|
|
|
|
|
|
|
|
|
|
|
|
| Series V. Museums, 1959-1990, 1970s-1980s 10 lin. ft. 26 boxes |
| Series consists primarily of correspondence documenting Panza's relationship with
museums throughout the United States and Europe. Many of the letters refer to Panza's
search for permanent installations of his collection, long-term and temporary exhibition
loans and visits by others to his villa in Varese. Included is extensive and
comprehensive material (1980-1987) from Museum of Contemporary Art, Los Angeles (MOCA)
about board of trustee and curatorial functions, and regarding the sale of his
collection to the institution.
|
| box |
|
| 198 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) 1980-1982 |
| 198 |
1-3 |
|
Board of Trustees |
|
|
|
meeting minutes and some correspondence outlining important board functions,
including architect selection and construction of the Bunker Hill site, building
renovation for the Temporary Contemporary, operating budgets, fund-raising,
acquisitions policy, nomination of new trustees, etc..
|
| box |
|
| 199 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 199 |
1-3 |
|
Board of Trustees, 1983-1985 |
|
|
|
meeting minutes and some correspondence documenting similar topics as above, and
also includes "Strategic Development Plan," community relations, exhibitions
program, acquisition of and financial arrangements for the Panza Collection.
|
| box |
|
| 200 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 200 |
1-3 |
|
Board of Trustees, 1986-1987 |
|
|
|
meeting minutes and some correspondence about the chief curator search, education
programs, bookstore start-up financing and construction, volunteers.
|
| box |
|
| 201 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 201 |
1 |
|
Philosophy |
|
|
|
includes "Museum of Contemporary Art, Los Angeles (MOCA): An Introduction to its
Goals and Policies," with report, "The Collections Information Book" and "The
Collections of Museum of Contemporary Art, Los Angeles (MOCA)" (1981).
|
| 201 |
2 |
|
Acquisition Committee, 1982-1984 |
|
|
|
meeting minutes, policy drafts and reports about acquisitions (see also Board of
Trustees).
|
| 201 |
3 |
|
Bylaws , see box 203, folder 9 for amended bylaws). undated |
| 201 |
4 |
|
Financial, 1980-1987 |
|
|
|
includes reports from Touche Ross & Co. (1980-1981) and Financial Planning and
Budget Committee meeting minutes (1984, 1987; see also Board of Trustees).
|
| 201 |
5 |
|
Recognition Opportunities, , 1985 1987 |
|
|
|
summary and report regarding donor recognition). |
| box |
|
| 202 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 202 |
1-16 |
|
Correspondence, 1980-1988 |
|
|
|
consists of letters and telegrams with Richard Koshalek, Eli Broad, William
Kieschnick, other board members and Museum of Contemporary Art, Los Angeles (MOCA)
staff regarding various topics, such as: Panza's election to the board (1980);
Panza's delight over museum's progress, his concern about the relatively small
quantity of exhibition space, which makes the installation of environmental art
difficult, and Panza's museum plans in Italy (1981); negotiations for the purchase
of 80 works from the collection (1983-84); many telegrams with Julia Brown and other
Museum of Contemporary Art, Los Angeles (MOCA) staff regarding exhibition of works
in Panza's collection for "The First Show" (1982-83), "The Panza Collection"
(1984-85) and the Turrell exhibition (1985); Panza's concerns about Museum of
Contemporary Art, Los Angeles (MOCA) skylights (see boxes 205-206 for schematics and
Panza drawings), ideas for a sculpture garden (see box 24 for Panza installation
designs), importance of keeping the Temporary Contemporary facility and finding a
permanent home for his Minimal and Conceptual works (1984); 3 slides of Oldenburg
reinstallation at Museum of Contemporary Art, Los Angeles (MOCA) and Panza's
concerns for changes in the Barry entrance room (1985); Panza ideas for installation
of Minimal and Conceptual works in the BH courtyard (similar to sculpture garden
idea) and confusion over board potentially selling works (1986, see especially
letter from Kathy Bonner 11/4). Also many short telegrams coordinating Panza's
schedules while in L.A. and visitors to Varese.
|
| box |
|
| 203 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 203 |
1 |
|
Regione Piemonte acquisition correspondence, 1983 |
|
|
|
copies of Panza letters regarding placement of the works now at Museum of
Contemporary Art, Los Angeles (MOCA).
|
| 203 |
2 |
|
Proposed collection acquisition, 1983-1984 |
|
|
|
correspondence and copies of Museum of Contemporary Art, Los Angeles (MOCA)
agreement and appraisals by Sotheby's and Christie's.
|
| 203 |
3 |
|
Original sales contract, undated |
|
|
|
written by Panza. |
| 203 |
4 |
|
Contract copy, 15 Dec 1983 |
| 203 |
5 |
|
Contract changes, 24 Jan 1984 |
| 203 |
6 |
|
Banca Popolare correspondence, 1984 |
|
|
|
regarding payment schedule. |
| 203 |
7 |
|
Bill of Sale, 1985 |
| folder |
|
| 8-9 |
|
|
Sergio Erede correspondence, 1985-1986 |
|
|
|
copy of 11 page letter to Erede, Panza's lawyer, from Panza about misunderstanding
with Museum of Contemporary Art, Los Angeles (MOCA) over financial arrangements of
sale with copies of documentation (1985). Separate folder contains letters regarding
withholding tax and documents additional problems with Museum of Contemporary Art,
Los Angeles (MOCA) about payment schedule and deaccessioning works from the
collection. Also contains bill of sale for 1986 and Museum of Contemporary Art, Los
Angeles (MOCA)'s amended bylaws (see also Series I, Box 6 for more with Erede).
|
| box |
folder |
| 203 |
10 |
|
Bill of Sale, 1987 |
| 203 |
11 |
|
Mutual General Release agreement, 1988 |
| 203 |
12-13 |
|
Potential acquisition of Minimal and Conceptual works, 1985 |
|
|
|
list of artists selected by Koshalek of the second portion of Panza's collection
(now at Guggenheim) with drawings and blueprints of Museum of Contemporary Art, Los
Angeles (MOCA) schematics and potential installation schemes (1984). Also "Proposed
Selections from the Remainder of the Panza Collection (Version Two)," 2 copies
(April 5, 1985).
|
| 203 |
14 |
|
Photocopies of 38 works |
| 203 |
15-16 |
|
Loan Forms |
|
|
|
loan forms and some correspondence for "The First Show" and "Individuals" (see box
205 for checklists).
|
| box |
|
| 204 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) 1984-1985 |
| 204 |
1-4 |
|
Installation designs for the TC (Temporary Contemporary) |
|
|
|
original Panza drawings and copies of potential exhibitions of his collection at
MOCA's TC building, n.d. (earlier), 6 Dec 1984, 9 Feb 1985, 15 Apr 1985.
|
| 204 |
5-6 |
|
Installation designs for Bunker Hill (i.e. MOCA building), 1984-1985 |
|
|
|
drawings and copies, 15 Apr 1984 and various 1984 and 1985. |
| 204 |
7 |
|
Installation designs for California Plaza (i.e., MOCA building) undated |
|
|
|
drawings and copies. |
| box |
folder |
| 205 |
8-10 |
|
Installation designs for sculpture garden, 1984 |
|
|
|
drawings and copies of work photographs for proposed sculpture garden installation
at California Plaza.
|
| 205 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 205 |
1-2 |
|
"Individuals" checklists, 1986 |
|
|
|
copies of typescript artists checklist and handwritten works checklist by Julia
Brown with three letters from. Separate folder contains typescript checklist (28 Jan
1986) and short bios of artists.
|
| 205 |
3 |
|
Exhibitions 1986 |
|
|
|
consists mostly of press releases. |
| 205 |
4-7 |
|
Press Releases, 1980-1987 |
|
|
|
A very incomplete set, from scattered years. |
| 205 |
8-10 |
|
Press Clips, , 1981 1983-1987 |
|
|
|
contains copies of newspaper and journal articles regarding new building,
exhibitions, and various other Museum of Contemporary Art, Los Angeles (MOCA)
related topics, (bulk 1987).
|
| 205 |
11 |
|
Skylight Studies |
|
|
|
drawings by Panza (1984) for Museum of Contemporary Art, Los Angeles (MOCA)
skylights at Bunker Hill site.
|
| box |
|
| 206 |
|
USA, Museum of Contemporary Art, Los Angeles (MOCA) |
| 206 |
1 |
|
Skylight Blueprints |
|
|
|
for the Bunker Hill MOCA site. |
| 206 |
2 |
|
Interviews |
|
|
|
copies of "The First Show" catalog and annotated typescript of "The Panza
Collection."
|
| 206 |
3 |
|
Cards and Invitations |
|
|
|
includes invitations to Museum of Contemporary Art, Los Angeles (MOCA) openings and
parties given by trustees, ca.43 items.
|
| 206 |
4 |
|
miscellaneous Cards |
|
|
|
includes thank you notes and invitations, ca.23 items. |
| 206 |
5 |
|
Schedules |
|
|
|
notes, letters and invitations written primarily by Museum of Contemporary Art, Los
Angeles (MOCA) staff to coordinate Panza's schedule while visiting L.A.
|
| 206 |
6 |
|
Addresses and phone numbers |
| 206 |
7 |
|
Receipts, 1988 |
|
|
|
some express mail receipts for documents sent to Museum of Contemporary Art, Los
Angeles (MOCA), withholding tax forms for sale of collection and insurance and
shipping receipts.
|
| 206 |
8 |
|
photographs |
|
|
|
mostly of Panza Collection installation, 10 items. |
| 206 |
9 |
|
miscellaneous |
|
|
|
reports, memos, notes, announcements, etc. |
| box |
|
| 207 |
|
USA, Los Angeles County Museum of Art (LACMA) |
| 207 |
1-2 |
|
Contract correspondence and agreement, 1984-1986 |
|
|
|
much correspondence with Earl A. Powell regarding possible acquisition of the
collection and copies of contract draft.
|
| 207 |
3 |
|
List of works |
|
|
|
copies of lists made by Panza. |
| 207 |
4 |
|
Acquisition recommendation, 1985 |
|
|
|
list of works recommended for acquisition, generated by Los Angeles County Museum
of Art (LACMA).
|
| 207 |
5-6 |
|
Third and Fourth floor plans |
|
|
|
blueprints of Los Angeles County Museum of Art (LACMA)'s Anderson building's fourth
floor and Panza drawings for installations.
|
| 207 |
7 |
|
Correspondence |
|
|
|
includes letters about visits to the collection from Maurice Tuchman and loan
requests.
|
| 207 |
8 |
|
Press releases |
|
|
|
announcements, press releases, collection lists, etc. |
| box |
|
| 208 |
|
USA, Museum of Modern Art, New York (MOMA) |
| 208 |
1 |
|
1960-1969 |
|
|
|
membership cards. |
| 208 |
2-6 |
|
1972-1984 |
|
|
|
consists of material from the International Council of MOMA, such as
correspondence, meeting minutes and itineraries, exhibition lists, financial
statements, reports, etc.
|
| box |
|
| 209 |
|
USA, Museum of Modern Art, New York (MOMA) |
| 209 |
1-5 |
|
1985-1990 |
|
|
|
mostly general membership materials, including newsletters, calendars,
correspondence, announcements, invitations and some items from the International
Council,.
|
| box |
|
| 210 |
|
USA, Whitney Museum of Art |
| 210 |
1 |
|
Correspondence |
|
|
|
letters from Richard Armstrong and other personnel about visits to Varese and
loans.
|
| 210 |
2-3 |
|
Membership letters and info., 1988-1990 |
|
|
|
much material requesting donations and listing events. |
| 210 |
4 |
|
Announcements and invitations |
|
|
|
ca.35 items. |
| box |
|
| 211 |
|
USA, A-F; includes: |
| folder |
|
| 1 |
|
|
Arizona |
|
|
|
primarily contains material from Phoenix Art Museum in the form of correspondence
and schedules regarding the Panza's visit there (1987).
|
| box |
folder |
| 211 |
2-4 |
|
California, La Jolla Museum of Art, 1985-1987 |
|
|
|
includes extensive correspondence with Hugh Davies and others about possible loan
and installation of the collection at the B Street Pier Warehouse (1985-1986), with
copy of a letter from Panza outlining 10 different exhibition programs. Also
includes announcements and Biennial Report 1986 and 1987.
|
| 211 |
5-6 |
|
California, Long Beach Museum of Art |
|
|
|
substantial correspondence with Jan Ernst Adlmann regarding 15 year loan of the
collection (1974-75) with agreement, contract, blueprints of I.M. Pei's design for
new museum and 6 slides of model.
|
| 211 |
7 |
|
California, miscellaneous |
|
|
|
includes correspondence and announcements from various art institutions in
Calif.
|
| 211 |
9 |
|
Florida, Center for the Fine Arts, Miami, 1979-1980 |
|
|
|
polite correspondence re Jan van der Marck's appointment as director. |
| box |
|
| 212 |
|
USA, I-N; includes: |
| 212 |
1 |
|
Illinois, ca. 1974-1985 |
|
|
|
correspondence from James Speyer of the Art Institute of Chicago about visiting
Varese and from various staff from Museum of Contemporary Art, Chicago.
|
| 212 |
2-4 |
|
Iowa, Des Moines Art Center, 1987-1990 |
|
|
|
includes some correspondence with Julia Brown Turrell about personal matters and
long-term loans from the collection (1987), and "New Museum Architecture and
Contemporary Art" symposium and copy of text written by Brown Turrell for Journal of Art about Panza's contractual arrangements with
artists concerning fabrication (1990). Also includes press releases and telegrams,
ca.27 items.
|
| 212 |
5-7 |
|
Massachusetts, Museum of Contemporary Art |
|
|
|
substantial correspondence with Thomas Krens and others about acquisition and
long-term loans of works in the collection and government approval problems
associated with the overall MASS Museum of Contemporary Art, Los Angeles (MOCA)
project (1986-87). Also "MASS Museum of Contemporary Art, Los Angeles (MOCA) Project
Realization Political Milestones," "Executive Summary" of project and blueprint (3
copies) of Williams College Contemporary Museum of Art renovation.
|
| 212 |
9 |
|
Michigan, Detroit Institute of Arts |
|
|
|
includes letters regarding Panza's 1985 lecture there. |
| 212 |
10 |
|
Minnesota, Walker Art Center |
|
|
|
includes much polite correspondence with Martin Friedman. |
| 212 |
12-13 |
|
New York, Dia Art Foundation |
|
|
|
includes correspondence with Philippa Pellizzi, Heiner Friedrich and Helen Winkler
about De Maria's "Lightning Field" (see Series IIA Box 106.5 for some of the
original letters) and Panza's museum programs, and announcements, ca.60 items.
|
| box |
|
| 213 |
|
USA, N-Z; includes: |
| 213 |
1 |
|
New York, Guggenheim Museum of Art, 1969-1989 |
|
|
|
correspondence with Tom Messer and other personnel regarding financial
contributions, loans for Rothko, Ryman and Lichtenstein exhibitions and visits to
Varese (1969-1987), and includes copy of contract draft for purchase of works now at
Guggenheim (1989).
|
| 213 |
2 |
|
New York, miscellaneous |
|
|
|
correspondence, announcements, membership cards, etc., from various museums. |
| 213 |
8 |
|
Texas |
|
|
|
includes letter from and response to Stephen Nash, Dallas Museum of Art, about
collection placement and loan request from Robert Murdock, Dallas Museum of Fine
Art.
|
| 213 |
10 |
|
Washington, D.C. |
|
|
|
includes some letters from personnel of the Hirshhorn Museum and the National
Gallery of Art.
|
| 213 |
11 |
|
Correspondence with directors |
|
|
|
thank you notes from, and letters arranging visits and discussing Panza's museum
plans with Jan van der Marck, I. Michael Danoff, Richard Koshalek, J. Carter Brown,
Marcia Tucker and many others.
|
| box |
|
| 214 |
|
France |
| 214 |
1-2 |
|
Bordeaux, Musée d'Art Contemporain, 1980s |
|
|
|
correspondence with Jean-Louis Froment and other staff members about loans, visits
and other matters. A separate folder contains newsletters, announcements,
invitations, etc.
|
| 214 |
3-4 |
|
Lyon, Musée St. Pierre |
|
|
|
correspondence with Thierry Raspail about the exhibition of the collection (1989)
and "La Couleur Seule (1988), announcements, invitations and newsletters. Also
substantial quantity of plans drawn by Panza for Flavin exhibition with many
photographs and slides of the museum.
|
| box |
|
| 215 |
|
France |
| 215 |
1-2 |
|
Paris, Pompidou Center, 1970s-1980s |
|
|
|
correspondence with Dominique Bozo, Pontus Hulten and staff re exhibition and
long-term loans, visits and other matters, and a substantial quantity of
announcements and invitations.
|
| 215 |
3 |
|
Paris, Musée d'Art Moderne de la Ville de Paris |
|
|
|
mostly correspondence about "Electra" exhibition (1983) and also a letter from
Pierre Gaudibert about the date change of the Rauschenberg show (1968).
|
| 215 |
4-5 |
|
St. Etienne |
|
|
|
primarily correspondence with Bernard Ceysson regarding the exhibition of Nauman
and Long works (1988-1990) and 5 different plans drawn by Panza for various
installations.
|
| 215 |
6 |
|
France, miscellaneous |
| box |
|
| 216 |
|
Germany, Japanese |
| 216 |
1 |
|
Berlin |
|
|
|
includes correspondence with Lucius Grisebach about loans and a text for the "New
York in Europa" exhibition (1976) and with Werner Haftmann, both of the
Nationalgalerie, regarding loans for the Rothko show (1970-1971).
|
| 216 |
2 |
|
Köln |
|
|
|
includes much correspondence with Kasper Koenig regarding "Westkunst" loans
(1980-1981), and with Evelyn Weiss and others about Rothko loans (1971-1972).
|
| 216 |
3 |
|
Stuttgart |
|
|
|
correspondence with Gudrun Inboden, Peter Beye and others about loans and placement
of the collection at Staatsgalerie (1976-85).
|
| 216 |
4 |
|
Germany, miscellaneous |
|
|
|
1972-81. |
| 216 |
5 |
|
Germany, miscellaneous |
|
|
|
1983-88. |
| 216 |
6 |
|
Germany, correspondence with directors |
|
|
|
some miscellaneous correspondence |
| 216 |
7 |
|
Austria |
|
|
|
1 item. |
| 216 |
8 |
|
Japan |
|
|
|
correspondence with Fumio Nanjo of the Japan Foundation (1983). |
| box |
|
| 217 |
|
Belgium, Iran, Mexico, Holland |
| 217 |
1 |
|
Belgium, 1971-1972 |
|
|
|
some correspondence about loans for "Metamorphoses de l'Objet" and
announcements.
|
| 217 |
2 |
|
Iran |
|
|
|
1 item. |
| 217 |
3 |
|
Mexico |
|
|
|
4 items. |
| 217 |
4-5 |
|
Holland |
|
|
|
includes correspondence with Rudi Fuchs of Van Abbemuseum Eindhoven, Edy de Wilde
of Stedelijk Museum, R.W.D. Oxenaar of Rijksmuseum Kröller-Müller and their staffs
regarding loans and other matters. Also many blueprints of Van Abbemuseum
Eindhoven.
|
| box |
|
| 218 |
|
Spain, Reina Sofia |
| 218 |
1 |
|
Correspondence, 1985-1988 |
|
|
|
with Carmen Giménez and others regarding the loans, 1988 exhibition of the
collection and other matters.
|
| 218 |
2 |
|
Announcements and invitations |
|
|
|
ca.40 items. |
| 218 |
3-6 |
|
Plans for 1988 Exhibition |
|
|
|
includes blueprints, schematics, installation plans, and checklist. |
| 218 |
7 |
|
Articles |
|
|
|
clippings and journals, some about the 1988 exhibition. |
| 218 |
8 |
|
miscellaneous |
|
|
|
includes correspondence, insurance information and visitors record for 1988 show, 7
photographs of the building before it was renovated and 4 photographs of the
interior after renovation.
|
| box |
|
| 219 |
|
Scandinavia, Spain (miscellaneous), Switzerland, United Kingdom |
| 219 |
1 |
|
Scandinavia |
|
|
|
letters from Knud Jensen of Louisiana Museum of Modern Art about possible loans and
acquisition of the collection (1971, 1978), Björn Springfeldt and others.
|
| 219 |
2-3 |
|
Spain |
|
|
|
some correspondence about collection placement, 10 items, and 1 architectural
drawing and installation designs for El Borne project.
|
| 219 |
4 |
|
Bern, Kunsthalle |
|
|
|
includes letters from Franz Meyer regarding 1959 Tàpies exhibition and much
material for 1979 exhibition of the collection, such as correspondence with Johannes
Gachnang, checklist, installation plans, blueprints, typescript "Un conciliante
dialogo d'arte" and 20 photographs of the exhibition.
|
| 219 |
5 |
|
Geneva, Musée Barbier-Mueller |
|
|
|
letters from Martine Renaud and others from l'Association des Amis du Musée
Barbier-Mueller concerning shows, bulletins and other matters, and also includes
announcements and invitations, 1981-87.
|
| 219 |
6 |
|
Zürich, Kunsthalle |
|
|
|
includes correspondence with Erika Billeter and R. Wehrli about loans, and
collection lists.
|
| 219 |
7 |
|
Switzerland, miscellaneous |
|
|
|
includes correspondence with Martin Schwander regarding loans for Internationale
Skulpturen-Ausstellung, Wenkenpark Riehen (1980) and many press releases and
announcements from Kunstmuseum Luzern and other various institutions (see Series I,
Box 11-13, for more regarding Basel, especially the long-term loan
negotiations).
|
| 219 |
8 |
|
United Kingdom |
|
|
|
miscellaneous correspondence from Alan Bowness of the Tate Gallery and the staff of
various museums about loans, collection placement and visits to Varese.
|
| box |
|
| 220 |
|
Canada, Australia, Italy |
| 220 |
1 |
|
Vancouver Art Gallery, 1977-1984 |
|
|
|
mostly correspondence with Luke Rombout about long-term loans of the collection and
booklet "Vancouver Sculpture Project 86."
|
| 220 |
2 |
|
Canada, miscellaneous |
|
|
|
contains mostly correspondence with the staff of the National Gallery of Canada
about Panza writing a text on his collection, various loans and visits.
|
| 220 |
3 |
|
Australia |
|
|
|
2 items. |
| 220 |
4-5 |
|
miscellaneous Italy |
|
|
|
letters, brochures, announcements, invitations, etc. |
| 220 |
6 |
|
miscellaneous Italy, correspondence with directors |
|
|
|
includes 2 letters from Palma Bucarelli (1974, 1980) and 2 letters to (1979,
1982).
|
| 220 |
7-8 |
|
Biennale di Venezia, 1986 |
|
|
|
includes much correspondence regarding loans for "Arte e scienza" (1986) and loans
for other exhibitions, and announcements and invitations.
|
| box |
folder |
| 221 |
1-6 |
Italy, Triennale di Milano |
|
|
Primarily extensive material for "Light, Space, Perception, Energy" (1990), such as
correspondence, background materials, checklists, cost sheet, blueprints, installation
plans.
|
| box |
|
| 222 |
|
Italy, Brera |
| 222 |
1-2 |
|
Project Palazzo Citterio |
|
|
|
blueprints, Panza notes, "Relazione Architettonica" by Stirling, Wilford &
Associates, 2 photographs of model.
|
| 222 |
3-4 |
|
miscellaneous |
|
|
|
includes much information from L'Associazione Amici di Brera, such as
correspondence, schedules, invitations, invitation lists, financial report, etc.
(see also Amici di Brera in Series I); and also letters from Sovrintendenza per i
beni artistici e storici, newsletters, announcements and blueprints from Gregotti
Associati, 1976-86, n.d.
|
| box |
|
| 223 |
|
Italy |
| 223 |
1 |
|
Milan, Museo Poldi-Pezzoli, 1979-1990 |
|
|
|
mostly announcements and invitations, but also some letters from Alessandra Mottola
Molfino (see also Series I, Box 3 for Associazione Amici del Museo Poldi
Pezzoli).
|
| 223 |
2-3 |
|
Prato, Museo d'Arte Contemporanea Luigi Pecci, 1986-1990 |
|
|
|
includes many letters from Massimo Bellandi, programs of activities, Panza
typescript "L'arte europea ed il mondo oggi," announcements and invitations.
|
| 223 |
4 |
|
Turin, Lingotto, 1987-1988 |
|
|
|
some correspondence and installation drawings by Panza for Luce-Torino
exhibition.
|
| 223 |
5 |
|
Varese, Lodovico Pogliaghi, 1987 |
|
|
|
correspondence with Vera Rosnati Pogliaghi and lists of Panza donations. |
| 223 |
6-7 |
|
Venice, Palazzo Grassi, 1984-1987 |
|
|
|
includes correspondence with Pontus Hulten and others regarding exhibitions
(Arcimboldi and Tinguely), letters from Furio Colombo with materials regarding Amici
di Palazzo Grassi, announcements and invitations.
|
