, no.9. | |||||||||||
| 46 | 22 | "The Future of Pop Art," 1963 | |||||||||
| Several typewritten versions of piece published in German in Happenings, ed. Jurgen Claus et al. Also possibly was a talk presented at a symposium at the Jewish Museum, March 3, 1963. | |||||||||||
| 46 | 23 | "Pop Art," 1963 | |||||||||
| Excerpt from above article. | |||||||||||
| 46 | 24 | "Art and Politics," 1963 | |||||||||
| Handwritten draft of talk given at SUNY? | |||||||||||
| 46 | 25 | "Segal's Vital Mummies," 1964 | |||||||||
| Handwritten and typewritten drafts, with letters to Thomas Hess. Published in Art News 62 no.10. | |||||||||||
| 46 | 26 | "The Artist as a Man of the World," 1963 | |||||||||
| Typewritten corrected drafts of this essay published in Art News 63 no. 6. | |||||||||||
| 46 | 27 | "Model of Behavior for a Leisure Society," 1964 | |||||||||
| Handwritten draft; version of "The Artist as a Man of the World." | |||||||||||
| box | |||||||||||
| 47 | Writings by Kaprow, 1964-1966 | ||||||||||
| 47 | 1 | "Continuous Experimentation in the Humanities," 1964-1965 | |||||||||
| Six typewritten copies. | |||||||||||
| 47 | 2 | "A Selection of Recent Happenings," 1964-1965 | |||||||||
| Typewritten. | |||||||||||
| 47 | 3 | "The Creation of Art and the Creation of Art Education," 1965 | |||||||||
| An essay for the Seminar on Research and Curriculum Development in Art Education, Penn State University. Two copies of typewritten drafts and one partial printed version distributed at conference. Papers by two other conferencees, Harold Rosenberg and Joshua Taylor. | |||||||||||
| 47 | 4 | "A Proposal to Bring Professional Artists into Public Schools," 1965 | |||||||||
| Two copies of typewritten ms. | |||||||||||
| 47 | 5 | "New Goals and Techniques of Happenings," 1965 | |||||||||
| Handwritten notes for lecture given in NYC. | |||||||||||
| 47 | 6 | On How to Make a Happening, 1966 | |||||||||
| Handwritten lecture notes; eventually part of article in folder 15. | |||||||||||
| 47 | 7 | "Happenings are Dead: Long Live the Happenings!" 1966 | |||||||||
| Typewritten fragment of the article published in Artforum, 4 no. 7. | |||||||||||
| 47 | 8 | "Experimental Art," 1966 | |||||||||
| Notes, handwritten and typewritten drafts of the essay published in Art News65, no. 1. | |||||||||||
| 47 | 9 | "The Role of New Museums," 1966 | |||||||||
| Notes and drafts of this lecture presented at the ICA Boston. | |||||||||||
| 47 | 10 | "What Is A Museum? A dialogue between Allan Kaprow and Robert Smithson," 1966 | |||||||||
| Photocopy of clipping. | |||||||||||
| 47 | 11 | "An Institute For Experimental Research In The Arts," 1966? | |||||||||
| Typewritten proposal for the Center for Instructional Resources at SUSB, with budget and clipping about modern art. | |||||||||||
| 47 | 12 | Assemblage, Environments, and Happenings, 1966 | |||||||||
| Handwritten drafts and assorted notes for title essay, first written in 1960, then rewritten and published in 1965. | |||||||||||
| 47 | 13 | Assemblage, Environments, and Happenings, 1966 | |||||||||
| Handwritten and typewritten drafts of title essay. | |||||||||||
| 47 | 14 | Assemblage, Environments, and Happenings, 1966 | |||||||||
| Typewritten drafts of chapters on individual artists. | |||||||||||
| 47 | 15 | Assemblage, Environments, and Happenings, 1965-1977 | |||||||||
| Correspondence with publisher Harry Abrams regarding the book. | |||||||||||
| 47 | 16 | Assemblage, Environments, and Happenings, 1966-1967 | |||||||||
| Reviews of book, published in 1965, including one review in manuscript. | |||||||||||
| 47 | 17 | "The Radical Use of the Past," 1966 | |||||||||
| Handwritten and typewritten drafts of talk given at CAA, with CAA conference program. | |||||||||||
| 47 | 18 | "Manifesto," 1966 | |||||||||
| Handwritten, typewritten, and printed essay from Manifestos, A Great Bear pamphlet, Something Else Press, NY. | |||||||||||
| box | |||||||||||
| 48 | Writings by Kaprow, 1967-1989 | ||||||||||
| 48 | 1 | "Alfred Jensen," 1967 | |||||||||
| Handwritten drafts of this catalog essay excerpted from a longer essay published in Art News, 1963; a letter from Jensen; press releases from Martha Jackson Gallery, 1961. | |||||||||||
| 48 | 2 | "Pinpointing Happenings," 1967 | |||||||||
| Two typewritten copies of essay published in Art News 66, no. 6. | |||||||||||
| 48 | 3 | "The Shape of the Art Environment," 1968 | |||||||||
| Two typewritten copies of essay that appeared in Art Forum 6, no. 10. | |||||||||||
| 48 | 4 | "A Pilot Program in Art Education in the Lower Schools," 196? | |||||||||
| Three typewritten copies of the proposal. | |||||||||||
| 48 | 5 | "The Arts and Social Well Being," 196? | |||||||||
| Two typewritten copies. | |||||||||||
| 48 | 6 | "Happenings and the 20th Century Environment," 1970 | |||||||||
| Handwritten draft of lecture given at Downstate Medical Center. | |||||||||||
| 48 | 7 | "The Education of the Un-Artist," Part I, 1971 | |||||||||
| Typewritten, corrected drafts and clipping of this essay that appeared in Art News 69, no. 10. | |||||||||||
| 48 | 8 | "The Education of the Un-Artist," Part II, 1971 | |||||||||
| Typewritten, corrected draft and clipping of this essay that appeared in Art News 71, no. 3. | |||||||||||
| 48 | 9 | Report on the teaching of art in high schools, 1972 | |||||||||
| Typewritten letter and introduction. | |||||||||||
| 48 | 10 | "Doctor MD," 1973 | |||||||||
| Typewritten copy of essay that appeared in the MOMA exhibition catalog Marcel Duchamp; with letter to Kaprow from MOMA curator. | |||||||||||
| 48 | 11 | "The Utility of a Particular Past," 1973 | |||||||||
| Typewritten essay on Duchamp, with letter from Kaprow. | |||||||||||
| 48 | 12 | "Formalism: Flogging a Dead Horse," 1974 | |||||||||
| Typewritten version of essay that appeared in Quadrille 9, no. 1. | |||||||||||
| 48 | 13 | "Video Art: Old Wine, New Bottle," 1974 | |||||||||
| Two typewritten versions of essay that appeared in Art Forum 12, no. 10. | |||||||||||
| 48 | 14 | "The Education of the Un-Artist, Part III," 1974 | |||||||||
| Handwritten and typewritten drafts of essay that appeared in Art in America 62, no. 1. | |||||||||||
| 48 | 15 | "postcard back home," 1974 | |||||||||
| Typewritten poem about Los Angeles. | |||||||||||
| 48 | 16 | "Roy Lichtenstein," 1977 | |||||||||
| Typewritten corrected draft of essay for Lichtenstein exhibition catalog, California Institute of the Arts. | |||||||||||
| 48 | 17 | "Participation Performance," 1977 | |||||||||
| Typewritten corrected draft of essay that appeared in Artforum 15, no. 7. | |||||||||||
| 48 | 18 | "Playing With Memory," 1978 | |||||||||
| Typewritten corrected drafts of essay originally requested for Art-Rite magazine but not published. | |||||||||||
| 48 | 19 | "New Art Spaces," 1978 | |||||||||
| Handwritten essay, an amplified version of talk originally given at LAICA, Los Angeles. | |||||||||||
| 48 | 20 | "A Preliminary Futurology for Training Professional Artists," 1978 | |||||||||
| Typewritten essay for NEA Task Force on Education, with correspondence. | |||||||||||
| 48 | 21 | Speech about Miriam Schapiro, 1978/1980 | |||||||||
| Handwritten draft of speech honoring Miriam Schapiro at the Skohegan Awards ceremony, with other material regarding Miriam Schapiro. | |||||||||||
| 48 | 22 | "Thought on Picasso in Our Time," 1980 | |||||||||
| Typewritten corrected draft of essay for Art in America, never published, with letter. | |||||||||||
| 48 | 23 | "The Futility of New Museums," 1982 | |||||||||
| Handwritten draft of talk given at UC Los Angeles panel. | |||||||||||
| 48 | 24 | "The Real Experiment," 1983 | |||||||||
| Six typewritten corrected drafts of essay that appeared in Artforum 22, no. 4. | |||||||||||
| 48 | 25 | "The Real Experiment," 1983 | |||||||||
| Handwritten drafts of above essay (folder 24). | |||||||||||
| 48 | 26 | "Right Living," 1987 | |||||||||
| Handwritten and typewritten drafts of essay in exhibition catalog A Tribute to John Cage. | |||||||||||
| 48 | 27 | "A Scenario," 1988-1989 | |||||||||
| Essay in Expanding the Exploratorium, a record of symposium proceedings about the future of the San Francisco Exploratorium. | |||||||||||
| 48 | 28 | essay on Mu Chi, 14 April 1989 | |||||||||
| In Zeitmagazin. | |||||||||||
| box | |||||||||||
| 49 | Writings by Kaprow, and 1990-1997 n.d. | ||||||||||
| 49 | 1 | Bon Marché, 1990 | |||||||||
| Three copies of typewritten lecture. | |||||||||||
| 49 | 2 | "The Meaning of Life," 1990 | |||||||||
| Four typewritten copies, one with corrections, and one photocopy of essay published in Artforum 28, no. 10. | |||||||||||
| 49 | 3 | 7 Environments 1992 | |||||||||
| Proofs of essays in the book by Kaprow and others, with Kaprow's corrections. | |||||||||||
| 49 | 4 | "Giuseppe Zevola," 1993 | |||||||||
| Clipping bearing brief description of an installation published in an Italian/English bilingual journal. | |||||||||||
| 49 | 5 | "Further Thoughts on Experimentation," 1997 | |||||||||
| Typewritten account of "Trading Dirt." | |||||||||||
| 49 | 6 | Memorial for Michael Kirby, 1997 | |||||||||
| Handwritten, with letter. | |||||||||||
| 49 | 7 | Talk on Contemporary Art and Myth, n.d. | |||||||||
| Handwritten notes. | |||||||||||
| 49 | 8 | "Artists and Art Historians," n.d. | |||||||||
| Handwritten notes. | |||||||||||
| 49 | 9 | "The Other Side of Performance," n.d. | |||||||||
| Handwritten notes. | |||||||||||
| 49 | 10 | Notes on Performance, n.d. | |||||||||
| Handwritten lecture notes. | |||||||||||
| 49 | 11 | Notes for essay on Modernism, n.d. | |||||||||
| Handwritten and typewritten corrected drafts. | |||||||||||
| 49 | 12 | "Rub-a-dub, Rub-a-dub," Part I, n.d. | |||||||||
| Typewritten essay. | |||||||||||
| 49 | 13 | "Zen Buddhism and the American Avant-garde," n.d. | |||||||||
| Handwritten and typewritten drafts. | |||||||||||
| 49 | 14 | Assorted notes, n.d. | |||||||||
| Handwritten. | |||||||||||
| 49 | 15 | Microfilm copies of various published articles by Kaprow, n.d. | |||||||||
| box | |||||||||||
| 50 | Photographs for Assemblage, Environments, and Happenings, 1960-1966 | ||||||||||
| Black and white photographs of work by artists featured in the book, with additional photographs not selected for inclusion. Arranged in alphabetical order by the artists' last names. Photo credit listed if known. | |||||||||||
| 50 | 1 | Ay-O | |||||||||
| Photo credit:? | |||||||||||
| 50 | 2 | George Brecht | |||||||||
| Photo credit: Scott Hyde | |||||||||||
| 50 | 3 | Ken Dewey | |||||||||
| Photo credit: Scotsman Publications, Ltd.; Pressens Bild AB; Alan Daiches. | |||||||||||
| 50 | 4 | Jim Dine | |||||||||
| Photo credit: Robert McElroy; Oldenburg; George Harych? | |||||||||||
| 50 | 5 | Martha Edelheit | |||||||||
| Photo credit: Gilligan | |||||||||||
| 50 | 6 | Jean Follett | |||||||||
| Photo credit:? | |||||||||||
| 50 | 7 | Red Grooms | |||||||||
| Photo credit: Max Baker | |||||||||||
| 50 | 8 | Gutai theater | |||||||||
| Photo credit:? | |||||||||||
| 50 | 9 | Allan Kaprow | |||||||||
| Photo credit: Terry S. Lindquist; Robert McElroy; Peter Moore; Edwin M. Sabol; Will Gainfort; George Hurych; shunk-kender; Shustak. | |||||||||||
| 50 | 10 | Allan Kaprow ("Household") | |||||||||
| Photo credit: Peter Moore? | |||||||||||
| 50 | 11 | Milan Knízák | |||||||||
| Photo credit: Fotografovala | |||||||||||
| 50 | 12 | Yayoi Kusama | |||||||||
| Photo credit: Peter Moore | |||||||||||
| 50 | 13 | Jean Jacques Lebel | |||||||||
| Photo credit: F. Massal; Camera Photo. | |||||||||||
| 50 | 14 | Claes Oldenburg | |||||||||
| Photo credit: Robert McElroy; Rudolph Burckhardt | |||||||||||
| 50 | 15 | Robert Rauschenberg | |||||||||
| Photo credit: Rudolph Burckhardt | |||||||||||
| 50 | 16 | Lucas Samaras | |||||||||
| Photo credit: ? | |||||||||||
| 50 | 17 | Clarence Schmidt | |||||||||
| Photo credit: Peter Moore | |||||||||||
| box | |||||||||||
| 51 | Photographs for Assemblage, Environments, and Happenings, "Education of the Un-Artist," and Alfred Jensen essays. 1960-1974 | ||||||||||
| 51 | 1 | George Segal | |||||||||
| Photo credit: Nancy Astor, Carlo Bavagnoli, Peter Moore, Eric Pollitzer | |||||||||||
| 51 | 2 | Jean Tinguely | |||||||||
| Photo credit: Peter Moore, David Gahr | |||||||||||
| 51 | 3 | Wolf Vostell | |||||||||
| Photo credit: Kuhn; Peter Moore; | |||||||||||
| 51 | 4 | Bob Watts | |||||||||
| Photo credit: Robert McElroy | |||||||||||
| 51 | 5 | Robert Whitman | |||||||||
| Photo credit: John Pitkin, Robert McElroy, Francesco Cantarella | |||||||||||
| 51 | 6 | various, with letter from Harry Abrams regarding the photographs | |||||||||
| Photo credit: Gerard Ifert, Alfred Konzelle, Don Cook | |||||||||||
| 51 | 7 | Contact prints | |||||||||
| Photo credit: Peter Moore | |||||||||||
| 51 | 8 | Photos for "The Education of the Un-Artist," ca. 1974 | |||||||||
| Photo credit:? | |||||||||||
| 51 | 9 | Photos for Alfred Jensen research, ca. 1963 | |||||||||
| Photo credit: Oliver Baker; Rudolph Burckhardt; Adolph Studly | |||||||||||
| box | |||||||||||
| 52 | Maquette of 7 Environments, with copy, 1992 | ||||||||||
| Series V.B. Writings by Others, 1960-1994 1.5 lin. ft. | |||||||||||
| Manuscripts of critical essays on Kaprow or on art movements of which his work may be considered a part. Interviews with Kaprow. Theses and dissertations on Kaprow or related to his work. Arranged in alphabetical order by the last name of the authors. | |||||||||||
| box | |||||||||||
| 53 | Critical essays and interviews, 1960-1994 | ||||||||||
| 53 | 1 | Baier, Hans, Kunst 4/5 Magazine interview, 1966 | |||||||||
| Handwritten and typewritten drafts, correspondence, issue of magazine. | |||||||||||
| 53 | 2 | Constable, Rosalind, "Some Notes on Pop Culture," 1960 | |||||||||
| Typewritten manuscript. | |||||||||||
| 53 | 3 | Daniels, Dieter, "Interview with Allan Kaprow," 1986 | |||||||||
| Handwritten and typewritten drafts. Published in Ludwig Museum (Köln) catalog. | |||||||||||
| 53 | 4 | Donguy, Jacques, "Allan Kaprow" (interview) 1991 | |||||||||
| Typewritten corrected manuscript. | |||||||||||
| 53 | 5 | Frank, Peter, "Allan Kaprow: Early Figuratve Pictures," 1981 | |||||||||
| Typewritten manuscripts. | |||||||||||
| 53 | 6 | Leonard Harris interview with Kaprow for CBS, 1967 | |||||||||
| Typewritten script, skeletal, with only Harris' lines inserted. | |||||||||||
| 53 | 7 | Heinemann, Sue and Carrie Rickey, "Engaged in a Trial-ogue," 1978 | |||||||||
| Typewritten ms. of interview with the two authors and Allan Kaprow. | |||||||||||
| 53 | 8 | Heitz, Richard, "The Theory of Performance Art," 1979 | |||||||||
| Three copies of typewritten ms. | |||||||||||
| 53 | 9 | Heitz, Richard, "Flesh Art," 1980 | |||||||||
| Typewritten ms. with letter. | |||||||||||
| 53 | 10 | Hindman, James T., "Self-Performance: Allan Kaprow's Activities," 1979 | |||||||||
| Typewritten ms. and galley. | |||||||||||
| 53 | 11 | Kelly, Jeff, Prospectus for Child's Play, n.d. | |||||||||
| Typewritten ms. with letter. | |||||||||||
| 53 | 12 | Kontova, Helena, and Giancarlo Politic, "Allan Kaprow," 1992 | |||||||||
| Typewritten corrected ms. of interview published in Flash Art. | |||||||||||
| 53 | 13 | Montano, Linda, "Allan Kaprow," n.d. | |||||||||
| Typewritten ms. of interview. | |||||||||||
| 53 | 14 | Krim, Seymour, "Seymour Krim Interviewing Allan Kaprow," 1960 | |||||||||
| Three copies of typewritten ms., with letter. | |||||||||||
| 53 | 15 | Roth, Moira, "Coming of Age: California Performance Art in 1980," 1980 | |||||||||
| Typewritten ms. | |||||||||||
| 53 | 16 | Roth, Moira, "Interview with Allan Kaprow," 1981 | |||||||||
| Typewritten ms. of interview for Archives of American Art, Smithsonian Institute. | |||||||||||
| 53 | 17 | Roth, Moira, "Allan Kaprow," 1973 | |||||||||
| Typewritten ms. with letter. | |||||||||||
| 53 | 18 | Roth, Moira with Suzanne Lacy, and Kaprow, 1983 | |||||||||
| Taped discussion/interview. See also udiotape (C65 in Series X) this is transcribed from. | |||||||||||
| 53 | 19 | Stiles, Kristine, 1994 | |||||||||
| Typewritten ms., "Shadows in a Vertical Life." | |||||||||||
| 53 | 20 | Strimling, Arthur, "Allan Kaprow Interviewed by Arthur Strimling," 1991 | |||||||||
| Typewritten ms. | |||||||||||
| box | |||||||||||
| 54 | Theses and dissertations, 1989-1994 | ||||||||||
| 54 | 1 | Koop, Stuart, "Amateurism: An emergent category of cultural analysis in the 50s and 60s," 1994 | |||||||||
| M.A. thesis for Monash University, Australia, for which Kaprow wrote an outside report. | |||||||||||
| 54 | 2 | Lehnert, Pamela A., "An American Happening: Allan Kaprow and a Theory of Process Art," 1989 | |||||||||
| Bound dissertation for University of North Carolina, Chapel Hill. (Too large for folder). | |||||||||||
| 54 | 3 | Massi, Richard Wood, "Computer, Graphic, and Traditional Systems: A Theoretical Study of Music Notation," 1993 | |||||||||
| UC San Diego doctoral dissertation for which Kaprow served on committee, pp. 1-143. | |||||||||||
| 54 | 4 | Massi, Richard Wood, 1993 | |||||||||
| Same as above, pp. 144-307. | |||||||||||
| box | |||||||||||
| 55 | Theses and dissertations, 1979-1994 | ||||||||||
| 55 | 1 | O'Dell, Kathy R., "Allan Kaprow: The Artist as Writer and Educator," 1979-1980 | |||||||||
| Seminar paper for History of Art course. | |||||||||||
| 55 | 2 | O'Dell, Kathy R., "Allan Kaprow: The Artist as Educator," 1982 | |||||||||
| Bound M.A. Thesis, UC Berkeley. | |||||||||||
| 55 | 3 | Schröder, Johannes Lothar, "Identität, Überschreitung, Verwandlung: Happenings, Aktionen, und Performances von bildenden Künstlern," 1986 | |||||||||
| Paper bound dissertation. | |||||||||||
| 55 | 4 | Schröder, Johannes Lothar, "Identität, Überschreitung, Verwandlung: Happenings, Aktionen, und Performances von bildenden Künstlern," 1986 | |||||||||
| Appendix. | |||||||||||
| 55 | 5 | Sinn, Dorothy G., "The Duchamp Effect: the influence of Marcel Duchamp on the work of John Cage and Allan Kaprow," 1994 | |||||||||
| M.A. thesis for Kent State University | |||||||||||
| Series VI. Teaching files, 1952-1993 4 lin. ft. | |||||||||||
| This series includes ref3712 and is further divided into three subseries. | |||||||||||
| Series VI.A. Correspondence, 1952-1993 .5 lin. ft. | |||||||||||
| Correspondence between Kaprow and teaching colleagues or university administrators, frequently regarding salary or promotion. | |||||||||||
| box | |||||||||||
| 56 | Correspondence, 1952-1993 | ||||||||||
| 56 | 1 | Rutgers University Correspondence, 1952-1961 | |||||||||
| Kaprow's letter of application to teach in the Art Department and discussion of course content with Professor Helmut von Erffa, Department Chair. Correspondence with the Dean regarding reappointment. Lengthy distressed letter from Kaprow to Meyer Schapiro disclosing his difficulties with colleagues and administration. Further letters to various administration officials regarding well-earned promotions not received. Letters regarding Kaprow's decision to leave Rutgers. | |||||||||||
| 56 | 2 | Rutgers University Correspondence, 1959 | |||||||||
| Correspondence with various faculty members and administrators regarding the controversy over the work of Lucas Samaras, student of Allan Kaprow's at Rutgers, who submitted poems containing profanity as part of his final art project. | |||||||||||
| 56 | 3 | SUNY, Stonybrook Correspondence, 1961-1966 | |||||||||
| Correspondence regarding Kaprow's teaching appointments and re-appointments at Stonybrook. One indignant letter from Kaprow regarding the University's hiring of an artist not embraced by the art department faculty. Two brochures on University policies and one on Regents rules regarding subversive activities. | |||||||||||
| 56 | 4 | SUNY, Stonybrook Correspondence, 1967-1968 | |||||||||
| Correspondence regarding promotions, awards, and leaves of absence. | |||||||||||
| 56 | 5 | SUNY, Stonybrook Correspondence, 1968-1969 | |||||||||
| Correspondence regarding Grand Jury investigation of drug use by Kaprow and others at Stonybrook. | |||||||||||
| 56 | 6 | Letters from University of California, 1966 | |||||||||
| Regarding visiting appointments. | |||||||||||
| 56 | 7 | Letter to Hunter College, n.d. | |||||||||
| Handwritten draft of application letter written to Hunter college, apparently while Kaprow was teaching at Stonybrook. | |||||||||||
| 56 | 8 | California Institute of the Arts Correspondence, 1968-1972 | |||||||||
| Correspondence regarding appointment, re-appointments, and salary. | |||||||||||
| 56 | 9 | UC San Diego Correspondence, 1979-1989 | |||||||||
| Correspondence regarding merit increases, research, etc. | |||||||||||
| 56 | 10 | Honors , 1993 | |||||||||
| UC San Diego undergraduate celebration of the arts award, Phi Beta Kappa membership handbook for new members. | |||||||||||
| Series VI.B. Course Materials, 1952-1989 1 lin. ft. | |||||||||||
| Scattered notes and drafts of lectures, exams, workshop assignments and syllabi. Box 57A devoted to Project Other Ways, an educational program for Berkeley Public Schools sponsored by the Carnegie Institute and co-directed by Allan Kaprow and Herbert Kohl. | |||||||||||
| box | |||||||||||
| 57 | Course materials, 1952-1989 | ||||||||||
| 57 | 1 | Note for Rutgers courses, 195? | |||||||||
| Handwritten draft of exam; library check-out slips. | |||||||||||
| 57 | 2 | Pratt Institute teaching notes, 1961 | |||||||||
| Handwritten and typewritten syllabus. | |||||||||||
| 57 | 3 | Lecture notes on middle class art, 1967 | |||||||||
| Handwritten notes. | |||||||||||
| 57 | 4 | Course syllabi, SUNY Stonybrook, 1966-1968 | |||||||||
| Syllabi and course descriptions for film class and other classes Kaprow taught. | |||||||||||
| 57 | 5 | Courses for New York University, 1969 | |||||||||
| Correspondence and course materials. | |||||||||||
| 57 | 6 | Notes for courses and projects, ca. 1960-1980 | |||||||||
| Miscellaneous handwritten notes for class exercises, lectures, etc. | |||||||||||
| 57 | 7 | Chinese Art course, 1965 | |||||||||
| Course notes for summer class Kaprow taught at NYU. | |||||||||||
| 57 | 8 | Chinese Art course, 1965 | |||||||||
| Photocopies of articles and other research materials for course. | |||||||||||
| 57 | 9 | California Institute of the Arts courses, ca. 1971-1979 | |||||||||
| Assignments for courses on Happenings, with student work/responses. | |||||||||||
| 57 | 10 | UC San Diego courses, ca. 1980-1989 | |||||||||
| Handwritten syllabi and course descriptions. | |||||||||||
| 57 | 11 | Paul Klee lecture notes, n.d. | |||||||||
| Handwritten list of works discussed. | |||||||||||
| 57 | 12 | Art History exam, n.d. | |||||||||
| Reproduction of Picasso painting with exam question; miscellaneous press releases. | |||||||||||
| box | |||||||||||
| 57A | Project Other Ways, 1967-1969 | ||||||||||
| 57A | 1 | Other Ways, 1967-1969 | |||||||||
| Correspondence regarding this art education project for Berkeley public schools. | |||||||||||
| 57A | 2 | Other Ways, 1968-1969 | |||||||||
| Reports on the Huntting conference for Teachers and Writers, with Herbert Kohl, co-director of Project Other Ways. | |||||||||||
| 57A | 3 | Other Ways, 1968-1969 | |||||||||
| Photocopied articles regarding education (research materials for Project Other Ways?) | |||||||||||
| 57A | 4 | Other Ways, 1968-1969 | |||||||||
| Brochures, posters, booklets, audio record, and other materials regarding this art education project for Berkeley public schools. | |||||||||||
| 57A | 5 | Other Ways, 1968-1969 | |||||||||
| Brochures, posters, booklets, audio record, and other materials regarding this art education project for Berkeley public schools. | |||||||||||
| Series VI.C. Art Reproductions, n.d. 1.5 lin. ft. | |||||||||||
| Images from all periods of art history that Kaprow used for teaching and research. See also Lecture Slides Boxes 116-118. | |||||||||||
| box | |||||||||||
| 58 | Reproductions | ||||||||||
| 58 | 1-3 | Art reproductions | |||||||||
| 58 | 4-5 | Art reproductions-announcements | |||||||||
| box | |||||||||||
| 59 | Reproductions | ||||||||||
| 59 | 1-2 | Art reproductions-clippings | |||||||||
| 59 | 3-4 | Art reproductions-postcards | |||||||||
| box | |||||||||||
| 60 | Reproductions | ||||||||||
| Images needing 13 x 17 inch box. | |||||||||||
| 60 | 1-2 | Art reproductions | |||||||||
| 60 | 3-4 | Art reproductions-clippings | |||||||||
| Series VII. Professional Correspondence, 1946-1998 2.5 lin. ft. | |||||||||||
| This series comprises correspondence with associates other than fellow artists, including curators, dealers, editors, academics. Arranged alphabetically by the last name of the correspondent or the name of the institution or organization. | |||||||||||
| box | |||||||||||
| 61 | Professional Correspondence, 1958-1997 | ||||||||||
| 61 | 1 | American Federation of the Arts, 1983-1996 | |||||||||
| Regarding AFA exhibitions "Neo-Dada" and "Hans Hoffmann," to which Kaprow contributed pieces. Draft of Kaprow letter requesting payment for damage done to his collage "Blue, Blue, Blue." Clippings. | |||||||||||
| 61 | 2 | annual avant-garde festival of new york, 1975 | |||||||||
| Letter of thanks to Kaprow for his piece; festival program. | |||||||||||
| 61 | 3 | Archives of Experimental Art, 1987 | |||||||||
| Letter from Barbara Moore regarding the Dortmund catalog. | |||||||||||
| 61 | 4 | Artforum, 1983-1984 | |||||||||
| Responses to Kaprow's "The Real Experiment," that appeared in Artforum's December 1983 issue. | |||||||||||
| 61 | 5 | Art in America, 1994 | |||||||||
| Photocopies of Kaprow environment, with letter. | |||||||||||
| 61 | 6 | Art News, 1958-1959 | |||||||||
| Kaprow's Letter to the Editor regarding Sandler's response to his article on Pollock, Kaprow's response to Rosenberg's "10th Street" article, and one letter from a reader responding to Fairfield Porter's negative review of Kaprow's work. | |||||||||||
| 61 | 7 | Artists for Aids Assistance, 1987 | |||||||||
| Regarding a Kaprow performance for this group. | |||||||||||
| 61 | 8 | Athenaeum, 1989-1990 | |||||||||
| Letter, press releases and clippings regarding panels and seminars on integrating art and architecture in San Diego. | |||||||||||
| 61 | 9 | Avant-Garde magazine, 1969 | |||||||||
| Kaprow letter containing statement about reforming education so as to teach the value of play. | |||||||||||
| 61 | 10 | Bechtel, 1989 | |||||||||
| Letter and report informing Kaprow of plans for an Advanced Building Project in Japan. | |||||||||||
| 61 | 11 | Baecker, Inge, 1979-1986 | |||||||||
| Correspondence documenting the decline of Kaprow's relationship with this German dealer, mainly over financial issues. | |||||||||||
| 61 | 12 | Calder, John, 1963-1964 | |||||||||
| Regarding Happenings in Edinburgh and London at festivals and Calder's being put on trial for indecency. | |||||||||||
| 61 | 13 | California Arts Council, 1987 | |||||||||
| Request for Kaprow to serve on Interdisciplinary Arts Program board. | |||||||||||
| 61 | 14 | California College of Arts and Crafts, 1991 | |||||||||
| Invitation to "Mapping the Terrain" retreat, with brochures. | |||||||||||
| 61 | 15 | California Council of Landscape Architects, 1987 | |||||||||
| Invitation to participate in conference; conference materials. | |||||||||||
| 61 | 16 | College Art Association of America, 1961-1981 | |||||||||
| Letters and schedules regarding Kaprow's participation on panels; draft of a talk. | |||||||||||
| 61 | 17 | Conant, Howard, 1961 | |||||||||
| Letter from Kaprow. | |||||||||||
| 61 | 18 | Conz, Francesco, 1994-1997 | |||||||||
| A thick file of letters and faxes regarding ideas for collaborations, exhibitions, and mutual friends. | |||||||||||
| 61 | 19 | Daniels, Dieter, 1991-1994 | |||||||||
| Thick file of correspondence regarding "Mininamedia" exhibition in Leipzig and production of the catalog for it. | |||||||||||
| 61 | 20 | Dany Keller Galerie, 1980-1981 | |||||||||
| Regarding exhibition of Kaprow work at the gallery. | |||||||||||
| 61 | 21 | Dialogue, 1987 | |||||||||
| Regarding the publication of Kaprow's account of "Conference Event." (See also Project file in Box 31) | |||||||||||
| 61 | 22 | documenta 8, 1987 | |||||||||
| Regarding funding for Kaprow's travel to and from Kassel. | |||||||||||
| 61 | 23 | Fondazione Mudima, 1990 | |||||||||
| Thick file of letters and faxes to and from Gino Di Maggio regarding Kaprow's piece in Di Maggio's Fluxus exhibition at the Venice Biennale. Included are drawings for a reinvention of "Push and Pull," an artist's statement, and many letters from Kaprow requesting details about the execution of the piece, which he didn't see. For 1991 correspondence see Box 33, files about 7 Environments. | |||||||||||
| 61 | 24 | Fondazione Mudima, 1992 | |||||||||
| Letters and faxes between Kaprow and Di Maggio regarding production of the catalog for 7 Environments and its promotion. (For corrected proofs of the ms., see Writings) Also discussed are the details of contracts between Mudima and Studio Morra and Galerie Donguy regarding Kaprow exhibitions. There are drawings by Kaprow, and an interview by letter with Angelo Trimarco. | |||||||||||
| box | |||||||||||
| 62 | Professional Correspondence, 1946-1998 | ||||||||||
| 62 | 1 | Fondazione Mudima, 1993 | |||||||||
| Correspondence between Kaprow and Di Maggio regarding production and promotion of the catalog for 7 Environments. Desperate letters and faxes from Kaprow regarding potential sales of his work to collectors and the exhibition of his work at the Venice Biennale and Casa Malaparte. Drawings of environments. Discussion of Kaprow's problematic public persona as "the Father of Happenings." | |||||||||||
| 62 | 2 | Fondazione Mudima, , 1994-1997 n.d. | |||||||||
| Correspondence between Kaprow and Gino Di Maggio regarding distribution of the catalog for 7 Environments, Kaprow's "Hors Limites" environment at Centre Pompidou and the Pompidou's refusal to return a Kaprow piece and other disappointments and financial problems. | |||||||||||
| 62 | 3 | Fondazione Ratti, 1997 | |||||||||
| Correspondence between Kaprow and Anna Ratti regarding a summer course Kaprow taught at the foundation and arrangements for a collective environment created by students in the course. | |||||||||||
| 62 | 4 | Forest Hills Cadet Training Squadron, 1946 | |||||||||
| Thank you note to Kaprow for the insignia he designed. | |||||||||||
| 62 | 5 | Foundation for Art Resources, 1983 | |||||||||
| Thank you note to Kaprow for an inspiring talk he gave to the foundation. | |||||||||||
| 62 | 6 | Fuori Uso, 1998 | |||||||||
| Request to participate in an exhibition. | |||||||||||
| 62 | 7 | Galerie Donguy, Jan-Mar 1994 | |||||||||
| Correspondence between Kaprow and Donguy regarding the Centre Pompidou's intention to purchase some Kaprow pieces, payment for "Five Minute Delay," and plans for Kaprow to create a new piece ("Hors Limites") at the Centre Pompidou. See also Box 34, files 3, 5, 6. | |||||||||||
| 62 | 8 | Galerie Donguy, Apr-Jun 1994 | |||||||||
| Correspondence regarding the near cancellation of "Hors Limites" (due to budget cuts) and Kaprow's relationship with the Centre Pompidou. | |||||||||||
| 62 | 9 | Galerie Donguy, Jul-Sep 1994 | |||||||||
| Correspondence regarding Kaprow's "Hors Limites" and the catalog for it. | |||||||||||
| 62 | 10 | Galerie Donguy, Oct-Dec 1994 | |||||||||
| Correspondence regarding Kaprow's "Hors Limites" and films and slides of it. | |||||||||||
| box | |||||||||||
| 63 | Professional Correspondence, 1957-1997 | ||||||||||
| 63 | 1 | Galerie Donguy, 1995 | |||||||||
| Correspondence regarding the refusal of the Centre Pompidou to purchase Kaprow's paintings or environments, after having led him to believe they would. | |||||||||||
| 63 | 2 | Galerie Donguy, 1996-1997 | |||||||||
| Regarding Kaprow's book (translated) and his scheduled talks. An introduction Kaprow wrote to Donguy's computer program for writing poetry. | |||||||||||
| 63 | 3 | Gutenberg Museum, 1987 | |||||||||
| Letters from the museum curator. | |||||||||||
| 63 | 4 | Gutman, Walter, n.d. | |||||||||
| Kaprow applying to Gutman Foundation for assistance in publishing his book, Assemblage, Environments, and Happenings. | |||||||||||
| 63 | 5 | John Gibson Commissions, 1969-1972 | |||||||||
| Kaprow's correspondence with his "representative" John Gibson with photographs of Kaprow pieces promoted by the gallery. | |||||||||||
| 63 | 6 | Gualco, Caterina, 1997-1998 | |||||||||
| Correspondence with this dealer from Genoa and Kaprow, with color snapshots of Kaprow at events she arranged. | |||||||||||
| 63 | 7 | Journal of Education, 1983 | |||||||||
| Letter fragment from the editor(?) suggesting topics for discussion in a Kaprow article (?) | |||||||||||
| 63 | 8 | Harper & Row, 1968 | |||||||||
| A letter indicating interest in future Kaprow book project. | |||||||||||
| 63 | 9 | Headlands Center for the Arts, 1991 | |||||||||
| Letter arranging panel discussion. | |||||||||||
| 63 | 10 | Holt, Nancy, , 1984 1987 | |||||||||
| Brief letters, one from Kaprow, one from Holt, regarding Holt's sculpture and that of Coryl Crane. | |||||||||||
| 63 | 11 | Hyde Gallery, Grossmont College, 1997 | |||||||||
| Letter thanking Kaprow for drawings used in exhibition. | |||||||||||
| 63 | 12 | Institute for Transcendental Studies, 1981 | |||||||||
| Letter thanking Kaprow for his help in a recent workshop, with other materials. | |||||||||||
| 63 | 13 | Intermedia, 1967-1968 | |||||||||
| Correspondence with John Brockman, director of the program sponsored by New York State Council of the Arts. | |||||||||||
| 63 | 14 | International Drama Conference, n.d. | |||||||||
| Conference information. | |||||||||||
| 63 | 15 | International Seminar on the Arts, 1987 | |||||||||
| Information about the Warsaw event. | |||||||||||
| 63 | 16 | Kramer, Hilton, 1957 | |||||||||
| Letters from Kaprow complaining that his work was not reviewed as he had been assured it would be. | |||||||||||
| 63 | 17 | Long Beach Museum, 1984-1985 | |||||||||
| Letters and material from the museum regarding their two part video retrospective, featuring a video of one of Kaprow's activities. | |||||||||||
| 63 | 18 | Mapping the Terrain, 1992 | |||||||||
| Letters from Suzanne Lacy, editor of a collection of articles on public art, with ms. and clippings. | |||||||||||
| box | |||||||||||
| 64 | Professional Correspondence, 1957-1998 | ||||||||||
| 64 | 1 | Artomatic, 1987 | |||||||||
| Letter to Kaprow. | |||||||||||
| 64 | 2 | Mills College, 1995 | |||||||||
| Letter to Kaprow regarding John Cage concert. | |||||||||||
| 64 | 3 | Morgan, Robert, 1978 | |||||||||
| Letters regarding Morgan's dissertation on conceptual art. | |||||||||||
| 64 | 4 | Museum Ludwig, Köln, 1980-1984 | |||||||||
| Correspondence between Kaprow and Karl Ruhrberg and others regarding a retrospective that was to have included Kaprow's work, but due to a series of misunderstandings and betrayals did not take place. | |||||||||||
| 64 | 5 | Museum of Art, Fort Lauderdale, 1989 | |||||||||
| Letter regarding arrangements for Kaprow's lecture and visit. | |||||||||||
| 64 | 6 | Museum of Contemporary Art, Los Angeles, 1991-1992 | |||||||||
| Correspondence and other materials related to Kaprow lectures on MOCA exhibitions. See also Project Files, Box 34, for lengthy correspondence regarding Kaprow's reinvention of "Yard" for MOCA's "Out of Actions" exhbition. | |||||||||||
| 64 | 7 | Museum of Modern Art, New York, 1983-1998 | |||||||||
| Scattered correspondence, regarding a Video Art retrospective (1983), MOMA's severe editing of Kaprow's Warhol piece (1989) and the receipt of a Pollack photograph (1998). | |||||||||||
| 64 | 8 | National Endowment for the Arts, 1986 | |||||||||
| Letter thanking Kaprow for serving on Inter-Arts Program panel. | |||||||||||
| 64 | 9 | New Museum, New York, 1986 | |||||||||
| Thank you letter to Kaprow. | |||||||||||
| 64 | 10 | New York Times, 1957 | |||||||||
| Letter from Kaprow to Dore Ashton responding to her review of his painting exhibition. | |||||||||||
| 64 | 11 | New York Times Sunday Magazine, 1963 | |||||||||
| Kaprow letter to the editor responding to Kenneth Tynan piece critical of Kaprow's work. | |||||||||||
| 64 | 12 | New York University, 1989 | |||||||||
| Letter and other materials regarding panel on '60s art that Kaprow took part in. | |||||||||||
| 64 | 13 | Newport Harbor Art Museum, 1987 | |||||||||
| Letter requesting Kaprow donation. | |||||||||||
| 64 | 14 | Other Ways, 1969-1972 | |||||||||
| Correspondence between Kaprow's lawyer, Kaprow, and his colleague Kohl regarding copyright issues generated by their joint project, Other Ways. See also Project files, 1969, and Teaching files, Box 57, folder 5. | |||||||||||
| 64 | 15 | Pasadena Art Museum, 1972-1973 | |||||||||
| Memoranda and minutes of meeting of the museum's Board of Trustees, of which Kaprow was a member. A few handwritten notes by Kaprow regarding art education programs or reforms. | |||||||||||
| 64 | 16 | Mark Patsfall Graphics, 1994 | |||||||||
| Correspondence regarding portfolio to benefit Multimedia Mediale, with graphic by Kaprow. | |||||||||||
| 64 | 17 | PERF '94, 1994 | |||||||||
| Letter arranging conference where Kaprow was keynote speaker. | |||||||||||
| 64 | 18 | Philadelphia Museum of Art, 1996 | |||||||||
| Letter regarding videotape Kaprow lent for exhibition. | |||||||||||
| box | |||||||||||
| 65 | Professional Correspondence, 1962-1994 | ||||||||||
| 65 | 1 | Remer, Michael, 1967-1968 | |||||||||
| Correspondence between Remer (Kaprow's lawyer), Kaprow, and various other parties, regarding the publication of the LP recording, "How to Make a Happening." | |||||||||||
| 65 | 2 | Rosenberg, Harold, 1968 | |||||||||
| Correspondence regarding the relevance of Rosenberg's theory of action painting for Kaprow's work. | |||||||||||
| 65 | 3 | San Diego Museum, 1987 | |||||||||
| Letters from the museum regarding Kaprow's lecture for the Docent Lecture Series. | |||||||||||
| 65 | 4 | Skowhegan School of Painting and Sculpture, 1984 | |||||||||
| Letter regarding award ceremony and catalog. | |||||||||||
| 65 | 5 | Solway, Carl, 1986-1988 | |||||||||
| Correspondence regarding exhibition in honor of John Cage, Solway's attempt to sell Kaprow's work, and the loss of two Kaprow prints in a fire. | |||||||||||
| 65 | 6 | Something Else Press, 1966 | |||||||||
| Message to Kaprow reporting that his article "Some Recent Happenings," is being assigned in a course at Syracuse. | |||||||||||
| 65 | 7 | Sommerakademie für Bildende Kunst, 1983-1984 | |||||||||
| Correspondence and papers regarding Kaprow's course for this summer school. | |||||||||||
| 65 | 8 | Tillim, Sidney, 1962 | |||||||||
| Correspondence between Kaprow and Tillim, regarding the critic's comments about Kaprow's work. | |||||||||||
| 65 | 9 | Time Magazine, 1966 | |||||||||
| Letter regarding Time coverage of a Kaprow happening ("Gas"?). | |||||||||||
| 65 | 10 | Timken Art Gallery, 1984 | |||||||||
| Thank you note. | |||||||||||
| 65 | 11 | Turner/Krull Gallery, 1993 | |||||||||
| Letter regarding gallery exhibition "Action/Performance and the Photograph." | |||||||||||
| 65 | 12 | TV2000, 1980 | |||||||||
| Requesting Kaprow film for West German television. | |||||||||||
| 65 | 13 | University of New Mexico, , 1983 1987 | |||||||||
| Thank you letters to Kaprow. | |||||||||||
| 65 | 14 | Vice-Versand, 1971-1972 | |||||||||
| Correspondence between Kaprow and Wolfgang Feelisch regarding plans to install a reinvention of "Yard" at an autobahn crossroad. | |||||||||||
| 65 | 15 | Video Data Bank, 1979-1980 | |||||||||
| Request for a video interview with Kaprow, with other materials. | |||||||||||
| 65 | 16 | Walker Art Center, 1967 | |||||||||
| Letter of congratulations on Kaprow's book. | |||||||||||
| 65 | 17 | Wexner Center, 1994 | |||||||||
| Correspondence and other materials relating to the exhibition, In the Spirit of Fluxus. | |||||||||||
| 65 | 18 | Zabriskie Gallery, 1987-1988 | |||||||||
| Correspondence and Kaprow drafts relating to the exhibition "Photographic" and another on collage at the Paris Gallery. | |||||||||||
| 65 | 19 | Zen Center, Los Angeles, 1982 | |||||||||
| Letter from Kaprow to Gempo Merzel regarding a Sales Training Seminar Merzel has proposed. | |||||||||||
| 65 | 20 | Zwirner Gallery, 1993 | |||||||||
| Letter and materials regarding a video exhibition. | |||||||||||
| 65 | 21 | Miscellaneous, 1950s | |||||||||
| 65 | 22 | Miscellaneous, 1960s | |||||||||
| 65 | 23 | Miscellaneous, 1970s | |||||||||
| 65 | 24 | Miscellaneous, 1980s | |||||||||
| 65 | 25 | Miscellaneous, 1980s | |||||||||
| 65 | 26 | Letters pulled from serials, 1959-1993 | |||||||||
| Series VIII. Artists' Files, 1955-1996 2.5 lin. ft. plus 1 ref3712 roll | |||||||||||
| This series comprises Kaprow's correspondence with fellow artists and material, objects, or photographs the artists sent to him. Files are arranged alphabetically by the artists' last names. | |||||||||||
| box | |||||||||||
| 66 | Artists' Files, 1959-1996 | ||||||||||
| 66 | 1 | Acconci, Vito, 1969-1970 | |||||||||
| Acconci's curriculum vita and performance notes, along with black and white photographs of several activities he performed while represented by John Gibson Commissions. Photo credit: Bill Beckley; Joseph Carlucci; Kathy Dillon; Bernadette Meyer; Betsy Jackson. | |||||||||||
| 66 | 2 | Anderson, Eric, n.d. | |||||||||
| Photocopies of typed instructions for various operas and opuses, with three drawings. | |||||||||||
| 66 | 3 | Antin, David, n.d. | |||||||||
| A printed booklet in the shape of a bookmark containing a story entitled "Three Musics for Two Voices." | |||||||||||
| 66 | 4 | Baldessari, John, n.d. | |||||||||
| Black and white snapshots of paintings. | |||||||||||
| 66 | 5 | Blesh, Rudi, n.d. | |||||||||
| Letter from Kaprow to Blesh, explaining the difficulties of doing his kind of art. | |||||||||||
| 66 | 6 | Blau, Herbert, 1970-1971 | |||||||||
| Ensemble exercises used in Cal Arts class. | |||||||||||
| 66 | 7 | Brecht, George, 1960-1962 | |||||||||
| Events/activities printed on individual cards or sheets of paper. | |||||||||||
| 66 | 8 | Brown, Robert Delford, 1992 | |||||||||
| Book entitled Ikons of the First National Church of the Exquisite Panic, Inc., a parody of a fundamentalist church brochure, published by Francesco Conz. | |||||||||||
| 66 | 9 | Brown, J., n.d. | |||||||||
| Photocopy of pages of a booklet entitled Vanished Values. | |||||||||||
| 66 | 10 | Celender, Don, 1971 | |||||||||
| Artball; a collection of cards featuring 20th century artists as baseball players, with an example of each artist's work on the verso of the card bearing his picture. | |||||||||||
| 66 | 11 | Comiter, Alvin, n.d. | |||||||||
| Black and white photographs by Comiter. | |||||||||||
| 66 | 12 | Corita, Sister Mary, 1964 | |||||||||
| Brochure of the artist's work; newspaper clippings featuring one of her pieces. | |||||||||||
| 66 | 13 | Duchamp, Marcel, 1962 | |||||||||
| A letter offering to recommend Kaprow for a Copley Foundation Award; another letter letting Kaprow know that the Copleys would like to attend Kaprow's upcoming Happening. | |||||||||||
| 66 | 14 | Duchamp, Teeny, 1987 | |||||||||
| Letter from Teeny regretting not having been able to contribute to a tribute to John Cage organized by Kaprow, with response from Kaprow. | |||||||||||
| 66 | 15 | De Jong, Constance, 1976 | |||||||||
| Two booklets, comprising Book Three and Book Five of the Complete Works of Constance De Jong. | |||||||||||
| 66 | 16 | Fabrizio, Margaret, n.d. | |||||||||
| A typewritten ms. of a Happening entitled "Dual Gallant" and dedicated to Kaprow, enclosed in hand-printed folder. | |||||||||||
| 66 | 17 | Filliou, Robert, n.d. | |||||||||
| Two typewritten, photocopied pieces by the artist. | |||||||||||
| 66 | 18 | Forti, Simone, 1987 | |||||||||
| Note from Kaprow. | |||||||||||
| 66 | 19 | Fuller, Buckminster, 1969 | |||||||||
| Published copy of Fuller's World Game Report and various clippings relating to it. | |||||||||||
| 66 | 20 | Fussener, Howard, 1961 | |||||||||
| Letter to Kaprow. | |||||||||||
| 66 | 21 | Gutai Theater, 1970 | |||||||||
| Poster of Gutai Art Festival and black and white captioned snapshots of performances. | |||||||||||
| 66 | 22 | Hainke, Wolfgang, 1995-1996 | |||||||||
| Correspondence between Kaprow and Hainke; color snapshots of an exhibition of Hainke's work, with announcement. | |||||||||||
| 66 | 23 | Harrell, John and Mary, 1968 | |||||||||
| Communicating the Gospel Today: a box with cards and booklets illustrating the art scene of that time. | |||||||||||
| 66 | 24 | Grooms, Red, n.d. | |||||||||
| Two painted posters and one negative. | |||||||||||
| 66 | 25 | Higgins, Dick, 1959 | |||||||||
| "A Black 'n White Book," by Higgins, a collection of smudges on paper put in mylar and bound in paper folder. | |||||||||||
| 66 | 26 | Higgins, Dick, n.d. | |||||||||
| Two copies of a typewritten ms. by Higgins entitled "Outline of a Social Theory of Art Today." | |||||||||||
| 66 | 27 | Higgins, Dick, 1960 | |||||||||
| Two typewritten term papers by Higgins, one on Picasso and one on Gertrude Stein. | |||||||||||
| box | |||||||||||
| 67 | Artists' Files, 1960-1987 | ||||||||||
| 67 | 1 | Higgins, Dick, 1960-1965 | |||||||||
| A thick file of material by Higgins, including performance pieces, plays "non-performance pieces," "performing graphics," and concerts. | |||||||||||
| 67 | 2 | Higgins, Dick, 1960-1967 | |||||||||
| A selection of performance pieces and writings, including "Some Graphis Mirrors," and "The Tart." | |||||||||||
| 67 | 3 | Higgins, Dick, 1961-1963 | |||||||||
| Typewritten poetry manuscripts by Higgins. | |||||||||||
| 67 | 4 | Higgins, Dick, 1965-1966 | |||||||||
| Correspondence and a typewritten ms. relating to Wolf Vostell. | |||||||||||
| 67 | 5 | Higgins, Dick, n.d. | |||||||||
| Poetry, performance pieces, etc. | |||||||||||
| 67 | 6 | Higgins, Dick, n.d. | |||||||||
| "The Cork Industry," typewritten ms., probably not by Higgins. | |||||||||||
| 67 | 7 | Higgins, Dick, 1966 | |||||||||
| Note and mss. by Geoff and Bici Hendricks | |||||||||||
| 67 | 8 | Higgins, Dick, 1966 | |||||||||
| Material relating to Ben Vautier, including issues 9 and 10 of Tout, chapters of his book Rien. | |||||||||||
| 67 | 9 | Higgins, Dick, 1966 | |||||||||
| Two letters from Marshall McLuhan to Higgins. | |||||||||||
| 67 | 10 | Higgins, Dick, 1966 | |||||||||
| Letter from George Segal to Higgins, with poems by Higgins. | |||||||||||
| 67 | 11 | Higgins, Dick, 1966-1971 | |||||||||
| Issues of the something else NEWSLETTER that feature pieces by Higgins. | |||||||||||
| 67 | 12 | Higgins, Dick, 1966 | |||||||||
| Letters from Higgins to K.G. Hulten. | |||||||||||
| 67 | 13 | Higgins, Dick, 1966 | |||||||||
| Draft of Higgins' The Fabulous World of Typhoon-Willie | |||||||||||
| 67 | 14 | Higgins, Dick, 1970 | |||||||||
| Published version of above ms. in German. | |||||||||||
| 67 | 15 | Higgins, Dick, 1971 | |||||||||
| Typewritten ms. by Higgins, "City with all the Angles," a radio play. | |||||||||||
| 67 | 16 | Higgins, Dick, 1976 | |||||||||
| Two copies of typewritten ms. entitled "Two Essays Written on May 16, 1976." | |||||||||||
| 67 | 17 | Higgins, Dick, 1978 | |||||||||
| 2 posters, several postcards, and one book by Higgins entitled What Are Legends. | |||||||||||
| 67 | 18 | Higgins, Dick, n.d. | |||||||||
| Fragment of a typewritten ms. by Higgins entitled A Book About Love and War and Death. | |||||||||||
| 67 | 19 | Higgins, Dick, 1985-1987 | |||||||||
| Many typewritten letters from Higgins to Kaprow, one note from Kaprow, a ms. by Higgins on John Cage, and a clipping. | |||||||||||
| box | |||||||||||
| 68 | Artists' Files, 1960-1992 | ||||||||||
| 68 | 1 | Jensen, Alfred, 1961-1975 | |||||||||
| Detailed, forthcoming letters from Jensen to Kaprow regarding Kaprow's article on his work, his friendship with Mark Rothko, and other art-related matters. | |||||||||||
| 68 | 2 | Huebler, Douglas, 1969 | |||||||||
| Description of site sculpture project by Huebler. | |||||||||||
| 68 | 3 | Johnson, Ray, 1966-1992 | |||||||||
| Announcements and photocopies of Johnson's pieces; art object (rubber band piece- deteriorated). | |||||||||||
| 68 | 4 | Judson Gallery, 1960 | |||||||||
| Program and material relating to "Ray-Gun." | |||||||||||
| 68 | 5 | Kaprow, Susan, 1986 | |||||||||
| Announcements and a letter from the artist unrelated to Allan Kaprow. | |||||||||||
| 68 | 6 | Kirby, Michael, 1970 | |||||||||
| Photographs printed on cardboard to be folded into cube boxes. | |||||||||||
| 68 | 7 | Kaufman, Irving, 1961 | |||||||||
| Postcard from Kaufman to Kaprow. | |||||||||||
| 68 | 8 | Kantor, Tadeuz, 1965-1967 | |||||||||
| Thick file of writings, published booklets, and journal (in Polish). | |||||||||||
| 68 | 9 | Klintberg, Bengt af, 1974 | |||||||||
| Publication by the artist "The Forest Diver." | |||||||||||
| 68 | 10 | Knízák, Milan, n.d. | |||||||||
| Thick file of material, including letters, writings, small art objects such as a photo accordion book and paper hats, and photo documentation of an activity. | |||||||||||
| 68 | 11 | Knízák, Milan, n.d. | |||||||||
| Letters to Kaprow with mss. | |||||||||||
| 68 | 12 | Knízák, Milan, n.d. | |||||||||
| Handmade scrapbook. | |||||||||||
| 68 | 13 | Koren, Shlomo, 1978 | |||||||||
| Color photograph of environment by the artist. | |||||||||||
| box | |||||||||||
| 69 | Artists' Files, 1955-1987 | ||||||||||
| 69 | 1 | Lacy, Suzanne, 1971-1978 | |||||||||
| Limited edition photo book by the artist; photo/postcard to Kaprow. | |||||||||||
| 69 | 2 | Lebel, Jean-Jacques, 1964 | |||||||||
| Letters from Lebel, posters, brochures, clippings, drawings. | |||||||||||
| 69 | 3 | Lucier, Alvin, 1965 | |||||||||
| Correspondence with Kaprow; artist's statement about his "Music for Solo Performer." | |||||||||||
| 69 | 4 | Minujin, Marta, 1966 | |||||||||
| Press release, clippings, poster, black and white photographs documenting Minujin's part in the three country event she collaborated in with Kaprow and Vostell. | |||||||||||
| 69 | 5 | McElroy, Robert, n.d. | |||||||||
| Handwritten note regarding a slide Kaprow used in a book. | |||||||||||
| 69 | 6 | Neuhaus, Max, 1971-1976 | |||||||||
| Photocopies of project proposals, clippings, brochures and posters by the artist. | |||||||||||
| 69 | 7 | Oldenburg, Claes, 1960-1961 | |||||||||
| Correspondence documenting the decline of the friendship between Kaprow and Oldenburg. | |||||||||||
| 69 | 8 | Oliveros, Pauline, 1978-1981 | |||||||||
| Handwritten account of a dream featuring Kaprow; material for UC San Diego class. | |||||||||||
| 69 | 9 | Ono, Yoko, 1987 | |||||||||
| Friendly letter from Kaprow. | |||||||||||
| 69 | 10 | Paik, Nam June, 1962-1986 | |||||||||
| Brochure, clippings, poster, letter to Kaprow, slides. | |||||||||||
| 69 | 11 | Richter, Hans, 1963 | |||||||||
| Two postcard size collages with notes to Kaprow. | |||||||||||
| 69 | 12 | Richter, Horace, 1959 | |||||||||
| Fragment of photocopied letter asking for contributions to the Allan Kaprow Research Fund. | |||||||||||
| 69 | 13 | Rauschenberg, Robert, 1964-1965 | |||||||||
| Two black and white photographs of Rauschenberg performances. One unidentified color photograph. Photo credit: Elisabeth Novick; Hans Malmberg. | |||||||||||
| 69 | 14 | Rion, René, 1981 | |||||||||
| Photograph of environment by the artist. | |||||||||||
| 69 | 15 | Sherk, Bonnie, 1981 | |||||||||
| Clippings about the conceptual artist. | |||||||||||
| 69 | 16 | Stewart, Sherry, n.d. | |||||||||
| A booklet of the artist's photos. | |||||||||||
| 69 | 17 | Stockhausen, Karlheinz, 1955 | |||||||||
| Notes on electronic sound systems, plans for the first synthesizer, hand drawn graphs. | |||||||||||
| 69 | 18 | Tenney, James, 1971 | |||||||||
| Scores for two pieces. | |||||||||||
| 69 | 19 | Tyler, Richard, 1960 | |||||||||
| Publications from Uranian Press. | |||||||||||
| box | |||||||||||
| 70 | Artists' Files, 1960-1993 | ||||||||||
| 70 | 1 | Uranian Press, 1965-1977 | |||||||||
| Publications from the press. | |||||||||||
| 70 | 2 | Vautier, Ben, 1960-1993 | |||||||||
| Various printed pieces, photograph, one issue of Real Bullshit, of which Vautier was co-editor. | |||||||||||
| 70 | 3 | Vostell, Wolf, 1960-1965 | |||||||||
| A variety of pieces on paper by the artist, letter to Kaprow, clippings, photographs, brochures. Typewritten manuscript co-written by Kaprow, entitled "The Art of the Happening." | |||||||||||
| 70 | 4 | Vostell, Wolf, 1962-1966 | |||||||||
| A variety of materials by the artist, including drawings, writings, published booklets, letters to Kaprow (some written on the verso of photographs of happenings), posters, clippings, issue of Book (May 1966). | |||||||||||
| 70 | 5 | Vostell, Wolf, 1963-1064 | |||||||||
| Scores for Happenings and photographs and negatives of Happenings. See also Oversize roll 1. | |||||||||||
| 70 | 6 | Watts, Bob, 1963 | |||||||||
| Materials regarding the Yam Festival, created by Watts and Brecht. | |||||||||||
| 70 | 7 | Whitman, Robert, n.d. | |||||||||
| One photograph of a sculpture. | |||||||||||
| 70 | 8 | Zaj group, 1966 | |||||||||
| Posters and printed matter about the group and their events. | |||||||||||
| 70 | 9 | Various artists, 1958 | |||||||||
| Work under the collective title "City." | |||||||||||
| 70 | 10 | Various artists, 1969 | |||||||||
| Student proposals in project class at Nova Scotia College. | |||||||||||
| 70 | 11 | Unidentified, 1962 | |||||||||
| Letter sent to Kaprow and other artists by unknown correspondent regarding Fluxus exhibition and publication. | |||||||||||
| 70 | 12 | Unidentified, n.d. | |||||||||
| a pencil drawing; a rubbing. | |||||||||||
| Series IX. Personal, 1946-1996 3 lin. ft. | |||||||||||
| This series includes ref3712 and comprises awards and honors Kaprow received, and photographs of Kaprow by himself, with family, or with friends. A highlight are the beautiful photographs by Julian Wasser of Kaprow at home. | |||||||||||
| box | |||||||||||
| 71 | Awards and Curriculum Vitae, 1949-1986 | ||||||||||
| 71 | 1 | Copley Foundation Award, 1962 | |||||||||
| 71 | 2 | La Guardia Memorial Award, 1974 | |||||||||
| 71 | 3 | Skowhegan Gold Medal, 1975 | |||||||||
| 71 | 4 | Skowhegan Gold Medal, 1982 | |||||||||
| Kaprow presents gold medal to Miriam Schapiro. | |||||||||||
| 71 | 5 | NEA- U.S./Japan Exchange Fellowship, 1986 | |||||||||
| 71 | 6 | Miscellaneous exhibition records and cv's, ca. 1949-1980 | |||||||||
| For current CV, please see research file 980063 in the repository. | |||||||||||
| box | |||||||||||
| 72 | Photographs and cards, 1946-1996 | ||||||||||
| 72 | 1 | Photographs of Tom Mix Monument, n.d. | |||||||||
| Monument dedicated to Kaprow's childhood idol. | |||||||||||
| 72 | 2 | Family momentos, , 1949 n.d. | |||||||||
| Holiday card made of tin; 45 rpm recording of Happy Birthday made for Kaprow's father. | |||||||||||
| 72 | 3 | Handmade cards, 1946 | |||||||||
| Cards Kaprow made for his father. | |||||||||||
| 72 | 4 | Addresses of friends, n.d. | |||||||||
| 72 | 5 | Photographs of Kaprow, ca.1950-ca.1970 | |||||||||
| Black and white photographs of Kaprow with friends and family, including M. Lowe, Wolf Vostell, Ray Johnson. Photo credit: Walt Silver; Peter Moore; Morris Slavin; Ron Batzdorff; Ted Tessler; Lisl Steiner; Harry Shunk; Charles Reynolds. | |||||||||||
| 72 | 6 | Photographs of Kaprow, 1967 | |||||||||
| Portraits by Julian Wasser for Life of Kaprow by himself and with first wife Vaughn Rachel and children. | |||||||||||
| 72 | 7 | Photographs of Kaprow, ca. 1970-1996 | |||||||||
| Mostly black and white photographs of Kaprow by himself or with family and friends, including Nam June Paik. Photo credit: Jlona Jeismann; John Waggaman; shunk-kender; Karin Mack; Stephanie Rancou. | |||||||||||
| Series X. Films, Video and Audio Tapes, 1957-1995 22.25 Linear Feet | |||||||||||
|
Selected digitized audio and video recordings - available on-site only (980063):
1957-1999
|
|||||||||||
| Audio visual materials are unavailable until reformatted; use copies are indicated when available. Some material has been digitized, see link above. | |||||||||||
| box | |||||||||||
| 73-77 | Audio cassettes, 1973-1995 | ||||||||||
| Copy masters for audiocassettes C1-C90 made by Peter Kirby on 48 DATs. Note that original cassettes C23 (bad tape), C62 (blank) and C89 (duplicate) were not transferred by Kirby or reformatted. | |||||||||||
| box | |||||||||||
| 73 | C1-C21, 1973-1978 | ||||||||||
| C1 - Air Condition, 1973 | |||||||||||
|
C1 - Air Condition (digital version available on-site only)
|
|||||||||||
| 1 sound cassette (14 min.) 3 7/8 x 2 1/2 in. Activity (Happening) at Cal Arts, "Tape 1, PNO 1" - on original inventory. | |||||||||||
| C2 - Loss, 1973 | |||||||||||
|
C2 - Loss (digital version available on-site only)
|
|||||||||||
| 1 sound cassette (24 min. 7 sec.) 3 7/8 x 2 1/2 in. "Tape - PNO 2/3," on original inventory. | |||||||||||
| C3 - 2nd Routine, 1974 | |||||||||||
|
C3 - 2nd Routine (digital version available on-site only)
|
|||||||||||
| 1 sound cassette (26 min., 46 min.) 3 7/8 x 2 1/2 in. With Linda Bastian; Note: Allan believes this is from "2nd Routine" sponsored by the D'ARC Gallery, NY. "Tape 1 - PNO 4/5," on original inventory. | |||||||||||
| C4 - Rates of Exchange, 1975 | |||||||||||
|
C4 - Rates of Exchange (digital version available on-site only): 1975
|
|||||||||||
| 1 sound cassette (8 min., 7 min.) With Mickiko and Charlemagne Palestine, "Tape 2 - PNO 1/2," on original inventory. | |||||||||||
| C5 - Rates of Exchange 1975 Mar. 22 | |||||||||||
| 1 sound cassette of 2 (31 min., 30 min.) 3 7/8 x 2 1/2 in. With Tim Y. "Tape 2 - PNO 3/4," on original inventory. | |||||||||||
| C6 - Rates of Exchange, 1975 Mar. 22 | |||||||||||
| 2nd cassette of 2 (5 min.), 3 7/8 x 2 1/2 in. With Tim Y. "Tape 2 - PNO 5" on original inventory. | |||||||||||
| C7 - Rates of Exchange, 1975 Mar. 22 | |||||||||||
| 1 sound cassette (3 min.) 3 7/8 x 2 1/2 in. Sylvia and Stanley reading, includes note from "S"; "Tape 2 - PNO 6" on original inventory. | |||||||||||
| C8 [unknown], 1975 | |||||||||||
| 1 sound cassette (31 min., 31 min.) 3 7/8 x 2 1/2 in. Side A: "Tape 2 - PNO 7"; Side B: "Tape 3- PNO 1" Labeled "A: male and female" on original inventory. | |||||||||||
| C9 - Rates of Exchange, 1975 | |||||||||||
|
C9 - Rates of Exchange (digital version available on-site only)
|
|||||||||||
| 1 sound cassette of 4 (18 min.) 3 7/8 x 2 1/2 in. "Tape 3 - PNO 2," on original inventory. | |||||||||||
| C10 - Rates of Exchange, 1975 | |||||||||||
|
C10 - Rates of Exchange (digital version available on-site only)
|
|||||||||||
| 2nd sound cassette of 4 (8 min.) 3 7/8 x 2 1/2 in. "Tape 3 - PNO 3," on original inventory. | |||||||||||
| C11 - Rates of Exchange, 1975 | |||||||||||
|
C11 - Rates of Exchange (digital version available on-site only)
|
|||||||||||
| 3rd sound cassette of 4 (6 min.) 3 7/8 x 2 1/2 in. Labeled: "person unknown, male." "Tape 3 - PNO 4," on original inventory. | |||||||||||
| C12 - Rates of Exchange, 1975 | |||||||||||
|
C12 - Rates of Exchange (digital version available on-site only)
|
|||||||||||
| 4th sound cassette of 4 (31 min., 31 min.) 3 7/8 x 2 1/2 in. Labeled "person unknown, female." "Tape 3 - PNO 5/6," on original inventory. | |||||||||||
| C13 - Rates of Exchange, 1975 | |||||||||||
|
C13 - Rates of Exchange (digital version available on-site only): 1975
|
|||||||||||
| 1 sound cassette (24 min., 29 min.) 3 7/8 x 2 1/2 in. With Charlemagne Palestine and Michiko. "Tape 4 - PNO 1/2," on original inventory. | |||||||||||
| C14 - Rates of Exchange, 1975 | |||||||||||
| 1 sound cassette (31 min., 7 min.) 3 7/8 x 2 1/2 in. With Victoria, labeled "A1". "Tape 4 - PNO 3/4," on original inventory. | |||||||||||
| C15 - Rates of Exchange, 1975 | |||||||||||
| 1 sound cassette (21 min., 30 min.) 3 7/8 x 2 1/2 in. With Frantisek or J.P., labeled "A2"; "Tape 4- PNO 5/ Tape 5 PNO 1" on original inventory. | |||||||||||
| C16 - Rates of Exchange, 1975 | |||||||||||
| 1 sound cassette (29 min., 31 min.) 3 7/8 x 2 1/2 in. With Michael, labeled as "A3". "Tape 5 - PNO 2/3," on original inventory. | |||||||||||
| C17 - Rates of Exchange, 1975 | |||||||||||
| 1 sound cassette (7 min.) 3 7/8 x 2 1/2 in. With Max, labeled as "A4". "Tape 5 - PNO 4," on original inventory. | |||||||||||
| C18 - Rates of Exchange, 1975 | |||||||||||
|
C18 - Rates of Exchange (digital version available on-site only): 1975
|
|||||||||||
| 1 sound cassette (30 min., 31 min.) 3 7/8 x 2 1/2 in. Baecker and Kaprow, labeled as "A5". "Tape 6 - PNO 1/2," on original inventory. | |||||||||||
| C19 - Rates of Exchange, 1975 | |||||||||||
|
C19 - Rates of Exchange (digital version available on-site only): 1975
|
|||||||||||
| 1 sound cassette of 2 (31 min.) 3 7/8 x 2 1/2 in. With Marcia Tucker, labeled "A6". "Tape 6 - PNO 3," on original inventory. [2nd cassette not found, perhaps C8?] See Peter Kirby's inventory. | |||||||||||
| C20 - Rates of Exchange, 1975 | |||||||||||
| 1 sound cassette (32 min., 32 min.) 3 7/8 x 2 1/2 in. Kaprow to Alanna, labeled "A7". "Tape 7 - PNO 1/2," on original inventory. | |||||||||||
| C21 - Rates of Exchange, 1975 | |||||||||||
| 1 sound cassette (27 min., 37 min.) 3 7/8 x 2 1/2 in. With Antonio,labeled as "A8". "Tape 6 - PNO 4/5," on original inventory. | |||||||||||
| box | |||||||||||
| 74 | C22-C42, 1975-1978 | ||||||||||
| C22 - Rates of Exchange, 1975 | |||||||||||
|
C22 - Rates of Exchange (digital version available on-site only): 1975
|
|||||||||||
| 1 sound cassette (31 min., 30 min.) 3 7/8 x 2 1/2 in. Kaprow and Inge Baecker, labeled as "A9". "Tape 7- PNO 3," on original inventory. | |||||||||||
| C23 - Rates of Exchange; Walking , 1975 n.d. | |||||||||||
| 1 sound cassette, 3 7/8 x 2 1/2 in. side 1: Rates of Exchange, with Michuko. side 2: Walking, date unidentified. Bad tape. NOT TRANSFERRED/NOT REFORTMATTED. | |||||||||||
| C24 - Time Pieces, 1975 | |||||||||||
|
C24 - Time Pieces (digital version available on-site only): 1976?
|
|||||||||||
| 1 sound cassette (3 min.) 3 7/8 x 2 1/2 in. "Tape 8 -PNO 1," on original inventory. | |||||||||||
| C25 - Artpark, 1976 | |||||||||||
|
C25 - Artpark (digital version available on-site only): 1976
|
|||||||||||
| 1 sound cassette (60 min., 60 min.) 3 7/8 x 2 1/2 in. Labeled "final meeting." "Tape 8 -PNO 2/3," on original inventory. | |||||||||||
| C26 - Frameworks, 1976 | |||||||||||
| 1 sound cassette (40 min. 62 min.) 3 7/8 x 2 1/2 in. With Kaprow, Deeks, and Peters at the Biltmore Hotel, Los Angeles. "Tape 9-PNO 1/2," on original inventory. | |||||||||||
| C27 - Satisfaction, 1976 Apr 29 | |||||||||||
| 1 sound cassette (62 min.) 3 7/8 x 2 1/2 in. Labeled "1st night." "Tape 10-PNO 1/2/3," on original inventory. | |||||||||||
| C28 - 7 Kinds of Sympathy, 1976? | |||||||||||
|
C28 - 7 Kinds of Sympathy: 1976?
|
|||||||||||
| 1 sound cassette of 2 (38 min.) 3 7/8 x 2 1/2 in. Discussion, after participating in piece, using video (made by Peter Kirby and Allan Kaprow) as guide. Participants: Peter Kirby, Allan Kaprow Nancy Buchanan, Sylvia and Jerry Simpson, and Vaughn Rachel at Video Transitions, Hollywood. Activity took place in 1976 in Vienna and Italy. "Tape 10 PNO 4," on original inventory. | |||||||||||
| C29 - 7 Kinds of Sympathy, , 1976? 1977? | |||||||||||
|
C29 - 7 Kinds of Sympathy (digital version available on-site only): 1976?
1977?
|
|||||||||||
| 2nd sound cassette of 2 (46 min., 23 min.) 3 7/8 x 2 1/2 in. Discussion, after participating in piece, using video as a guide. Participants: Peter Kirby, Nancy Buchanan, Sylvia and Jerry Simpson, Allan Kaprow, and Vaughn Rachel at Video Transitions, Hollywood. Actual piece is "7 Kinds of Sympathy. "Tape 11-PNO 1/2," on original inventory. | |||||||||||
| C30 - Exercises and Tom Peeping, 1977 Nov. 15 | |||||||||||
| 1 sound cassette (56 min.; 60 min.) 3 7/8 x 2 1/2 in. With Kaprow, Bruce and Carol. | |||||||||||
| Side 1: (56 min.) "Tape 11-PNO 3"; | |||||||||||
| Side 2: (60 min.) "Tape 12-PNO 1/2," on original inventory. | |||||||||||
| C31 - Exercises and Tom Peeping, 1978 Mar. 2 | |||||||||||
| 1 sound cassette (44 min.) 3 7/8 x 2 1/2 in. Labeled "Kaprow Piece - La Jolla," with Kaprow, Carol, and Bruce. "Tape 12 - PNO 3," on original inventory. | |||||||||||
| C32 - Carol's Piece, 1978 Mar. 9 | |||||||||||
| 1 sound cassette (46 min., 46 min.) 3 7/8 x 2 1/2 in. Allan doesn't remember the title of this Activity. It may be part of "Small exercise I," "Small Exercise 2," or "Mantra." [About noticing everyday events walking around.] "Tape 13 -PNO 1/2" on original inventory. | |||||||||||
| C33 - Kaprow piece at Bruce Reynolds' house with Moira Roth and Coryl Crane, 1978 | |||||||||||
|
C33 - Kaprow piece at Bruce Reynolds' house with Moira Roth and Coryl Crane
(digital version available on-site only) : 1978
|
|||||||||||
| 1 sound cassette (46 min., 46 min.) 3 7/8 x 2 1/2 in. Allan doesn't remember the title of this Activity. It may be part of "Small Exercise I," "Small Exercise 2," or "Mantra." [About sensing the presence of another person.] "Tape 14-PNO 1/2," on original inventory. | |||||||||||
| C34 - Standards, 1978 | |||||||||||
|
C34 - Standards (digital version available on-site only): 1978
|
|||||||||||
| 1 sound cassette (30 min.) 3 7/8 x 2 1/2 in. With David Roger and Martha Sanford. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. "Tape 14-PNO 3," on original inventory. | |||||||||||
| C35 - Standards, 1978 | |||||||||||
| 1 sound cassette (19 min.) 3 7/8 x 2 1/2 in. With Joni Sauke and Carl Petersen. This tape is also labeled "Pre-Standards Sheet Work." "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. "Tape 15-PNO 1," on original inventory. | |||||||||||
| C36 - Standards, 1978 | |||||||||||
| 1 sound cassette (45 min., 37 min.) 3 7/8 x 2 1/2 in. Interpretations with Sanford Shaman and Bill Witt. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. "Tape 15-PNO 2/3," on original inventory. | |||||||||||
| C37 - Standards, 1978 Dec. 10 | |||||||||||
| 1 sound cassette (41 min., 44 min.) 3 7/8 x 2 1/2 in. Review #2. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. "Tape 16-PNO 1/2," on original inventory. | |||||||||||
| C38 - Standards, 1978 Dec | |||||||||||
| 1 sound cassette (40 min., 37 min.) 3 7/8 x 2 1/2 in. With Bruce and Pat. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. | |||||||||||
| Side 1: (40 min.) "Tape 16-PNO 3"; | |||||||||||
| Side 2: (37 min.) "Tape 17-PNO 1" on original inventory. | |||||||||||
| C39 - Standards, 1978 Dec | |||||||||||
|
C39 - Standards (digital version available on-site only): 1978 Dec
|
|||||||||||
| 1 sound cassette (45 min., 45 min.) 3 7/8 x 2 1/2 in. Final group meeting. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. | |||||||||||
| Side 1: (45 min.) "Tape 17-PNO 2"; | |||||||||||
| Side 2: (45 min.) "Tape 18-PNO 1," on original inventory. | |||||||||||
| C40 - Standards, 1978 | |||||||||||
| 1 sound cassette (34 min., 16 min.) 3 7/8 x 2 1/2 in. With Carol Schaaf and Kaprow. This cassette is labeled Jan-Feb. 1979; according to Allan, this is incorrect. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. "Tape 18-PNO 2/3/4," on original inventory. | |||||||||||
| C41 - Standards, 1978 | |||||||||||
| 1 sound cassette (41 min.) 3 7/8 x 2 1/2 in. "Standards" cassettes were all made in 1978 at the University of Iowa, Cedar Falls. The Activity booklet, "Standards" was partially created from prearranged situations and documentation of the actual Activity / Event. "Tape 19-PNO 1," on original inventory. | |||||||||||
| C42 - Toothbrushing Piece, 1978 | |||||||||||
|
C42 - Toothbrushing Piece (digital version available on-site only): 1978
|
|||||||||||
| 1 sound cassette (31 min., 31 min.) 3 7/8 x 2 1/2 in. With Kaprow, Carol Mansfield, and Bruce Reynolds, La Jolla, CA. Also labeled "meeting following piece, Venice, CA." "Tape 19 - PNO 2/3," on original inventory. | |||||||||||
| box | |||||||||||
| 75 | C43-C63, 1978-1981 | ||||||||||
| C43 - Standards, 1978 | |||||||||||
| 1 sound cassette (45 min., 19 min.) 3 7/8 x 2 1/2 in. "Tape 20-PNO 1/2," on original inventory. | |||||||||||
| C44 - Standards, 1978 | |||||||||||
| 1 sound cassette (40 min.) 3 7/8 x 2 1/2 in. With Rieken/Ploog. Cassette is labeled Jan.-Feb. 1979 - according to Allan this is incorrect. "Tape 20 - PNO 3," on original inventory. | |||||||||||
| C45 - 2 Appointments, 1978 Jan. 29 | |||||||||||
| 1 sound cassette (17 min., 45 min.) 3 7/8 x 2 1/2 in. | |||||||||||
| Side 1: (17 min.) "preliminary intro"; | |||||||||||
| Side 2: (45 min.) "review." | |||||||||||
| "Tape 21-PNO 1; Tape 21-PNO 2," on original inventory. | |||||||||||
| C46 - 2 Appointments, 1978 Jan. 29 | |||||||||||
| 1 sound cassette (34 min.) 3 7/8 x 2 1/2 in. Side 3. "Tape 21-PNO 3," on original inventory. | |||||||||||
| C47 - Ups/Downs, (What's Cooking II), 1978 Apr. 22 | |||||||||||
| 1 sound cassette (45 min., 45 min.) | |||||||||||
| Labeled "What's Cooking II," this was arranged for the "What's Cooking Festival II," Center for Music Experiment, UCSD, La Jolla, CA. "Tape 22 -PNO 1/2," on original inventory. | |||||||||||
| C48 - Carol Mansfield Piece, 1978 Jan. 19 | |||||||||||
| 1 sound cassette (7 min.) 3 7/8 x 2 1/2 in. 2nd tape. "Tape 22-PNO 3," on original inventory. Note from inventory: Allan is unsure what Activity this recording documents. Perhaps "Small Exercises I," "Small Exercises 2" or "Mantra." | |||||||||||
| C49 - Carol's Reflection Piece, 1978 July 17 | |||||||||||
| 1 sound cassette (45 min., 45 min.) 3 7/8 x 2 1/2 in. First half of pre-recordings. "Tape 23-PNO 1; Tape 23-PNO 2," on original inventory. Note from inventory: Allan thinks this recording is part of "Hello/Goodbye." | |||||||||||
| C50 - Carol's Reflection Piece, 1978 July 17 | |||||||||||
| 1 sound cassette (38 min.) 3 7/8 x 2 1/2 in. Second half of pre-recordings. "Tape 24-PNO 1," on original inventory. Note from inventory: Allan thinks this recording is part of "Hello/Goodbye." | |||||||||||
| C51 - Carol Mansfield Piece, 1978 Jan. 19 | |||||||||||
| 1 sound cassette (45 min., 43 min.) 3 7/8 x 2 1/2 in. "Tape 24-PNO 2 and 3," on original inventory. Allan is unsure what Activity this recording documents. Perhaps "Small Exercises I," "Small Exercises 2" or "Mantra." | |||||||||||
| C52 - Blindsight, 1979 Mar. 10 | |||||||||||
|
C52 - Blindsight (digital version available on-site only): 1979 March 10
|
|||||||||||
| 1 sound cassette (30 min., 31 min.) 3 7/8 x 2 1/2 in. "Tape 25-PNO 1/2," on original inventory. Note on inventory: Allan is unsure what Activity this recording documents. Perhaps "Small Exercises I," "Small Exercises 2" or "Mantra." | |||||||||||
| C53 - Blindsight, 1979 | |||||||||||
|
C53 - Blindsight (digital version available on-site only): 1979
|
|||||||||||
| 1 sound cassette (30 min., 3 min.) 3 7/8 x 2 1/2 in. "Tape 25-PNO 3/4," on original inventory. Note from inventory: Allan is unsure what Activity this recording documents. Perhaps "Small Exercises I," "Small Exercises 2" or "Mantra." | |||||||||||
| C54 - Exercise; [Meyer's piece], 1980 May | |||||||||||
| 1 sound cassette (26 min., 47 min.) 3 7/8 x 2 1/2 in. | |||||||||||
| Side 1: Exercise (26 min.) Per note in inventory, "Exercise" may be "Small Exercises I." "Small Exercises 2" or "Mantra." "Tape 25-PNO 5" on original inventory. | |||||||||||
| Side 2: AK talks followed by participants in "The Experience of Giving and Taking," (47 min.); not an AK piece, "This is Meyer's piece." "Tape 26-PNO 1," on original inventory. | |||||||||||
| C55 - Piece for Pierre Restany, 1981 May 14 | |||||||||||
| 1 sound cassette (46 min., 46 min.) 3 7/8 x 2 1/2 in. A discussion after a performance in Paris. | |||||||||||
| Side 1: (46 min.)"Tape 26-PNO 2; | |||||||||||
| Side 2: (46 min.), "Tape 27-PNO 1," on original inventory. | |||||||||||
| C56 - Richard Hamilton Piece (side A); Ludwig Thurmer Piece (side B), , 1981 Apr. 17 1981 May 1 | |||||||||||
| 1 sound cassette (45 min., 42 min.) 3 7/8 x 2 1/2 in. | |||||||||||
| Side A: Richard Hamilton (45 min.), "Tape 27-PNO 2"; | |||||||||||
| Side B: Ludwig Thurmer (42 min.), "Tape 28-PNO 1," on original inventory. | |||||||||||
| C57 - Richard Hamilton Piece, 1981 | |||||||||||
| 1 sound cassette (13 min., 13 min.) 3 7/8 x 2 1/2 in. Allan's tape for Hamilton Piece. Richard Hamilton walking through field. "Tape 28-PNO 2,3," on original inventory. | |||||||||||
| C58 - Robert Filliou Piece; Bicocchi Piece, , 1981 May 21 1981 May 26 | |||||||||||
| 1 sound cassette (46 min., 45 min.) 3 7/8 x 2 1/2 in. | |||||||||||
| Side A: (46 min.) Peyzac-le Moustier, France, "Tape 28-PNO 4"; | |||||||||||
| Side B: (46 min.) Firenze, "Tape 29-PNO 1," on original inventory. | |||||||||||
| C59 - Piece for Dany Keller, 1981 | |||||||||||
| 1 sound cassette of 2 (45 min., 47 min.) 3 7/8 x 2 1/2 in. | |||||||||||
| Side 1: 45 min. - "Tape 29-PNO 2"; | |||||||||||
| Side 2: 47 min. - "Tape 30-PNO 1," on original inventory. | |||||||||||
| C60 - Piece for Dany Keller, 1981 | |||||||||||
| 2nd sound cassette of 2 (47 min.) 3 7/8 x 2 1/2 in. "Tape 30-PNO 2," on original inventory. | |||||||||||
| C61 - Piece for Shlomo and Shula Koren, 1981 May 5 | |||||||||||
| 1 sound cassette (45 min., 22 min.) Amsterdam. | |||||||||||
| Side 1: (45 min.), "Tape 30-PNO 3"; | |||||||||||
| Side 2: (22 min.), "Tape 31-PNO," on original inventory. | |||||||||||
| C62 - Exercise no. 5, 1981 | |||||||||||
| Activity (Happening) for Rachel Rosenthal's workshop, "DBH" in Los Angeles. The Tape is BLANK. NOT TRANSFERRED, NOT REFORMATTED. | |||||||||||
| C63 - Piece for 80 Langton Street, 1981 Aug | |||||||||||
| 1 sound cassette (43 min., 25 min.) 3 7/8 x 2 1/2 in. (Alternative space, San Francisco.) "Tape 31-PNO 2/3," on original inventory. | |||||||||||
| box | |||||||||||
| 76 | C64-C84, 1981-1987 | ||||||||||
| C64 - Piece for 80 Langton Street, 1981 Aug | |||||||||||
| 1 sound cassette (47 min., 35 min.) 3 7/8 x 2 1/2 in. (Alternative space, San Francisco.) "Tape 32-PNO 1/2," on original inventory. | |||||||||||
| C65 - Moira Roth, 1982 May 14 | |||||||||||
|
C65 - Moira Roth (digital version available on-site only): 1982 May 14
|
|||||||||||
| 1 sound cassette (46 min., 10 min.) 3 7/8 x 2 1/2 in. Interview with Kaprow and Suzanne Lacy, "Tape 33-PNO 1/2," on original inventory. | |||||||||||
| C66 - Allan, Suzanne and Moira at Moira's, 1983 May 9 | |||||||||||
|
C66 - Allan, Suzanne and Moira at Moira's (digital version available on-site
only): 1983 May 9
|
|||||||||||
| 1 sound cassette (33 min.?) 3 7/8 x 2 1/2 in. Interview: Kaprow and Suzanne Lacy interviewed by Moira Roth. "Tape 33-PNO 3/4/5," on original inventory. | |||||||||||
| C67 - Environments, Happenings, Fluxus, and Performance: Review, Critical Evaluation, and Prognostication, 1983 Mar. 2 | |||||||||||
|
C67 - Environments, Happenings, Fluxus, and Performance: Review, Critical
Evaluation, and Prognostication (digital version available on-site only): 1983
March 2
|
|||||||||||
| 1 sound cassette (45 min., 33 min.) Kaprow lecture at La Jolla Museum of Contemporary Art, "Wolf Kahn talk." Lecture series title: Toward an understanding of issues in 20th century art. "Tape 34-PNO 1/2," on original inventory. | |||||||||||
| C68 - Wolf Kahn Talk, 1984 Jan. 11 | |||||||||||
| 1 sound cassette (46 min. 34 min.) Kaprow lecture at San Diego Museum of Contemporary Art. "Tape 35-PNO 1/2," on original inventory. | |||||||||||
| C69 - Coryl's Birthday Piece, 1985 Dec. 2 | |||||||||||
|
C69 - Coryl's Birthday Piece (digital version available on-site only): 1985
Dec. 2
|
|||||||||||
| 1 sound cassette (47 min., 6 min.) Kaprow's piece for his second wife, Coryl Crane. "Tape 36-PNO 1/2," on original inventory. | |||||||||||
| C70 - Grad Seminar #5, Art and Politics, 1985 Feb. 4 | |||||||||||
|
C70 - Grad Seminar #5, Art and Politics (digital version available on-site
only): 1985 Feb 4
|
|||||||||||
| 1 sound cassette of 2 (63 min., 3 min.) Kaprow lecture for UCSD class. | |||||||||||
| Side 1: (63 min.), "Tape 36-PNO 3,"; | |||||||||||
| Side 2: (3 min.), "Tape 37-PNO 1," on original inventory. | |||||||||||
| C71 - Grad Seminar #5, Art and Politics, 1985 Feb 4 | |||||||||||
|
C71 - Grad Seminar #5, Art and Politics,: 1985 Feb. 4
|
|||||||||||
| 2nd sound cassette of 2 (33 min.) Kaprow lecture for UCSD class. "Tape 37-PNO 2," on original inventory. | |||||||||||
| C72 - Grad Seminar #6, Humor in Art, 1985 Feb. 11 | |||||||||||
|
C72 - Grad Seminar #6, Humor in Art (digital version available on-site only):
1985 Feb. 11
|
|||||||||||
| 1 sound cassette of 2 (62 min., 62 min.) Kaprow lecture for UCSD class. "Tape 38-PNO 1/2," on original inventory. | |||||||||||
| C73 - Grad Seminar #6, Humor in Art, 1985 Feb. 11 | |||||||||||
| 2nd sound cassette of 2 (6 min.) Kaprow lecture for UCSD class. "Tape 39-PNO 1," on original inventory. | |||||||||||
| Use copy available. | |||||||||||
| C74 - Grad Seminar #7, Today's Art of Quotation, 1985 Feb. 18 | |||||||||||
| 1 sound cassette of 3 (63 min., 59 min.) Kaprow lecture for UCSD class. "Tape 39-PNO 2/3," on original inventory. | |||||||||||
| Use copy available. | |||||||||||
| C75 - Grad Seminar #7, Today's Art of Quotation, 1985 Feb. 18 | |||||||||||
| 2nd sound cassette of 3 (47 min., 47 min.) Kaprow lecture for UCSD class. "Tape 40-PNO 1/2," on original inventory. | |||||||||||
| Use copy available. | |||||||||||
| C76 - Grad Seminar #7, Today's Art of Quotation, 1985 Feb. 18 | |||||||||||
| 3rd sound cassette of 3 (4 min.) Kaprow lecture for UCSD class. "Tape 40-PNO 3," on original inventory. | |||||||||||
| C77 - Grad Seminar #8, Performance, 1985 Feb. 25 | |||||||||||
| 1 sound cassette (62 min., 51 min.) Kaprow lecture for UCSD class. "Tape 41-PNO 1/2," on original inventory. | |||||||||||
| C78 - Grad Seminar #9, Criticism, 1985 Mar. 4 | |||||||||||
|
C78 - Grad Seminar #9, Criticism (digital version available on-site only):
1985 Mar. 4
|
|||||||||||
| 1 sound cassette (63 min., 48 min.) Kaprow lecture for UCSD class. "Tape 42-PNO 1/2," on original inventory. | |||||||||||
| C79 - Grad Seminar #10, Collaboration, 1985 Mar. 11 | |||||||||||
| 1 sound cassette of 2 (63 min., 63 min.) Kaprow lecture for UCSD class. "Tape 43-PNO 1/2," on original inventory. | |||||||||||
| C80 - Grad Seminar #10, Collaboration, 1985 Mar. 11 | |||||||||||
| 2nd sound cassette of 2 (19 min.) Kaprow lecture for UCSD class. "Tape 44-PNO 1," on original inventory. | |||||||||||
| C81 - Mills College, 1988 May 5 | |||||||||||
|
C81 - Mills College (digital version available on-site only): 1988 May 5
|
|||||||||||
| 1 sound cassette (32 min., 32 min.) Kaprow lecture. "Tape 44-PNO 2/3," on original inventory. | |||||||||||
| C82 - Mills #3, 1988 May 5 | |||||||||||
|
C82 - Mills #3 (digital version available on-site only): 1988 May 5
|
|||||||||||
| 1 sound cassette (4 min.) Kaprow lecture. "Tape 44-PNO 4," on original inventory. | |||||||||||
| C83 - Apples and Oranges, 1986 Oct. 25 | |||||||||||
| 1 sound cassette (47 min., 47 min.) "Tape 45-PNO 1/2," on original inventory. | |||||||||||
| C84 - Allan Kaprow at Penn State, 1987 Mar. 22 | |||||||||||
|
C84 - Allan Kaprow at Penn State (digital version available on-site only):
1987 Mar. 22
|
|||||||||||
| 1 sound cassette (46 min., 46 min.) Kaprow lecture. "Tape 46-PNO 1/2," on original inventory. | |||||||||||
| box | |||||||||||
| 77 | C85-C90, 1977-1995 | ||||||||||
| C85 - Penn State, 1987 Mar. 21 | |||||||||||
|
C85 - Penn State (digital version available on-site only): 1987 Mar. 21
|
|||||||||||
| 1 sound cassette (31 min., 11 min.) Museum of Art lecture. | |||||||||||
| Side 1: 31 min.,"Tape 46-PNO 3"; | |||||||||||
| Side 2: 11 min., "Tape 47-PNO 1," on original inventory. | |||||||||||
| C86 - Allan Kaprow with David Antin, 1990 Oct. 22 | |||||||||||
|
C86 - Allan Kaprow with David Antin (digital version available on-site only):
1990 Oct. 22
|
|||||||||||
| 1 sound cassette (40 min., 43 min.) Lecture. "Tape 47-PNO 2/3," on original inventory. | |||||||||||
| C87 - Kaprow Kasseler Kunstverein, 1995 Oct. 26 | |||||||||||
| 1 sound cassette (35 min.) "Tape 48-PNO 1," on original inventory. | |||||||||||
| C88 - den Satzvon Herm Neuendorf, wiederholen DIE ABARTIGEN, n.d. | |||||||||||
| 1 sound cassette (29 min.) With Kaprow, Vostell, Paik, Saree, Albrecht d., Toche U., Hendricks, and 1 booklet (in folder in Box). "Tape 48-PNO 2," on original inventory. | |||||||||||
| C89 - den Satzvon Herm Neuendorf, wiederholen DIE ABARTIGEN, | |||||||||||
| 1 sound cassette (29 min.) 2nd copy of C88, above. NOT TRANSFERRED / NOT REFORMATTED. | |||||||||||
| C90 - Courtesy, 1977 Jun. 2 | |||||||||||
| 1 sound cassette (15 min.) Labeled "Courtesy," this is a copy from Close Radio cassette. "Tape 48-PNO 3," on original inventory. | |||||||||||
| box | |||||||||||
| 78-85 | Reel-to-reel 1/4 audiotapes, 1957-1966 | ||||||||||
| box | |||||||||||
| 78 | R1-R4, 1957-1958 | ||||||||||
| R1 - attacks, 1957-1958 | |||||||||||
|
R1 - attacks (digital version available on-site only): 1957-1958
|
|||||||||||
| 1 sound tape reel (9 min.), 7 in., 1/4 in. tape. "Tape 49 - PNO 1," on original inventory. Sound material. | |||||||||||
| R2 - attacks, 1957-1958 | |||||||||||
|
R2 - attacks (digital version available on-site only) : 1957-1958
|
|||||||||||
| 1 sound tape reel (23 min.), 7 in., 1/4 in. tape."Tape 49 - PNO 2/3/4," on original inventory. Electronic sound library materials. | |||||||||||
| R3 - junk-echoes-distortions, 1957-1958 | |||||||||||
|
R3 - junk-echoes-distortions (digital version available on-site only) :
1957-1958
|
|||||||||||
| 1 sound tape reel (12 min.), 7 in., 1/4 in. tape."Tape 49 - PNO 5," on original inventory. Sound material. | |||||||||||
| R4 - Rapid Changes, 1957-1958 | |||||||||||
|
R4 - Rapid Changes (digital version available on-site only) : 1957-1958
|
|||||||||||
| 1 sound tape reel (3 min.), 5 in., 1/4 in. tape. "Tape 49 - PNO 6," on original inventory. Sound material for piece. | |||||||||||
| box | |||||||||||
| 79 | R5-R8, 1957-1958 | ||||||||||
| R5 - sound sources, 1957-1858 | |||||||||||
|
R5 - sound sources (digital version available on-site only) : 1957-1858
|
|||||||||||
| 1 sound tape reel (4 min.), 5 in., 1/4 in. tape. "Tape 49-PNO 7," on original inventory. Labelled "Poem" on reel. | |||||||||||
| R6 - sound sources, 1957-1958 | |||||||||||
| 1 sound tape reel, 5 in., 1/4 in. tape. "Blank tape?" on original inventory. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| R7 - 18 Happenings in 6 Parts, 1958 | |||||||||||
|
R7 - 18 Happenings in 6 Parts (digital version available on-site only) :
1958
|
|||||||||||
| 1 sound tape reel (7 min.), 5 in., 1/4 in. tape. "Tape 49-PNO 8," on original inventory. Note: This tape comes from one of two Environments created at the Hansa Gallery in 1958. It was incorporated along with new sound material into 18 Happenings in 6 Parts; Allan is unsure of the titles for the Hansa Environments in 1958. | |||||||||||
| R8 - 18 Happenings in 6 Parts, 1958 | |||||||||||
|
R8 - 18 Happenings in 6 Parts (digital version available on-site only) :
1958
|
|||||||||||
| 1 sound tape reel (7 min.), 5 in., 1/4 in. tape. "Tape 49-PNO 9," on original inventory. Note: This tape comes from one of two Environments created at the Hansa Gallery in 1958. It was incorporated along with new sound material into 18 Happenings in 6 Parts; Allan is unsure of the titles for the Hansa Environments in 1958. | |||||||||||
| box | |||||||||||
| 80 | R9-R12, 1958 | ||||||||||
| R9 - 18 Happenings in 6 Parts, 1958 | |||||||||||
|
R9 - 18 Happenings in 6 Parts (digital version available on-site only):
1958
|
|||||||||||
| 1 sound tape reel (7 min.), 5 in., 1/4 in. tape. "Tape 49-PNO 10," on original inventory. Note: This tape comes from one of two Environments created at the Hansa Gallery in 1958. It was incorporated along with new sound material into 18 Happenings in 6 Parts; Allan is unsure of the titles for the Hansa Environments in 1958. | |||||||||||
| R10 - 18 Happenings in 6 Parts, 1958 | |||||||||||
|
R10 - 18 Happenings in 6 Parts (digital version available on-site only):
1958
|
|||||||||||
| 1 sound tape reel (6 min.), 5 in., 1/4 in. tape. "Tape 49-PNO 11," on original inventory. Note: This tape comes from one of two Environments created at the Hansa Gallery in 1958. It was incorporated along with new sound material into 18 Happenings in 6 Parts; Allan is unsure of the titles for the Hansa Environments in 1958. | |||||||||||
| R11 - 18 Happenings in 6 Parts, 1958 | |||||||||||
|
R11 - 18 Happenings in 6 Parts (digital version available on-site only):
1958
|
|||||||||||
| 1 sound tape reel (20 min.), 7 in., 1/4 in. tape. "Tape 49-PNO 12," on original inventory. Sound material. | |||||||||||
| R12 - Show, Tape #1, 1958 | |||||||||||
|
R12 - Show, Tape #1 (digital version available on-site only): 1958
|
|||||||||||
| 1 sound tape reel (8 min.), 4 in., 1/4 in. tape. "Tape 50-PNO 1," on original inventory. | |||||||||||
| box | |||||||||||
| 81 | R13-R16, 1958 | ||||||||||
| R13 - Show, Tape #2, 1958 | |||||||||||
|
R13 - Show, Tape #2 (digital version available on-site only): 1958
|
|||||||||||
| 1 sound tape reel (8 min.), 4 in., 1/4 in. tape. "Tape 50-PNO 2," on original inventory. | |||||||||||
| R14 - Show, Tape #3, 1958 | |||||||||||
|
R14 - Show, Tape #3 (digital version available on-site only) : 1958
|
|||||||||||
| 1 sound tape reel (8 min.), 4 in., 1/4 in. tape. "Tape 50-PNO 3," on original inventory. | |||||||||||
| R15 - Show, Tape #4, 1958 | |||||||||||
|
R15 - Show, Tape #4 (digital version available on-site only): 1958
|
|||||||||||
| 1 sound tape reel (8 min.), 4 in., 1/4 in. tape. "Tape 50-PNO 4," on original inventory. | |||||||||||
| R16 - Show, Tape #5, 1958 | |||||||||||
|
R16 - Show, Tape #5 (digital version available on-site only): 1958
|
|||||||||||
| 1 sound tape reel (8 min.), 4 in., 1/4 in. tape. "Tape 50-PNO 5," on original inventory. | |||||||||||
| box | |||||||||||
| 82 | R17-R20, 1960 | ||||||||||
| R17 - intermission piece from The Killers (pt. 1), 1960 Mar. | |||||||||||
| 1 sound tape reel, 7 in., 1/4 in. tape. Reuben Gallery. Tape labeled "reel I Mar 1960 Intermission Piece 71/2 Kaprow Original." [NOT TRANSFERRED / NOT REFORMATTED. Copy of R19, below] | |||||||||||
| R18 - intermission piece from The Killers (pt.2), 1960 | |||||||||||
| 1 sound tape reel, 7 in., 1/4 in. tape. Labeled Rueben Gallery. [NOT TRANSFERRED / NOT REFORMATTED. Copy of R20, below] | |||||||||||
| R19 - intermission piece from The Killers, 1960 | |||||||||||
|
R19 - intermission piece from The Killers (digital version available on-site
only) : 1960
|
|||||||||||
| 1 sound tape reel (34 min.), 7 in., 1/4 in. tape. "Tape 50-PNO 6," on original inventory. | |||||||||||
| R20 - intermission piece from The Killers, 1960 | |||||||||||
|
R20 - intermission piece from The Killers (digital version available on-site
only): 1960
|
|||||||||||
| 1 sound tape reel (34 min.), 7 in., 1/4 in. tape. "Tape 50-PNO 7," on original inventory. | |||||||||||
| box | |||||||||||
| 83 | R21-R24, 1960-1961 | ||||||||||
| R21 - Good-bye Shirley Cannonball?, 1960 | |||||||||||
|
R21 - Good-bye Shirley Cannonball? (digital version available on-site only) :
1960
|
|||||||||||
| 1 sound tape reel 21 min.), 1/4 in. tape. Note: this work was later re-titled "Coca-Cola Shirley Cannonball"? "Tape 51 - PNO 1" on original inventory. | |||||||||||
| R22 - Ann Arbor, 1961 | |||||||||||
|
R22 - Ann Arbor (digital version available on-site only): 1961
|
|||||||||||
| 1 sound tape reel (6 min.) 1/4 in. tape."Tape 51-PNO 2, 6 min." on original inventory. | |||||||||||
| R23 - A Spring Happening, 1961 | |||||||||||
|
R23 - A Spring Happening (digital version available on-site only): 1961
|
|||||||||||
| 1 sound tape reel (17 min.), 1/4 in. tape. Labeled copy of tape. "Tape 51 - PNO 3," on original inventory. | |||||||||||
| R24 - A Spring Happening, 1961 | |||||||||||
|
R24 - A Spring Happening (digital version available on-site only): 1961
|
|||||||||||
| 1 sound tape reel (6 min.), 1/4 in. tape. "Tape 51-PNO 4," on original inventory. | |||||||||||
| box | |||||||||||
| 84 | R25-R28, 1962-1966 | ||||||||||
| R25 - Words, 1962 | |||||||||||
|
R25 - Words (digital version available on-site only): 1962
|
|||||||||||
| 1 sound tape reel (23 min.), 1/4 in. tape. Note on inventory: "Environment at Smolin Galllery, includes tapes 1-4" "Tape 51-PNO 5," on original inventory. | |||||||||||
| R26 - Vostell-Kaprow talk, 1964 | |||||||||||
|
R26 - Vostell-Kaprow talk (digital version available on-site only): 1964
|
|||||||||||
| 1 sound tape reel (42 min.), 1/4 in. tape. Note on inventory: "Tenants: A Happening." "Tape 53-PNO 1" on original inventory. | |||||||||||
| R27 - Gas, 1966 | |||||||||||
|
R27 - Gas (digital version available on-site only): 1966
|
|||||||||||
| 1 sound tape reel (28 min.), 1/4 in. tape. Labeled Happening and WCBS - East Hampton mix - copy. "Tape 51-PNO 6," on original inventory. | |||||||||||
| R28 - Ann Arbor Happening n.d. | |||||||||||
|
R28 - Ann Arbor Happening (digital version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel (6 min.), 1/4 in. tape. Includes typed instructions. "Tape 51-PNO 7," on original inventory. | |||||||||||
| box | |||||||||||
| 85 | R29-R35, 1961 | ||||||||||
| R29 - unidentified Happening, 1961 | |||||||||||
|
R29 - unidentified Happening (digital version available on-site only):
1961
|
|||||||||||
| 1 sound tape reel (29 min.),7 in., 1/4 in. tape. Allan Kaprow and Irving Kaufman. "Tape 52-PNO 1," on original inventory. | |||||||||||
| R30 - The Killer, n.d. | |||||||||||
|
R30 - The Killer (digital version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel (35 min.), 7 in., 1/4 in. tape. Labeled substitute reel. [Ionesco's Absurd theatre] "Tape 52-PNO 2," on original inventory. | |||||||||||
| No number - Opera Game-Sunday Night Performance, n.d. | |||||||||||
| 1 sound tape reel. Composer: Loran Carrier, includes various newspaper clippings from 1969. Information from original inventory. [TAPE NOT FOUND/NOT TRANSFERRED, NOT REFORMATTED.] | |||||||||||
| R31 - stock pile of sounds, n.d. | |||||||||||
|
R31 - stock pile of sounds (digital version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel 33 min.), 5 in. 1/4 in. tape. Tape labeled: recorded for "Random Piece." "Tape 52-PNO 3,on original inventory. | |||||||||||
| R32 - blank tape, n.d. | |||||||||||
| 1 sound reel, 3 in. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| R33 - Kaprow recording Anton's voice, n.d. | |||||||||||
|
R33 - Kaprow recording Anton's voice (digital version available on-site
only): n.d.
|
|||||||||||
| 1 sound reel, 5 in. Kaprow recording his son Anton's voice, probably at first year birthday party. Tape 52-PNO 4," on original inventory. | |||||||||||
| R34 - Conference of the Society of Cemetery Aestheticians, n.d. | |||||||||||
|
R34 - Conference of the Society of Cemetery Aestheticians (digital version
available on-site only): n.d.
|
|||||||||||
| 1 sound reel (27 min.), 3 in. From Robert Delford Brown. "Tape 53-PNO 2/3," on original inventory. | |||||||||||
| R35 - Weiderman Piano Sonata, n.d. | |||||||||||
|
R35 - Weiderman Piano Sonata (digital version available on-site only):
n.d.
|
|||||||||||
| 1 sound reel, 7 in. Title from label on tape. "Tape 53-PNO 8," on original inventory. | |||||||||||
| box | |||||||||||
| 86-95 | Videos, 1966-1996 | ||||||||||
| box | |||||||||||
| 86 | V1-V4, 1966-1969 | ||||||||||
| V1 - Gas, 1966 | |||||||||||
| 1 video cassette (VHS). Copy of 16mm film (F41). [Video not transferred or reformatted.] | |||||||||||
| V2 - Hello, 1968 | |||||||||||
|
V2 - Hello, 1968 (digitized version available on-site only)
|
|||||||||||
| 1 videoreel (29 min.), sd. b&w, 1/2 in. tape. Poor quality, unedited footage from work done at WGBH, Boston. Edited version was broadcast in 1969; See Medium is the Medium. | |||||||||||
| Use copies available (Use VHS tapes 17, 30 and DVD). | |||||||||||
| V3 - Medium is the Medium, 1969 | |||||||||||
| 1 videoreel (4 min.), sd., b&w, 2 inch quad. Edited version of Hello done at WGBH, Boston in 1968 and broadcast in 1969. Unedited footage is on V2 as "Hello." | |||||||||||
| Use copies available (Use VHS tape 17 and DVD). | |||||||||||
| V4 - Home Movies: a marriage happening, 1969 | |||||||||||
| 1 videoreel, 1/2 in. tape. [NOT REFORMATTED; not on Peter Kirby's inventory.] | |||||||||||
| box | |||||||||||
| 87 | V5-V12, V58-V59, 1970-1972 | ||||||||||
| V58 - Tag, 1971 | |||||||||||
| 1 videoreel of 2 : 1/2 in. (32:18) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. T. Ramos/ A. Ramos. | |||||||||||
| Use copy available. | |||||||||||
| V59 - Tag, 1971 | |||||||||||
| 2nd videoreel of 2 : 1/2 in. (32:56) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. T. Ramos/A. Ramos. | |||||||||||
| Use copy available. | |||||||||||
| V5 - Tracts, 1971 May 7 | |||||||||||
| 1 videoreel (32 min.),sd., b&w, 1/2 in. tape. Videotape by Paul Challacombe. (see also F.25-F.31) | |||||||||||
| Use copies available (Use VHS tape 20 and DVD). | |||||||||||
| V6 - Fragile works of Art (Bob McCarn), 1971? | |||||||||||
| 1 videoreel (55 min.), b&w, 1/2 in. tape. MFA thesis project by Bob McCarn, Cal Arts. Not a Kaprow event. (see also F.5, F.6, F.42) | |||||||||||
| Use copies available (Use VHS tape 28 and DVD). | |||||||||||
| V7 - Tieing Up. . . , 1971? | |||||||||||
| 1 videoreel (27 min.), b&w, 1/2 in. tape. Tony Ramos, Lowell Darling, Greg Edwards at Cal Arts. Labelled "Technological Trypditch." Class project. Not a Kaprow event. | |||||||||||
| Use copies available (Use VHS tape 28 and DVD). | |||||||||||
| V8 - Message Units Test Tape I, 1972 | |||||||||||
| 1 videoreel 2 (16 min.) sd.,b&w, 1/2 in. tape. "No master" - note on tape. | |||||||||||
| Use copies available (Use VHS tape 23 and DVD). | |||||||||||
| V9 - Message Units Test Tape II, 1972 | |||||||||||
| 2nd videoreel of 2 (32 min.), sd., b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 23 and DVD). | |||||||||||
| V10 - Message Units, 1972 | |||||||||||
| 1 videoreel, sd.,b&w, 1/2 in. tape. [Copy? NOT REFORMATTED; not on Peter Kirby's inventory.] | |||||||||||
| V11 - Message Units Performance Documentation, 1972 | |||||||||||
| 1 videoreel (32 min.), b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 25 and DVD). | |||||||||||
| V12 - Message Units I and II, 1972 | |||||||||||
| 1 videoreel, 1/2 in. tape. [Copy? NOT REFORMATTED; not on Peter Kirby's inventory.] | |||||||||||
| box | |||||||||||
| 88 | V13-V20, 1972-1973 | ||||||||||
| V13 - Message Units (Final) , 1972 1972? | |||||||||||
| 1 videoreel (42 min.),sd., b&w, 1/2 in. tape. Illinois State University, Normal. Hugh Stumbo. Tape is labelled "Happening." | |||||||||||
| Use copies available (Use VHS tape 24 and DVD). | |||||||||||
| V14 - Scales, Cal Arts, or 1971 1972 | |||||||||||
| 1 videoreel of 2 (18 min.), sd., b&w, 1/2 in. tape. Piece at Cal Arts. | |||||||||||
| Use copies available (Use VHS tape 23 and DVD). | |||||||||||
| V15 - Scales, Cal Arts, or 1971 1972 | |||||||||||
| 2nd videoreel of 2 (18 min.), sd.,b&w, 1/2 in. tape. Piece at Cal Arts. | |||||||||||
| Use copies available (Use VHS tape 23 and DVD). | |||||||||||
| V16 - Scales, Cooper Union, or 1972 1973 | |||||||||||
| 1 videoreel of 5 (33 min.),sd.,b&w, 1/2 in. tape. Piece at Cooper Union. | |||||||||||
| Use copies available (Use VHS tape 21 and DVD). | |||||||||||
| V17 - Scales, Cooper Union, or 1972 1973 | |||||||||||
| 2nd videoreel of 5 (32 min.), sd.,b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 21 and DVD). | |||||||||||
| V18 - Scales, Cooper Union, or 1972 1973 | |||||||||||
| 3rd videoreel of 5 (22 min.), sd.,b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 22 and DVD). | |||||||||||
| V19 - Scales, Cooper Union, or 1972 1973 | |||||||||||
| 4th videoreel of 5 (30 min.), sd.,b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 22 and DVD). | |||||||||||
| V20 - Scales, Cooper Union, or 1972 1973 | |||||||||||
| 5th videoreel of 5 (32 min.), sd.,b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 22 and DVD). | |||||||||||
| box | |||||||||||
| 89 | V21-V28, 1973-1974 | ||||||||||
| V21 - Time Pieces, (Berlin) 1973 | |||||||||||
| 1 videoreel (48 min.), sd.,b&w, 1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 26 and DVD). | |||||||||||
| V22 - Dial, 1973 Feb. | |||||||||||
| 1 videoreel, sd., b&w,1/2 in. tape. At Western Washington State College (Bellingham, WA), camerawork and editing by Lawrence Harrison. | |||||||||||
| Use copies available (Use VHS tape 25 and DVD). | |||||||||||
| V23 - People of Pulsa, Paul and others, 1974? | |||||||||||
| 1 videoreel (17 min.), sd.,b&w, 1/2 in. tape. Paul Fugue, Patrick Clancy. Not a Kaprow event. | |||||||||||
| Use copies available (Use VHS tape 19 and DVD). | |||||||||||
| V24 - Baggage, April 1972 | |||||||||||
| 1 videoreel (19 min.), sd., b&w, 1/2 in. tape. Rice University. | |||||||||||
| Use copies available (Use VHS tape 20 and DVD). | |||||||||||
| V25 - Then, 1974 | |||||||||||
| 1 videoreel (20 min.), sd.,b&w, 1/2 in. tape. Allan Kaprow's first video as a video, rather than as documentation. | |||||||||||
| Use copies available (Use VHS tape 25 and DVD). | |||||||||||
| V26 - 2nd Routine, 1974 | |||||||||||
| 1 videoreel (30 min.), sd.,b&w, 1/2 in. tape. Stefanotty Gallery, New York. | |||||||||||
| Use copies available (Use VHS tape 20 and DVD). | |||||||||||
| V27 - 3rd Routine - "copy of tapes made in Köln," 1974 July 17 | |||||||||||
| 1 videcassette (PAL) (12 min.),sd., b&w, 3/4 in. tape. For Project 74, Kölnischer Kunstverein-Köln. | |||||||||||
| Use copies available (Use VHS tape 16 and DVD). | |||||||||||
| V28 - Then (Florence), 1974 | |||||||||||
| 1 videocassette (PAL) (25 min.), sd., b&w, 3/4 in. tape. NTSC. Produced by Art/Tapes/ZZ. Florence. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| box | |||||||||||
| 90 | V29-V34, 1974-1975 | ||||||||||
| V29 - 3rd Routine (Florence), 1974 | |||||||||||
| 1 videocassette (PAL) (60 min.), sd., b&w, 3/4 in. tape. Severe technical problems. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V30 - Then, 1974 | |||||||||||
| 1 videocassette (U-Matic PAL) (25 min.), sd.,b&w, 3/4 in. tape. Produced by Art/Tapes/ZZ. Florence. Copy of V.25 | |||||||||||
| Use copy available (Use VHS tape 16). | |||||||||||
| V31 - 2nd Routine (New York), 1974 | |||||||||||
| 1 videocassette (U-Matic) (16 min.), sd.,b&w, 3/4 in. tape. | |||||||||||
| Use copy available (Use VHS tape 17). | |||||||||||
| V32 - Warm-Ups, 1975 | |||||||||||
| 1 videocassette (U-Matic PAL) (14 min.), sd.,col., 3/4 in. tape. Transfer from 16 mm. film. [REFORMATTED from the film; See F47.] | |||||||||||
| Use copy available (Use VHS tape 1). | |||||||||||
| V33 - Rates of Exchange, 1975 | |||||||||||
| 1 videocassette (U-Matic) (46 min.), sd.,b&w, 3/4 in. tape. Tape made by Peter Kirby. | |||||||||||
| Use copies available (Use VHS tape 15 and DVD). | |||||||||||
| V34 - Time Pieces, 1975 | |||||||||||
| 1 videocassette (U-Matic) (29 min.), col., b&w,mono., 3/4 in. tape. 1 of 2 copies (see V35). Tape by Peter Kirby. | |||||||||||
| Use copies available (Use VHS tape 18 and DVD). | |||||||||||
| box | |||||||||||
| 91 | V35-V41, 1975-1977 | ||||||||||
| V35 - Time Pieces, 1975 | |||||||||||
| 1 videocassette (U-Matic) (29 min.), col., mono., 3/4 in. tape. Tape by Peter Kirby. Copy 2 [see V34]. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V36 - Rates of Exchange, 1975 | |||||||||||
| 1 videoreel, 1/2 in. tape. Copy of V33? [NOT REFORMATTED; not on Kirby's inventory.] | |||||||||||
| V37 - Seven Kinds of Sympathy, 1976 | |||||||||||
| 1 videocassette (U-Matic) (8 min.), sd.,col., 3/4 in. tape. Tape by Peter Kirby. | |||||||||||
| Use copies available (Use VHS tape 18 and DVD). | |||||||||||
| V38 - Durations, 1976 | |||||||||||
| 1 videoreel (U-Matic PAL) (20 min.), si., b&w,1/2in. tape, Pro Musica Nova, Radio Bremen. Transfer of unfinished film, sound track never completed: See Durations on 16 mm. film (F50, F51). Transferred and reformatted from film. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V39 - 2nd Routine, , Time Pieces, , and Private Parts, 1974 1975 1977 | |||||||||||
| 1 videocassette (VHS), 1/2 in. tape. Extra copies of these tapes. [NOT REFORMATTED.] | |||||||||||
| V40 - Private Parts, 1977 | |||||||||||
| 1 videocassette (U-Matic) (17 min.), col., mono., 1/2 in. tape. 1 of 3 copies. Tape by Peter Kirby. | |||||||||||
| Use copies available (Use VHS tape 3 and DVD). | |||||||||||
| V41 - Private Parts, 1977 | |||||||||||
| 1 videocassette (U-Matic) (17 min.), col., mono., 1/2 in. tape. Copy 2 of V40. Tape by Peter Kirby. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| box | |||||||||||
| 92 | V42-V46, 1977-1981 | ||||||||||
| V42 - Private Parts, 1977 | |||||||||||
| 1 videocassette (U-Matic) (17 min.), col., mono., 3/4 in. tape. Copy 3 of V40. Tape by Peter Kirby. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V43 - Common Senses, 1977 | |||||||||||
| 1 videocassette (U-Matic) (6 min.), col.mono, 3/4 in. tape. 1 of 3 copies. Tape by Peter Kirby. | |||||||||||
| Use copies available (Use VHS tape 3 and DVD). | |||||||||||
| V44 - Common Senses, 1977 | |||||||||||
| 1 videocassette (U-Matic) (6 min.), 3/4 in. tape. Copy 2 of V43. Tape by Peter Kirby. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V45 - Common Senses, 1977 | |||||||||||
| 1 videocassette (U-Matic) (6 min.), col., mono., 3/4 in. tape. Tape by Peter Kirby. Copy 3 of V43. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V46 - The Shortest Parade, 1981 | |||||||||||
| 1 videocassette (U-Matic) (13 min.), col., mono.,3/4 in. tape. Washington, D.C. "Edited, Dub." | |||||||||||
| Use copies available (Use VHS tape 15 and DVD). | |||||||||||
| box | |||||||||||
| 93 | V47-V51, 1983-1991 | ||||||||||
| V47 - Tease: unedited takes for 1 minute spots, Video as attitude conference, Santa Fe, 1983 May | |||||||||||
| 1 videocassette (U-Matic) (20 min.), col., 3/4 in. tape. "Will you answer" - written on tape. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V48 - Tease: unedited takes for 1 minute spots, Video as attitude conference, Santa Fe, 1983 May | |||||||||||
| 1 videocassette (U-Matic) (20 min.), col., 3/4 in. tape. [NOT TRANSFERRED / NOT REFORMATTED.] | |||||||||||
| V49 - Tease: takes for 1 minute spots, Video as attitude conference, Santa Fe, 1983 May | |||||||||||
| 1 videocassette (U-Matic) (6 min.), col., mono.,3/4 in. tape. Six 30 sec. spots created at the Video as Attitude festival. "Edited master" - written on tape. | |||||||||||
| Use copies available (Use VHS tape 17 and DVD). | |||||||||||
| V50 - Portable TV on Allan Kaprow: episodes 6 and 7, 1989? | |||||||||||
| 1 videocassette (VHS) (30 min.), col.,sd.,1/2 in. tape. Both episodes directed by Steve Farley with Paul Brach, Marianne Jones and Daniela Klare. Williams College? | |||||||||||
| Use copies available (Use VHS tape 4 and DVD). | |||||||||||
| V51 - Negesy/Kaprow flux events, 1991 | |||||||||||
| 1 videocassette (VHS) (60 min.), col.,sd.,1/2 in. tape. Univ. of Calif., San Diego. | |||||||||||
| Use copies available (Use VHS tape 14 and DVD). | |||||||||||
| box | |||||||||||
| 94 | V52-V54, 1992-1996 | ||||||||||
| V52 - The Kaprow Family at Naples, 1992 | |||||||||||
| 1 videocassette (VHS PAL) (43 min. 30 sec.), col. sd.,1/2in. tape. | |||||||||||
| Use copies available (Use VHS tape 16 and DVD). | |||||||||||
| V53 - Hors Limites (L'Art et la vie), 1994 | |||||||||||
| 1 videocassette (Betacam SP PAL) (3 min.), col.,sd.,1/2 in. tape. Interview with Kaprow at exhibit, Centre Georges Pompidou. | |||||||||||
| Use copies available (Use VHS tape 16 and DVD). | |||||||||||
| V54 - Happening, University of Iowa Museum of Art, 1996 March 5-8 | |||||||||||
| 1 videocassette (VHS, EP mode) (4 hr., 47 min.), col.,sd.,1/2 in. tape. Video by Lane Wyrick, Xap Interactive. Allan Kaprow Happening: Installation, Perspectives, Student Participation, Clapp Hall Lecture, Opening Reception. | |||||||||||
| Use copies available (Use VHS tapes 5-9 and DVD). | |||||||||||
| box | |||||||||||
| 95 | V55-V57, ca. 1972 | ||||||||||
| V55 - Kaprow lecture, ca. 1972 | |||||||||||
| 1 videoreel (62 min.), b&w, sd.,1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 27 and DVD). | |||||||||||
| V56 - Kaprow lecture about "Easy," ca. 1972 | |||||||||||
| 1 videoreel (32 min.), b&w, sd.,1/2 in. tape. Chicago. | |||||||||||
| Use copies available (Use VHS tape 19 and DVD). | |||||||||||
| V57 - Kaprow lecture, Cooper Union, ca. 1972. | |||||||||||
| 1 videoreel (19 min.), b&w, sd.,1/2 in. tape. | |||||||||||
| Use copies available (Use VHS tape 19 and DVD). | |||||||||||
| box | |||||||||||
| 96-99 | Films (Super 8 and 16mm), 1968-1976 | ||||||||||
| box | |||||||||||
| 96 | F1-F21, 1968-1973 | ||||||||||
| F1 - Population 1, 1968 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F2 - Population 2, 1968 | |||||||||||
| 1 film reel (Super 8)(3min.)col.si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F3 - Sweet Wall (beginning), 1970 | |||||||||||
|
F3 - Sweet Wall (beginning) (digital version available on-site only):
1970
|
|||||||||||
| 1 film reel (Super 8)(3 min..)col.,si. | |||||||||||
| F4 - Sweet Wall; Zorthian's Thanksgiving, 1970 | |||||||||||
|
F4 - Sweet Wall; Zorthian's Thanksgiving (digital version available on-site
only): 1970
|
|||||||||||
| 1 film reel (Super 8)col.,si. | |||||||||||
| F5 - Fragile Works of Art, by Robert McCarn (Tony's reel), 1971? | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. Not a Kaproqw Event(see also V.6, F42) | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F6 - Fragile Works of Art, by Robert McCarn (leaving for Berkeley; M.F.A), 1971 | |||||||||||
| 1 film reel (Super 8) (3 min.) col., si. Not a Kaprow Event (see also V.6,F.42) | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F7 - Calendar I, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F8 - Calendar II, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F9 - Calendar III, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F10 - Calendar IV, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F11 - Allan's Calendar, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F12 - Allan's Calendar, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F13 - Allan Kaprow Ski Lift, Aspen, 1971 June | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si., Aspen Design Conference. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F14 - Kaprow Aspen Event, conference section, 1971 | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si., Aspen Design Conference. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F15 - Kaprow Aspen Event, 1971 | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si., Aspen Design Conference. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F16 - Kaprow Aspen Event (+ late PM cocktail study), 1971 | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si., Aspen Design Conference. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F17 - Helicopter (Alison Knowles and Norm Kaplan's event); Alison Knowles at "House of Dust," 1971 May | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si., Alison Knowles at Cal Arts. Not a Kaprow event. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F18 - HIGHS Temp Shadow, 1973 | |||||||||||
| 1 film reel (Super 8). (3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F19 - HIGHS (temp), 1973 | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F20 - HIGHS Shadow (part), 1973 | |||||||||||
| 1 film reel (Super 8).(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F21 - HIGHS heat, outside, 1973 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| box | |||||||||||
| 97 | F22-F39, 1971-1976 | ||||||||||
| F22 - Big Sur Ocean, n.d. | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si., Not a Kaprow event. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F23 - Durations (unedited footage), 1976 | |||||||||||
| 1 film reel(Super 8)(3 min.)col.,si.,("Ice piece" on Kirby inventory.)(see also F.50,F.51) | |||||||||||
| Use copy available. | |||||||||||
| F24 - Durations(unedited footage), 1976 | |||||||||||
| 1 film reel.(Super 8)(3 min.)col.,si.,("Ice piece" on Kirby inventory.)(see also F.50,F.51) | |||||||||||
| Use copy available. | |||||||||||
| F25 - Tracts: 1st day, masking, playing, arranging the forms and mixing concrete, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si., (See also V.5) | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F26 - 1st day PM, n.d. | |||||||||||
| 1 film reel (Super 8). (3 min.) col., si. | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F27 - Tracts: 2nd day breaking 12 ft., 6 ft. pouring new forms with rubble, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.) col.,si., (See also V.5). | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F28 - Tracts: 3rd day 3 ft. glade burying rubble, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.) col., si. (See also V.5). | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F29 - Tracts: 3rd day PM field, breaking second set, burying, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. (See also V.5). | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F30 - Tracts: 3rd day PM breaking and burying 2nd rubble, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. (See also V.5). | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F31 - Tracts: 3rd day PM last reel, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. (See also V.5). | |||||||||||
| Use copies available (Use VHS tape 11 and DVD). | |||||||||||
| F32 - Print-Out: Part I, good close up of tires, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F33 - Print-Out: Part II, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F34 - Print-Out: Part I (Night film) no good, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F35 - Print-Out: Part I, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F36 - Print-Out: Part II, good, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F37 - Print-Out: End Part II, 1971 | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F38 - Anton's Milano film, 1971 | |||||||||||
| 1 film reel (Super 8). (3 min.) col., si. Not a Kaprow event. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| F39 - Allan's Cotton Mill, n.d. | |||||||||||
| 1 film reel (Super 8)(3 min.)col.,si. | |||||||||||
| Use copies available (Use VHS tape 10 and DVD). | |||||||||||
| box | |||||||||||
| 98 | F40-F45, 1964-1970 | ||||||||||
| F40 - Household, 1964 | |||||||||||
|
F40 - Household, 1964 (digital version available on-site only): 1964
|
|||||||||||
| 1 film reel (16 mm) (8 min. 30 sec.), si., b&w. | |||||||||||
| Use copies available (Use VHS tape 3 and DVD). | |||||||||||
| F41 - Gas, 1966 | |||||||||||
| 1 film reel (16 mm) (26 min. 52 sec.), sd., col. Produced by WCBS TV. | |||||||||||
| Use copies available (Use VHS tape 1 and DVD). | |||||||||||
| F42 - Fragile Works of Art, 1967 | |||||||||||
| 1 film reel (Super 8)(21 min. 5 sec.) col.,si., No label. Robert McCarn's MFA project at Cal Arts. (see also F.5,F.6,V.6) | |||||||||||
| Use copies available (Use VHS tape 12 and DVD). | |||||||||||
| F43 - Refills (8 mm), 1968 | |||||||||||
| 1 film reel (regular 8) (18 min.), col. Commissioned by Emily Lodge Gallery. Performed at Hofstra University, Memorial Park, Sea Cliff, LI; Cow Lane, Kings Point, LI. | |||||||||||
| Use copies available (Use VHS tape 13 and DVD). | |||||||||||
| F44 - Overtime (16 mm), 1968 | |||||||||||
| 1 film reel (16 mm.) (7 min. 52 sec.) si., b&w. UC San Diego. | |||||||||||
| Use copies available (Use VHS tape 1 and DVD). | |||||||||||
| F45 - Moving, 1969 | |||||||||||
|
F45 - Moving (digital version available on-site only): 1969
|
|||||||||||
| 1 film reel (Super 8) (16 min. 41 sec.) sd.,col., Chicago, Bruce Freeland, camera. | |||||||||||
| box | |||||||||||
| 99 | F46-F51, 1973-1976 | ||||||||||
| F46 - Routine: An activity in five parts, 1973 Dec. | |||||||||||
| 1 film reel (16 mm.) (18 min., 39 sec.) sd., b&w. Portland Center for Visual Arts. | |||||||||||
| Use copies available (Use VHS tape 2 and DVD). | |||||||||||
| F47 - Warm-ups, 1975 | |||||||||||
| 1 film reel (16 mm.) (14 min., 20 sec.) sd., col. Kaprow in Berlin. [Tape #1 on original inventory.] | |||||||||||
| Use copies available (Use VHS tape 1 and DVD). | |||||||||||
| F48 - Comfort Zones, 1975 | |||||||||||
| 1 film reel (16 mm.) (17 min., 10 sec.) sd., b&w. Produced by Galeria Vandres, S.A. Kaprow in Madrid. | |||||||||||
| Use copies available (Use VHS tape 2 and DVD). | |||||||||||
| F49 - Comfort Zones (16 mm), 1975 | |||||||||||
| 1 film reel. Duplicate of F48; not reformatted. | |||||||||||
| F50 - Durations, 1976 May | |||||||||||
| 1 film reel (Super 8) (9 min.) sd. Film by Peter Wehr, Berlin. Soundtrack by Tangerine Dream. Piece done May 1976, Bremen.(see also F.23, F.24) | |||||||||||
| Use copies available (Use VHS tapes 2, 11, 12 and DVD). | |||||||||||
| F51 - Durations, 1976 | |||||||||||
| 1 film reel (16 mm.) (20 min., 10 sec.) si., col. In cooperation with Pro Musica Nova, Radio Bremen. (Unfinished film, sound track never completed.) (see also F.23, F.24) | |||||||||||
| Use copies available (Use VHS tapes 2, 11 and DVD). | |||||||||||
| box | |||||||||||
| 100-102 | Other artists' videos, ca. 1972 -1991 | ||||||||||
| box | |||||||||||
| 100 | V60-V65 (1/2 in. video), n.d. | ||||||||||
| V60 - T. Ramos/ L.Darling, Sculpture Space #1, circa 1972 | |||||||||||
| 1 videoreel : 1/2 in. (31:45) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| V61 - Chana Davis/Lenny Horowitz, Stairway and Tunnel, circa 1972 | |||||||||||
| 1 videoreel : 1/2 in. (31:08) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| V62 - T. Ramos/L. Darling, Sculpture Space #5, circa 1972 | |||||||||||
| 1 videoreel : 1/2 in. (10:09) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| V63 - T. Ramos/L. Darling, Bound in Bags, circa 1972 | |||||||||||
| 1 videoreel : 1/2 in. (18:48) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. (See also V-7 for more footage of this student project.) | |||||||||||
| Use copy available. | |||||||||||
| V64 - Bob McCarn, Building a Fence, ca. 1972 | |||||||||||
| 1 videoreel : 1/2 in. (28:28) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| V65 - Lloyd Hamrol, Men's Group, ca. 1972 | |||||||||||
| 1 videoreel : 1/2 in. (28:59) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| box | |||||||||||
| 101 | V66-V69 (1/2 in. and U-matic), 1970-1982 | ||||||||||
| V66 - Max Neuhaus, Pocket Rocket, n.d. | |||||||||||
| 1 videoreel : 1/2 in.07:52): sd., col. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| V67 - Arlene Raven and Lyn Blumenthal, "Allan Kaprow," 1979 Apr. | |||||||||||
| 1 videocassette (U-Matic) (37:00) : sd., b & w. | |||||||||||
| Videodata Bank, School of the Art Institute of Chicago. MAY NOT BE DUPLICATED. | |||||||||||
| Use copies available (Use VHS tape 29 and DVD). | |||||||||||
| V68 - Nam June Paik, "Allan n' Allan's Complaint," 1982 | |||||||||||
|
V68 - Nam June Paik, "Allan n' Allan's Complaint" (digital version available
on-site only): 1982
|
|||||||||||
| 1 videocassette (U-Matic) (30 min.) : sd., col. | |||||||||||
| V69 - Wolfgang Stoerchle, Video Works, 1970-1972 | |||||||||||
|
Wolfgang Stoerchle, Video Works,1970-1972 (digitized version available
on-site only)
|
|||||||||||
| 1 videoreel : 1/2 in. (1:01:48) : sd., b & w. | |||||||||||
| 1 videocassette (Betacam SP). Archival master. | |||||||||||
| Use copy available. | |||||||||||
| box | |||||||||||
| 102 | V70-V74 (Beta and VHS), 1990-1991 | ||||||||||
| V70 - The Avant-Garde in Russia, 1910-1930 (arts channel), n.d. | |||||||||||
| 1 videocassette. | |||||||||||
| 2 videocassettes of 2 (Betacam SP). Archival master. | |||||||||||
| V71 - Theresa Allen, final class project, 1991 | |||||||||||
| 1 videocassette. (04:34) : sd., col. | |||||||||||
| Use copy available. | |||||||||||
| V72 - Bob K.(?), KFC Queen / The Silence That Silences, n.d. | |||||||||||
| 1 videocassette. (52:49) : sd., col. | |||||||||||
| Use copy available. | |||||||||||
| V73 - Greg Durbin and Dan Boord, Methods/Going Away Party/The Great Frontier/Democracy in America, 1990 | |||||||||||
| 1 videocassette. (1:25:38) : sd., col. | |||||||||||
| Use copy available. | |||||||||||
| V74 - M. Counts, Stage 2- (A) Happening (s) Among Happenings a Defibrillation - of Homage n.d. | |||||||||||
| 1 videocassette. (34:05) : sd., col. | |||||||||||
| Use copy available. | |||||||||||
| box | |||||||||||
| 103-105 | Other artits' audio tapes, | ||||||||||
| box | |||||||||||
| 103 | R36-R40 (1/4 in. reels), 1954-1955 | ||||||||||
| R36 - Ben Westbrook, Concrete, 1954-1955 | |||||||||||
|
R36 - Ben Westbrook, Concrete (digital version available on-site only):
1954-1955
|
|||||||||||
| 1 sound tape reel.0:26:55 | |||||||||||
| R37 - Ben Westbrook, Backwards, n.d. | |||||||||||
|
R37 - Ben Westbrook, Backwards (digital version available on-site only):
n.d.
|
|||||||||||
| 1 sound tape. 0:19:47 | |||||||||||
| R38, R38a - Ben Westbrook, #1 and #2 n.d. | |||||||||||
|
R38, R38a - Ben Westbrook, #1 and #2 (digital version available on-site
only): n.d.
|
|||||||||||
| 2nd sound tape reels. 0:11:49 | |||||||||||
| R39 - Bob Whitman, E.G. n.d. | |||||||||||
|
R39 - Bob Whitman, E.G. (digital version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel.0:11:49 | |||||||||||
| R40 - Dick Higgins, Symphony no. 3 and Fishy's Quadrilateral, 1960 | |||||||||||
|
R40 - Dick Higgins, Symphony no. 3 and Fishy's Quadrilateral (digital version
available on-site only): 1960
|
|||||||||||
| 1 sound tape reel.0:11:56 | |||||||||||
| box | |||||||||||
| 104 | R41-R44 (1/4 in. reels), n.d. | ||||||||||
| R41 - French Music Makers, Program #11, Concrete Music Part I, n.d. | |||||||||||
|
R41 - French Music Makers, Program #11, Concrete Music Part I (digital
version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel of 2. 0:28:48 | |||||||||||
| R42 - French Music Makers, Program #11, Concrete Music, Part II, n.d. | |||||||||||
|
R42 - French Music Makers, Program #11, Concrete Music, Part II (digital
version available on-site only): n.d.
|
|||||||||||
| 2nd sound tape reel of 2.0:28:14 | |||||||||||
| R43 - French Music Makers, Program #12, Concrete Music Part I, n.d. | |||||||||||
|
R43 - French Music Makers, Program #12, Concrete Music Part I (digital
version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel of 2.0:29:11 | |||||||||||
| R44 - French Music Makers, Program #12, Concrete Music Part II, n.d. | |||||||||||
|
R44 - French Music Makers, Program #12, Concrete Music Part II (digital
version available on-site only): n.d.
|
|||||||||||
| 2nd sound tape reel of 2.0:27:54 | |||||||||||
| box | |||||||||||
| 105 | R45-R48, C91-C98 (1/4 in. reels and audio cassettes) , 1969 1991 n.d. | ||||||||||
| R45 - French Music Makers, Program #13, Concrete Music Part I, n.d. | |||||||||||
|
R45 - French Music Makers, Program #13, Concrete Music Part I (digital
version available on-site only): n.d.
|
|||||||||||
| 1 sound tape reel of 2.0:34:16 | |||||||||||
| R46 - French Music Makers, Program #13, Concrete Music Part II, n.d. | |||||||||||
|
R46 - French Music Makers, Program #13, Concrete Music Part II (digital
version available on-site only): n.d.
|
|||||||||||
| 2nd sound tape reel of 2.0:25:11 | |||||||||||
| R47 - Jerome Bruner, Education of the Young, n.d. | |||||||||||
|
R47 - Jerome Bruner, Education of the Young (digital version available
on-site only): n.d.
|
|||||||||||
| 1 sound tape reel.0:57:44 | |||||||||||
| R48 - Loran Carrier, Game Opera, 1969 | |||||||||||
|
R48 - Loran Carrier, Game Opera (digital version available on-site only):
1969
|
|||||||||||
| 1 sound tape reel. With clippings in folder. 0:44:02 | |||||||||||
| C91 - Nancy Buchanan, Laurel Klick, Guy De Cointet, Ant Farm, Close Radio Cassette #1, ca. 1977 | |||||||||||
|
C91 - Nancy Buchanan, Laurel Klick, Guy De Cointet, Ant Farm, Close Radio
Cassette #1 (digital version available on-site only) : ca. 1977
|
|||||||||||
| 1 sound cassette of 2.1:00:00 | |||||||||||
| C92 - Chris Burden, Tom Recchion, Doug Huebler, Barbara Smith, Close Radio Cassette #2, ca. 1977 | |||||||||||
|
C92 - Chris Burden, Tom Recchion, Doug Huebler, Barbara Smith, Close Radio
Cassette #2 (digital version available on-site only) : ca. 1977
|
|||||||||||
| 2nd sound cassette of 2.1:00:00 | |||||||||||
| C93 - Into the Light: Art of the Commonplace from Wordsworth to John Cage, n.d. | |||||||||||
|
C93 - Into the Light: Art of the Commonplace from Wordsworth to John Cage:
n.d.
|
|||||||||||
| 1 sound cassette. From television program "Meridian"0:17:46 | |||||||||||
| C94 - Clarence Schmidt, n.d. | |||||||||||
|
C94 - Clarence Schmidt (digital version available on-site only) : n.d.
|
|||||||||||
| 1 sound cassette.0:26:54 | |||||||||||
| C95 - Stephan Von Huene, UCSD, 1991 Apr. 26 | |||||||||||
| 1 sound cassette.Audio irretrievable: NOT REFORMATTED | |||||||||||
| C96 - CAA talk, Vito Acconci, Joan Jonas, Yvonne Rainer n.d. | |||||||||||
|
C96 - CAA talk, Vito Acconci, Joan Jonas, Yvonne Rainer (digital version
available on-site only) : n.d.
|
|||||||||||
| 1 sound cassette.1:16:48 | |||||||||||
| C97 - Rachel Rosenthal, n.d. | |||||||||||
|
C97 - Rachel Rosenthal (digital version available on-site only) : n.d.
|
|||||||||||
| 1 sound cassette.0:21:49 | |||||||||||
| C98 - Marshall Reese and Kirby Malone, Duo Accident, n.d. | |||||||||||
|
C98 - Marshall Reese and Kirby Malone, Duo Accident (digital version
available on-site only) : n.d.
|
|||||||||||
| 1 sound cassette.0:23:29 | |||||||||||
| box | |||||||||||
| 105A | Terry Allen, "gonna california," , n.d. | ||||||||||
|
Terry Allen, "gonna california," (digital version available on-site only):
undated
|
|||||||||||
| I-X Oversize from Series I-X, 1949-1970 5 boxes and 2 rolls | |||||||||||
| Oversize materials pulled from Series I, IV, VI, IX, and X. | |||||||||||
| box | |||||||||||
| 106* | From Series I and IV | ||||||||||
| Series I: Diploma, NYU, 1949; Series IVB: Herald Tribune clipping about Happenings, 1963; Bewogen Beweging, 1961 (long vertical catalog); Tehching Hsieh, 1983 . | |||||||||||
| box | |||||||||||
| 107* | From Series VIC | ||||||||||
| Art Reproductions | |||||||||||
| box | |||||||||||
| 108* | From Series IX | ||||||||||
| Photographic Portraits of Kaprow; contact prints of various events and family members. Photo credit: Pierre Berdoy; Jurgen Müller Schneck. | |||||||||||
| box | |||||||||||
| 109* | From Series X | ||||||||||
| LP Recording, "How to Make a Happening," with masters. | |||||||||||
| box | |||||||||||
| 110* | From Series X | ||||||||||
| Metal Plate used in the silkscreening of LP recording cover. | |||||||||||
| box | |||||||||||
| 111* | From Series X | ||||||||||
| Silkscreened plastic cover for LP recording. | |||||||||||
| From Series III | |||||||||||
| Slides, negatives, minox and color pulled from Project files in Boxes 4-8 | |||||||||||
| box | folder | ||||||||||
| 112 | 7 | from Box 5, folder 11 | |||||||||
| 112 | 8 | from Box 6, folder 3 | |||||||||
| 112 | 9 | from Box 6, folder 4 | |||||||||
| 112 | 10 | from Box 6, folder 6 | |||||||||
| 112 | 11 | from Box 6, folder 7 | |||||||||
| 112 | 12 | from Box 7, folder 1 | |||||||||
| 112 | 13 | from Box 7, folder 3 | |||||||||
| 112 | 14 | from Box 7, folder 4 | |||||||||
| 112 | 15 | from Box 7, folder 5 | |||||||||
| 112 | 16 | from Box 7, folder 7 | |||||||||
| 112 | 17 | from Box 7, folder 9 | |||||||||
| 112 | 18 | from Box 8, folder 2 | |||||||||
| 112 | 19 | from Box 8, folder 3 | |||||||||
| 112 | 20 | from Box 8, folder 4 | |||||||||
| 112 | 21 | from Box 8, folder 7 | |||||||||
| From Series III | |||||||||||
| Slides, negatives, minox and color pulled from Project files in Boxes 9-13 | |||||||||||
| box | folder | ||||||||||
| 113 | 1 | from Box 9, folder 1B | |||||||||
| 113 | 2 | from Box 9, folder 2 | |||||||||
| 113 | 3 | from Box 9, folder 3 | |||||||||
| 113 | 4 | from Box 9, folder 7 | |||||||||
| 113 | 5 | from Box 9, folder 11 | |||||||||
| 113 | 6 | from Box 11, folder 6 | |||||||||
| 113 | 7 | from Box 12, folder 2 | |||||||||
| 113 | 8 | from Box 12, folder 7 | |||||||||
| 113 | 9 | from Box 12, folder 9 | |||||||||
| 113 | 10 | from Box 13, folder 3 | |||||||||
| 113 | 11 | from Box 13, folder 8 | |||||||||
| From Series III | |||||||||||
| Slides, negatives, minox and color pulled from Project files in Boxes 14-20 | |||||||||||
| box | folder | ||||||||||
| 114 | 1 | from Box 14, folder 1 | |||||||||
| 114 | 2 | from Box 14, folder 2 | |||||||||
| 114 | 3 | from Box 14, folder 6 | |||||||||
| 114 | 4 | from Box 16, folder 1 | |||||||||
| 114 | 5 | from Box 16, folder 3 | |||||||||
| 114 | 6 | from Box 16, folder 4 | |||||||||
| 114 | 7 | from Box 16, folder 5 | |||||||||
| 114 | 8 | from Box 16, folder 7 | |||||||||
| 114 | 9 | from Box 16, folder 8 | |||||||||
| 114 | 10 | from Box 16, folder 9 | |||||||||
| 114 | 11 | from Box 17, folder 1 | |||||||||
| 114 | 12 | from Box 18, folder 3 | |||||||||
| 114 | 13 | from Box 18, folder 11 | |||||||||
| 114 | 14 | from Box 19, folder 2 | |||||||||
| 114 | 15 | from Box 19, folder 4 | |||||||||
| 114 | 16 | from Box 19, folder 7 | |||||||||
| 114 | 17 | from Box 19, folder 9 | |||||||||
| 114 | 18 | from Box 20, folder 2 | |||||||||
| 114 | 19 | from Box 20, folder 5 | |||||||||
| 114 | 20 | from Box 20, folder 5 | |||||||||
| 114 | 21 | from Box 20, folder 8 | |||||||||
| 114 | 22 | from Box 20, folder 13 | |||||||||
| 114 | 23 | from Box 20, folder 14 | |||||||||
| From Series III | |||||||||||
| Slides, negatives, minox and color pulled from Project files in Boxes 24-34 | |||||||||||
| box | folder | ||||||||||
| 115 | 1 | from Box 14, folder 4 | |||||||||
| 115 | 2 | from Box 24, folder 7 | |||||||||
| 115 | 3 | from Box 24, folder 8 | |||||||||
| 115 | 4 | from Box 24, folder 9 | |||||||||
| 115 | 5 | from Box 25, folder 2 | |||||||||
| 115 | 6 | from Box 25, folder 4 | |||||||||
| 115 | 7 | from Box 25, folder 6 | |||||||||
| 115 | 8 | from Box 26, folder 7 | |||||||||
| 115 | 9 | from Box 26, folder 10 | |||||||||
| 115 | 10 | from Box 27, folder 3 | |||||||||
| 115 | 11 | from Box 28, folder 14 | |||||||||
| 115 | 12 | from Box 29, folder 2 | |||||||||
| 115 | 13 | from Box 29, folder 7 | |||||||||
| 115 | 14 | from Box 31, folder 4 | |||||||||
| 115 | 15 | from Box 31, folder 12 | |||||||||
| 115 | 16 | from Box 31, folder 17 | |||||||||
| 115 | 17 | from Box 31, folder 19 | |||||||||
| 115 | 18 | from Box 32, folder 1 | |||||||||
| 115 | 19 | from Box 32, folder 2 | |||||||||
| 115 | 19A | from Box 32, folder 3 | |||||||||
| 115 | 20 | from Box 32, folder 15 | |||||||||
| 115 | 21 | from Box 33, folder 1 | |||||||||
| 115 | 22 | from Box 33, folder 2 | |||||||||
| 115 | 23 | from Box 33, folder 3 | |||||||||
| 115 | 24 | from Box 33, folder 6 | |||||||||
| 115 | 25 | from Box 33, folder 7 | |||||||||
| 115 | 26 | from Box 34, folder 1 | |||||||||
| box | |||||||||||
| 116 | Lecture slides from Series VI.C n.d. | ||||||||||
| box | |||||||||||
| 117 | Lecture slides from Series VI.C n.d. | ||||||||||
| box | |||||||||||
| 118 | Lecture slides from Series VI.C n.d. | ||||||||||
| roll | |||||||||||
| 1** | From Series VIII: "Thermo - electronical chewing gum," 1970 | ||||||||||
| Wolf Vostell photographic self-portrait printed on linen with words "For Allan Kaprow." | |||||||||||
| roll | |||||||||||
| 2** | From Series III: "Soap" | ||||||||||
| 5 sheets of butcher paper with words painted on it: "Soap" is written on one sheet;" "1st Evening" is written on 2 sheets along with description of what happened; "2nd Evening" is written on 2 sheets along with description what happened. | |||||||||||