Series VI contains printed ephemera in the form of announcements and invitations, with
some notable correspondence interfiled. A separate box contains correspondence with
prominent gallery owners, including Leo Castelli and Richard Demarco, about purchases,
the settlement of accounts and Panza's involvement with the Edinburgh Art Festival.
box
224
France
224
1
Dijon, 1988-1990
224
2
Nice, 1988-1990
224
3
Marseille, 1988
224
4
France, miscellaneous, , 1982 1985-1990
224
5
Paris, 1959-1986
Includes letters from Gualtieri di San Lazzaro of Société Internationale d'Art XXe
Siècle (1959, n.d.), René Drouin about selling his Wols (1959), Yvon Lambert (1968,
1976) and Betty Anderson (1976).
box
225
France
225
1-5
Paris, 1987-1990
box
226
Germany
226
1
Berlin, 1976-1990
226
2
Bonn, , 1980 1987-1990
226
3-4
Düsseldorf, , 1978-1981 1983-1990
226
5
Frankfurt, 1960-1990
226
6
Hamburg, 1972-1990
box
227
Germany, Austria
227
1-2
Köln, 1974-1990
227
3-4
Munich, 1968-1990
227
5
Stuttgart, 1988-1990
227
6
Germany, miscellaneous, 1978-1990
227
7
Innsbruck, 1983-1990
227
8
Vienna
1987-90.
box
228
Italy
228
1
Emilia-Romagna, 1978-1990
228
2
Florence, 1986-1990
228
3
Genoa, 1975-1990
includes 4 letters from Paolo Minetti of Galleriaforma (1978, 1980).
228
4
Lombardy, 1957-1990
includes letter from Guido Le Noci (1957); 7 items of correspondence with Marilena
Pasquali and Franco Solmi of Galleria d'Arte Moderna, Bologna, regarding loans for
"Europa/America" (1976).
228
5-6
Milan, 1973-1987
includes Françoise Lambert copied typescript "Notes on 'Cathexis'" (ca.1974) and
original etching by Pierre Lindner (1980).
box
229
Italy
229
1-5
Milan, 1988-1990
229
6
Naples, 1987-1990
box
230
Italy
230
1-2
Rome, 1960-1990
230
3
Turin, 1975-1990
230
4
Venice, 1975-1990
includes 6 letters from Gabriella Cardazzo of Galleria d'Arte del Cavallino
(1975-1978).
230
5
miscellaneous, , 1983 1985-1990
box
231
Australia, Belgium, Canada, Japan, Holland
231
1
Australia, , 1984 1987
231
2
Belgium, Antwerp, , 1986-1987 1989-1990
231
3
Belgium, Brussels, 1985-1989
231
4
Belgium, miscellaneous, 1975-1990
231
5
Canada, 1975-1990
231
6
Japan, 1977-1990
231
7
Holland, Amsterdam, 1980-1990
231
8
Holland, miscellaneous, , , 1976 1978 1980
box
232
Switzerland
232
1
Basel, 1959-1990
includes letter from Marie-Suzanne Feigel of Galerie d'Art Moderne (1959), 2
postcards from Rolf Preisig (1978, 1984).
mostly from Anders Tornberg in various shapes and using materials inventively.
233
3
Spain, 1986-1990
233
4
miscellaneous, , 1982 1985-1990
box
234
United Kingdom
234
1-4
London, , 1972 1975-1989
includes correspondence with Whitechapel Art Gallery about long-term loans at the
National Gallery of Modern Art, Edinburgh (1979).
box
235
United Kingdom
235
1-2
London, 1990
folder
3
London, Lisson Gallery, 1979-1990
includes some correspondence with staff about new works for Varese (1990).
box
folder
235
4
Edinburgh, , 1978 1986-1990
see box 242 for considerable correspondence with Richard Demarco.
235
5
miscellaneous, 1979-1990
box
236
USA
236
1-5
New York, 1957-1987
includes letters and notes from Betty Parsons (1957), David Hayes (1964), Richard
Bellamy (1966), Xavier Fourcade (1974-1975, 1977, 1979-1979), Sidney Janis (1975,
1978, 1987), Max Protetch (1976, 1978, 1985), Holly Solomon (1977-1978, 1982,
1984-1985), Postcard from Judy Fiskin (1985), Panza notes listing galleries with
works and prices (1971); 1957, 1964-1967, 1969, 1971-1972, 1974-1987.
box
237
USA
237
1-5
New York, 1988-1989
box
238
USA
238
1-4
New York, 1989-1990
box
239
USA
239
1
California, Irvine, 1987-1990
includes correspondence with Melinda Wortz, UCI, about a museum for perceptual
art.
239
4-5
California, Los Angeles, 1973-1989
includes letter from Betty Asher (1981) and much material about loans to Ace
Gallery for "The Innovators/Entering the Sculpture" (1989, see also Venice for other
letters from Douglas Christmas).
box
240
USA
240
1
California, Los Angeles, 1990
240
2-3
California, San Francisco, 1974-1990
includes letters from Daniel Weinberg (1974, 1976, 1979-1980).
240
4
California, Santa Monica, 1987-1990
box
241
USA
241
1
California, Venice, 1974-1990
includes letters from Douglas Christmas (1974, 1977) and Peter Goulds (1988).
241
2
California, miscellaneous, 1977-1990
241
3
Illinois, Chicago, 1979-1990
includes letters from Donald Young (1979,1981, 1985).
241
4-5
United States, miscellaneous, 1970-1990
box
242
Correspondence
242
1
Bonomo, Marilena, 1975-1989
ca.19 items.
242
2
Castelli, Leo, , 1972-1976 1979-1988
substantial correspondence mostly contains photocopies of letters from Panza
documenting minimal and conceptual art purchases, exchanges, his need for drawings
and certificates from the artists, settling of accounts, Panza's museum programs and
appraisal of the collection (1984), ca.50 items.
242
3-6
Demarco, Richard, 1975-1987
includes extensive correspondence with Demarco, staff and others regarding
Edinburgh Arts Festival, covering topics such as exhibitions, fundraising, lectures,
visits to Varese and festival itineraries. Also correspondence about finding space
for the collection in Edinburgh (see also Series I, Box 65-66), copied typescript of
Demarco's interview with Pontus Hulten (26 Mar 1982), Demarco Gallery board meeting
minutes and clippings, ca.180 items.
242
7
Friedrich, Heiner, 1966-1978
includes correspondence about purchases and Panza's account with list of purchases,
and 1 page description of La Monte Young and Marian Zazeela's "Sound and Light
Environment" (1966) ca. 20 items.
242
8
Sperone, Gian Enzo
mostly payment receipts with list of purchases, 1966, 1973-1976 ca. 20 items.
242
9
Weber, John, , 1971-1977 1985
mostly correspondence about Panza's account, with many financial statements, ca.25
items.
