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Series III. Europe, circa 1830-1998
23.5 Linear
Feet
(21 boxes, 40 flatfiles)
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Countries and geographic units represented are: Austria, Crimea (Ukraine), Belgium,
Czechoslovakia, Denmark, France, Germany, Great Britain, Greece, Italy, Malta, Norway,
Poland, Portugal, Russia, Spain, and Switzerland.
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Arrangement |
Arranged alphabetically by country, and within each country, alphabetically by
photographer. Works by unidentified photographers are listed at the end of each
country.
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Austria, circa 1870-1880 |
box |
item |
12 |
18 |
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Braun, Adolphe, La Haute Autriche (Le lac de
Langbath), circa 1870
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Albumen. Title written in pencil on recto of mount. Photographer's name and date
from Bonnemaison. B 70. Former box number: 8*.
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Photographer unidentified, circa 1870- circa 1880 |
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Includes works by two unidentified photographers. |
box |
box |
2 |
2 |
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Innsbruck vom Berg Isel, circa 1880
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Albumen. Title and numbering on recto. Dated by Bonnemaison. B 76. Former box
number: 10.
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box |
item |
12 |
17 |
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Salzbourg, circa 1870
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Albumen. Title written in pencil on recto of mount. Dated by Bonnemaison. H 182.
Former box number: 8*.
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Belgium, circa 1926-1939 |
box |
item |
2 |
6 |
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Guidalevitch, Victor, Building or Pavilion in Antwerp, 1931 |
|
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|
Gelatin silver. Photographer's name stamped on verso. Dated by Bonnemaison and in
Arles catalog. Photograph taken at night. C 111. Former box number: 10.
|
box |
item |
8 |
9 |
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Kessels, Willy, Ball of a Floor Lamp, circa 1926-1939 |
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Gelatin silver. Photographer's name printed on recto of mount. Dated by
Bonnemaison. IX.20. Former box number: 20*.
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Crimea (Ukraine), 1855- circa 1862 |
box |
item |
10 |
5 |
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Robertson, James, Picquet House Cathcarts Hill from
General Bosquet's Quarters, 1855-1856
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Salted paper print. Title written in ink on recto of mount. Photographer's name
written in ink on recto of mount: Photographed by Robertson Manchester; published by
T. Agnew & Sons, March 25th, 1856 London; P & D. Colnaghi Hl Paris, Moulin
23. Rue Richer; New York Williams Hl. Bonnemaison attributes this image to Roger
Fenton. Taken during the Crimean War. IX.59. Former box number: 19.
|
box |
item |
22 |
10 |
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Méhédin, Léon, Sevastopol, Crimean War, circa 1862 |
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Two-part panorama, calotype negatives. Signed on recto of negative. Dated by
Bonnemaison. E 140. Former box number: 10.
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Czechoslovakia, circa 1870 |
Flatfile |
item |
7** |
1 |
|
Photographer unidentified, Prague |
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|
Three-part joined panorama, albumen. Dated by Bonnemaison. A 7. Former flatfile
number: FF 19**.
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Denmark, 1869 |
box |
item |
12 |
18 |
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Critcherson, George and John Dunmore, The View of
the Sermitsialik Glacier...
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Two-part joined panorama, albumen. Complete title printed on recto of mount: The View of the Sermitsialik Glacier, the Front Extending into the
Middle of the Fiord, Showing over One Mile of its Front, which Was over 275 Feet
above the Water. Photographers' names and date from Bonnemaison. Probably
produced as a plate for William Bradford, The Arctic
Regions, illustrated with photographs taken on an art expedition to
Greenland (London, 1873). A 41. Former box number: 8*.
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France, circa 1830-1998 |
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Baldus, Edouard, circa 1854- circa 1880 |
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Views of the Louvre, 1855- circa 1857 |
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Salted paper prints, albumenized [?]. Photographer also known as Edouard Denis
Baldus. Techniques from Arles catalog. Dated by Bonnemaison. IX.32. Former box
number: 20*.
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box |
item |
8 |
22 |
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The Louvre from the Tuileries, circa 1857 |
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Photographer's name from another item. |
8 |
23 |
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The Louvre from the Seine River, 1855 |
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Photographer's name written in pencil on verso. |
8 |
24 |
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Louvre Courtyard Looking towards the Tuileries, 1855 |
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Photographer's name from another item. |
box |
item |
12 |
23 |
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Louvre Courtyard, from the Tuileries, 1855 |
Flatfile |
item |
28** |
1 |
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Building Lot of the New Louvre, circa 1854 |
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Albumen from collodion-on-glass negatives. Photographer's name and date from
Bonnemaison, who notes that the photograph was made with a mammoth-plate camera.
IX.68. Former folder number: FF 13**.
|
box |
item |
12 |
24 |
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Tuileries Palace, Paris, circa 1860 |
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Salted paper print. Photographer's signature in ink on recto of mount: E. Baldus.
The palace was destroyed in 1871. Dated by Bonnemaison. D 130. Former box number:
ff44**.
|
Flatfile |
item |
9** |
1 |
|
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Bridge in Front of the Chief of Police Building, Paris, circa 1860 |
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Albumen. Photographer's name and date from Bonnemaison. B 69. Former folder
number: FF 32**.
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Flatfile |
item |
47** |
1 |
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Austerlitz Bridge and Building for the Bastille Panorama,
Paris, circa 1880
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Albumen. Photographer's name and date from Bonnemaison: Baldus [?]. The panorama
building is probably the first in Paris on Place d'Austerlitz; it opened in 1881
with the painting by Polpot and Jacob, Storm over the
Bastille. A 5. Former folder number: FF 18**
|
box |
item |
2 |
36 |
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Bayard, Edmond, Panorama du
Valgodemar, circa 1870
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Six-part joined panorama, albumen. Title and photographer's name printed on recto
of mount. Dated by Bonnemaison. One of the three mounts with two albumen prints is
separated from the others. A 16. Former box number: 10.
|
box |
item |
3 |
49 |
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Bertsch, Auguste-Adolphe, Œil de
mouche, circa 1853
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Circular (tondo) albumen photomicrograph. Title written in pencil on recto of
mount. Date and photographer's name from Bonnemaison. Flies have the largest optical
range of any known species, and were an object of fascination to both early
physiologists and microphotographers. IX.19. Former box number: 16.
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Bisson Frères, circa 1855-1862 |
box |
item |
12 |
37 |
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Le Serac du Géant, Glaciers and Icefall near
Mont-Blanc, circa 1860
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Albumen. Title from Arles catalog. Photographer's name and date from Bonnemaison.
E 135. Former box number: ff48**.
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12 |
38 |
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The Last Supper, circa 1860
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Albumen. Photographic reproduction of Leonardo da Vinci's The Last Supper. Photographer's name stamped on recto of mount: Bisson
Frères photog. Publisher's name on recto of mount: Photographes de S.M.L'
Empereur. Dated by Bonnemaison. A 39. Former box number: 8*.
|
Flatfile |
item |
10** |
1 |
|
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Paris, Pont Neuf, circa 1855 |
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Two-part joined panorama, albumen. Photographer's name and date from Bonnemaison.
J 213. Former folder number: FF 65**.
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Flatfile |
item |
22** |
1 |
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La crevasse, 1862
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Albumen. Title written in pencil on recto of mount: Janvie 44. La Crevasse
depart. Date from item at Bibliothèque nationale de France. Photographer's name
printed on recto of mount. J 214. Former folder number: FF 66**.
|
box |
item |
2 |
35 |
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Boissonnas, Frédéric, Massif du Mont-Blanc depuis le
Mont Joly, circa 1870
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Seven-part panorama, albumen. Title, numbering, and photographer's name on recto:
Boissonnas phot. Genève. Dated by Bonnemaison. A 47. Former box number: 10.
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Bonnemaison, Joachim, circa 1990-1998 |
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Anamorphosis circular color prints on Alu Dibond. Photographer's name from other
items at the Musée Gorsline, France. Bonnemaison experimented in the 1990s with
replicas of historic panorama cameras such as Mangin's Périgraphe Instantané and
combined the images with digital image processing. To create 360 degree panoramas
with the Périgraphe Instantané one works with a drop of water and a mirror and the
black hole in the center which is probably replaced digitally. Former box number:
14*.
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box |
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20 |
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Seashore |
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Five framed color prints, vertical. Attributed by catalogers to Bonnemaison. |
box |
|
20A |
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Seashore at Different Moments of Sunset |
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Five framed color prints, horizontal. Attributed by catalogers to
Bonnemaison.
|
box |
item |
21** |
1 |
|
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Wheatfield with Sky in the Center |
21** |
2 |
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Wheatfield with Ground in the Center |
21** |
3 |
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Tree Blossom with Ground in the Center |
21** |
4 |
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Tree Blossom with Sky in the Center |
21** |
5a |
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Poppy Field with Ground in the Center |
21** |
5b |
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Poppy Field with Sky in the Center |
box |
item |
3 |
50 |
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Bourgoin, Exposition de Niort, 1865
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Albumen stereograph. Date, title, and photographer's name printed on recto of
mount. The exhibits are reflected in a mercury-coated garden globe. The aim of the
photograph is to capture the natural shapes of the reflected objects without
distortion. IX.22. Former box number: 16.
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Braun, Adolphe, circa 1860-1866 |
box |
item |
12 |
31 |
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Socíeté industrielle de Mulhouse, 1866
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Albumen. Title and date written in pencil on verso. Photographer's name printed
on recto of mount. In Arles catalog titled: Conseil
d'administration, and undated. IX.34. Former box number: 20*.
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12 |
32 |
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Vallée de Chamonix, circa 1860
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Albumen. Printed on recto of mount: A. Braun à Dornach Haut Rhin / Vues
panoramiques brevetées S.G.D.C. Title printed on sheet pasted on recto of mount.
Dated by Bonnemaison. A 3. Former folder number: FF 16**.
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12 |
33 |
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Chamonix, circa 1860
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Albumen. Photographer's name and date written in pencil on recto of mount. A 3.
Former folder number: FF 16**.
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Flatfile |
item |
21** |
1 |
|
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Mer de glace et châine du Mont-Blanc (depuis le
jardin), 1866
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Albumen. Title written in ink on recto of mount. Location is possibly Chamonix as
Bonnemaison indicates. Printed on recto of mount: Appareil panoramique breveté de
Johnson Brandon & Braun; A. Braun à Dornach (Haut Rhin) France. Dated by
Bonnemaison. ENC 81. Former folder number: FF 1**.
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Charnaux Frères & Co., circa 1865 |
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Two-part panoramas, albumen. Title and numbering written in pencil on verso of both
prints. Date and photographer's name from Bonnemaison. H174. Former box number:
1.
|
box |
item |
2 |
25 |
|
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Panorama d'Annecy
|
2 |
26 |
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Panorama de Talloires
|
Flatfile |
item |
17** |
1 |
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Colin, Onival, France, circa 1910
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|
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Hand-colored gelatin silver. Title and photographer's name written in ink on recto
of print. Voignier 1993 lists three photographers with that name: Colin (first name
unknown) with a studio in Paris about 1874; Léon Colin in Equeurdreville (Manche);
and Pierre Collin. Dated by Bonnemaison. The actual photograph is hardly visible
under the layers of color. B 64. Former folder number: FF 31**
|
box |
item |
3 |
48 |
|
Corot, Jean-Baptiste-Camille, La carte-de-visite au cavalier, 1853 May |
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Salted paper cliché-verre. Title and date from Bonnemaison and in Arles catalog.
IX.2. Former box number: 16.
|
box |
item |
2 |
46 |
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Doisneau, Robert, Portrait of Seven Persons in a Cartwheel
Reflection, circa 1950
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Gelatin silver. Photographer's name stamped on verso. Dated by Bonnemaison. E 142.
Former box number: 10.
|
2 |
31 |
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Dubois de Nehaut, L. P. T. (Louis-Pierre-Théophile), Revue de la garde du Bois de Boulogne en presence de SM le Roi de
Bavière, 1857 June
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Coated salted paper; oval print. Photographer's name, title and date written in
pencil on verso. Written in pencil on recto of mount: Revue à Paris. IX.70. Former
box number: 20*.
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2 |
14 |
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Duchesne, Versailles, Trianon, circa 1880 |
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|
Albumen. Title, date and photographer's name from Bonnemaison. F 152. Former box
number: 1.
|
box |
item |
9 |
6 |
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Faucigny-Lucinge, Jean-Louis de (?, Pleasure Ride, circa 1900-1920 |
|
|
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Silver print. Photographer's name written in pencil on verso: Prince de
Faucigny-Lucinge. Dated by Bonnemaison. A 44. Former box number: 2*.
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Frith, Frances, circa 1870 |
box |
item |
2 |
9 |
|
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Champs Élysées, Paris
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|
Albumen. Title and numbering on recto of print. Photographer's name on print.
Dated by Bonnemaison. I 205. Former box number: 1.
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2 |
10, 12 |
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Paris
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|
|
|
Two albumen prints. Title and numbering on recto of print. 98.R.19-b02.10 bears
photographer's name on print. 98.R.19-b02.12 is blindstamped with photographer's
name. Dated by Bonnemaison. I 205. Former box number: 1.
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2 |
11 |
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Pont Neuf, Paris
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|
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Albumen. Title and numbering on recto. Photographer's name blindstamped. Dated by
Bonnemaison. I 205. Former box number: 1.
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Garcin, Auguste, circa 1860-1870 |
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Albumen prints. Photographer's name on recto of mounts: Garcin Phot. à Genève.
Titles printed on recto of mount.
|
box |
item |
12 |
25 |
|
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Chemin de la corniche - Le port
d'Endoume, circa 1870
|
|
|
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Title written in pencil on recto of mount. ENC 79. Former box number: 20*. |
12 |
26 |
|
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Marseille Port de la Joliette, circa 1860-1870
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C 118. Former box number: ff38**. |
12 |
27 |
|
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Port de la Joliette: entrée du port - Le Fort St.
Jean, circa 1860-1870
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|
|
|
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Title written in pencil on recto of mount. C 118. Former box number: ff38**. |
12 |
34a-34b |
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Grados, A., Château de Lunéville, circa 1870 |
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|
Two albumen prints on one mount. 98.R.19-b12.34a has photographer's name in
negative and A. Grados on recto. Voignier lists A. Grados fils as having a studio in
Troyes (Aube) from 1867 until the early 1870s. Dated by Bonnemaison. E 134. Former
folder number: FF 47**.
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Gueuvin, Paul-Augustin, circa 1868 |
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|
Three-part joined panoramas, albumen. Photographer's name printed on recto of
mounts: Photographie par A. Gueuvin Paris, Publié A. Gueuvin, Photog. 20, rue
Cassette. Date derived from similar photographs. MONT 84. Former folder number: FF
3**.
|
Flatfile |
item |
8** |
1 |
|
|
Panorama de Paris, pris de la tour St. Jacques,
côté du Levant
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|
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|
|
Title printed on recto of mount. |
8** |
2-3 |
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Paris, pris de la tour St. Jacques, côté du
Conchant
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|
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|
|
Two panoramas. Titles printed on recto of mounts. Both panoramas are made with
the same exposures, but the prints are cut slightly differently on the edges.
|
Flatfile |
item |
19** |
1 |
|
Guizol, Victor, Trenches in WWI, 1914-1918 |
|
|
|
Five-part joined panorama, gelatin silver. Signed in negative on recto. Bonnemaison
identifies photographer as Victor Guizol. A 14. No former folder number.
|
box |
item |
8 |
10 |
|
Jeanrenaud, Alphonse-François, Bois de Boulogne, Paris, circa 1870 |
|
|
|
Albumen. Photographer's signature in ink on recto of print. Photographer listed in
Voignier as a marine officer with a studio in Paris from 1856. Bonnemaison indicates
the photograher as being Jean Renaud. Location is a park, west of Paris. Date from
Bonnemaison; dated 1860 in Arles catalog . D 122. Former folder number: FF 40**.
|
box |
item |
9 |
4 |
|
Joguet,
Notre-Dame-de-l'Épine-de-Marne, circa 1863
|
|
|
|
Albumen. Photographer's signature on recto of mount. Photographer's first name not
known. Voignier 1993 indicates a studio in Lyon with that name from 1855 on. At a
certain point there was a partner named Muzet, continuing with his sons until the
beginning of the 20th century. The image is probably of one person with a hat who
appears three times. Dated by condition of the basilica; its second tower was
re-erected in 1868. IX.93. Former box number: 19.
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Koch and Wilz, 1865-1875 |
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|
|
Voignier notes a photographer named Georges Laurent Koch in Paris in partnership
with a man named Wilz in the 1850s and 1860s in Paris.
|
box |
item |
12 |
19 |
|
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Église Saint-Germain l'Auxerrois, Paris, 1865 |
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison. Printed on recto of
mount: Appareil panoramique de Koch and Wilz. Phot / 8 Impasse Guéménée. Paris.
Bonnemaison identifies photographer as Paul Augustin Gueuvin. ENC 15. Former box
number: 20*.
|
12 |
20 |
|
|
Conciergerie at the Palais de la Cité, Paris, 1875 |
|
|
|
|
Albumen. Printed on recto of mount: Appareil panoramique de Koch & Wilz. Phot
/ 8 Impasse Guéménée. Paris. Bonnemaison identifies the photographer as Koch and
Wilz. D 128. Former folder number: FF 43**.
|
12 |
21 |
|
|
Louvre, Paris, 1875
|
|
|
|
|
Albumen. Photographers' name and date by Bonnemaison. See other items by Koch and
Wilz. D 131. Former folder number: FF 45**.
|
Flatfile |
item |
11** |
1 |
|
|
Panorama de Paris, 1868
|
|
|
|
|
Albumen. Title printed on recto of mount with: Appareil panoramique de Koch &
Wilz Phot / 8. Impasse Guéménée, Paris. Photographer's name from print and mount
on similar items. Bonnemaison identifies photographer as Paul Augustin Gueuvin.
Dated by Bonnemaison. J 220. Former folder number: FF 68**.
|
11** |
2 |
|
|
Panorama of Paris, circa 1870 |
|
|
|
|
Albumen. Printed on recto of mount: Appareil panoramique de Koch & Wilz
Phot.; 8. Impasse Guemenee, Paris. Dated by Bonnemaison, who identifies
photographer as Wiltz. H 191. Former folder number: FF 62**.
|
11** |
3 |
|
|
Paris, 1867 |
|
|
|
|
Albumen. Photographer's name from item H 191. Dated by Bonnemaison based on the
inclusion of the Exposition Universelle de 1867 exhibition hall. Bonnemaison
indentifies Wiltz as the photographer. H 192. Former folder number: FF 62**.
|
|
|
|
|
|
Le Gray, Gustave, 1857 September |
|
|
|
Albumen prints from collodion negatives. Dated by other photographs in this series.
See Sylvie Aubenas, Gustave Le Gray, 1820-1884, p.
367 and ff., and Une visite au camp de Châlons sous le Second
Empire: photographies de Messieurs Le Gray, Prévot..., 1996. Emperor
Napoleon III commissioned Le Gray to document the inauguration of a summer training
camp for the army at Châlons. The photographs were intended to celebrate French
military might and to be included in albums to be given to the generals. See also
other items dealing with Châlons. IX.69. Former box number: 19.
|
box |
item |
8 |
25 |
|
|
Le drapeau, camp de Châlons
|
|
|
|
|
Title written in ink on recto of mount. Photographer's name stamped in red on
recto.
|
8 |
26 |
|
|
Camp de Châlons
|
|
|
|
|
Two-part panorama. Photographer's name, title and date from Celluloid
photographic medallions and other items. A 1. Former box number: ff14**.
|
8 |
27 |
|
|
Host at Châlons camp
|
|
|
|
|
Title, date and photographer's name from other photographs in this group. |
box |
item |
18 |
1 |
|
Lumière, Auguste and Louis, China Dish, 1898 |
|
|
|
Trichrome (i.e. autochrome) glass stereograph. Photograpers' names on stereograph:
Photographie des couleurs procédé de MM. Auguste et Louis Lumière. Dated by Plessen
and Giersch. IX.77. Former box number 26.
|
box |
item |
17** |
1 |
|
Louis Lumière, Portrait of Auguste Lumière, 1920 |
|
|
|
Photostereosynthesis on seven glass slides, framed. The seven different glass
slides are made with different depths of focus to give a spatial impression. This is
the predecessor of the hologram. It is an elaborate procedure, only ten examples of
this technique are known in the world. IX.80. Former box number: 24**.
|
box |
item |
2 |
7 |
|
Mangin, Alphonse, Vue panoramique prise de la
terrasse du bâtiment Nord-Est de l'Hôtel des Invalides
(Paris), 1878
|
|
|
|
Albumen anamorphosis print. Title and photographer's name written in ink on recto
of mount: Lieutenant-Colonel du Génie Mangin. Dated by Bonnemaison. The Périgraphe
Instantané camera, which produces instantaneous photographs of an encircling 360
degree horizon, was invented by Mangin for military purposes, specifically to locate
the enemy's position. IX.24. Former box number: 17.
|
|
|
|
|
|
Martens, Friedrich von, circa 1840-1885 |
box |
item |
12 |
22 |
|
|
Le nouveau Louvre et les
Tuileries, 1870-1885
|
|
|
|
|
Two-part joined panorama, albumen. Title, photographer's and editor's names
printed on recto of mount: Goupil & Cie (Editors). Photographer also known as
Frédéric Martens. Dated by size and Martens' death in 1885. C93. Former box
number: 7*.
|
Flatfile |
item |
12** |
1 |
|
|
Louvre and passerelle des arts, circa 1865 |
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison and items in the Louvre.
A9. Former folder number: FF 20**.
|
12** |
2 |
|
|
Louvre, View from the Observatory, towards the Jardin de
Luxembourg, circa 1865
|
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison. IX.31. Former folder
number: FF 7**.
|
Flatfile |
item |
13** |
1 |
|
|
Palais-Royal, Paris, 1855-1860 |
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison and also from other
photographs of Paris. A 21. Former folder number: FF 25**.
|
Flatfile |
item |
14** |
1 |
|
|
Paris, 1863-1865 |
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison. IX.30. Former folder
number: FF 6**.
|
Flatfile |
item |
15** |
1 |
|
|
Île de la Cité, Paris, circa 1860 |
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison. A 2. Former folder
number: FF 15**.
|
Flatfile |
item |
16** |
1 |
|
|
Panorama de Paris, pris des hauteurs de
Chaillot, circa 1840
|
|
|
|
|
Two-part joined panorama, aquatint prints. Title printed on recto of mount along
with: Dessíné par Schmidt, gravé par F. Martens / Paris, Chez Rittner 12 Boulevard
Montmátre. Dated by Bonnemaison. Names of sights are listed below image. I L3.
Former folder number: FF 70**.
|
|
|
|
|
|
Marville, Charles, circa 1850-1853 |
box |
item |
8 |
13 |
|
|
La passerelle des Arts et le Vert
Galant, 1853
|
|
|
|
|
Salted paper print. Title and date from Arles catalog. Photographer's name
indicated by Bonnemaison with title: Passerelle des
Arts. Bonnemaison indicates the date as circa 1850. In negative on recto
lower right corner title or photographer's name (not legible). D 133. Former
folder number: FF 46**.
|
box |
item |
9 |
3 |
|
|
Rouen, Church of St. Ouen, circa 1850
|
|
|
|
|
Two-part panorama, salted paper prints. Photographer's name and date from
Bonnemaison. Numbering 461 and 462 on recto of print. B 50. Former box number:
4*.
|
|
|
|
|
|
Nègre, Charles, 1858-1862 |
|
|
|
|
|
|
Views of Cannes, 1860-1862 |
box |
item |
2 |
17, 19 |
|
|
|
Cannes with Sea, circa 1860 |
|
|
|
|
|
Two albumen prints. Photographer's name and date from Bonnemaison, other items,
and Arles catalog. E 136. Former box number: ff49**.
|
2 |
18 |
|
|
|
Harbor of Cannes, circa 1860 |
|
|
|
|
|
Albumen. See note for 98.R.19-b02.17. E 136. Former box number: ff49**. |
2 |
20, 24 |
|
|
|
Cannes with Shore, circa 1860 |
|
|
|
|
|
Two prints. |
2 |
21 |
|
|
|
Cannes with Mountains and Sea, circa 1860 |
2 |
22 |
|
|
|
Réservoir de Cannes, circa 1862 |
2 |
23 |
|
|
|
Cannes with Boats and Shore, circa 1862 |
2 |
47 |
|
|
Trail in the Mountains, circa 1860 |
|
|
|
|
Circular (tondo) albumen print. Photographer's name and date from Bonnemaison and
other items. Taken in the countryside near Grasse. See also Box 8.*. IX.12. Former
box number: 19.
|
|
|
|
|
|
|
Hospital Asile impérial de Vincennes, Paris, 1858 |
|
|
|
|
Circular (tondo) albumen prints. Photographer's signature in red ink on recto of
mounts. Part of a larger series of photographs which provides the date. Former box
number: 19.
|
box |
item |
8 |
17 |
|
|
|
Inauguration of the Asile impérial de Vincennes hospital |
|
|
|
|
|
M. Billaut, Minister of the Interior stands in the center delivering a
speech.
|
8 |
18-19 |
|
|
|
Hospital Asile impérial de Vincennes |
|
|
|
|
|
Two prints. |
box |
item |
9 |
2 |
|
Neurdein, E., Nice, le Pont des Angres et la
Promenade du Midi, circa 1880
|
|
|
|
Albumen. Photographer's name and title printed on recto of mount: Vues
panoramiques, Nice, N 129, Le Pont des Anges et la Promenade du Midi, E. Neurdein
Phot. Paris. Dated by Bonnemaison, who attributes the picture to Gourret (not listed
in Hannavy). Voignier 1993 lists a photographer named Gouriet with a studio in Paris
around 1874. H 176. Former box number: 4*.
|
|
|
|
|
|
Panoramic Photo C, H., circa 1910-1920 |
|
|
|
Gelatin silver prints. In negative on recto of prints: Panoramic Photo C. H. Rue du
Marché, Levallois-Perret. Dated by Bonnemaison. G 162. Former box number:
ff53**.
|
Flatfile |
item |
20** |
1 |
|
|
Soldiers Playing Sports at Barracks or Hospital in
Levallois-Perret
|
|
|
|
|
Written in pencil on verso: 8 Tromet. |
20** |
2 |
|
|
École militaire
|
|
|
|
|
Title written in pencil on verso. |
box |
item |
2 |
8 |
|
Poitevin, Alphonse-Louis, Paris, 1855 |
|
|
|
Cyanotype. Photographer's name written in pencil on verso. Title from Bonnemaison.
Date from Arles catalog. C 114. Former box number: 10.
|
|
|
|
|
|
Puyo, Émile Joachim Constant, 1920 |
|
|
|
Gelatin printing-out paper. Titles and date from Bonnemaison. Photographer's blind
stamp in the lower right corners. In Arles catalog. IX.37. Former box number:
3*.
|
box |
item |
2 |
48, 50 |
|
|
Passage to Italy |
|
|
|
|
Two prints. Annotation written in pencil on verso of 98.R.19-b02.50: Via
mala.
|
2 |
49 |
|
|
Laundresses in the Bretagne |
|
|
|
|
Annotation written in pencil on verso: Méandie. |
|
|
|
|
|
R.P. 1890-1900 |
|
|
|
Albumen prints. Titles and dates written in ink on recto of mount. Photographer's
name from Bonnemaison. In some of the prints persons appear twice. Bonnemaison notes
that they are panoptique and that the views are over 360 degrees. I206. Former
folder: FF 72**.
|
Flatfile |
item |
23** |
1a |
|
|
Forêt de Compiègne, 1894
|
23** |
1b |
|
|
Carrefour du bois (Forêt de
Compiègne), 1894
|
23** |
2a |
|
|
Murat-le-Caire près de la
Bourboule, 1894
|
23** |
2b |
|
|
Murat-le-Caire, 1894
|
23** |
3a |
|
|
Une partie de Colin-Maillard,
Vert-le-Grand, 1895
|
23** |
3b |
|
|
Cascade de Vernières (La
Bourboule), 1894
|
23** |
3c |
|
|
Une conférence sur la
bicyclette, 1895
|
23** |
3 |
|
|
La Bourboule, 1894
|
23** |
4a, 4d |
|
|
Sur la pelouse après le déjeuner, la Pentecôte de
1894 à Vert-le-Grand, 1894
|
23** |
4b-4c |
|
|
Le café dans le jardin, La pentecôte de 1894 à
Vert-le-Grand, 1894
|
Flatfile |
item |
24** |
1a |
|
|
Hôtel des Voyageurs à Gavarnie (Pyrénées) Voyage
de 1896, 1896
|
24** |
1b |
|
|
Lac de Gaube (Pyrénées) Voyage de
1896, 1896
|
24** |
1c |
|
|
Gavarnie, 1896
|
24** |
1 |
|
|
Lac de Gaube, 1896
|
24** |
2a |
|
|
Castres (Voyage 1896), 1896
|
24** |
2b |
|
|
St. Savin (Pyrénées) voyage
1896, 1896
|
24** |
2c |
|
|
Les bains de Diane à Nîmes (Voy.
1896), 1896
|
24** |
2 |
|
|
Les Arènes à Nîmes (Voy.1896), 1896
|
24** |
2e |
|
|
Maison Carrée, Nîmes, 1896
|
24** |
3 |
|
|
La Tour Magne à Nîmes, 1896
|
Flatfile |
item |
25** |
1a |
|
|
Grand panorama de
Vert-le-Grand, 1893
|
25** |
1b |
|
|
Première leçon, 1890-1900
|
25** |
1c |
|
|
Une brouille en ménage, 1890-1900
|
25** |
1 |
|
|
En bicyclette, 1890-1900
|
25** |
1e |
|
|
Devant de la maison,
Vert-le-Grand, 1890-1900
|
25** |
1 |
|
|
Une heure-soixante sur la
pelouse, 1890-1900
|
25** |
1g |
|
|
Étude de la carte des
environs, 1890-1900
|
25** |
1h |
|
|
Attente, repos, 1890-1900
|
25** |
2a |
|
|
La rue de Presles, 1890-1900
|
25** |
2b |
|
|
Maison de Madame Perrotte à
Presles, 1894
|
25** |
2c |
|
|
Chasse d'Arpajon-Chenil et retraite de Stop
[?], 1890-1900
|
25** |
2d-2f |
|
|
Le resultat d'une
désobéissance, 1890-1900
|
|
|
|
|
Three prints. |
25** |
2g-2i |
|
|
À Presles, portraits, 1894
|
|
|
|
|
Three prints. |
25** |
3a |
|
|
Vue de la vallée de
Brides-les-Bains, 1890-1900
|
25** |
3b |
|
|
Grand-Sous-Montagne au dessus de la
Grande-Chartreuse, 1890-1900
|
25** |
3c |
|
|
Vue de la vallée de Montiers, 1890-1900
|
25** |
3 |
|
|
Route de Salins à Montiers, voyage en
Savoie, 1893
|
25** |
3e |
|
|
La Grande-Chartreuse, 1890-1900
|
25** |
4a |
|
|
Vallée entre Montiers et Aigueblanche, voyage en
Savoie, 1893
|
25** |
4b |
|
|
Bois et cascade de Cythère, voyage en
Savoie, 1893
|
25** |
4c |
|
|
Salins-Montiers, voyage en
Savoie, 1893
|
25** |
4 |
|
|
Pont sur la cascade de Cythère, voyage en
Savoie, 1893
|
25** |
4e |
|
|
Vue de la vallée de l´Isère, voyage en
Savoie, 1893
|
25** |
4 |
|
|
Cascade de Cythère, voyage en
Savoie, 1893
|
25** |
5a |
|
|
Baptême de Jacques Dufan 24 juillet 1894 (sortie
de l´église), 1894
|
25** |
5b |
|
|
Feisson-sur-Salins-Village situé à 1500 m
d´altitude, 1890-1900
|
25** |
5c |
|
|
Baptême de Jacques Dufan - le
déjeuner, 1894
|
25** |
5 |
|
|
Aimé-Vilage sur la frontière
d´Italie, 1890-1900
|
25** |
6a-6b,
6d-6f
|
|
|
Portraits à Presles, 1894
|
25** |
6c |
|
|
La rue de Presles, 1894
|
25** |
6g |
|
|
Panorama de la vallée de
Presles, 1890-1900
|
25** |
7a-7b |
|
|
Pierrefonds, 1894
|
25** |
7c-7d |
|
|
Le plus gros chêne de la forêt de
Compiègne, 1890-1900
|
|
|
|
|
Two prints. |
25** |
7e |
|
|
Hôtel de ville de Compiègne et l´hôtel de la
Cloche et de la Bouteille, 1890-1900
|
25** |
7 |
|
|
Château de Pierrefonds, 1890-1900
|
25** |
8a |
|
|
Vue de face, 1890-1900
|
25** |
8b |
|
|
Vue de profil, 1890-1900
|
25** |
8c |
|
|
Le tour du parc, 1890-1900
|
25** |
8 |
|
|
En route mauvaise troupe, 1890-1900
|
25** |
8e |
|
|
Le pansage, 1890-1900
|
25** |
8 |
|
|
Siana prise au lasso, 1890-1900
|
25** |
8g |
|
|
Souvenir de la Bourboule, 1894
|
25** |
8h |
|
|
Château de Bourbon-Busset (Vichy
1894), 1894
|
25** |
8i |
|
|
Palmyre et ses filles, 1890-1900
|
25** |
8j |
|
|
...Ces gens sont fous! Le Baudet n'en peut plus;
il mourra sous leurs coupes, 1890-1900
|
25** |
8k |
|
|
Vue de derrière, 1890-1900
|
Flatfile |
item |
26** |
1a |
|
|
Tour de Murols (Auvergne), 1890-1900
|
26** |
1b |
|
|
Vue prise des ruines de
Murols, 1894
|
26** |
1c |
|
|
Vue du lac Chambon,
1890-1900
|
26** |
2a |
|
|
Hôtel de Genève, 1890-1900
|
26** |
2b |
|
|
Hôtel de Genève (La Bourboule
1894), 1894
|
26** |
2c |
|
|
Pic du Sancy, 1890-1900
|
26** |
2 |
|
|
L' homme fort, 1890-1900
|
26** |
2e |
|
|
La grande rue de la Bourboule, 1890-1900
|
26** |
2 |
|
|
Route des Cascades, 1890-1900
|
26** |
2g |
|
|
Tennis de la Bourboule, 1890-1900
|
26** |
3a |
|
|
Vert-le-Grand, 1890-1900
|
26** |
3b |
|
|
Tour d'Auvergne (Puy de Dôme), 1890-1900
|
26** |
3c |
|
|
La discussion, 1890-1900
|
26** |
3 |
|
|
La partie de boules après déjeuner (Vert-le-Grand
1894), 1894
|
26** |
3e-3g |
|
|
Black Plichon, 1890-1900
|
|
|
|
|
Three prints. |
26** |
3h |
|
|
À Vert-le-Grand, 1890-1900
|
26** |
3i |
|
|
Route des Cascades (La Bourboule
1894), 1894
|
26** |
4a |
|
|
Laurence, 1895
|
26** |
4b |
|
|
La porte du parc à
Vert-le-Grand, 1895
|
26** |
4c |
|
|
Fond du parc de Vert-le-Grand, 1890-1900
|
26** |
4 |
|
|
M. et Mme. Lefèbvre, 1890-1900
|
26** |
4e |
|
|
Allée des roses, 1895
|
26** |
4 |
|
|
Potager de Vert-le-Grand, 1890-1900
|
26** |
5a |
|
|
La maison de Madame Porte à
Chiais, 1895
|
26** |
5b |
|
|
Le tennis, 1890-1900
|
26** |
5c |
|
|
Le jardin, 1890-1900
|
26** |
5 |
|
|
La maison de Madame Porte à
Chiais, 1895
|
26** |
6a |
|
|
Un discours du sage Athos, 1890-1900
|
26** |
6b-6d |
|
|
Une solidarité bien comprise, 1890-1900
|
|
|
|
|
Three prints. |
26** |
6e |
|
|
Porthos après son (P+Q) verre, 1890-1900
|
26** |
6 |
|
|
Le triumvirat Vert-le-Grand, 1895
|
26** |
6g |
|
|
La ferme d'Eu [?], 1890-1900
|
26** |
6h-6k |
|
|
Tréport-Mers, 1895
|
26** |
6l |
|
|
Presles, 1895
|
26** |
7a-7e |
|
|
Sur la plage de Mers, 1895
|
|
|
|
|
Five prints. |
26** |
8b |
|
|
Vue de la vallée de Presles, 1895
|
26** |
8 |
|
|
Fôret de Carnelles (Presles
1895), 1895
|
|
|
|
|
|
Richebourg, Pierre Ambroise, circa 1860 |
|
|
|
Albumen prints. Photographer's name written in pencil on versos. Titles and dates
from Bonnemaison. H 193. Former box number: 4*.
|
box |
item |
8 |
20 |
|
|
Reproduction of a drawing showing the Louvre building and a parade on the
square
|
8 |
21 |
|
|
Reproduction of a drawing showing the Louvre building |
|
|
|
|
|
Marquis de Rostaing, 1854-circa 1856 |
box |
item |
8 |
15 |
|
|
Hôtel de Crillon, Place de la Concorde, Paris, 1854 |
|
|
|
|
Salted paper print. Photographer's name and date written in pencil on recto of
mount: Marquis de Rostaing, aout 1854. I 210. Former box number: 4*.
|
box |
item |
12 |
29 |
|
|
Nice, circa 1856
|
|
|
|
|
Two-part joined panorama, albumen. Title written in pencil on recto of mount.
Photographer's name and date from Bonnemaison. Attibution to Rostaing is
tentative. H 196. Former box number: 8*.
|
12 |
30 |
|
Rothschild, J. (editor), Vue du port et de la rade
de Toulon, circa 1880
|
|
|
|
Two-part joined panorama, albumen. Title on recto of mount with: Les travaux
publics de la France / J. Rothschild, Editeur, Paris / Tous droits réservés. I 202.
Former box number: 3*.
|
box |
item |
15** |
1 |
|
Salathé, Friedrich, Panorama de Paris près de la
Tour Carée de St. Gervais, circa 1830
|
|
|
|
Ten-part joined panorama, etching, retouched with ink. Title printed on recto with:
Salathe sculp. / Imprimé par Lesauvage / Nepveu, Libraire, Passage des Panoramas,
Galerie Montmartre, No 9 / Rittner and Goupil M d'estampes / Boulevard Montmartre No
15. Friedrich Salathé was in Paris from 1823 to 1858 working for the publisher Jean
Frederic Osterwald as an aquatint etcher. Below the print on recto of mount are
names of sights printed. Dated by Bonnemaison. I L10. Former box number: 23**
[rolled ?]
|
|
|
|
|
|
Schahl, Théodore, circa 1860-1880 |
|
|
|
Photographer's name and address printed on versos: Th. Schahl, 29 rue
Chabot-Charny, Dijon. Dated by Bonnemaison. See Voignier 1993: Schahl was in Dijon
from 1873 to 1889.
|
box |
item |
2 |
16 |
|
|
Dijon, Palais des Ducs, circa 1860 |
|
|
|
|
Albumen carte-de-visite. B59 Former box number: 1. |
2 |
27 |
|
|
Village at the Riverfront, circa 1860 |
|
|
|
|
Three-part panorama, albumen. Dated by Bonnemaison. A 48. Former box number:
10.
|
2 |
37 |
|
|
Rocky Coast with Seagulls, circa 1880 |
|
|
|
|
Gelatin printing-out paper. Bonnemaison attributes this photograph to the Prince
d'Orleans. H 168. Former box number: 1.
|
2 |
30 |
|
Zola, Émile, Médan, circa 1900 |
|
|
|
Gelatin silver. Photographer's name and date from Bonnemaison. Could be either a
photograph of a photograph, or a contact print from an original negative. Zola's
house in the village is pictured on the far right. Zola was a passionate amateur
photographer and there are some modern prints by Jean Dieuzaide made with the
original negatives showing similar scenes in Médan. IX.35. Former box number:
19.
|
|
|
|
|
|
Photographer unidentified, 1860-1944 |
|
|
|
Includes work by as many as 24 different unidentified photographers. |
box |
item |
2 |
13 |
|
|
Versailles, Trianon, circa 1870 |
|
|
|
|
Albumen. Date and title from Bonnemaison. B 55. Former box number: 10. |
2 |
15 |
|
|
Bordeaux Harbor, circa 1870 |
|
|
|
|
Albumen. Date and title from Bonnemaison. C 115. Former box number: 10. |
2 |
28 |
|
|
Tain-l'Hermitage (Rhône), circa 1870
|
|
|
|
|
Four-part panorama, albumen. Title and numbering written in pencil on verso.
Dated by Bonnemaison. H 171. Former box number: 1.
|
2 |
29 |
|
|
Pardon au Quiberon, circa 1900 |
|
|
|
|
Gelatin silver. Title and date from Bonnemaison. Pardon is a penitential ceremony
in Brittany. IX.38. Former box number: 19.
|
2 |
32 |
|
|
Bicycle Race in Sologne, 1900 |
|
|
|
|
Gelatin silver. Dated by Arles catalog and by Bonnemaison: early 20th century. C
105. Former box number: 7*.
|
|
|
|
|
|
|
Views of the Bretagne, circa 1900 |
|
|
|
|
Gelatin silver. Titles written in pencil on versos, unless otherwise noted. Dated
by Bonnemaison. IX.36. Former box number: ff8**.
|
box |
item |
2 |
38 |
|
|
|
L'apothicairerie, la grotte
|
|
|
|
|
|
Location is a grotto in the Bretagne. |
2 |
39 |
|
|
|
Quiberon, le long de la Côte
Sauvage
|
2 |
40, 43 |
|
|
|
Coast of the Bretagne
|
|
|
|
|
|
Two prints. Title was written in pencil on verso of 98.R.19-b02.43, but
obliterated. Note distortion in image.
|
2 |
41 |
|
|
|
L'apothicairerie, sur la [?] du Benayhan
[?]
|
|
|
|
|
|
Note distortion in image. |
2 |
42 |
|
|
|
L'apothicairerie, à l'éntrée de la
grotte
|
|
|
|
|
|
Note distortion in image. |
2 |
44-45 |
|
|
Biarritz Shore, circa 1900-1910 |
|
|
|
|
Two gelatin silver prints. Title and dated from Bonnemaison and other items. In
Arles catalog. D 123. Former box number: ff41**.
|
box |
item |
3 |
1 |
|
|
Garden Scenery with People and Buildings (L'Eden de
banlieue), circa 1865
|
|
|
|
|
Eight-part joined panorama, collodion. Title and date from Bonnemaison. This is
not a true panorama as there is no continuity between the pieces. IX.55. Former
box number: 21.
|
|
|
|
|
|
|
Images of people in gardens and other settings, circa 1890 |
|
|
|
|
Gelatin silver prints. Photographer unknown. Written in pencil on envelope:
Panoramiques de l´officier de tir de la 26e Compagnie 1901-1919. Dated by
Bonnemaison and in Arles catalog. B 56. Former box number: 17.
|
box |
item |
3 |
2-5 |
|
|
|
Woman and Two Boys in a Garden |
|
|
|
|
|
Four prints. |
3 |
6 |
|
|
|
Two Children in a Garden |
3 |
7 |
|
|
|
Boy in a Garden |
3 |
8-9 |
|
|
|
Couple in a Garden |
|
|
|
|
|
Two prints. |
3 |
10 |
|
|
|
Profile Portrait of a Woman Sitting on a Sofa |
3 |
11 |
|
|
|
Portrait of a Woman Sitting on a Sofa |
3 |
12 |
|
|
|
Men Sitting at a Table and Drinking Beer |
3 |
13 |
|
|
|
Two Woman Playing with a Dog |
3 |
14 |
|
|
|
Woman Playing with a Dog |
3 |
15 |
|
|
|
Portrait of a Woman |
3 |
16 |
|
|
|
Three Woman, a Man, and a Baby Sitting in a Garden |
3 |
17 |
|
|
|
Two Women in a Field |
3 |
18 |
|
|
|
Woman Sitting on a Ship |
3 |
19 |
|
|
|
Soldier under a Bridge |
3 |
20-21 |
|
|
|
Woman on a Rocky Coast |
|
|
|
|
|
Two prints. |
3 |
22 |
|
|
|
Woman on a Coast |
3 |
23 |
|
|
|
Couple in a Gorge |
3 |
24-25,
46
|
|
|
|
Woman in a Gorge |
|
|
|
|
|
Three prints. |
3 |
26 |
|
|
|
Couple at a Rocky Creek |
3 |
27-30 |
|
|
|
>Church Parade through a Town |
|
|
|
|
|
Four prints. |
3 |
31 |
|
|
|
Men Photographing a Soldier with a Bicycle and Taking Aim |
3 |
32 |
|
|
|
Group of Soldiers with Rifles |
3 |
33 |
|
|
|
Two Soldiers with Rifle |
3 |
34 |
|
|
|
Group of Soldiers, Horses, and a Woman |
3 |
35 |
|
|
|
Children Watching Soldiers Taking Aim on a Riverbank |
3 |
36 |
|
|
|
Soldier Taking Aim Behind a Wayside Cross |
3 |
37 |
|
|
|
Portrait of a Soldier |
3 |
38, 42 |
|
|
|
Soldier Lying in a Field with Tripwire |
|
|
|
|
|
Two prints. |
3 |
39 |
|
|
|
Soldier with a Bicycle Folded on his Back |
3 |
40 |
|
|
|
Soldier with Two Bicycles and a Dog |
3 |
41 |
|
|
|
Woman Reading in a Living Room |
3 |
43 |
|
|
|
Soldiers Crossing a Improvised Bridge |
3 |
44 |
|
|
|
Couple at a Gorge |
3 |
45 |
|
|
|
Couple on a Ladder |
3 |
47 |
|
|
Cessey sur Tille, circa 1900
|
|
|
|
|
Gelatin silver postcard. Title written in pencil on recto. Dated by Bonnemaison.
F 157. Former box number: 12.
|
box |
item |
8 |
11 |
|
|
Exposition internationale des arts et techniques
dans la vie moderne, German and Russian pavillion, Paris, 1937
|
|
|
|
|
Three-part joined panorama, gelatin silver prints. See items from Poland and
Russia from same series. I 203. Former box number: 2*.
|
8 |
12 |
|
|
Paris, 1937 |
|
|
|
|
Three-part joined panorama, gelatin silver prints. Dated by another Paris
photograph of the same series. See items from Poland and Russia from same series.
I 203. Former box number: 2*.
|
8 |
14 |
|
|
Paris Panorama, circa 1870 |
|
|
|
|
Albumen. Dated by Bonnemaison. D 125. Former box number: 7*. |
8 |
16 |
|
|
Panorama of Paris, circa 1871 |
|
|
|
|
Five-part joined panorama, albumen. Title from slipcase. Date from Bonnemaison. F
155. Former box number: 2*.
|
box |
item |
9 |
1 |
|
|
Spiral Staircase in Lyon, circa 1900 |
|
|
|
|
Gelatin silver, circular (tondo) print. Title and date from Bonnemaison. Written
in pencil on recto of mount: Vieux Lyon ca 1900, uw. 251. IX.13. Former box
number: 19.
|
9 |
5 |
|
|
Rose Garden Panorama, circa 1910
|
|
|
|
|
Platinum print. Title written in pencil on verso with: Plat point. Dated by Arles
catalog. The Arles catalog entry indicates technique as gelatin silver. Dated by
Bonnemaison: circa 1920. Location from Bonnemaison. C 99. Former box number:
7*.
|
|
|
|
|
|
|
Biarritz and other locations, circa 1900 |
|
|
|
|
This group of albumen photographs mounted on cardboard are likely by the same
unidentified photographer. Dated by Bonnemaison.
|
box |
item |
9 |
7a-7d |
|
|
|
Biarritz Harbor and Other Views |
|
|
|
|
|
Mount with four prints (two on each side). 98.R.19-b09.07a and 98.R.19-b09.07d
show the harbor; 98.R.19-b09.07b is of a rock arch at the beach (grande plage);
98.R.19-b09.07c depicts men and a dog in a snowy landscape. H 184. Former box
number: 2*.
|
9 |
8a-8d |
|
|
|
Biarritz, Rocks at the Beach |
|
|
|
|
|
Mounted with four photographs (two on the reverse). All show rocks at the
beach; 98.R.19-b09.08c includes the wharf. H 184. Former box number: 2*.
|
9 |
9a-9c |
|
|
|
Biarritz, Rocks and City |
|
|
|
|
|
Mount with three photographs; (originally contained two on each side, but the
fourth photograph was destroyed). H 184. Former box number: 2*.
|
9 |
10a-10d |
|
|
|
Village with Vineyards |
|
|
|
|
|
Mounted with four photographs (two on each side). H 184. Former box number:
2*.
|
9 |
11a-11b |
|
|
|
Lake with Fortification |
|
|
|
|
|
Mounted with two photographs. H 184. Former box number: 2*. |
9 |
12 |
|
|
Aunay-sur-Odon, deux enfants au milieu d'un
panorama de désolation sur fond d'église, 1944
|
|
|
|
|
Four-part joined panorama, gelatin silver. Title, numbering and paper
manufacturer written in pencil on verso: Agfa Brovira, Aunay sur Odon, Normandy.
The site was completely destroyed in the summer of 1944. C 109. Former box number:
19.
|
12 |
28 |
|
|
Entrance of Le Havre Harbor, 1915 |
|
|
|
|
Six-part joined panorama, gelatin silver. Dated by Bonnemaison. In Arles catalog:
chronopanorama [?]. Bonnemaison gives medium as platino prints. Teresa Mesquit
identifies medium as gelatin silver. C 117. Former box number: ff37**.
|
12 |
35 |
|
|
Viaduc d'Argenteuil, circa 1870
|
|
|
|
|
Albumen. Title on recto of mount followed by: Cie des Chemins de Fer de l'ouest;
Ligne de Paris à Dieppe. Par Pontoise. Dated by Bonnemaison. B 71. Former folder
number: FF 33**.
|
12 |
36 |
|
|
Village, circa 1860 |
|
|
|
|
Two-part joined panorama, salted paper prints. Photographer's name written on
recto (illegible). Dated by Bonnemaison. 80. Former box number: 3*.
|
box |
item |
18 |
2 |
|
|
Woman Posing in a Greek Costume, 1908 |
|
|
|
|
Autochrome stereograph. Dated by Bonnemaison. IX.78. Former box number: 26. |
box |
item |
22 |
6 |
|
|
Vue du château d'eau prise du boulevard St. Martin, circa 1820 |
|
|
|
|
Color etching. Title printed on recto of mount. Dated by Bonnemaison. Image shows
a diorama building on the square. On reverse is another color etching titled: Vue
du château de St. Cloud près de Paris. I L11. Former box number: 7* temp. box.
|
Flatfile |
item |
18** |
1 |
|
|
Blois, circa 1870 |
|
|
|
|
Four-part joined panorama, albumen. Dated by Bonnemaison. Location identified by
other images of the city. Bonnemaison identifies as Orleans. 85 ENC. No former box
number.
|
Flatfile |
item |
27** |
1 |
|
|
Brest, Metal Bridge and Harbor, circa 1870 |
|
|
|
|
Three-part joined panorama, albumen. Dated by Bonnemaison. Includes an usual
montage of prints on the edges. ENC 83. Former box number: ff2**.
|
|
|
|
|
Germany, circa 1860-1937 |
|
|
|
|
|
Reichsparteitag der Arbeit (RAD), 1937 |
|
|
|
Title and date from leaflet Reichsparteitag der
Arbeit and photo with RAD Insignia, September 1937.
|
box |
item |
4 |
1 |
|
|
Labour Service (RAD) Rollcall at Nuremberg Rally of Labour |
|
|
|
|
Three-part joined panorama, gelatin silver. Title and date from leaflet Reichsparteitag der Arbeit. The photographs bears the
insignia: RAD. Bonnemaison's title and date in the Arles catalog: La jeunesse hitlérienne, Nuremberg, 1936. J 222. Former
folder number: FF 69**.
|
4 |
2 |
|
|
Reichsparteitag der Arbeit |
|
|
|
|
Leaflet; ink on paper. Bonnemaison's title and date in the Arles catalog: La jeunesse hitlérienne, Nuremberg, 1936. J 222. Former
folder number: FF 69**.
|
box |
item |
9 |
13 |
|
Photographer unidentified, Medical Figure of an Arm, circa 1860 |
|
|
|
Two-part joined panorama, albumen. Dated by Bonnemaison, who locates the subject in
Munich, Germany. A 32. Former box number: 4*.
|
|
|
|
|
Great Britain, circa 1840-1880 |
|
|
|
|
|
Disdéri, André-Adolphe-Eugène, circa 1860-1865 |
|
|
|
Albumen prints. On recto of mounts: Disdéri Phot. London, Paris; Vues panoramiques
brèvetées S.G.D.G.
|
box |
item |
2 |
33 |
|
|
Mansion of Louis-Philippe in Claremont circa 1860 |
|
|
|
|
Date and title from Bonnemaison: Maison de Louis Philippe dans un parc. Location
identified as Claremont Surrey where Louis Philippe was exiled. A 34. Former box
number: 4*.
|
2 |
34 |
|
|
View of a Chateau, circa 1860 |
|
|
|
|
Date and title from Bonnemaison: Chateau et parc.
Location could be Claremont. Former box number: 4*.
|
box |
item |
9 |
14 |
|
|
Demeure anglaise de Louis-Philippe en
exil, circa 1865
|
|
|
|
|
Title written in pencil on verso of mount. Location probably Claremont, Surrey.
IX.40. Former box number: 19.
|
box |
item |
4 |
6 |
|
Eaton, Thomas Damant (attributed), Castle Acre
Priory, Norfolk, from the North, circa 1845
|
|
|
|
Salted paper print, tondo. Title written in pencil on verso. Dated by Bonnemaison.
IX.9. Former box number: 17.
|
box |
item |
7 |
5 |
|
Glaisher, James, Hailstones, 1857 |
|
|
|
Salted paper print photomicrograph. Title, photographer's name, and date by
Bonnemaison. IX.81. Former box number: 16. Glaisher was an English meteorologist and
a pioneering balloonist.
|
box |
item |
4 |
7 |
|
Hill, David Octavius and Robert Adamson, Edinburgh, circa 1850 |
|
|
|
Salted paper print. Photographer's name and date from Bonnemaison and in Arles
catalog dated 1859. C 112. Former box number: 10.
|
4 |
3 |
|
Story-Maskelyne, Nevil, Study of Lace, between 1840 and 1842 |
|
|
|
Salted paper cliché verre. Title and date from Bonnemaison and in Arles catalog.
IX.3. Former box number: 16.
|
4 |
5 |
|
Story-Maskelyne, Nevil, William Henry Fox Talbot, John Dillwyn Llewelyn
(circle of), Ferns between 1840 and 1845
|
|
|
|
Salted paper cliché verre. Dated by Bonnemaison. IX.7. Former box number: 17. |
4 |
4 |
|
Talbot, William Henry Fox, Lace, circa 1845 |
|
|
|
Photogenic drawing. Title and date from Bonnemaison. IX.4. Former box number:
17.
|
|
|
|
|
|
Photographer unidentified, circa 1860-1880 |
|
|
|
Includes the work of two different unidentified photographers. |
box |
item |
9 |
15 |
|
|
Extinct Volcano, between Shothama [?] Spring and
George [?] Hill W Malbek [?], circa 1880
|
|
|
|
|
Two-part joined panorama, gelatin printing-out paper. Title partly legible in
pencil on back. Dated by Bonnemaison, who identifies these as albumen prints. F
147. Former box number: 2*.
|
|
|
|
|
|
|
English Views, circa 1860 |
|
|
|
|
Albumen prints. Titles written in pencil on verso. Dated by Bonnemaison. B 65.
Former box number: 3*.
|
box |
item |
12 |
39a |
|
|
|
Landscape with River,
|
|
|
|
|
|
Three-part joined panorama. |
12 |
39b |
|
|
|
Kirkstone Pass Looking towards Brothers
Water,
|
12 |
39c |
|
|
|
Kirkstone Inn, the Highest Inhabited House in
England,
|
|
|
|
|
|
Circular albumen print of a drawing. |
12 |
39 |
|
|
|
Secret Summer Tunes [?] Yewdale near
Coniston,
|
|
|
|
|
Greece, circa 1860-1900 |
box |
item |
19 |
1 |
|
Adelphoi Zangaki (attributed), Athens, 1879 |
|
|
|
Six-part joined panorama, albumen, mounted on wood. Probably studio of the Brothers
Zangaki. Bonnemaison indicates name as: Zangali. Written in ink on paper mounted on
verso [partially illegible]: Athens 1879, pour mon fils Georges ou Dedi au Jeudi 4
Jun 1958. 89. Former box number: 27**.
|
box |
item |
12 |
40 |
|
Boissonnas, Frédéric, Le Parnasse et le Golfe de
Corinthe, vue de Yemenon, circa 1900
|
|
|
|
Gelatin silver. Photographer signed in ink on recto: Fred Boissonnas, Genève. Title
written in pencil on verso. Stamped and numbered on verso. Dated by Bonnemaison. A
13. Former box number: 13*.
|
box |
item |
4 |
8 |
|
Schahl, Théodore, Athens, circa 1860 |
|
|
|
Six-part panorama, albumen. Dated by Bonnemaison. Photographer's name and address
printed on verso: Th. Schahl, 29 rue Chabot-Charny, Dijon. See: Voignier 1993. He
was in Dijon from 1873 to 1889. 90 ENC. Former box number: 17.
|
|
|
|
|
Italy, 1846-1936 |
box |
item |
4 |
10 |
|
Basile, Renzo, Riflessi sopra una goccia
d'acqua, 1936 November
|
|
|
|
Gelatin silver anamorphosis print. Title, photographer's name, date and other notes
written in ink on verso. Probably published in the scientific Italian magazine
Sapere. IX.21. Former box number: 20*.
|
box |
item |
22 |
9 |
|
Beaucorps, Gustave de, Castle on the Amalfi
Coast, 1859
|
|
|
|
Calotype negative, tondo. Title, photographer's name and date by Bonnemaison.
Number 1832 in center of negative. Location is probably Procida. IX.8. Former box
number: 19.
|
Flatfile |
item |
34** |
1 |
|
Berthier, Paul Marcellin, French Ruins after an Earthquake in
Sicily, circa 1870
|
|
|
|
Two-part joined panorama, albumen. Title and date from Bonnemaison. Photographer's
name written in pencil on recto of mount: Berthier. Photographer mentioned in
Voignier 1993. He was a painter and photographer, lived from 1822 to 1912, active
from 1848, had a studio in Paris. B 63. Former folder number: FF 30**.
|
|
|
|
|
|
Braun, Adolphe, circa 1868-1870 |
|
|
|
Photographer's name and dates from Bonnemaison. |
box |
item |
13 |
2 |
|
|
Roman Forum, circa 1868 |
|
|
|
|
Two-part panorama, carbon prints. IX.44. Former box number: 20*. |
Flatfile |
item |
31** |
1 |
|
|
Forum Romanum, circa 1870 |
|
|
|
|
Two-part panorama, carbon prints. See FF 29**, item 1 for a similar view by
another photographer. G 158. Former folder number: FF 51**.
|
|
|
|
|
|
Caneva, Giacomo, 1848-1850 |
|
|
|
Salted paper prints. The known Caneva prints are salt prints from calotype
negatives; later (circa 1854-1855) varnished salt prints or dilute albumen
exist.
|
box |
item |
9 |
16 |
|
|
Rome, 1848 |
|
|
|
|
Written in ink on recto of mount: 12 Tavole per 8 Scudi / Romani Ogni Tavola
Separata Otto Paolil / G. Caneva / Via del Babbuino N 68.69. Photographer's name
and dates from Bonnemaison.. A 42. Former box number: 4*.
|
box |
item |
10 |
3 |
|
|
Roman Fortification, 1850 |
|
|
|
|
Photographer's name and date from Bonnemaison. E 138. Former box number: 7*. |
|
|
|
|
|
Cuccioni, Tommaso, 1850s |
|
|
|
Two three-part joined panoramas, toned gelatin silver. Photographer's name from
Photographer's name and dates from Bonnemaison. Cuccioni (1790-1864) was trained as
an engraver and had a shop in Rome. He was active in the early 1850s, and died in
1864. Photographer's name and dates from Bonnemaison's dating of original exposure
to circa 1870 is thus incorrect. Items are not contact prints; they were made with
an enlarger. Dated by Teresa Mesquit based upon appearance of prints. B 78. Former
folder number: FF 35**.
|
Flatfile |
item |
29** |
1 |
|
|
Panorama of the Forum Romanum |
Flatfile |
item |
30** |
2 |
|
|
Forum Romanum Panorama |
box |
item |
4 |
9 |
|
Jones,Calvert Richard, Santa Lucia,
Naples, 1846
|
|
|
|
Two-part panorama, salted paper. Title on recto. Photographer's name and dates from
Bonnemaison. This is the second known photographic panorama on paper. IX.43. Former
box number: 17.
|
|
|
|
|
|
Macpherson, Robert, circa 1860-1861 |
|
|
|
Albumen prints. Photographer's name and dates from Bonnemaison. His name is also
spelled MacPherson; he was a Scottish physican.
|
box |
item |
9 |
17 |
|
|
Rome, St. Peter's Basilica and Vatican, circa 1860 |
|
|
|
|
B 51. Former box number: 2*. |
9 |
18 |
|
|
St. Peter's Basilica and Vatican, circa 1860 |
|
|
|
|
B 51. Former box number: 2*. |
box |
item |
13 |
1 |
|
|
Rome, circa 1860 |
|
|
|
|
Two-part joined panorama. H 178. Former box number: 8*. |
13 |
5 |
|
|
Town in Italy, circa 1861 |
|
|
|
|
Attributed to Macpherson and location identificated as Florence by Bonnemaison.
Date on recto. Number on recto of mount: 392. H 197. Former box number: 8*.
|
Flatfile |
item |
36** |
1 |
|
|
Cascade de Tivoli, circa 1860
|
|
|
|
|
MacPherson took other photos in Tivoli in the early 1860s. Title from Arles
catalog and date of photograph given as 1865. C 119. Former folder number: FF
39**.
|
|
|
|
|
|
Noack, Alfredo, circa 1860-1870 |
box |
item |
13 |
3 |
|
|
Genoa, circa 1860 |
|
|
|
|
Two-part joined panorama, albumen. Title, photographer's name and date from
Bonnemaison. A 6. Former box number: 3*.
|
13 |
4 |
|
|
Gênes, circa 1870
|
|
|
|
|
Oval albumen print. Photographer's name and date from Bonnemaison. Title written
in pencil on recto of mount. Location is Genoa, Italy. B 74. Former folder number:
FF 34**.
|
Flatfile |
item |
33** |
1 |
|
Pineider, Francesco, Inner Courtyard of the National Museum of Bargello,
Florence, circa 1860-1870
|
|
|
|
Gelatin silver. Stamped in blue on verso: F. Pineider, Firenze. Hannavy does not
list this photographer. Internet searches indicate a postcard edition and
photographer named Francesco Pineider. Print probably made with a modern enlarger
around 1900. 92. Former folder number: FF 71**.
|
box |
item |
10 |
1-2 |
|
Sommer, Giorgio, Naples, circa 1860 |
|
|
|
Two seven-part joined panoramas, albumen. One part is missing from each panorama
(each was originally comprised of eight parts). Photographer's name and date from
Bonnemaison. 91. Former box number: 19.
|
box |
item |
13 |
6 |
|
Topographic Brigade of the Italian Army, Panorama
del M. Bianco visto del M. Nir, 1880
|
|
|
|
Six-part joined panorama, toned gelatin silver. Title written in ink on recto of
mount. Written in pencil on recto of mount: Presented to W. Lloyd Griserm by Major
Moris, Italian Army Monte Mario May 6th 1908. Photographer's name on recto of mount:
Brigata specialisti 3o Genio Sezione Fotografica. Dated by Bonnemaison. In Arles
catalog. IX.51. Former box number: 7*.
|
|
|
|
|
|
Photographer unidentified, circa 1890-1910 |
|
|
|
Includes the work of two unidentified photographers. |
Flatfile |
item |
32** |
1 |
|
|
Rome, circa 1910 |
|
|
|
|
Toned gelatin silver on baryta paper. Dated by Bonnemaison. Surface fairly
damaged. A 17. Former folder number: FF 24**.
|
Flatfile |
item |
35** |
1 |
|
|
Chasse à courre, circa 1890
|
|
|
|
|
Gelatin silver, coated [?]. Title from Arles catalog. Bonnemaison's title: Italian Alps. Date from Bonnemaison. Technique
identified by Teresa Mesquit (Bonnemaison identifies technique as gelatino bromure
d´argent). C 95. Former folder number: FF 36**.
|
|
|
|
|
Malta, circa 1856-1858 |
Flatfile |
|
37** |
|
|
Agius, Horatio, La Valette, 1858
|
|
|
|
Four-part joined panorama, albumen. Title and photographer's name written in pencil
on verso. Valletta harbor, Malta. Dated by Bonnemaison. J 217. Former folder number:
FF 67**.
|
box |
item |
4 |
11 |
|
Robertson and Beato, Fort St. Elmo, Dockyard Creek, Malta, circa 1856 |
|
|
|
Two-part panorama, albumen. Titled and signed in negative of both prints:
Robertson, Beato & Co. Dated by Anne Lacoste and Bonnemaison dated circa 1860. H
199. Former box number: 1.
|
|
|
|
|
Norway, circa 1880 |
|
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|
|
Launay, Louis de, |
|
|
|
Three-part joined panoramas, albumen. Titles written in ink on recto of mount.
Photographer's name from another item: L. de Launay, probably the geologist Louis
Auguste Alphonse de Launay 1860-1938, son of Alphonse de Launay who was a student of
Gustave Le Gray. Dated by Bonnemaison. A 28. Former box number: 7*.
|
box |
item |
13 |
7 |
|
|
Panorama de Lyngenfjord vu de la mer au soleil de
minuit,
|
13 |
8 |
|
|
Panorama de Lyngenfjord à
minuit,
|
|
|
|
|
Stamped on verso of mount: Bibliothèque L. de Launay. |
13 |
9 |
|
|
Le Lyngenfjord (Norwg),
|
|
|
|
|
Poland, circa 1920-1937 |
box |
item |
10 |
4 |
|
Photographer unidentified, Railroad Bridge over a River in
Poland,
|
|
|
|
Two-part joined panorama, gelatin silver. Dated by Bonnemaison. Sign reads: Wodny
klub motorowy [motorboat club]. River might be the Vistula because of type of bridge
and size. I 203. Former box number: 2*.
|
|
|
|
|
Portugal, circa 1860 |
box |
item |
13 |
10 |
|
Fillon, Alfred, Porto |
|
|
|
Six-part joined panorama, albumen. Photographer's name and date from Bonnemaison.
Photographer is French, had a studio in Porto until 1867. In Arles catalog dated
1863. C 110. Former box number: 8*.
|
|
|
|
|
Russia, circa 1858-1930 |
|
|
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|
Boyer, Paul, 1897 |
|
|
|
Gelatin silver prints. Titles and photographer's name written in ink on rectos of
mounts: Phot. Paul Boyer. Voignier 1993 indicates a studio in Paris. Location is St.
Petersburg, Trinity Bridge, built as the third permanent bridge across the Neva
between 1897 and 1903 by the French firm Batignolles. Former names of the bridge are
Equality Bridge and Kirovsky Bridge. Technique identified by Teresa Mesquit. B 62.
Former folder number: FF 29**.
|
Flatfile |
item |
40** |
1 |
|
|
Sur la place du Sénat, le pavillon impérial, la
statue de Pierre le Grand et la cathédrale Isaac
|
40** |
2 |
|
|
Sur la place du Sénat, le défilé de la
Garde
|
40** |
3 |
|
|
Inauguration du Pont Trotsky, le pavillon
impérial
|
40** |
4 |
|
|
Sur la Néva, (un des bras de la Néva à son
embouchure) où furent courues les régates. La moyenne Nevka
|
40** |
5 |
|
|
Sur la place du Sénat, avant le
défilé
|
40** |
6 |
|
|
Sur la Néva, le vieux pont de bâteau suprimé dans
la nuit du 1/28 mai 1903
|
|
|
|
|
Written in ink on recto of mount: Pont de fer 12/24 aout 1897, en présence de M.
Felix Faure, Président de la République Francaise, Le Tzar et la Tzarine et Le
Grand-Duc heritier Michel Alexandrowitch, recus par le maire de Saint-Petersbourg
(L'Empeur Nicholas II).
|
40** |
7 |
|
|
Inauguration du Pont Trotsky, le cortège impérial
traversant le pont
|
40** |
8 |
|
|
Sur la Néva, le Pont Trotsky
|
|
|
|
|
Written in pencil on recto of mount: Pont de Jen 12/ 24 aout. |
Flatfile |
item |
39** |
1 |
|
Richebourg, Pierre Ambroise, Saint-Isaac, grande
coupole, between 1858 and 1859
|
|
|
|
Circular (tondo) albumen print. Title printed on recto of mount along with
photographer's name and seller: Pl. 10/ Richebourg Photogr. / Gide, editeur, Paris.
The location of the cupola is Saint Petersburg, Russia. Date from Bonnemaison.
IX.18. Former folder number: FF 4**.
|
|
|
|
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|
Scherer, Nabholz & Co., 1870-1890 |
|
|
|
Bound panoramas. Photographer's name printed on sheet mounted on recto of mount,
lower left corner of panoramas. The cover and a paper mounted on frontispiece
indicates that it belonged to the library of the Duchy of Sachsen Coburg (Germany).
Scherer and Nabholz were a German and a Russian photographer respectively, little
known, and at the Russian court's order. Dated by Bonnemaison. IX.50. Former box
number: 9*.
|
box |
item |
14 |
1a |
|
|
Panorama de Moscou, 1870-1890
|
|
|
|
|
Bound sixteen-part joined panorama, salted paper prints with an unidentified
partial coating. Title on cover.
|
14 |
1b |
|
|
Cathedral of Christ the Saviour, Moscow, 1870 |
|
|
|
|
|
Photographer unidentified, 1920-1930 |
|
|
|
Dated by other 1st of May photos, by Bonnemaison, and other items in this group (I
203) from Paris and Poland. I 203. Former box number: 2*.
|
box |
item |
10 |
6 |
|
|
Bolschoi Theater at Theatralnaja Square in Moscow Decorated for 1st of
May Festivities, circa 1925
|
|
|
|
|
Two-part joined panorama, gelatin silver. |
10 |
7 |
|
|
St. Petersburg Decorated for 1st of May Festivities, circa 1925 |
|
|
|
|
Two-part joined panorama, gelatin silver. Dated by Trotzky picture (second from
left). Tower in the background belongs to Church of the Savior on Spilled
Blood.
|
10 |
8 |
|
|
GUM Shopping Mall on Red Square, Moscow, Decorated for 1st of May
Festivities, circa 1925
|
|
|
|
|
Two-part joined panorama, gelatin silver. Dated by other 1st of May photos. |
10 |
9 |
|
|
Palace Square with Alexander Column, St. Petersburg, circa 1925 |
|
|
|
|
Three-part joined panorama, gelatin silver. Dated by other 1st of May photos.
Photo shows same lamps as the one with the Trotzky picture.
|
10 |
10 |
|
|
Saint Isaacs Cathedral, St. Petersburg, 1920-1930 |
|
|
|
|
Two-part joined panorama, gelatin silver. |
10 |
11-12 |
|
|
Summer Residence of Czarina Catherine the Great in Puschkin, 1920-1930 |
|
|
|
|
One two-part joined panorama and one three-part joined panorama, gelatin
silver.
|
Flatfile |
item |
38** |
1 |
|
|
Moscow, GUM Shopping Mall on Red Square Decorated for 1st of May
Festivities, circa 1920-1930
|
|
|
|
|
Five-part joined panorama, gelatin silver. Former folder number: FF 26**. |
|
|
|
|
Spain, circa 1860-1920 |
|
|
|
|
|
Laurent, Jean, circa 1860-1870 |
|
|
|
Albumen prints. Dated by Bonnemaison. |
box |
item |
4 |
12 |
|
|
Toledo, vista general panorámica desde la Virgen
del Val, circa 1860
|
|
|
|
|
Two-part joined panorama. Title and photographer's name on recto. A 22. Former
box number: 7*.
|
box |
item |
10 |
13a |
|
|
Vista general de Córdoba, circa 1865
|
|
|
|
|
Photographer's name from Bonnemaison. Title on recto of print. Numbered on mount.
Another photograph of Cordoba is mounted on the reverse. A 40. Former box number:
7*.
|
10 |
13b |
|
|
Córdoba, el puente romano, circa 1865
|
|
|
|
|
Photographer's name from Bonnemaison. Title on recto of print. Numbered on mount.
Another photograph of Cordoba is mounted on the reverse. A 40. Former box number:
7*.
|
10 |
14a |
|
|
Barcelona, Vista panoramica del puerto, desde la
plaza del Comércio, circa 1865
|
|
|
|
|
Title, photographer's name and numbering on recto of print. Second part of image
mounted on reverse. D 121. Former box number: 2*.
|
10 |
14b |
|
|
Barcelona, Vista panoramica del puerto, 2"
trozo, circa 1865
|
|
|
|
|
Title and numbering on recto of print. First part of image mounted on reverse. D
121. Former box number: 2*.
|
box |
item |
13 |
11 |
|
|
Vista panoramica de Sevilla, between 1867 and 1870
|
|
|
|
|
Seven-part panorama. Title on recto along with photographer's name: J. Laurent,
Madrid. IX.48. Former box number: 3*.
|
box |
item |
4 |
13 |
|
Opisso, Ricard, Study of Three Trumpet Players in Two Mirrors, between 1892 and 1920 |
|
|
|
Albumen. Photographer's name written in pencil on verso. Also named is Opisso y
Sala, draftsman and assistent to Antonio Gaudí (y Cornet). The study is of the
trumpeting angel statues on the Sagrada Familia church in Barcelona. Dated by
Opisso's work with Gaudí (Bonnemaison's date of 1865 is before Opisso was born). The
simultaneous exposure of the trumpet players was made using two mirrors; such
photographs are known as a multigraphs. Another item appeared in the magazine Antigone, Revue littéraire de photographie,
21-L'Hésitation, page 110, captioned: Photographie Antonio Gaudi avec Ricardo
Opisso. Étude synthétique de modèle avec dispositif de miroirs, pour les sculptures
de la porte Rosaire du clôitre ou de la porte de la Nativité, Sagrada Familia,
Barcelone. 1892-1920. IX.54. Former box number: 20*.
|
|
|
|
|
|
R.P., 1896 |
|
|
|
Albumen prints. Titles and dates written in ink on recto of mount. Photographer's
name from Bonnemaison, who notes panoptique and that the views are over 360 degrees.
I 206. Former folder number: FF 73**.
|
Flatfile |
item |
26** |
8a |
|
|
Plage de San Sébastian, Espagne. Voyage en
1896
|
26** |
8c |
|
|
Un rocher à San Sebastian
|
box |
item |
10 |
15 |
|
Rafael Señán y González (attr.), Ceiling at the Alhambra,
Granada, circa 1860
|
|
|
|
Albumen. Photographer's name and date from Bonnemaison. Written in pencil on recto
of mount: En haut à droite, oben und recht. IX.17. Former box number: 19.
|
Flatfile |
item |
41** |
1 |
|
Photographer unidentified, Palma, Mallorca, circa 1920 |
|
|
|
Gelatin silver. Dated by Bonnemaison. Location identified as the La Seu Cathedral
of Palma on the Spanish island of Mallorca. G 160. Former box number: ff52**.
|
|
|
|
|
Switzerland, 1860-1930 |
Flatfile |
item |
44** |
1 |
|
Bisson Frères, Chute du
Giesbach, circa 1860
|
|
|
|
Albumen. Title written in pencil on recto of mount. Photographer's name stamped on
recto of mount. Dated by Bonnemaison. See H 190 in Box 8* for a Giessbach image by
Braun. H 189. Former folder number: FF 61**.
|
|
|
|
|
|
Braun, Adolphe, 1860-1868 |
|
|
|
Albumen prints, except as noted. Titles written in ink on recto of mounts, except
as noted.
|
box |
item |
4 |
18a-18e |
|
|
Lausanne and Other Locales, circa 1865
|
|
|
|
|
Mount with a photograph of Lausanne (98.R.19-b04.18a) on one side and four
photographs on the other side (98.R.19-b04.18b - 98.R.19-b04.18e). Locales are
indicated in ink on mount: two views of Thun, and views of the Château Chillon and
the Château de Rufemont. Photographer's name indicated on another photograph: A.
Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. H 198. Former folder
number: FF 64**.
|
4 |
19a-19e |
|
|
Le petite Scheideck à la Weyern,
Alp, 1867
|
|
|
|
|
Location could be either Switzerland or France. Date written on mount. Four
smaller prints on verso: Thoune (19b); Cascade de Pissoache, pres de Martiguy (19c); Lausanne (19d); Le beau rivage
Bochy (19e) B 54. Former box number: 10.
|
4 |
20a-20b |
|
|
Glacier inférieur de Grindelwald source de la
Lutschnie, 1867
|
|
|
|
|
Date written in ink on recto of mount. Location could be either Switzerland or
France. Le Staubbach fries de Lauterbrunnen (20b)
on verso. B 54. Former box number: 10.
|
4 |
21a-21e |
|
|
Glacier inférieur de Grindelwald source de la
Lutschnie bis, 1867
|
|
|
|
|
Date written in ink on recto of mount. Location could be either Switzerland or
France. Four smaller prints on the reverse: Le Briethorn
prés du Gärner Grat(21b); Le Monck ou de la
Weyern Alp (21c); Le Jungfrau pris de la Weyern
Alp (21d); Castor et Pollusc (21e). B 54.
Former box number: 10.
|
box |
item |
10 |
16 |
|
|
Village in a Valley, circa 1865
|
|
|
|
|
Carbon print. Photographer's name and date from Bonnemaison. Embossed on verso of
print: Lacroix. Location probably Switzerland. IX.33. Former box number: 19.
|
box |
item |
13 |
17 |
|
|
Sion (Valais), 1868
|
|
|
|
|
Title written in pencil on recto of mount. Photographer's name on recto of mount.
Dated by Bonnemaison. In Arles catalog. J 219. Former box number: 20*.
|
13 |
18 |
|
|
Sion, 1868
|
|
|
|
|
Photographer's name written in pencil on verso of mount. Printed note mounted on
verso: 29. Berne Panorama de la ville; Vue prise de l'Aargauerstalden. Dated by
Bonnemaison. In Arles catalog. J 219. Former box number: 20*.
|
13 |
19 |
|
|
Le Giessbach, circa 1860
|
|
|
|
|
Title written in pencil on recto of mount. Photographer's name printed on recto
of mount: A. Braun à Dornach (Haut-Rhin). Date from Bonnemaison. Sticker on verso:
No 555. Oberland Bernois, Le Giesbach à Brienz. See item 98.R.19-ff44.01 from
Bisson freres. H 190. Former box number: 8*.
|
13 |
20, 22 |
|
|
Giessbach Fall, circa 1860
|
|
|
|
|
Two prints: 98.R.19-b13.20 is an albumen print; 98.R.19-b13.22 is a carbon print.
Untitled; photographer's name and date from Bonnemaison. H 190. Former box number:
8*.
|
13 |
22 |
|
|
Panorama from the Scheinigge
Platte, circa 1860
|
|
|
|
|
I.e. Schynige Platte. Photographer's name and date from Bonnemaison. A 31. Former
box number: 8*.
|
13 |
23 |
|
|
Jungfrau Mountain, 1865 |
|
|
|
|
Two-part joined panorama, carbon prints. Title, photographer's name and date from
Bonnemaison. In Arles catalog. J 218. Former box number: 20*.
|
13 |
24 |
|
|
Mürren, beyond Almendhubel Mountain, circa 1866 |
|
|
|
|
Three-part panorama, carbon prints. Title, photographer's name and date from
Bonnemaison. The two little boys appear in the panorama three times . IX.45.
Former folder number: FF 10**.
|
Flatfile |
item |
42** |
1 |
|
|
Zürich, circa 1865
|
|
|
|
|
Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and
Braun; A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. Studio
advertisment on a waterfront house: Photographie J. Schneebeli. H 180. Former
folder number: FF 58**.
|
Flatfile |
item |
43** |
1 |
|
|
Fribourg, circa 1866
|
|
|
|
|
Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin)
France; Appareil panoramique breveté de Johnson Brandon and Braun. Numbering in
ink on recto of mount. Dated by Bonnemaison. A 10 b. Former folder number: FF
21**.
|
Flatfile |
item |
42** |
2 |
|
|
Lausanne, circa 1865
|
|
|
|
|
Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and
Braun; A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. See
98.R.19-b04.18a for variant item. H 198. Former folder number: FF 64**.
|
Flatfile |
item |
43** |
2 |
|
|
Thoune, circa 1866
|
|
|
|
|
Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin)
France; Appareil panoramique breveté de Johnson Brandon and Braun. Numbering in
ink on recto of mount. Dated by Bonnemaison. A 10. Former folder number: FF
21**.
|
43** |
3 |
|
|
Fribourg (G d Fey), 1865
|
|
|
|
|
Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin)
France; Appareil panoramique breveté de Johnson Brandon and Braun. Dated by
Bonnemaison. Location is probably the Viaduct Grandfey on the railroad from Berne
to Fribourg. IX.41. Former folder number: FF 9**.
|
box |
item |
13 |
25 |
|
|
Lake in the Mountains, circa 1865 |
|
|
|
|
Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and
Braun; A. Braun à Dornach (Haut Rhin) France. Date and title from Bonnemaison.
Exact location unknown, probably Swiss or French Alps. H 181. Former folder
number: FF 59**.
|
13 |
26 |
|
|
Alps, 1865 |
|
|
|
|
Carbon print. Untitled; photographer's name and date from Bonnemaison. D 126.
Former folder number: 8*.
|
|
|
|
|
|
Charnaux Frères & Co., circa 1860-1870 |
box |
item |
4 |
15 |
|
|
Geneva, circa 1860-1870 |
|
|
|
|
Three-part panorama, albumen. Photographer's name in negative, left print. Dated
by Bonnemaison. B 75. Former box number: 10.
|
4 |
16 |
|
|
Lake Geneva/Lake Léman, circa 1865 |
|
|
|
|
Six-part panorama, albumen. Photographer's name in negative, left print. Date and
title from Bonnemaison. H 173. Former box number: 1.
|
box |
item |
13 |
12 |
|
Jaeger, Genève, Panorama de la Rade et le Mont
Blanc, circa 1930
|
|
|
|
Gelatin silver. Photographer's name on recto. Title printed on recto of mount.
Dated by Bonnemaison. Jaeger is probably G. Jaeger, a Geneva postcard publisher
active during the early 20th century. Written in pencil verso: Malange. A 30. Former
box number: 13*.
|
|
|
|
|
|
Neurdein Frères, circa 1890 |
|
|
|
Albumen prints. B 60. Former box number: 13*. |
box |
item |
13 |
13-14 |
|
|
Geneva |
|
|
|
|
Two prints. Photographer's name and date from other items in group. |
13 |
15 |
|
|
Genève et le Mt. Blanc
|
|
|
|
|
Photographer's name and date from other items in group. Title written in pencil
on verso.
|
13 |
16 |
|
|
Panorama de Lucerne
|
|
|
|
|
Title, photographer's name and numbering on recto: ND. Phot. Dated by the
Bourbaki panorama building on the far left of print which was constructed in
1881.
|
box |
item |
4 |
14 |
|
Photographer unidentified, Lausanne, circa 1880 |
|
|
|
Five-part panorama, albumen. Title and date from Bonnemaison. Numbered on verso. B
61. Former box number: 1.
|
|
|
|
|
Unidentified European locations, 1865-1937 |
|
|
Includes the work of nine different unidentified photographers. |
box |
item |
4 |
17 |
|
The Alps with Matterhorn Mountain, circa 1865 |
|
|
|
Eight-part panorama, albumen. Title and date from Bonnemaison. Numbered in pencil
on verso. H 172. Former box number: 1.
|
4 |
22-27 |
|
Landscape Views from a Ship, circa 1890 |
|
|
|
Six prints on gelatin printing-out paper. Dated by Bonnemaison. Ship might be
Italian because of the flag in one of the pictures. Region might be Scandinavia
because of the architecture. F 148. Former box number: 4*.
|
box |
item |
7 |
7 |
|
Portrait of a Man with Hat in Five Different Angles, 1924 |
|
|
|
Gelatin silver postcard, mirror imaging. Date and greetings written in pencil on
verso: herzl. Grüße Gebr. Engel i/a. Schorsch 15/9.24. The five simultaneous
exposures of the man were made using two mirrors. The back of the man is the real
person. Such photographs are known as a multigraphs, and postcards such as this were
often a fun fair attraction. IX.53. Former box number: 16.
|
7 |
11 |
|
Landscape with Lake and Mountains, circa 1910 |
|
|
|
Gelatin silver. Dated by Bonnemaison. A 18. Former box number: 12. |
box |
item |
10 |
18 |
|
Landscape with Horse, circa 1920-1937 |
|
|
|
Two-part joined panorama, gelatin silver. See other items from Soviet Union,
Poland, and Paris in this series. I 203. Former box number: 2*.
|
10 |
19 |
|
City on a River, 1920-1930 |
|
|
|
Three-part joined panorama, gelatin silver. I 203. Former box number: 2*. |
10 |
20 |
|
Pond and Village, circa 1890 |
|
|
|
Four-part joined panorama, cyanotype. Dated by Bonnemaison. Location unknown. D
120. Former box number: 19.
|
box |
item |
13 |
27 |
|
Mediterranean City in a Bay, circa 1860 |
|
|
|
Two-part joined panorama, albumen. Dated by Bonnemaison. B 66. Former box number:
3*.
|
Flatfile |
item |
45** |
1 |
|
Snow-covered Alps, circa 1910 |
|
|
|
Gelatin silver. Title and date from Bonnemaison. E 137. Former folder number: FF
50**.
|