| Title: | Giuseppe Panza papers |
| Dates: | 1956-1990 |
| Number: | 940004 |
| Creator/Collector: | Panza, Giuseppe |
| Extent: | 117 Linear Feet (311 boxes, 58 rolls, 3 flat file folders) |
| Abstract: | Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs. |
| Request Materials: | Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy. |
| Language: | Collection material is in English and Italian. |
| Repository: | The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 reference@getty.edu URL: http://hdl.handle.net/10020/askref (310) 440-7390 |
| Author: | Lynda Bunting. |
Missing Title |
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| 1923 | Born March 23rd in Milan. | |
| 1931 | Panza's father, Ernesto, purchases Villa Litta, Varese. | |
| 1943 | Fled to Switzerland with his older brother to avoid being drafted into the German army. | |
| 1948 | Bachelors in Law at University of Milan (never practiced, self-taught in art history). Started working in the family businesses of real estate development and the manufacture of industrial alcohol. | |
| 1955 | Married Rosa Giovanna Magnifico (5 children: Giuseppina, Alessandro, Federico, Giovanni, Giulio). | |
| 1956 | Inherited family businesses with his brother. Began collecting. | |
| 1957 | Acquires first Franz Kline work. | |
| 1959 | Begins collecting Robert Rauschenberg's work. | |
| 1962 | Purchases works from Claes Oldenburg's "The Store" and by James Rosenquist. | |
| 1966 | Acquires works by Robert Morris and Donald Judd. | |
| 1974 | Forms Modern Painting Trust (disbanded by 1978) and consummates Mönchengladbach long-term loan agreement for art works of the 1950s and early 1960s. | |
| Exported works now owned by Museum of Contemporary Art, Los Angeles (MOCA) to Switzerland. | ||
| 1975 | Düsseldorf long-term loan agreement. | |
| 1976 | Because of a new Italian law regarding estates abroad, Panza must decide to either sell that portion of his collection and bring the money home, or bring the paintings back to Italy. | |
| Basel long-term loan agreement. | ||
| Stopped collecting because of the Italian economic downturn. | ||
| Museum programs begin in earnest with his collection that contains ca. 600 works. | ||
| 1978 | Negotiations begin with Regione Piemonte about Castello di Rivoli housing the collection. | |
| Offers his villa to Regione Lombardia. | ||
| 1980 | Düsseldorf and Basel exhibitions. | |
| 1982 | Goes to court over re-importing works from Düsseldorf exhibition that were not specified (to export) in the contract. | |
| 1983 | Comune di Varese discusses foundation for potential museum. | |
| 1984 | MOCA purchases 50's and 60's works after the Italian government forces Panza to sell the collection and his other programs fail. | |
| 1987 | Begins collecting works by new artists (numbers close to 1,500 pieces by 1995). | |
| 1988 | Musée Rath, Geneva and Reina Sofia Museum, Madrid exhibitions. | |
| 1989 | Musée Saint Etienne and Saint Pierre, Lyon exhibitions. | |
| 1990 | Guggenheim purchases and receives through long-term loan and gifts Minimal and Conceptual works collected prior to 1976. | |
| 1992 | Exhibition and donation of ca. 200 works to the Lugano museum in Switzerland from Panza's recent acquisitions. Moves to Lugano to be free of Italian governmental restrictions on the collection and archive. | |
| 1994 | Donates 70 new works to MOCA. | |
| 2010 | Died April 24th in Milan. | |
The Giuseppe Panza Papers document the Italian businessman's considerable activities in collecting contemporary art. Panza collected works by some of the seminal American artists involved with Abstract Expressionist, Pop, Minimal, Conceptual, Environmental, and Light and Space art. The archive contains material from the time when he began collecting in 1956 up to the sale of the second part of his collection to the Guggenheim Museum, New York, in 1990. The portion of the archive relating to his most recent acquisitions from 1987 onward, remains in Panza's possession.
The archive has letters and other materials pertaining to Panza's various art related activities and much about his museum programs. He contacted many museum directors and Italian officials to garner support for his proposals to create museums utilizing works from his collection. Panza's art collection is documented by correspondence with and about artists and galleries, photographs, small drawings, invoices, loan requests, announcements and invitations, that were accumulated by Panza during the acquisition process and throughout his entire ownership period. There is also much ephemera, photographs and some correspondence with artists that Panza did not collect. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries and cultural institutions; clippings and photocopies of articles on the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs.
Indices exist for Series II, III, VIII and Panza's "drawings" collection.
The collection is organized in nine series:
Series I. General files, 1956-1990;
Series II. Works in the collection, 1959-1990;
Series III. Writings, 1956-1990;
Series IV. Miscellaneous
artists, 1969-1990;
Series
V. Museums, 1959-1990, bulk 1970s-1980s;
Series VI. Galleries, 1959-1990;
Series VII. Photographs, ca. 1959-1990;
Series VIII. Clippings, ca. 1960-1990;
Series IX. Architectural
drawings, ca. 1974-1990
Open for use by qualified researchers.
Contact Library Rights and Reproductions.
Seven binders contain photocopies of the index housed in Boxes 156 A-B. The index is an item-level description of everything in Series IIA. Artists. The files are grouped alphabetically by artist and sub-divided into categories of works, miscellaneous personal correspondence, miscellaneous gallery correspondence, announcements and invitations, photographs, works not in the collection (i.e. deaccessioned), shipment and invoice documents and miscellaneous. Each sheet describing an art work is marked in the upper right hand corner with Panza's inventory system of the artist's initials and numbered sequentially and with its corresponding box and folder number. The index was made by Panza's family (see Processing History).
It should be noted that the titles and dimensions listed in the index for the works now at Museum of Contemporary Art, Los Angeles (MOCA) have been updated by that institution's registrarial office. Museum of Contemporary Art, Los Angeles (MOCA) should be consulted for more details.
A separate binder has photocopies of the indices for Panza's Primitive collection and the clippings series.
Sections of Series II.A available in photocopies.
Giuseppe Panza papers, 1956-1990, Getty Research Institute, Research Library, Accession no. 940004.
http://hdl.handle.net/10020/cifa940004
Acquired from Panza in 1994.
The archive was extensively organized by members of Panza's family. Giovanni Panza, Panza's son, from 1987-1989 divided all the material according to artist and subject. Giuseppina Caccia Dominioni Panza, Panza's daughter, began in 1989 to check Giovanni's previous work, made files, matched photographs to each work and put all the papers into folders and boxes. In 1990 Cristiana Caccia Dominioni as well as Francesca Guicciardi Panza, daughter in-law of Panza, began helping Giuseppina. Francesca checked all of the physical descriptions of the works of the collection. As of 1995, all three women worked three mornings a week in Lugano on the archive supporting the art Panza currently collects. Lynda Bunting at the Getty Center began physical processing and description of the archive March 1994 and finished May 1995.
The leather boxes were handmade by the Rilegatoria Conti Borbone di Marchesifirm in Milan. Four empty boxes and some folders have been placed at the end of the collection for replacements.
| Series I. General files, 1956-1990 36 lin. ft. 94 boxes | |||||||||||
| Series I contains correspondence and other material primarily relating to Panza's collection, and also about art and culture in general, filed alphabetically by correspondent or institution. Of particular interest are files pertaining to Panza's attempt to install his collection for the general public in museums and renovated villas and factories throughout Europe and the United States (especially in Mönchengladbach, Düsseldorf, Basel, Castello di Rivoli, Vigevano and his own villa in Varese). These files contain much correspondence with museum directors and curators, architectural drawings, and a very large quantity of installation designs by Panza which record a focused and methodical approach to curating the collection. Concurrent correspondence with Beni Culturali officials, lawyers and others document Panza's legal problems associated with changes in Italian cultural patrimony laws and tax codes, which affected the eventual sale of part of the collection to the Museum of Contemporary Art, Los Angeles (MOCA) in 1984. There is other correspondence with critics, such as Germano Celant and Pierre Restany, and some with collectors, art world personalities and personal friends. Other material documents Panza's affiliations with various cultural associations, institutions and conferences, such as the Amici di Brera and the International Council of Museums (ICOM). | |||||||||||
| box | |||||||||||
| 1 | AC-AM, includes: | ||||||||||
| 1 | 2 | Academie de France a Rome, 1989 | |||||||||
| includes letter from Jean-Pierre Criqui commenting on Turrell's Roden Crater, "the milky way as art" (1989, see Box 306 Art misc. for copy of article), 4 items. | |||||||||||
| 1 | 4 | Acquisti Gallerie (gallery purchases) , 1970-1974 1988-1989 | |||||||||
| detailed list of yearly purchases of Minimal and Conceptual art with date of purchase and prices, mostly written by Panza. | |||||||||||
| 1 | 6 | Allemandi, Umberto & Co., 1983-1990 | |||||||||
| mostly about Giornale dell'arte, including photocopied corrections for two interviews (1983, 1990) and photocopied Panza responses to "best" and "worst" art events and publications of the year, ca.15 items. | |||||||||||
| 1 | 7 | Ambasciata (Ambassy) USA, 1976-1989 | |||||||||
| includes substantial corresp. about finding a home for the collection in Italy, ca.35 items. | |||||||||||
| 1 | 10 | American Archives (Archives of American Art) , 1977 1984-1986 | |||||||||
| includes corresp. with Stella Paul about Christopher Knight's interview and housing the archive at the institution, ca.22 items. | |||||||||||
| box | |||||||||||
| 2 | AR-ASSI | ||||||||||
| 2 | 1-2 | Architetti, , 1976-1979 1981-1988 | |||||||||
| contains miscellaneous correspondence with architects, announcements, invitations, business cards, ca.80 items. | |||||||||||
| 2 | 3 | Architetto Emilio Battisti, Florence, 1981 | |||||||||
| photocopied typescript "Il museo d'arte comtemporanea: immagine e filosofia di una istituzione." | |||||||||||
| 2 | 4 | Archivio, 1980-1986 | |||||||||
| material relating to this archive, such as annotated inventory lists (1980, 1983, 1985), photo order receipts, Giulio Panza's time sheets (1985), some correspondence, ca.55 items. | |||||||||||
| 2 | 5 | Arte Africana, Centro-UIA, , 1980-1982 1984-1990 | |||||||||
| includes correspondence about meetings and "letter of information," and membership lists, ca.35 items. | |||||||||||
| 2 | 6 | Arte Africana, Franco Monti, 1988 | |||||||||
| Collection appraisal. | |||||||||||
| 2 | 7 | Arte Africana, 1981-1990 | |||||||||
| mostly announcements and invitations, and includes photographs of the collection, ca.40 items. | |||||||||||
| 2 | 8 | Arte nei Comuni, 1980-1984 | |||||||||
| mostly correspondence about public art in peripheral areas of Milan with project descriptions, ca.16 items. | |||||||||||
| box | folder | ||||||||||
| 3 | 1-3 | ASSOCIAZIONE DIMORE STORICHE-ADSI, 1978-1990 | |||||||||
| Substantial quantity of newsletters, and also other material in the form of financial reports, membership lists and correspondence concerning conferences and itineraries, ca.60 items. | |||||||||||
| box | |||||||||||
| 4 | ASSOCIAZIONI | ||||||||||
| 4 | 1 | Amici del Poldi Pezzoli, 1972-1990 | |||||||||
| includes membership cards, program announcements and membership list, ca.45 items. [see also Series V, Box 223 for information on Museo Poldi Pezzoli]. | |||||||||||
| 4 | 2 | Italia Nostra, 1972-1990 | |||||||||
| includes membership cards, correspondence about meetings and visits to Varese, program announcements and 2 newsletters, ca.37 items. | |||||||||||
| 4 | 3 | Japan Art and Culture Association (JACA) 1982-1987 | |||||||||
| includes correspondence with Nobuo Nakamura and Fumiko Noro regarding Panza visit to Japan, ca.42 items. | |||||||||||
| 4 | 4 | Société des Amis du Musée National d'Art Moderne, , 1981-1982 1988-1990 | |||||||||
| mostly announcements and invitations to meetings (with schedules) and events, ca.30 items. | |||||||||||
| folder | |||||||||||
| 5 | ASSOCIAZIONI, ca. 1970-1990 | ||||||||||
| much from Associazione Amici del Museo Nazionale della Scienza e della Tecnica, Associazione Amici di Arturo Marini and Associazione Amici dei Musei Civici di Varese ca.50 items. | |||||||||||
| box | folder | ||||||||||
| 5 | 1-3 | ASSOCIAZIONI, 1975-1990 | |||||||||
| miscellaneous material mostly from Italian cultural associations, including a substantial quantity of announcements and correspondence about a variety of topics, such as visits to Varese, lectures, events, invitations, etc.; ca.140 items. | |||||||||||
| box | |||||||||||
| 6 | AT-AV, includes: | ||||||||||
| 6 | 1 | Attrezzature (outfitters) | |||||||||
| includes informational brochures, leaflets, receipts and notes by Panza on various materials for making art. | |||||||||||
| 6 | 3 | Avvocato Erede, , 1983 1985 | |||||||||
| copies of material contained in Series V, Box 203, and other MOCA files about the sale of the collection, ca.25 items. | |||||||||||
| 6 | 4 | Avvocato Fresa, 1979-1985 | |||||||||
| letters about legality of long-term loans of Conceptual art, re-importation problems of 2 Serra works, long-term loans to Mönchengladbach, Düsseldorf and Basel and taxation issues surrounding the sale of works to Museum of Contemporary Art, Los Angeles (MOCA), ca.15 items. | |||||||||||
| 6 | 5 | Avvocato Petretti, 1979-1981 | |||||||||
| letters regarding legal problems of long-term loans of African art from Italian collectors to Italian museums without the works receiving a cultural heritage designation and being taxed upon removal, and contributions to research on counterfeit art with a report, ca.13 items. [see also Brera, Box 18 for more on this problem and Basilea, Box 11 for more with Petretti]. | |||||||||||
| box | folder | ||||||||||
| 7 | 1-4 | AUGURI VARI, BIGLIETTI, greetings, 1970-1987 | |||||||||
| Christmas and New Years cards, letters and notes from museum directors, collectors and other art world personalities, ca.350 items (Box 8 included). | |||||||||||
| box | folder | ||||||||||
| 8 | 1-4 | AUGURI VARI, BIGLIETTI, greetings, 1987-1990 | |||||||||
| from museum directors, collectors and other art world personalities. Includes 1988 Christmas card from L.A. Louvre with George Herms print. | |||||||||||
| box | |||||||||||
| 9 | BANCHE, CREDITO COMMERCIALE | ||||||||||
| 9 | 1 | Payment Letters, 1959-1960 | |||||||||
| photocopies of letters submitting checks for payment on mostly personal matters, some with attached receipts. | |||||||||||
| 9 | 2-3 | Check Stubs and Account Statements, 1961-1983 | |||||||||
| photocopies of check stubs, many of which are for art purchases; and account statements reflecting money transfers, especially to galleries and artists. | |||||||||||
| box | |||||||||||
| 10 | BANCHE | ||||||||||
| 10 | 1 | Banca Popolare di Milano, , 1960-1990 bulk 1977-1978 | |||||||||
| photocopies of account statements and receipts for art related foreign transactions, such as subscriptions, storage, membership dues, and to a few artists. | |||||||||||
| 10 | 2 | Credito Varesino, 1971-1974 | |||||||||
| photocopies mostly of check stubs written to gallery owners and artists and account statements. | |||||||||||
| 10 | 3 | BANCHE, miscellaneous, 1962-1990 | |||||||||
| box | |||||||||||
| 11 | BASILEA (Basel) | ||||||||||
| 11 | 1 | Correspondence, 1974-1977 | |||||||||
| includes extensive correspondence with Franz Meyer, Jean-Christophe Ammann, Maja Sacher, staff of Christoph Merian Stiftung and Paul Jolles about 15 year loan of the collection for the "Environmental Art Museum" and problems between Panza and Fondation Emanuel Hoffmann about display of works; cost analysis and reports for renovating Alte Papierfabrik Stöcklin & Cie.; building program schedules; proposition for displaying works from Panza's collection, Fondation Hoffmann and the Kunstmuseum; letters with small drawings from architect Wilfrid Steib about renovation schemes; and renovation plans; ca.65 items. | |||||||||||
| 11 | 2 | Correspondence, 1978-1979 | |||||||||
| contains similar correspondence as above and also letters with various Italian officials and Panza's lawyer Petretti about the Italian government's potential decline of the 15 year loan request, Panza drawings on graph paper for installations and blueprints for a Basel botanical garden; ca.50 items. | |||||||||||
| 11 | 3 | Correspondence, 1980 | |||||||||
| with Meyer and others mostly regarding the exhibition, ca.40 items. | |||||||||||
| 11 | 4 | Correspondence, 1981 | |||||||||
| includes correspondence with Christian Geelhaar documenting tension over the issue of how the Panza collection should be shown with works from the museum and Fondation Hoffmann (1/13, 2/12, 7/14, 7/27, 9/9); expanding the museum; Geelhaar typescript "Inaugurazine del Museo d'arte contemporanea, 7 Novembre 1981" (also in German), ca.45 items. | |||||||||||
| 11 | 5 | Correspondence, 1982-1983 | |||||||||
| includes some correspondence and other material from Goethe-Stiftung, Basel, about Rembrandt and Hans Arp Prizes (see also Box 68 Rembrandt Prize), letter with questions concerning building of museums from Christiane Schreiter and Panza's response, Italian translation of Geelhaar's article "Museum für Gegenwartskunst, Basel" and list of Panza works still in Basel (1983), ca.30 items. | |||||||||||
| box | |||||||||||
| 12 | BASILEA (Basel) | ||||||||||
| 12 | 1 | Correspondence, 1984-1986 | |||||||||
| includes copies of lists of works returning from Basel (1983), note from Ammann (9/18/84) about the discordance between political and cultural visions in response to Irene Borger's article in Wall Street Journal (see also Box 164), letter to Meyer with Panza's thoughts on the Fondation Hoffmann's recent acquisitions (1/12/85), loan requests, announcements and invitations, ca.30 items. | |||||||||||
| 12 | 2 | Correspondence, 1988-1990 | |||||||||
| includes list of works still stored at Basel (3/22/90), 7 items. | |||||||||||
| 12 | 3 | Loan, , 1976-1977 1980 | |||||||||
| includes correspondence from Meyer with lists of works to be on long-term loan, also copied shipping documents, ca.14 items. | |||||||||||
| 12 | 4 | Loan contracts, , 1978 1980 | |||||||||
| includes 2 with Panza annotations (1978), 1 signed by the Panzas and Meyer (1980) and list of works, 8 items. | |||||||||||
| 12 | 5 | Export Documents, 1980 | |||||||||
| photocopies. | |||||||||||
| 12 | 6 | Journals, 1976-1980 | |||||||||
| includes typescript translation of Annemarie Monteil's "Il suo museo: luogo di piacere, di vita" published in National-Zeitung Basilea (1976), proposal concerning preparations for the Basel project (6/7/77), typescript of "En remerciement" by Panza (1980), Kunst-Bulletin 2 (Feb. 1980) and announcements, ca.15 items. | |||||||||||
| 12 | 7 | Exhibition Studies, 1977 | |||||||||
| includes 8 architectural drawings, drawings on tracing paper of floorplans, detailed Panza suggestions for lighting, floors, walls, etc., drawings on graph paper of installations and 2 letters to architect Steib. | |||||||||||
| 12 | 8 | Installation Designs, 1977 | |||||||||
| blueprints of rooms (1977) and installation designs (n.d.), 49 photographs of Kunstmuseum Basel's collection and "Die Sammlung der Emanuel Hoffmann-Stiftung" catalog. | |||||||||||
| 12 | 9 | Installation designs: new drawings, undated | |||||||||
| installation designs, some with Panza annotations, and 2 sheets of graph paper with drawings. | |||||||||||
| box | |||||||||||
| 13 | BASILEA (Basel) | ||||||||||
| 13 | 1 | Successive Arrangement Studies, undated | |||||||||
| drawings of building on graph paper, and copies. | |||||||||||
| 13 | 2 | Electrical, undated | |||||||||
| 11 architectural drawings with location of outlets and wattage. | |||||||||||
| 13 | 3 | Architectural drawings, surroundings, 1979 | |||||||||
| 8 architectural drawings for atelierhaus and another building. | |||||||||||
| 13 | 4-5 | Exhibition 1980 | |||||||||
| installation designs, checklists and invitations substantial in quantity. | |||||||||||
| 13 | 6 | Appraisal, 1983 | |||||||||
| list of works on loan to Basel with their then current values. | |||||||||||
| box | |||||||||||
| 14 | BE-BIB (Basel) | ||||||||||
| 14 | 1-2 | Beni Culturali, law project, 1979-1982 | |||||||||
| photocopies of "Norme integrative e modificative della disciplina legislativa di tutela dei beni culturali" (1977, 2 copies), "Legge per i beni culturali" (n.d.), law proposals by the organization Italian Nostra (ca.1980), and "Norme aulla tutela dei beni culturali e sulla riorganizzazione del Ministero" (1982). | |||||||||||
| 14 | 3 | Beni Culturali, law project (comments) 1977-1986 | |||||||||
| photocopies of "Progetto di legge concernente norme integrative e modificative della disciplina legislativa di tutela dei beni culturali" (1977), Panza typescript "Osservazioni al progetto di legge concernente la disciplina legislativa dei beni culturali, limitatamente ai beni mobili di proprieta' privata" (1981) and clipping with short Panza text (1986). | |||||||||||
| 14 | 4 | Beni Culturali, correspondence, 1979-1982 | |||||||||
| mostly with Guglielmo Triches, Director General, regarding donating works to the National Gallery of Modern Art, Rome, and the legal issues regarding African art loans from various collectors to Palazzo Citterio in Milan, 11 items. | |||||||||||
| 14 | 5 | Beni Culturali, critique, 1985 | |||||||||
| contains Panza typescript "Critiche alla proposta di legge sui beni culturali," and 3 clippings about government restrictions on exports of Italian cultural heritage. | |||||||||||
| box | |||||||||||
| 15 | BIUMO (Basel) | ||||||||||
| 15 | 1 | Azienda Autonoma di Soggiorno, Varese, , 1981 1983 | |||||||||
| correspondence regarding financial support for the proposed museum at the villa, with Panza offering to donate the works and selling or renting out the villa. | |||||||||||
| 15 | 2 | Museum Proposal, 1978-1984 | |||||||||
| much correspondence with officials about making the villa a museum, ca.55 items. | |||||||||||
| 15 | 3 | Letters from Museums, 1978 | |||||||||
| various directors sending support for Panza's plans for the villa, ca.30 items. | |||||||||||
| 15 | 4 | Sopraintendenza Monumenti, , 1980 1982 | |||||||||
| typescript on villa by Gianni Contessi (1980) and photocopy of property registration documents (1982). | |||||||||||
| 15 | 5 | Legal documents regarding donation of villa and artworks, 1978-1983 | |||||||||
| drafts and photocopies of legal documents and some correspondence. | |||||||||||
| 15 | 6-7 | Foundation Ernesto Panza, 1983 | |||||||||
| includes documents drawn up by Giorgio Alpeggiani for Panza's creation of a foundation to support the villa as a public museum, Panza notes for donation proposal, correspondence, cost estimates for up-keep on the villa as a study center and description of works. | |||||||||||
| 15 | 8 | Provincial Cultural Commission, 1983 | |||||||||
| typescripts of meetings discussing the potential of making the villa a museum. | |||||||||||
| box | |||||||||||
| 16 | BIUMO | ||||||||||
| 16 | 1 | Fratelli Panza, 1973-1984 | |||||||||
| includes report of villa costs from 1973-1983, Panza notes for "considerazioni per respingere la richiesta di divisione della Villa di Biumo," correspondence about shared ownership of villa with his brother and sister (1984). | |||||||||||
| 16 | 2 | Valuations for art works, 1984 | |||||||||
| list of values from Castelli, John Weber, Christie's, Konrad Fischer, Heiner Friedrich and Gian Enzo Sperone (1984) of those works to be on display at the villa. | |||||||||||
| 16 | 3 | Inventory of works returning, 1983-1984 | |||||||||
| 16 | 4 | Photographs of installations, ca. 1965 | |||||||||
| 78 mostly color photographs of installations, including 6 of 50's and 60's works and of visitors. | |||||||||||
| 16 | 5-6 | Architectural drawings, , , 1966 1977 1982 | |||||||||
| 27 items, some with markings for areas to be demolished and constructed . | |||||||||||
| 16 | 7-9 | Correspondence and other papers, 1986-1989 | |||||||||
| box | |||||||||||
| 17 | BO-BRERA, includes: | ||||||||||
| 17 | 1 | Bongard, Willy, 1972-1985 | |||||||||
| includes 3 letters, ca.15 copies of Art Aktuell, photocopy of eulogies from many art world personalities written upon Bongard's death, ca.8 copies of Kunst Kompass and clippings, ca.35 items. | |||||||||||
| 17 | 3-5 | Brera Amici, , 1957-1977 bulk 1977 | |||||||||
| includes meeting minutes; correspondence with members, Stella Matalon, Secretary, and some with Carlo Bertelli, Sovrintendente, Beni Artistici e Storici; schedules and agendas; financial statements; various reports; and announcements; concerning topics such as renovation of Brera Pinacoteca, acquisitions, exhibitions, officer nominations, publications, fundraising, Panza's tenure as President (1977-1979), organization of a memorial round table discussion for Franco Russoli (1977). Also contains typescript "Patrimonio culturale ed educazione permanente Sensibilizzazione del pubblico al Museo" (1977), ca.110 items [see also Series V]. | |||||||||||
| box | |||||||||||
| 18 | BRERA | ||||||||||
| 18 | 1-7 | Brera Amici, 1978-1990 | |||||||||
| similar material and topics as Box 17, but also Russoli prize (1978), discussion of Palazzo Citterio renovation and laws regarding display of African and Oceanic art there (1978, 1980, see also Box 6, Avvocato Petretti), and monetary dispute over insurance and shipping of "d'après" works to Museé d'Art Decoratif. 1982-1990 files mostly have program listings and reports of activities. | |||||||||||
| box | |||||||||||
| 19 | CAB-CAS, includes: | ||||||||||
| Caboto (file missing as of Jan 1995). | |||||||||||
| box | folder | ||||||||||
| 19 | 1 | Capp Street Project, , 1984-1986 1989 | |||||||||
| 8 items. | |||||||||||
| 19 | 4-7 | Casse Biumo, , , 1977 1985 1988 | |||||||||
| contains photocopies of lists of numbered crates with contents and locations, and also lists of document situation (i.e. certificates) relative to works in the collection. | |||||||||||
| box | |||||||||||
| 20 | CELANT | ||||||||||
| 20 | 1 | Correspondence, , 1971-1989 undated | |||||||||
| mostly regarding production of the 1980 catalog of the collection, but also about loans for 1970 Turin show on Conceptual art, requests for photographs for various articles, monographs and lectures, and finding a permanent home for the collection, also contains a photocopy of Celant ms "Dall'alta trainer alla subway," ca.35 items. | |||||||||||
| 20 | 2-3 | Catalog, ca. 1980 | |||||||||
| contains photocopies of 1980 catalog with corrections by Panza [N.B. Museum of Contemporary Art, Los Angeles (MOCA) has updated the titles and dimensions of many of the works they now own.] | |||||||||||
| box | |||||||||||
| 21 | CEN-CER, includes: | ||||||||||
| 21 | 1 | Centri Culturali, 1971-1990 | |||||||||
| announcements and invitations from various cultural centers, ca.50 items. | |||||||||||
| 21 | 2 | Centre International d'Expèrimentation Artistique Marie-Louise Jeanneret, Boissano, , 1974-1981 1985 | |||||||||
| correspondence with Jeanneret about choosing artists for the residence program and committee meetings, ca.20 items. | |||||||||||
| 21 | 3 | Circolo Culturale Carlo Perini, Milano, 1978-1990 | |||||||||
| includes meeting agendas, event announcements and material from Antonio Iosa, President, concerning a public debate "Arte contemporanea ed utilizzazione degli spazi pubblici" (1982), ca.28 items. | |||||||||||
| 21 | 4 | Centro Pio Manzù, 1968-1986 | |||||||||
| correspondence mostly about monetary contributions, ca.21 items. | |||||||||||
| box | |||||||||||
| 22 | CHRISTIE'S | ||||||||||
| 22 | 1 | Proposed Sale 1983-1984 | |||||||||
| notebook of material received November 1983 about dispersement of works now at Museum of Contemporary Art, Los Angeles (MOCA). | |||||||||||
| 22 | 2 | Papers regarding possible sale, 1982-1990 | |||||||||
| includes some correspondence with Martha Baer and others regarding possible sale, with price estimates, and many sale announcements, ca.75 items. | |||||||||||
| box | folder | ||||||||||
| 23 | 1-3 | CIMAM (Comité International des Musées d'Art Moderne) , 1977-1982 1987-1990 | |||||||||
| correspondence, meeting schedules and agendas, membership lists, summary reports of meetings, especially concerning 1979 conference "Pour une architecture des musées d'art moderne," at which Panza contributed a paper, and photocopies of papers given at 1979 and 1990 conferences. | |||||||||||
| box | |||||||||||
| 24 | COL | ||||||||||
| 24 | 1 | College of Design, Pasadena (i.e. Art Center College of Design) 1985-1986 | |||||||||
| includes correspondence, 28 photographs and 2 architectural drawings pertaining to loans for sculpture garden. | |||||||||||
| 24 | 2-5 | Collezionisti, , 1966-1969 1972-1983 | |||||||||
| letters, notes and postcards from collectors, curators and others such as Robert Scull (1966), Seth Siegelaub (1969, 84-85), Joseph and Emily Pulitzer (1973), Franz von Bayern (1976-80), Peter Shelton (1980), Marcia Weisman (1981, 82, 86), Arthur Sackler (1981-82) and Charles Saatchi (1984-85) mostly arranging visits to the villa or sending thank you's, ca.300 items, arranged chronologically (see also Box 25). | |||||||||||
| box | |||||||||||
| 25 | COL-CONV, includes: | ||||||||||
| 25 | 1-2 | Collezionisti, , , 1984-1988 1990 undated | |||||||||
| Letters and printed ephemera from collectors, curators. | |||||||||||
| 25 | 3-4 | Colombo, Giorgio, 1986-1988 | |||||||||
| mostly invoices for photo reprints, and printout list of negatives with some bibliographic info and many annotations. | |||||||||||
| 25 | 5 | Comune di Milano, 1987-1990 | |||||||||
| invitations, ca.36 items. | |||||||||||
| 25 | 8 | Contemporary Arts Center, New Orleans, 1988-1989 | |||||||||
| material regarding Sweet Arts Ball, and correspondence with Adolfo Nodal. | |||||||||||
| 25 | 9-11 | Convegni-Converenze, , 1967-1968 1975-1981 | |||||||||
| these three folders and Boxes 26-27 include correspondence, invitations, programs, manuscripts, typescripts and photocopied typescripts of talks given by Panza (many not found in Series III. Writings) and others. Also clippings, most notably of XVI and XVII Convegno Internazionale artisti, critici e studiosi d'arte, Rimini-Urbino (1967-1968), Circolo Turati, Genoa, "Quale Museo" (1980). | |||||||||||
| box | folder | ||||||||||
| 26 | 1-7 | CONVEGNI-CONFERENZE, 1982-1987 | |||||||||
| Includes 2nd Convegno Internazionale di Museologia, Florence (1982): "Bilancio dell'arte negli anni '60-'70 dall'effimero al museo, Varese (1982); Comune di Varese "La Strutture della visualità" (1983); Le Centre Culturel les Fontaines "Culture et Mecenat" (1987). | |||||||||||
| box | folder | ||||||||||
| 27 | 1-5 | CONVEGNI-CONFERENZE, 1988-1990 | |||||||||
| Includes World Arts Forum, Geneva (material 1990, event 1991). | |||||||||||
| box | |||||||||||
| 28 | COS-DED | ||||||||||
| 28 | 1 | Costi - Valori, , 1976 1987 | |||||||||
| list of works purchased prior to 1976 with prices paid and Sotheby's appraisal list 1987. | |||||||||||
| 28 | 2 | CRA, Los Angeles (Community Redevelopment Agency), 1985 | |||||||||
| material about installing the collection downtown, such as correspondence with Marc Pally, discussion draft and photocopied plans of downtown, 1985. | |||||||||||
| 28 | 3-6 | Critici, 1962-1988 | |||||||||
| includes correspondence with critics and authors, such as Andrew Forge (1965), Bruce Kurtz (1971-72, 74), Lawrence Alloway (1973), Achille Bonito Oliva (1974), Tommaso Trini (1975, 81-82), Edgar Kaufmann, Jr (1976), Robert Rosenblum (1976), Marcia Tucker (1977, touching on her departure from the Whitney and plans for the New Museum), Peter Iden (1978) and Palma Bucarelli (1982) regarding article and monograph developments, photo permission requests, visits to the villa, Panza's museum programs, etc., ca.150 items. | |||||||||||
| 28 | 7 | Curriculum Giuseppe Panza, ca. 1984-1985 | |||||||||
| written chronology of Panza's collecting activities. | |||||||||||
| 28 | 8 | Daco Verlag, , 1974-1975 1984-1985 | |||||||||
| contains mostly correspondence with Günter Bläse and contracts regarding unpublished book "Hommage to Panza.". | |||||||||||
| Dediche (file missing as of Jan 1995). | |||||||||||
| box | |||||||||||
| 29 | DEM-DR | ||||||||||
| 29 | 1 | De Menil, Christophe and Dominique, 1975-1987 | |||||||||
| ca.12 items. | |||||||||||
| 29 | 2 | Depositi, 1975, , 1978 1982 | |||||||||
| lists of works in storage, and their values, at Züst Ambrosetti (1975) and Punto Franco (1978, 1982). | |||||||||||
| 29 | 3 | Documenta, Kassel, 1983 | |||||||||
| includes photocopied "concept papers" and artistic director proposals by Celant, Wulf Herzogenrath, Kasper Koenig, Edy de Wilde, Armin Zweite, Michael Compton, among others, for Documenta VIII (1987), discussed in two separate meeting sessions, both held in 1983. | |||||||||||
| 29 | 4 | Drawings Situation 11 Aug 1985 | |||||||||
| photocopies of lists of drawings in the collection divided into categories of certificates, executive and complementary, and for sale and not for sale. | |||||||||||
| box | |||||||||||
| 30 | DÜSSELDORF | ||||||||||
| 30 | 1-3 | Werner Schmalenbach correspondence (Director of Kunstsammlung Nordrhein-Westfalen) , 1973 1976-1984 | |||||||||
| very extensive, mostly about negotiations with Düsseldorf and Mönchengladbach for long-term loans of those works now at Museum of Contemporary Art, Los Angeles (MOCA) with many discussions of Panza's legal troubles; and 1980 exhibition; ca.110 items (see also Box 58, Mönchengladbach). | |||||||||||
| 30 | 4-7 | Stadt correspondence, 1973-1986 | |||||||||
| with Bernd Dieckmann, Beigeordneter Oberstadtdirektor Landeshauptstadt, Jürgen Harten, Director of Städtische Kunsthalle, Wend von Kalnein, Director of Kunstmuseum, and others, regarding long-term loans of Minimal and Conceptual art, installation designs, 1980 exhibition and catalog, and also contains transcriptions of meetings with some of the above about Panza's "Modern Painting Trust" and other loan issues (1976-77), and contract copies (1976-1978), ca.140 items. | |||||||||||
| 30 | 8 | Exhibition 1980 | |||||||||
| mostly checklists and installation designs. | |||||||||||
| box | |||||||||||
| 31 | DÜSSELDORF, includes: | ||||||||||
| 31 | 1-3 | Studies and installation designs | |||||||||
| mostly architectural drawings (ca.30) and Panza drawings on graph paper for Stadt museum and Kunstsammlung Nordrhein-Westfalen. | |||||||||||
| 31 | 4-5 | Contracts, 1975-1978 | |||||||||
| copies, drafts and modifications with the Stadt (ca.1977-1978) and Kunstsammlung Nordrhein-Westfalen (1975, 1978). | |||||||||||
| 31 | 6 | Expense receipts, 1980-1981 | |||||||||
| with paid statements from Banca Popolare di Milano for various expenses. | |||||||||||
| box | folder | ||||||||||
| 32 | 1-10 | EDITORI, 1967-1988 | |||||||||
| correspondence with publishers, magazine editors and authors, about various editorial topics, such as photograph permission requests, journal articles on Panza, subscriptions, etc. Also includes a small quantity of Panza mss., catalogs and other printed ephemera. | |||||||||||
| box | folder | ||||||||||
| 33 | 1-4 | EDITORI, , 1989-1990 undated | |||||||||
| Correspondence with publishers, editors. | |||||||||||
| box | |||||||||||
| 34 | EN-ES, includes: | ||||||||||
| 34 | 3 | Environmental Art Museum, correspondence, 1970-1979 | |||||||||
| letters from Carter Brown, Lawrence Alloway, Pontus Hulten, Robert Murdock, Maurice Tuchman, Franz Meyer, Martin Friedman, Brydon Smith, Palma Bucarelli, John Pulitzer, Jr., and others responding to Panza's offer of long-term loans, ca.40 items. | |||||||||||
| 34 | 4 | Environmental Art Museum, plans | |||||||||
| 10 architectural drawings, 4 installation designs and photocopied clippings on Panza's plans. | |||||||||||
| 34 | 5-6 | Environmental Art, clippings | |||||||||
| photocopies of articles on environmental art and artists, with many about Meg Webster, Larry Bell, Robert Irwin and James Turrell. | |||||||||||
| 34 | 7 | Esportazione Temporanea, 1978-1979 | |||||||||
| photocopied correspondence with Italian officials concerning exportation of works for 15 year loans to Mönchengladbach and Basel. | |||||||||||
| box | |||||||||||
| 35 | EU-FAI | ||||||||||
| 35 | 1 | Eustorgio, San, 1970-1972 | |||||||||
| meeting reports, 6 architectural drawings and Milan city maps concerning the renovation of San Eustorgio for a contemporary art museum. | |||||||||||
| 35 | 2 | Evaluation Nov 1985 | |||||||||
| approximate value of minimal and conceptual works. | |||||||||||
| 35 | 3-4 | FAI (Fondo Ambiente Italiano) , , 1977 1979-1990 undated | |||||||||
| includes correspondence, some concerning proposed Biumo museum, newsletters, meeting agendas, announcements, invitations, etc., ca.80 items. | |||||||||||
| box | |||||||||||
| 36 | FAI-FAT | ||||||||||
| 36 | 1-4 | Fair (Int'l Contemp. Art Fair, L.A.) 1987-1990 | |||||||||
| includes substantial quantity of announcements, invitations, event schedules, advisory board meeting minutes and agendas (Panza was a member), correspondence with and memos from Brian Angel and other organizers, photocopied press clippings, press releases, and some material from Art London. | |||||||||||
| 36 | 5 | Fatture Personali, 1976-1990 | |||||||||
| photocopies of receipts and invoices for money exchanges, doctor visits, hotel stays, etc. | |||||||||||
| 36 | 6 | Fatture miscellaneous, 1959-1990 | |||||||||
| includes photocopies of receipts and invoices for photographers, postal service and shipping, electric appliances and lighting fixtures, life insurance, etc. | |||||||||||
| box | folder | ||||||||||
| 37 | 1-4 | FELLOWS OF CONTEMPORARY ART 1980-1990 | |||||||||
| Includes correspondence with Arthur Chester regarding visit to Hughes Aircraft Spacecraft Integration and Test Laboratories (with 24 photographs) and others regarding trips, meetings and membership, and also contains trip schedules and journals, meeting notices, project and event updates. | |||||||||||
| box | folder | ||||||||||
| 38 | 1-3 | FIDAM (Federazione Italiana Amici dei Musei) 1978-1990 | |||||||||
| Extensive material includes meeting agendas, reports and minutes; conference schedules; letters from President Raffaello Torricelli; programs; project updates; etc. | |||||||||||
| box | |||||||||||
| 39 | FIDE-FONDAZIONI, includes: | ||||||||||
| 39 | 1 | Fidejussione (suretyship) , 1972-1974 1978-1979 | |||||||||
| loan documents. | |||||||||||
| 39 | 2 | Fiere (fairs) 1979-1990 | |||||||||
| mostly material from Arte Contemporáneo (ARCO), Madrid, 1987, where Panza gave a lecture. | |||||||||||
| 39 | 3 | Fischer, Hervé (stamp artist) , 1976 1980-1981 | |||||||||
| includes letter with questionnaire on verso concerning "La Mort des Avant-Gardes," photocopy of Panza's 3 page response and mail art postcard, 8 items. | |||||||||||
| 39 | 5 | William Keck Foundation, 1985-1988 | |||||||||
| mostly correspondence with William Banks and Mrs. Keck and contract drafts concerning potential purchase of the minimal and conceptual works (1986). | |||||||||||
| 39 | 7 | Fundació Joan Miró, , 1983 1987-1990 | |||||||||
| mostly announcements and invitations, but also some pieces of correspondence regarding exhibiting the collection, ca.50 items. | |||||||||||
| box | |||||||||||
| 40 | FONDAZIONI | ||||||||||
| 40 | 1-2 | Fundacio Caixa de Pensions, 1986-1990 | |||||||||
| announcements, invitations and newsletter "Informatiu," ca.45 items. | |||||||||||
| 40 | 3-5 | Assorted foundations, bulk 1987-1990 | |||||||||
| mostly announcements and invitations, but some correspondence from various foundations, ca.85 items. | |||||||||||
| box | |||||||||||
| 41 | GE, includes: | ||||||||||
| 41 | 1 | Gemelli Imballaggi (packers) 1978 | |||||||||
| photocopies of invoices and lists of crated works. | |||||||||||
| 41 | 3 | J. Paul Getty Trust correspondence, , 1983-1986 1988-1990 | |||||||||
| mostly with Harold Williams and Mel Edelstein about sale of archive to the Getty. | |||||||||||
| 41 | 4 | Getty Center Relazione, undated | |||||||||
| preliminary archive inventory. | |||||||||||
| box | |||||||||||
| 42 | GINEVRA (Geneva) | ||||||||||
| 42 | 1 | Correspondence, 1975-1984 | |||||||||
| with Charles Goerg and others regarding loans and visits to Varese. | |||||||||||
| 42 | 2-6 | Palais Wilson, 1987 | |||||||||
| installation designs, 16 architectural drawings, ca.31 photocopies of architectural drawings and exhibition checklist. | |||||||||||
| 42 | 7-8 | Museé Rath, 1988 | |||||||||
| correspondence about exhibition of Panza's collection there, clippings about the show, installation designs and checklist. | |||||||||||
| box | |||||||||||
| 43 | GIO-H, includes: | ||||||||||
| 43 | 1 | Giornalisti, 1978-1989 | |||||||||
| correspondence with journalists, such as Barbara Isenberg and JoAnn Lewis, mostly about articles on the collection, ca.40 items. | |||||||||||
| 43 | 2-4 | Gondrand, , 1974-1975 1977-1983 | |||||||||
| photocopies of shipping invoices, insurance certificates, import/export documents and crate lists, showing movement of works to and from storage. | |||||||||||
| 43 | 6-7 | Hangar Santa Monica, 1989-1990 | |||||||||
| correspondence, installation designs and 3 photographs. | |||||||||||
| Henselmann, Caspar | |||||||||||
| moved to Box 183. | |||||||||||
| box | folder | ||||||||||
| 43 | 8 | Hollein, Hans, correspondence, 1977-1987 | |||||||||
| includes 3 letters from and 2 letters to reflecting an attempt to collaborate in the creation of a contemporary art museum, 6 Christmas and New Years cards, note from and announcements, ca.24 items (see also Box 58 Mönchengladbach). | |||||||||||
| 43 | 9 | Hollein, Hans, Museum für Moderne Kunst Frankfurt | |||||||||
| 4 photographs of models and 5 blueprint sections and plans with many copies of each. | |||||||||||
| box | folder | ||||||||||
| 44 | 2-5 | IB-ICOM1977-81, (International Council of Museums), includes: | |||||||||
| very substantial material includes correspondence with Presidents, Secretaries and members; meeting itineraries, schedules and minutes; secretariat activity reports; announcements and newsletters; membership lists; and financial reports from ICOM, ICOM Foundation, and Comitat Nazionale Italiano documenting in particular fundraising and also conferences and projects, such as the Museum Exchange Program (MUSEP) (see also Box 45-46 and CIMAM). | |||||||||||
| box | folder | ||||||||||
| 45 | 1-7 | ICOM, 1982-1987 | |||||||||
| Corespondence and announcements. | |||||||||||
| box | folder | ||||||||||
| 46 | 1-4 | ICOM, 1987-1990 | |||||||||
| Correspondence and announcements. | |||||||||||
| box | |||||||||||
| 47 | IL-IN | ||||||||||
| 47 | 1-4 | Illuminazione (lighting) | |||||||||
| brochures and catalogs for lighting fixtures. | |||||||||||
| 47 | 5 | Illuminazione Studi | |||||||||
| drawings on graph paper. | |||||||||||
| 47 | 6-7 | Indirizzi (addresses) | |||||||||
| large quantity of Panza notes and business cards with very miscellaneous names and addresses (see Box 48 for more). | |||||||||||
| box | |||||||||||
| 48 | IN-INK | ||||||||||
| folder | |||||||||||
| 1 | Indirizzi (addresses) | ||||||||||
| Panza's notes with names and addresses, plus business cards. | |||||||||||
| box | folder | ||||||||||
| 48 | 2-3 | Indirizzi - elenchi (address lists) | |||||||||
| photocopies of computer printout and handwritten address lists, as well as handwritten on graph paper. | |||||||||||
| 48 | 4-5 | Industriale Museo, 1981-1982 | |||||||||
| includes correspondence and 5 photographs regarding potential renovation of Carl Funke steel mill, Essen and other sites for housing Panza's collection, ca.35 items (see also Celant). | |||||||||||
| 48 | 6 | INK (Halle für internationale neue Kunst) 1978-1984 | |||||||||
| ca.14 items. | |||||||||||
| box | |||||||||||
| 49 | INSTITUTI, includes: | ||||||||||
| 49 | 2 | Institute of Contemporary Art (I.C.A.), London, 1985-1990 | |||||||||
| announcements and some invitations, ca.46 items. | |||||||||||
| 49 | 3 | Institute for Art and Urban Resources, The Clocktower (New York) 1973-1982 | |||||||||
| includes correspondence about donations and exhibition of works from Panza's collection (1976), announcements, invitations and checklist of exhibitions "Sound: Scores, Notations, and Visual Representations of Music," "Sound Works" and "Contemporary Musical Instruments" (1979, the last held at LAICA), ca.30 items. | |||||||||||
| 49 | 4 | Los Angeles Institute of Contemporary Art (LAICA) 1980-1985 | |||||||||
| correspondence with Robert Smith regarding "Il Modo Italiano" exhibition and announcements, ca.14 items. | |||||||||||
| 49 | 7 | Institutions miscellaneous, , 1984 1988-1990 | |||||||||
| includes loan requests from Pontus Hulten for Institut des Hautes Etudes en arts Plastiques, ca.22 items. | |||||||||||
| box | folder | ||||||||||
| 50 | 1-3 | INVENTARIO, , 1968 1970-1972 | |||||||||
| Lists of works in the collection with dimensions, valuations, provenance and annotations. | |||||||||||
| box | folder | ||||||||||
| 51 | 1-2 | INVITI, 1979-1988 | |||||||||
| Substantial quantity of miscellaneous invitations to attend functions such as dinners, cocktail parties, exhibition openings, weddings, etc., ca.340 items total, including Box 52. | |||||||||||
| box | folder | ||||||||||
| 52 | 1-4 | INVITI, 1989-1990 | |||||||||
| box | |||||||||||
| 53 | INT-IP, includes: | ||||||||||
| 53 | 1-3 | Interview with Christopher Knight | |||||||||
| annotated transcript and 2 photocopies (see also Box 54 Jaca and Knight files, and Boxes 169-172 for considerable material on publication of Art of the Sixties and Seventies). | |||||||||||
| box | |||||||||||
| 54 | J-KN | ||||||||||
| 54 | 1-4 | Jaca Book | |||||||||
| contains caption lists, caption corrections, illustrations layout, contract, correspondence and copy of Knight's proposal for Art of the Sixties and Seventies, and also Jaca catalogs (see also Boxes 53, 169-72). | |||||||||||
| 54 | 5 | Kantor Tadeusz, 1975-1988 | |||||||||
| includes correspondence which makes a few mentions of "Circot 2," copy of "The Theatre of Death" (Warsaw, 1975) and announcements, 16 items. | |||||||||||
| 54 | 6 | Kline, Franz | |||||||||
| photocopies of illustrations from various Kline catalogs. | |||||||||||
| 54 | 7 | Knight, Christopher, , , 1983 1985-1986 1988 | |||||||||
| correspondence mostly regarding publishing of Art of the Sixties and Seventies with list of notes and questions about interview, ca.15 items. | |||||||||||
| box | |||||||||||
| 55 | KRÜGER AND LEGGI | ||||||||||
| 55 | 1 | Krüger, Gert, 1980 | |||||||||
| correspondence regarding legal matters of long-term loans to German museums (see also Box 58, Mönchengladbach). | |||||||||||
| 55 | 2-3 | Legge 159 and 512, 1977-1984 | |||||||||
| much material on the passage of laws 159 and 512 governing cultural property, includes correspondence with lawyers and others, and photocopies of legislative documents. 159 (passed 1976, correspondence dated 1977-1980, 1982) changed capital exportation and tax laws, which greatly effected the Panza's negotiations with the German museums and led eventually to the sale of 80 works to Museum of Contemporary Art, Los Angeles (MOCA). 512 (passed 1982, correspondence dated 1982-1984) gave tax breaks to those renovating historical buildings. | |||||||||||
| 55 | 4-8 | Legge Valutaria | |||||||||
| includes correspondence and photocopies of legislation and lists of works pertaining to values of works that were imported/exported. | |||||||||||
| 55 | 10 | Legge, Legislazione Beni Culturali, 1980-1981 | |||||||||
| mostly clippings and photocopied texts. | |||||||||||
| 55 | 11 | Legge, Parlamento Interpellanza | |||||||||
| photocopy of summary of Parlement's questions to Panza regarding the exportation of the collection. | |||||||||||
| box | |||||||||||
| 56 | LA-LO, includes: | ||||||||||
| 56 | 1 | Lannan Foundation, 1988-1990 | |||||||||
| photocopies of fax correspondence with Patrick Lannan, Jr. and Lisa Lyons mostly regarding acquisition of a small portion of the California light and space works to be installed at the Santa Monica Airport, ca.40 items (see also LA City Cultural Affairs). | |||||||||||
| 56 | 2 | Lapis Press, , 1981 1987-1990 | |||||||||
| mostly letters from Jerry Sohn arranging meetings in Los Angeles, ca.25 items. | |||||||||||
| 56 | 3 | List of unrealized works, 1985 | |||||||||
| 56 | 4 | Long-term loans of collection, , 1972-1973 1976-1977 | |||||||||
| correspondence with various museum directors and curators, such as Franz Meyer, Henry Geldzahler, Brydon Smith, Franco Russoli, J. Carter Brown (with 12 photographs of models and drawings of the National Gallery of Art), J. Leering and E. de Wilde about long-term loans of the collection, ca.35 items. | |||||||||||
| Los Angeles: Museum of Contemporary Art, Los Angeles (MOCA) and Los Angeles County Museum of Art (LACMA) [see Series V] | |||||||||||
| box | folder | ||||||||||
| 56 | 5 | Los Angeles - Ari Sikora [see also Los Angeles, Community Redevelopment Agency (CRA)] 1985-1986 | |||||||||
| includes 2 long letters from Sikora about redevelopment plans in downtown Los Angeles, ca.10 items. | |||||||||||
| 56 | 6 | Los Angeles City Cultural Affairs, , 1984 1989-1990 | |||||||||
| correspondence with Henry Korn and Mayor Tom Bradley primarily about Santa Monica hangar project, ca.14 items (see also Lannan). | |||||||||||
| 56 | 8 | Citicorp Plaza, Los Angeles | |||||||||
| 1 architectural drawing, installation designs, 19 photographs of works in the collection. | |||||||||||
| box | |||||||||||
| 57 | MA-MOB, includes: | ||||||||||
| 57 | 3 | Meccanica Romana, 1980 | |||||||||
| includes 2 items of correspondence with Lauretta Vinciarelli, 10 slides of factory and 4 architectural drawings. | |||||||||||
| 57 | 5 | Ministero degli Esteri (foreign affairs ministry) 1981 | |||||||||
| correspondence with Sergio Romano about Panza's museum programs and a conference, ca.10 items. | |||||||||||
| 57 | 6-9 | Miscellanea, , 1973-1990 undated | |||||||||
| 2 folders of very miscellaneous letters and announcements, folder of Panza notes which includes NY schedules (ca.1975), phone lists, catalog comp. list, and works purchased listed by gallery with amount tallies, and a folder of clippings and photocopied articles. | |||||||||||
| 57 | 10 | Mobili Antichi | |||||||||
| includes ca.28 photographs of antique furniture. | |||||||||||
| box | |||||||||||
| 58 | MÖNCHENGLADBACH | ||||||||||
| 58 | 1 | Correspondence, , 1973-1974 1976-1977 | |||||||||
| with Johannes Cladders regarding long-term loan of the collection, disagreement with Hans Hollein's building plans, Cladders thoughts on revising the original plan, Panza's design ideas and contract negotiations, which were called off in 1976, ca.48 items. | |||||||||||
| 58 | 2 | Correspondence, 1978-1981 | |||||||||
| with Cladders, Schmalenbach and various German city officials about Panza terminating the contract, but loaning his early works instead to Kunstsammlung Nordrhein-Westfalen and his legal problems associated with exporting the works which were stored in Zürich, ca.40 items (see also Box 30, Düsseldorf). | |||||||||||
| 58 | 3 | Contracts, , 1974-1975 1978-1979 | |||||||||
| photocopies of contract versions and some correspondence about them (see also Box 55, Krüger). | |||||||||||
| 58 | 4 | Hollein, Hans correspondence, 1973-1982 | |||||||||
| ca.18 items(see also Box 43, Hollein). | |||||||||||
| 58 | 5 | Hollein project | |||||||||
| many sections and plans. | |||||||||||
| 58 | 6 | Plans | |||||||||
| photocopies of architectural drawings and installation designs, and 1 architectural drawing of Humanistishches Gymnasium. | |||||||||||
| 58 | 7 | Articles | |||||||||
| clippings and photocopies of German articles about proposed loan and Hollein project, including 2 versions of a long rebuttal from Panza with German translation (original article not in file). | |||||||||||
| 58 | 8 | Announcements and other printed matter, bulk 1988-1990 | |||||||||
| mostly announcements. | |||||||||||
| box | |||||||||||
| 59 | MOS, includes: | ||||||||||
| 59 | 2 | Mostra Panza, Galleria Nazionale, Rome (Andre, Judd, and Morris exhibition) 1980 | |||||||||
| 3 architectural drawings of gallery, Panza installation designs, valuation list, 2 letters to Dr. Panicelli and loan forms. | |||||||||||
| 59 | 3 | Mostre Collezione, , 1968 1970-1984 | |||||||||
| mostly contains loan requests and forms, and shipping documents for various exhibitions, some of which are not documented in Series IIA, ca.55 items. | |||||||||||
| 59 | 4 | Mostre Collezione, , 1985-1990 undated | |||||||||
| includes loan requests and miscellaneous exhibition material (sort of a continuation of the previous folder, except Panza was not lending the collection piece-meal anymore, so most requests were declined), ca.75 items. | |||||||||||
| box | |||||||||||
| 60 | MOS-OL | ||||||||||
| 60 | 1 | Mostra Ugo Mulas, Varese Biumo, 1978 | |||||||||
| includes Panza notes and typescript for exhibition brochure, and some correspondence | |||||||||||
| 60 | 3 | Murphy, Franklin, 1980s | |||||||||
| 3 letters to Murphy, 1 from. | |||||||||||
| 60 | 4 | Musei, lettere di proposta, 1984 | |||||||||
| correspondence various individuals, such as Peter Iden, Museum für Moderne Kunst, Frankfurt, regarding the acquisition of the collection by a museum, ca.20 items. | |||||||||||
| 60 | 6 | New York University, early 1980s | |||||||||
| ca.8 items from John Brademas. | |||||||||||
| 60 | 7 | Nicholas, Fred and Joan, 1984-1990 | |||||||||
| mostly correspondence about their friendship, but some relating to Museum of Contemporary Art, Los Angeles (MOCA), ca.30 items. | |||||||||||
| 60 | 9 | Norton, Peter, 1989 | |||||||||
| polite correspondence about visits, ca.11 items. | |||||||||||
| 60 | 10 | Olivetti, , 1981-1983 1988 | |||||||||
| correspondence in which Panza expresses his thoughts about Olivetti financing exhibitions of traditional vs. contemporary art, 8 items. | |||||||||||
| box | |||||||||||
| 61 | OR | ||||||||||
| 61 | 1-5 | Orbat, 1970-1989 | |||||||||
| photocopies, mostly of financial documents for Panza's distillery business, such as monthly accounting statements, budget forecasts and reports on loans. | |||||||||||
| Ordre de La Grande Gidouille (file missing as of Jan 1995) | |||||||||||
| box | folder | ||||||||||
| 61 | 6 | Orizzonte Turin (Modern Art for Turin Committee, Panza was General Coordinator) 1988 | |||||||||
| includes correspondence with Bruno Villois, General Secretary, and others primarily about "Chagall '89" (with exhibition checklists) and meetings, ca.75 items. | |||||||||||
| box | |||||||||||
| 62 | PAL-PAM | ||||||||||
| 62 | 1-2 | Palazzo Reale, Milan | |||||||||
| correspondence with various people about lending works to proposed contemporary art museum (1978-79, see especially photocopy of letter to Clyfford Still and letter from Jean Dubuffet), Panza installation designs, and 8 architectural drawings and some photocopies of same. | |||||||||||
| 62 | 3-5 | Pamphilji Doria Villa, Rome, 1980-1981 | |||||||||
| some correspondence, Panza notes and typescript for restoration proposal, 7 architectural drawings, and Panza installation designs. | |||||||||||
| box | |||||||||||
| 63 | PAR-PER, includes: | ||||||||||
| Parlemento Interpellanza | |||||||||||
| moved to Box 55. | |||||||||||
| box | folder | ||||||||||
| 63 | 1-2 | PDC (Pacific Design Center, Los Angeles) 1984-1988 | |||||||||
| much material includes symposium programs and schedules, correspondence and other material relating to Panza's talk (1985) and announcements. | |||||||||||
| 63 | 3-4 | Personale Panza, bulk 1988-1990 | |||||||||
| folder about old master reproductions purchased by Panza 1936-1938 between the ages of 13-15, and a folder of miscellaneous personal items, mostly correspondence, postcards and Panza notes, ca.75 items (see Box 93 for more material prior to 1988). | |||||||||||
| box | |||||||||||
| 64 | PO, includes: | ||||||||||
| 64 | 1-5 | Poggio a Caiano, , 1979 1980-1982 | |||||||||
| 4 photographs by Giovanni Panza (1979) correspondence with Mario Leone, President of the Region of Tuscany, and others regarding installation of the collection there (1980-1982), mss. by Lara-Vinca Masini and Francesco Gurrieri with corrections, Panza installation designs and 18 architectural drawings. | |||||||||||
| 64 | 6 | Politicians, , , 1974 1979-1985 undated | |||||||||
| mostly photocopies of letters about the collection sent to a variety of persons involved with cultural policy decisions, ca.50 items [bulk 1983-1982]. | |||||||||||
| 64 | 8 | Poster Originals Limited, , 1966 1968-1970 | |||||||||
| invoices. | |||||||||||
| box | |||||||||||
| 65 | PROG, includes: | ||||||||||
| 65 | 1-3 | Progetti Ambienti by Giuseppe Panza | |||||||||
| substantial quantity of designs with photocopies. | |||||||||||
| 65 | 5 | Progetti Scotland, Donaldsons Hospital | |||||||||
| 6 photographs, 4 architectural drawings and a report. | |||||||||||
| box | |||||||||||
| 66 | PROG-PROV, includes: | ||||||||||
| 66 | 1-3 | Progetti Scotland, , , 1976-1980 1982-1984 bulk 1982 | |||||||||
| substantial material includes correspondence with Richard Demarco and others regarding installation of the collection in Scottish castles, photographs of castles, 4 architectural drawings and informational brochures and reports on many different structures. Also includes an engraving of Duff House by W. Faithorn after a drawing by J.P. Neale, 1831 (see also Box 242). | |||||||||||
| box | folder | ||||||||||
| 67 | 1-5 | QUARTO OGGIARO, VILLA SCHEIBLER, 1977-1980 | |||||||||
| Much material about installing the collection there includes donation drafts, many project proposals, some correspondence with Carlo Tognoli, Mayor of Milan, and others, 28 architectural drawings, and Panza designs for exterior. | |||||||||||
| box | |||||||||||
| 68 | QUI-RIC, includes: | ||||||||||
| 68 | 1 | Quintavalle, A.C., 1981 | |||||||||
| includes 6 page letter to ACQ, ca.5 items. | |||||||||||
| 68 | 5 | Reich, Steve, 1987 | |||||||||
| includes 2 photographs and 2 letters from Betty Freeman concerning a concert in Milan, 9 items. | |||||||||||
| 68 | 6 | Rembrandt Prix, , 1973 1977-1986 | |||||||||
| includes much correspondence with Alfred Hentzen about jury activities, of which Panza was a member, and the award selection process (especially problems with A.R. Penck's prize, 1980), meeting minutes and photocopied clippings, ca.120 items (see also Box 11, Basel correspondence 1982-1983). | |||||||||||
| 68 | 7 | Restany, Pierre, ca. 1959-1990 | |||||||||
| friendly letters about meetings, Panza's article for Cimaise (1959), Restany giving collecting advice, especially on Fautrier (11/19) and Rothko (5/31/60), the public reaction to abstract expressionism (2/11/59) and an especially important letter about Restany's thoughts on the L.A. and New York art scenes and the art of Oldenburg and other Pop artists (1/5/63). Also includes 2 typescripts on "Nature integrale" (1978), ca.50 items (see also Box 48, Industriale Museo file). | |||||||||||
| Ricevute varie [file missing as of Jan 1995] | |||||||||||
| box | |||||||||||
| 69 | RIMINI | ||||||||||
| 69 | 1-7 | Meeting per l'amicizia fra i popoli, , 1981 1983-1990 | |||||||||
| includes correspondence with Antonio Smurro, President, many copies of Notiziario and other printed matter, installation designs and notes for 1983 exhibition, and designs for an exhibition (1987). | |||||||||||
| box | |||||||||||
| 70 | RIVOLI, includes: | ||||||||||
| 70 | 1 | Correspondence about Castello di Rivoli, 1979-1983 | |||||||||
| substantial material about restoring the Castello di Rivoli and installing the collection there with gifts and loans, including photocopies of letters to architect Roberto Gabetti, Dr. Gianluigi Gabetti, architect Andrea Bruno and others, contract copies and notes. | |||||||||||
| 70 | 2 | Turin loan, , 1978-1980 1982-1985 | |||||||||
| includes photocopies of letters to Avvocato Agnelli and Dr. Gabetti, correspondence with Piero Gilardi, notes, original agreement (1980) and report by Umberto Allemandi (1984), ca.40 items, 1978-80, 82-85. | |||||||||||
| 70 | 3-4 | Rivoli Loan and Donation, 1980-1984 | |||||||||
| includes photocopies of letters sent, contracts, lists of works and artists bios. | |||||||||||
| 70 | 5 | Restoration, 1979 | |||||||||
| photocopies of articles and report of restoration project. | |||||||||||
| 70 | 6 | Castelli valuations, 1984 | |||||||||
| list of works and their values. | |||||||||||
| 70 | 8 | Photocopies of restoration photographs, ca. 1982 | |||||||||
| box | folder | ||||||||||
| 71 | 1-11 | RIVOLI, Installation designs, ca. 1980-1983 | |||||||||
| mostly Panza drawings on graph paper and ca.51 architectural drawings with installation designs. | |||||||||||
| box | |||||||||||
| 72 | RIVOLI-ROC, includes: | ||||||||||
| 72 | 1-7 | Rivoli renovation, , , 1984 1986-1988 1990 | |||||||||
| 7 plans for lighting and alarm system, 14 architectural drawings of renovation, building estimates, 3 architectural drawings for Manica Lunga (adjoining gallery). | |||||||||||
| box | folder | ||||||||||
| 73 | 1-5 | ROLANDSECK | |||||||||
| substantial quantity of Panza building studies and projects consisting of drawings on graph paper, and 11 architectural drawings. | |||||||||||
| box | |||||||||||
| 74 | ROS-SAC | ||||||||||
| 74 | 1 | Rosc, 1982-1984 | |||||||||
| correspondence with Rosemarie Mulcahy and Patrick Murphy regarding artist and work selections for 1984 exhibition, problems which led to Frits Becht's resignation from the jury (and potentially Panza's as well) and 4 architectural drawings of Hop Store, ca.50 items. | |||||||||||
| 74 | 2 | Rotary Club (Panza was president of south-east Milan chapter in 1978) 1972-1990 | |||||||||
| includes membership cards, lists and nominations, correspondence and two cassette tapes of Panza talks (ca.1973-1974), ca.70 items. | |||||||||||
| 74 | 3 | Saatchi, Charles, , 1984-1985 1988-1989 | |||||||||
| ca.17 items. | |||||||||||
| 74 | 4 | Saccardo, Padre Alessio | |||||||||
| 4 letters, 1 postcard and 10 long travel letters (see also Box 77, San Fedele). | |||||||||||
| box | folder | ||||||||||
| 75 | 1-5 | SAN DIEGO | |||||||||
| installation designs and list of works for 10th Ave. Marine Terminal Transit Shed No. 1. | |||||||||||
| box | |||||||||||
| 76 | SAN DIEGO, SCRITTI, SINIGAGLIA | ||||||||||
| 76 | 1-5 | San Diego, 1985 | |||||||||
| installation designs for Cruiser Terminal, 10 lists of works for B Street Pier Warehouse exhibitions, Art Center correspondence with Sebastian (Lefty) Adler, Director, with clippings, and renovation estimate. | |||||||||||
| 76 | 6 | Scritti Panza | |||||||||
| photocopies of miscellaneous notes by Panza and others. | |||||||||||
| 76 | 7 | Sinigaglia, Gian Enzo | |||||||||
| mostly notes of photo orders. | |||||||||||
| box | |||||||||||
| 77 | SAI-SAN | ||||||||||
| 77 | 1-2 | Saint Paul, Minnesota, the Concourse of Contemporary Art, 1987-1988 | |||||||||
| includes correspondence with Robert Sain and others, itineraries, 4 architectural drawings, checklist with appraisals by Sotheby's, all relating to the potential installation of a portion of the collection there, ca.65 items. | |||||||||||
| 77 | 3-5 | San Fedele (Centro Culturale) , 1968 1972-1990 | |||||||||
| substantial material includes correspondence with Eugenio Bruno and others about meetings, exhibitions and contributions; meeting minutes; many photocopied typescripts relating to the meeting "Scienza filosofia arte e fede" and miscellaneous folder with announcements. | |||||||||||
| box | |||||||||||
| 78 | SE-SOTHEBY'S, includes: | ||||||||||
| 78 | 2 | Seoul, Dong Woo Development, 1985 | |||||||||
| correspondence with Se Duk Lee and Hee-Ja Chung about visits and potentially installing the collection in Korea, and 2 architectural drawings, ca.45 items. | |||||||||||
| 78 | 3-6 | Sotheby's, , 1973-1980 1982-1987 | |||||||||
| substantial material includes correspondence with Lucy Havelock-Allan regarding visits, appraisals of the collection and subscriptions, 1983 appraisal, and price and sale results lists. | |||||||||||
| box | folder | ||||||||||
| 79 | 1-3 | SOTHEBY'S, 1988-1990 | |||||||||
| extensive quantity of announcements, invitations and newsletters, and also contains 1989 appraisal. | |||||||||||
| box | |||||||||||
| 80 | SP-STUA, includes: | ||||||||||
| 80 | 1 | Spadolini, Giovanni (Senator) , , 1975 1978-1980 1982 | |||||||||
| correspondence about Panza's museum programs, ca.15 items. | |||||||||||
| 80 | 4-6 | Stuart Collection, 1982-1990 | |||||||||
| includes correspondence with Mary Beebe, photocopy of a letter from Restany about his and Pontus Hulten's thoughts on the direction of the collection (7/7/84), advisory committee meeting minutes, activities reports, and a file of miscellaneous with mostly photocopied clippings. | |||||||||||
| 80 | STUD-TAS | ||||||||||
| 80 | 1-3 | Studi, 1979-1980 | |||||||||
| designs for rooms and installations, and miscellaneous. | |||||||||||
| 80 | 4 | Stuttgart | |||||||||
| 2 architectural drawings. | |||||||||||
| 80 | 5 | Surface Requirements, 20 Apr 1985 | |||||||||
| list of works with the amount of space in meters needed for installation. | |||||||||||
| 80 | 6-7 | Sviluppo (development) 1984 | |||||||||
| substantial quantity of photocopies of Panza letters sent to various influential people in order to drum up support for his museum programs, 1984. | |||||||||||
| 80 | 8 | Tasse di Successione, 1974 | |||||||||
| 3 letters pertaining to taxation of the collection. | |||||||||||
| box | folder | ||||||||||
| 82 | 1-5 | TAVERNA CASCINA | |||||||||
| Project descriptions. 22 architectural drawings; handwritten restoration designs on graph paper; Cile S.p.a. plans and estimates; and 21 photographs of site and 55 photographs of model. | |||||||||||
| box | |||||||||||
| 83 | TEL-TR, includes: | ||||||||||
| 83 | 1 | Televisione, French, 1976 | |||||||||
| correspondence with Jose Maria Berzosa about making a film on the collection, with photocopied reviews (see Box 244 for photographs). | |||||||||||
| 83 | 2 | Televisione, BBC, , 1982-1984 1988 | |||||||||
| includes correspondence about Omnibus program on the collection, 13 items. | |||||||||||
| 83 | 6 | Tesi studentesche | |||||||||
| 3 student papers and some correspondence | |||||||||||
| 83 | 8 | Thyssen Collezione, 1980s | |||||||||
| correspondence with Simon de Pury, invitations and photocopied article, 11 items. | |||||||||||
| 83 | 9 | Trasporti | |||||||||
| photocopies of miscellaneous transport documents and information. | |||||||||||
| 83 | 10 | Tribunale | |||||||||
| group of photocopied letters and their translations used as "exhibits" in court to show the importance of the collection. | |||||||||||
| box | |||||||||||
| 84 | U-VAN, includes: | ||||||||||
| 84 | 1-3 | University of California, , 1978-1981 1983-1990 | |||||||||
| correspondence mostly with UCLA personnel about visits to the villa, some with Chancellor Charles Young, Vice Chancellor William Schaefer, Prof. Nathan Shapira and others about making the villa a study center, and with Shapira about 2 light programs in Turin. Also includes some announcements and clippings, ca.100 items. | |||||||||||
| 84 | 6 | Vancouver International Sculpture Purchase, 1984 | |||||||||
| includes correspondence with Diane Farris and proposals. | |||||||||||
| 84 | 7 | Van de Pas, Annemieke, 1985-1987 | |||||||||
| mostly correspondence regarding a possible loan for 1 year of light works to Barcelona. | |||||||||||
| box | folder | ||||||||||
| 85 | 1-6 | VARESE, Visitors, 1971-1990 | |||||||||
| substantial quantity of letters, notes and postcards regarding visits to the villa and thank you notes from art world personalities and art lovers, such as Franklin Murphy (1983), Terry Winters (1983), Judy Fiskin (1985), Martin Friedman (1986, 1990), Fumio Nanjo (1986, 1990), a few with good color photographs of the collection. | |||||||||||
| box | |||||||||||
| 86 | VARESE | ||||||||||
| 86 | 1-4 | Visitors, 1983, 1987-1990 | |||||||||
| More letters from people who visited, with a souvenir album of a trip made by Gesellschaft der Freunde und Förderer der Landesgalerie, Düsseldorf, 1983. | |||||||||||
| 86 | 5 | History | |||||||||
| photocopies of material regarding the history of the villa. | |||||||||||
| box | |||||||||||
| 87 | VARESE, VENARIA | ||||||||||
| 87 | 1-3 | Varese, bulk 1980s | |||||||||
| mostly photocopies of miscellaneous correspondence, documents and announcements regarding the city. | |||||||||||
| 87 | 4-13 | Venaria, 1982-1983 | |||||||||
| includes correspondence, draft of letter to Palma Bucarelli and letters with architects concerning installing part of the collection there, proposals, photocopies of proposal cover letters, Panza building studies, 11 architectural drawings most with installation designs. | |||||||||||
| box | folder | ||||||||||
| 88 | 1-6 | VENARIA | |||||||||
| installation designs, ca.41 architectural drawings with installation designs and photocopied text on building. | |||||||||||
| box | |||||||||||
| 89 | VEN-VIA | ||||||||||
| 89 | 1 | Vendita Collezioni, 1985-1987 | |||||||||
| miscellaneous correspondence regarding the potential sale of the Minimal and Conceptual works, ca.27 items. | |||||||||||
| 89 | 2 | Venice, Arsenale, 1980-1988 | |||||||||
| includes some correspondence about installing works there (1980-1981), notes on project methodology (1988) and 4 architectural drawings. | |||||||||||
| 89 | 3-11 | Viaggi (travel) 1984-1990 | |||||||||
| phone messages, schedules and itineraries, notes, airline tickets, maps, photographs, etc., from the Panzas' travels. | |||||||||||
| box | folder | ||||||||||
| 90 | 1-3 | VIENNA, 1979-1981 | |||||||||
| correspondence with Hertha Firnberg and others about long-term loan of some of the collection to Palais Lichtenstein and Neugebaude; plans and installation designs for Palais Lichtenstein; and 4 photographs, photocopied articles and renovation proposal for Neugebaude. | |||||||||||
| box | folder | ||||||||||
| 91 | 1-7 | VIGEVANO, 1981-1982 | |||||||||
| includes some correspondence with Carlo Bertelli and others regarding installation of the collection at the castle there, report, contract copies, ca.82 photographs, installation designs and checklists, and ca.16 architectural drawings. | |||||||||||
| box | |||||||||||
| 92 | W-Z | ||||||||||
| 92 | 1 | Walt Disney Productions, 1986 | |||||||||
| includes correspondence with Van Romans, 8 items. | |||||||||||
| 92 | 2 | Zimmermann, Bob, ca. 1984 | |||||||||
| includes 100 slides and 2 proposals=. | |||||||||||
| 92 | 3-6 | Züst Ambrosetti, 1958-1990 | |||||||||
| photocopies of shipping documents. | |||||||||||
| box | |||||||||||
| 93-94 | PERSONAL correspondence, , 1940s-1990 bulk 1970-1985 | ||||||||||
| includes much correspondence from Panza's close friends the De Simoni's, such as Erminia Cicogna De Simoni, Vittorio (brother of Erminia) and Beatrice De Simoni, Marco Cicogna (godson) and Tomino De Simoni; some from Panza's immediate family; and miscellaneous personal items, such as an old driver's license and passport, notes, telephone logs, expense lists (1967, 1968, 1970) (see Box 63 for more 1988-1990). | |||||||||||
| Series II. Works in the collection, 1959-1990 33 lin. ft. 64 boxes | |||||||||||
| Series II contains documentary material in support of Panza's extensive collecting activities. It is divided into three sub-series: Artists, Primitive, and Artists Deaccessioned. | |||||||||||
| Series II.A. Artists, ca. 1959-1990 163 box(es) | |||||||||||
| Series II.A. is filed alphabetically and contains files on artists Panza collected, including Carl Andre, Robert Barry, Larry Bell, Louis Cane, Alan Charlton, Hanne Darboven, Douglas Davis, Walter De Maria, Jan Dibbets, Jean Fautrier, Dan Flavin, Hamish Fulton, Douglas Huebler, Robert Irwin, Peter Joseph, Donald Judd, Franz Kline, Joseph Kosuth, Bob Law, Sol LeWitt, Roy Lichtenstein, Richard Long, Robert Mangold, Brice Marden, Robert Morris, Bruce Nauman, Richard Nonas, Maria Nordman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Mark Rothko, Robert Ryman, Richard Serra, Antoni Tàpies, David Tremlett, James Turrell, Lawrence Weiner, Douglas Wheeler, and Ian Wilson. Each art work has its own file and is labeled according to Panza's inventory system of the artist's initials and numbered sequentially. Material in the work files consists of invoices; shipping documents; correspondence with galleries and artists; loan agreements; photographs of the work installed at the villa, photographs from galleries and of important documents in the archive; some small drawings and sketches (see especially Larry Bell, Robert Irwin, Sol LeWitt, Robert Morris, Richard Serra and James Turrell); and copies of certificates of authenticity. Work files have many photocopies and photographs of documents intended as cross-references. There are also miscellaneous files of personal correspondence with the artist, gallery correspondence, announcements and invitations, photographs, works not in the collection, shipment and invoice documents and miscellaneous. Miscellaneous personal correspondence files contain letters from artists regarding personal matters, schedule and work updates, installation instructions and theoretical discussions. Miscellaneous gallery correspondence consists of correspondence with prominent gallery owners and directors, invoices, lists of works offered with descriptions and prices, financial arrangements and loan forms. There are original photographs of works solicited by galleries to Panza, sometimes of substantial quantity. Announcements and invitations files contain postcards, brochures, catalogs, posters and artists' books. Every item in each file is numbered sequentially, usually on the verso. Occasionally the numbers have been mistakenly duplicated or skipped. Consult Appendix C for an item-level index. It should be noted that when the index states "drawing" or "certificate" the files generally contain either photocopies or photographic copies. Most of the originals remain with Panza. [N.B. there is a group of boxes at the end of the collection (X1-15, ca. 6 lin. ft.) housing photocopies of certain items by some of the Minimal and Conceptual artists in this series.] | |||||||||||
| box | |||||||||||
| 95 | Vicenzo Agnetti, Carl Andre | ||||||||||
| 95 | 1 | Vicenzo Agnetti 1 | |||||||||
| 95 | 2 | Vicenzo Agnetti miscellaneous correspondence | |||||||||
| 95 | 3 | Vicenzo Agnetti announcements and invitations | |||||||||
| 95 | 4-18 | Carl Andre 1-15 | |||||||||
| 95 | 19 | Carl Andre miscellaneous personal correspondence | |||||||||
| box | |||||||||||
| 96 | Carl Andre, Art & Language | ||||||||||
| 96 | 1 | Carl Andre miscellaneous gallery correspondence | |||||||||
| 96 | 2 | Carl Andre announcements and invitations | |||||||||
| 96 | 3 | Carl Andre miscellaneous photographs | |||||||||
| 96 | 4 | Carl Andre articles and reviews | |||||||||
| 96 | 5 | Carl Andre works not in the collection | |||||||||
| 96 | 6 | Art & Language 3 | |||||||||
| 96 | 7 | Art & Language announcements and invitations | |||||||||
| 96 | 8 | Art & Language works not in the collection | |||||||||
| box | |||||||||||
| 97 | Robert Barry | ||||||||||
| 97 | 1-20 | Robert Barry 1-18, 20-21 | |||||||||
| 97 | 21 | Robert Barry miscellaneous correspondence | |||||||||
| 97 | 22 | Robert Barry announcements and invitations | |||||||||
| 97 | 23 | Robert Barry certificates to be returned to Barry (no index card) | |||||||||
| box | |||||||||||
| 98 | Larry Bell, Joseph Beuys | ||||||||||
| 98 | 1-4 | Larry Bell 1-4 | |||||||||
| 98 | 5 | Larry Bell miscellaneous gallery correspondence | |||||||||
| 98 | 6 | Larry Bell miscellaneous personal correspondence | |||||||||
| 98 | 7 | Larry Bell miscellaneous photographs | |||||||||
| 98 | 8 | Larry Bell announcements and invitations | |||||||||
| 98 | 9 | Larry Bell miscellaneous invoices | |||||||||
| 98 | 10-11 | Larry Bell 1-2 | |||||||||
| 98 | 12 | Joseph Beuys miscellaneous correspondence | |||||||||
| 98 | 13 | Joseph Beuys announcements and invitations | |||||||||
| 98 | 14 | Joseph Beuys miscellaneous photographs | |||||||||
| box | |||||||||||
| 99 | Stanley Brouwn, Victor Burgin, Daniel Buren, Pier Paolo Calzolari, Louis Cane | ||||||||||
| 99 | 1 | Stanley Brouwn 1-2 | |||||||||
| 99 | 2 | Stanley Brouwn miscellaneous correspondence | |||||||||
| 99 | 3 | Stanley Brouwn announcements and invitations | |||||||||
| 99 | 4 | Victor Burgin 2 | |||||||||
| 99 | 5 | Victor Burgin announcements and invitations | |||||||||
| 99 | 6 | Victor Burgin miscellaneous | |||||||||
| 99 | 7 | Daniel Buren 1 | |||||||||
| 99 | 8 | Daniel Buren works not in the collection | |||||||||
| 99 | 9 | Daniel Buren miscellaneous correspondence | |||||||||
| 99 | 10 | Daniel Buren miscellaneous personal correspondence | |||||||||
| 99 | 11 | Daniel Buren announcements and invitations | |||||||||
| 99 | 12-17 | Pier Paolo Calzolari 1-6 | |||||||||
| 99 | 18 | Pier Paolo Calzolari announcements and invitations | |||||||||
| 99 | 19-25 | Louis Cane 1-7 | |||||||||
| box | |||||||||||
| 100 | Louis Cane, Carpi (CC) | ||||||||||
| 100 | 1-9 | Louis Cane 8-16 | |||||||||
| 100 | 10 | Louis Cane works not in the collection | |||||||||
| 100 | 11 | Louis Cane miscellaneous personal correspondence | |||||||||
| 100 | 12 | Louis Cane announcements and invitations | |||||||||
| 100 | 13 | Louis Cane miscellaneous correspondence | |||||||||
| 100 | 14 | Louis Cane miscellaneous invoices | |||||||||
| 100 | 15-24 | Cioni Carpi 1-10 | |||||||||
| box | |||||||||||
| 101 | Cioni Carpi, Alan Charlton | ||||||||||
| 101 | 1-3 | Cioni Carpi 11-13 | |||||||||
| 101 | 4 | Cioni Carpi miscellaneous invoices | |||||||||
| 101 | 5 | Cioni Carpi miscellaneous personal correspondence | |||||||||
| 101 | 6 | Cioni Carpi announcements and invitations | |||||||||
| 101 | 7 | Cioni Carpi miscellaneous | |||||||||
| 101 | 8-27 | Alan Charlton 1-20 | |||||||||
| box | |||||||||||
| 102 | Alan Charlton | ||||||||||
| 102 | 1-15 | Alan Charlton 21-35 | |||||||||
| 102 | 16 | Alan Charlton miscellaneous correspondence | |||||||||
| 102 | 17 | Alan Charlton announcements and invitations | |||||||||
| 102 | 18 | Alan Charlton miscellaneous photographs | |||||||||
| 102 | 19 | Alan Charlton miscellaneous | |||||||||
| box | folder | ||||||||||
| 103 | 1-30 | Hanne Darboven 1-7, 9-30 | |||||||||
| box | |||||||||||
| 104 | Hanne Darboven | ||||||||||
| 104 | 1-20 | Hanne Darboven 35-48, 50-74 | |||||||||
| 104 | 21 | Hanne Darboven miscellaneous correspondence | |||||||||
| 104 | 22 | Hanne Darboven miscellaneous invoices | |||||||||
| 104 | 23 | Hanne Darboven announcements and invitations | |||||||||
| 104 | 24 | Hanne Darboven miscellaneous envelopes | |||||||||
| box | |||||||||||
| 105 | Douglas Davis | ||||||||||
| 105 | 1-14 | Douglas Davis 1-14 | |||||||||
| 105 | 15 | Douglas Davis miscellaneous personal correspondence | |||||||||
| 105 | 16 | Douglas Davis miscellaneous gallery correspondence | |||||||||
| 105 | 17 | Douglas Davis miscellaneous invoices | |||||||||
| 105 | 18 | Douglas Davis works offered | |||||||||
| 105 | 19 | Douglas Davis announcements and invitations | |||||||||
| 105 | 20 | Douglas Davis articles | |||||||||
| 105 | 21 | Douglas Davis miscellaneous | |||||||||
| box | |||||||||||
| 106 | Walter De Maria | ||||||||||
| 106 | 1-4 | Walter De Maria 1-4 | |||||||||
| 106 | 5 | Walter De Maria Lightning Field | |||||||||
| 106 | 6 | Walter De Maria miscellaneous correspondence | |||||||||
| 106 | 7 | Walter De Maria works offered | |||||||||
| 106 | 8 | Walter De Maria announcements and invitations | |||||||||
| 106 | 9 | Walter De Maria miscellaneous | |||||||||
| box | |||||||||||
| 107 | Jan Dibbets | ||||||||||
| 107 | 1-15 | Jan Dibbets 1-15 | |||||||||
| 107 | 16 | Jan Dibbets miscellaneous correspondence | |||||||||
| 107 | 17 | Jan Dibbets miscellaneous invoices | |||||||||
| 107 | 18 | Jan Dibbets announcements and invitations | |||||||||
| 107 | 19 | Jan Dibbets articles | |||||||||
| 107 | 20 | Jan Dibbets works offered | |||||||||
| 107 | 21 | Jan Dibbets restoration of 3-5 | |||||||||
| box | |||||||||||
| 108 | Jean Fautrier, Enrico Ferrari | ||||||||||
| 108 | 1-8 | Jean Fautrier 1-8 | |||||||||
| 108 | 9 | Jean Fautrier miscellaneous correspondence | |||||||||
| 108 | 10 | Jean Fautrier miscellaneous invoices | |||||||||
| 108 | 11 | Jean Fautrier works offered | |||||||||
| 108 | 12 | Jean Fautrier announcements and invitations | |||||||||
| 108 | 13 | Jean Fautrier miscellaneous | |||||||||
| 108 | 14 | Jean Fautrier miscellaneous photographs | |||||||||
| 108 | 15-17 | Enrico Ferrari 1, correspondence and announcements and invitations | |||||||||
| box | |||||||||||
| 109 | Dan Flavin | ||||||||||
| 109 | 1-21 | Dan Flavin 1-14, 16-22 | |||||||||
| box | |||||||||||
| 110 | Dan Flavin | ||||||||||
| 110 | 1 | Dan Flavin miscellaneous correspondence | |||||||||
| 110 | 2 | Dan Flavin miscellaneous invoices | |||||||||
| 110 | 3 | Dan Flavin works not in the collection | |||||||||
| 110 | 4 | Dan Flavin announcements and invitations | |||||||||
| 110 | 5 | Dan Flavin miscellaneous | |||||||||
| box | |||||||||||
| 111 | Hamish Fulton, Gilbert & George, Raymond Hains | ||||||||||
| 111 | 1-13 | Hamish Fulton 1-15 | |||||||||
| 111 | 14 | Hamish Fulton miscellaneous correspondence | |||||||||
| 111 | 15 | Hamish Fulton announcements and invitations | |||||||||
| 111 | 16 | Gilbert & George 1 | |||||||||
| 111 | 17 | Gilbert & George announcements and invitations | |||||||||
| 111 | 18 | Gilbert & George miscellaneous | |||||||||
| 111 | 19 | Raymond Hains 1 | |||||||||
| 111 | 20 | Raymond Hains works not in the collection | |||||||||
| 111 | 21 | Raymond Hains announcements and invitations | |||||||||
| box | |||||||||||
| 112 | Jene Highstein | ||||||||||
| 112 | 1-6 | Jene Highstein 1-3, 5-7 | |||||||||
| 112 | 7 | Jene Highstein 3 Giza Castings not in collection | |||||||||
| 112 | 8 | Jene Highstein miscellaneous personal correspondence | |||||||||
| 112 | 9 | Jene Highstein miscellaneous gallery correspondence | |||||||||
| 112 | 10 | Jene Highstein announcements and invitations | |||||||||
| 112 | 11 | Jene Highstein works not in the collection | |||||||||
| 112 | 12 | Jene Highstein miscellaneous photographs | |||||||||
| 112 | 13 | Jene Highstein miscellaneous | |||||||||
| box | |||||||||||
| 113 | Douglas Huebler | ||||||||||
| 113 | 1-21 | Douglas Huebler 1-20 | |||||||||
| 113 | 22 | Douglas Huebler miscellaneous correspondence | |||||||||
| 113 | 23 | Douglas Huebler announcements and invitations | |||||||||
| 113 | 24 | Douglas Huebler works not in collection | |||||||||
| 113 | 25 | Douglas Huebler miscellaneous | |||||||||
| box | |||||||||||
| 114 | Robert Irwin | ||||||||||
| 114 | 1-20 | Robert Irwin 1-8, 10-11, 17-26 | |||||||||
| 114 | 21 | Robert Irwin drawings and recent works | |||||||||
| box | |||||||||||
| 115 | Robert Irwin | ||||||||||
| 115 | 1-2 | Robert Irwin miscellaneous personal correspondence | |||||||||
| 115 | 3 | Robert Irwin miscellaneous correspondence | |||||||||
| 115 | 4 | Robert Irwin Disc restoration | |||||||||
| 115 | 5 | Robert Irwin Varese Scrim (Robert Iwrin 6) 1987-1988 | |||||||||
| 115 | 6 | Robert Irwin miscellaneous invoices | |||||||||
| 115 | 7 | Robert Irwin announcements and invitations | |||||||||
| 115 | 8 | Robert Irwin Scrim in discussion | |||||||||
| 115 | 9 | Robert Irwin miscellaneous proposal | |||||||||
| 115 | 10 | Robert Irwin miscellaneous | |||||||||
| box | |||||||||||
| 116 | Peter Joseph, B. Joubert | ||||||||||
| 116 | 1-13 | Peter Joseph 1-5, 7-14 | |||||||||
| 116 | 14 | Peter Joseph miscellaneous correspondence | |||||||||
| 116 | 15 | Peter Joseph announcements and invitations | |||||||||
| 116 | 16 | Peter Joseph miscellaneous photographs (see also oversize) | |||||||||
| 116 | 17 | Peter Joseph miscellaneous | |||||||||
| 116 | 18-20 | B. Joubert 1-3 | |||||||||
| box | |||||||||||
| 117 | Donald Judd | ||||||||||
| 117 | 1-15 | DJ 1-13, 19-20 | |||||||||
| box | |||||||||||
| 118 | Donald Judd | ||||||||||
| 118 | 1-12 | Donald Judd 21-32 | |||||||||
| box | |||||||||||
| 119 | Donald Judd | ||||||||||
| 119 | 1 | Donald Judd miscellaneous correspondence | |||||||||
| 119 | 2 | Donald Judd invoices for works not in the collection | |||||||||
| 119 | 3 | Donald Judd announcements and invitations | |||||||||
| 119 | 4 | Donald Judd miscellaneous photographs, works in the collection | |||||||||
| 119 | 5 | Donald Judd miscellaneous photographs, works not in the collection | |||||||||
| 119 | 6 | Donald Judd miscellaneous | |||||||||
| box | |||||||||||
| 120 | On Kawara, Franz Kline | ||||||||||
| 120 | 1-4 | On Kawara 1-4 | |||||||||
| 120 | 5 | On Kawara miscellaneous gallery correspondence | |||||||||
| 120 | 6 | On Kawara announcements and invitations | |||||||||
| 120 | 7 | On Kawara miscellaneous | |||||||||
| 120 | 8-23 | Franz Kline 1-16 | |||||||||
| 120 | 24 | Franz Kline miscellaneous correspondence | |||||||||
| 120 | 25 | Franz Kline announcements and invitations | |||||||||
| 120 | 26 | Franz Kline miscellaneous photographs | |||||||||
| 120 | 27 | Franz Kline miscellaneous | |||||||||
| box | |||||||||||
| 121 | Joseph Kosuth | ||||||||||
| 121 | 1-22 | Joseph Kosuth 1-8, 10-11, 13-24, 26-27 | |||||||||
| 121 | 23 | Joseph Kosuth 25 (not in the collection) | |||||||||
| 121 | 24 | Joseph Kosuth The Seventh Investigation | |||||||||
| 121 | 25 | Joseph Kosuth miscellaneous correspondence (see Box 308 for "The Fifth Investigation") | |||||||||
| box | |||||||||||
| 122 | Joseph Kosuth, David Lamelas, Bob Law | ||||||||||
| 122 | 1 | Joseph Kosuth announcements and invitations | |||||||||
| 122 | 2 | Joseph Kosuth miscellaneous | |||||||||
| 122 | 3 | David Lamelas | |||||||||
| 122 | 4 | David Lamelas announcements and invitations | |||||||||
| 122 | 5-21 | Bob Law 1-17 | |||||||||
| 122 | 22 | Bob Law miscellaneous correspondence | |||||||||
| 122 | 23 | Bob Law announcements and invitations | |||||||||
| 122 | 24 | Bob Law miscellaneous | |||||||||
| box | |||||||||||
| 123 | Sol LeWitt | ||||||||||
| 123 | 1-27 | Sol LeWitt 1-27 | |||||||||
| 123 | 28 | Sol LeWitt miscellaneous correspondence | |||||||||
| box | |||||||||||
| 124 | Sol LeWitt | ||||||||||
| 124 | 1-3 | Sol LeWitt miscellaneous correspondence | |||||||||
| 124 | 4 | Sol LeWitt announcements and invitations | |||||||||
| 124 | 5 | Sol LeWitt miscellaneous photographs | |||||||||
| box | |||||||||||
| 125 | Roy Lichtenstein, Robert Long | ||||||||||
| 125 | 1-4 | Roy Lichtenstein 1-4 | |||||||||
| 125 | 5 | Roy Lichtenstein miscellaneous correspondence | |||||||||
| 125 | 6 | Roy Lichtenstein announcements and invitations | |||||||||
| 125 | 7 | Roy Lichtenstein miscellaneous photographs | |||||||||
| 125 | 8 | Roy Lichtenstein miscellaneous | |||||||||
| 125 | 9-19 | Robert Long 1-10, 19 | |||||||||
| 125 | 20 | Robert Long miscellaneous correspondence | |||||||||
| box | |||||||||||
| 126 | Robert Long, Robert Mangold | ||||||||||
| 126 | 1 | Robert Long announcements and invitations | |||||||||
| 126 | 2 | Robert Long miscellaneous | |||||||||
| 126 | 3-11 | Robert Mangold 1-9 | |||||||||
| box | |||||||||||
| 127 | Robert Mangold | ||||||||||
| 127 | 1-24 | Robert Mangold 10-33 | |||||||||
| 127 | 25 | Robert Mangold miscellaneous correspondence | |||||||||
| 127 | 26 | Robert Mangold announcements and invitations | |||||||||
| 127 | 27 | Robert Mangold miscellaneous photographs | |||||||||
| 127 | 28 | Robert Mangold miscellaneous shipping documents | |||||||||
| 127 | 29 | Robert Mangold miscellaneous | |||||||||
| box | |||||||||||
| 128 | Brice Marden, Maurizio Mochetti | ||||||||||
| 128 | 1-9 | Brice Marden 1-9 | |||||||||
| 128 | 10 | Brice Marden miscellaneous correspondence | |||||||||
| 128 | 11 | Brice Marden announcements and invitations | |||||||||
| 128 | 12 | Brice Marden miscellaneous shipping documents | |||||||||
| 128 | 13 | Brice Marden miscellaneous | |||||||||
| 128 | 14-25 | Maurizio Mochetti 1-7, 10-14 | |||||||||
| 128 | 26 | Maurizio Mochetti miscellaneous correspondence | |||||||||
| 128 | 27 | Maurizio Mochetti announcements and invitations | |||||||||
| 128 | 28 | Maurizio Mochetti miscellaneous | |||||||||
| 128 | 1-19 | Robert Morris 1-11, 13-16, 18-20 | |||||||||
| box | |||||||||||
| 130 | Robert Morris | ||||||||||
| folder | |||||||||||
| 1-12 | Robert Morris 21-24, 26-33 | ||||||||||
| box | folder | ||||||||||
| 130 | 13 | Robert Morris miscellaneous personal correspondence | |||||||||
| 130 | 14 | Robert Morris miscellaneous gallery correspondence | |||||||||
| 130 | 15 | Robert Morris correspondence and material for Williams College catalog | |||||||||
| box | |||||||||||
| 131 | Robert Morris | ||||||||||
| 131 | 1 | Robert Morris catalog raisonne draft for Williams College catalog | |||||||||
| 131 | 2 | Robert Morris announcements and invitations | |||||||||
| 131 | 3 | Robert Morris miscellaneous photographs of works not in the collection | |||||||||
| 131 | 4 | Robert Morris miscellaneous photographs of works in the collection | |||||||||
| 131 | 5 | Robert Morris miscellaneous | |||||||||
| box | folder | ||||||||||
| 132 | 1-20 | Bruce Nauman 1-20 | |||||||||
| box | folder | ||||||||||
| 133 | 1-16 | Bruce Nauman 21-27, 29-37 | |||||||||
| box | |||||||||||
| 134 | Bruce Nauman | ||||||||||
| 134 | 1-4 | Bruce Nauman 38-40, 42 | |||||||||
| 134 | 5 | Bruce Nauman miscellaneous personal correspondence | |||||||||
| 134 | 6 | Bruce Nauman miscellaneous gallery correspondence | |||||||||
| 134 | 7 | Bruce Nauman Basel exhibition 1986 (drawings) | |||||||||
| 134 | 8 | Bruce Nauman miscellaneous blueprints | |||||||||
| box | |||||||||||
| 135 | Bruce Nauman, Nonas (RN) | ||||||||||
| 135 | 1 | Bruce Nauman miscellaneous photographs | |||||||||
| 135 | 2 | Bruce Nauman miscellaneous invoice | |||||||||
| 135 | 3 | Bruce Nauman miscellaneous | |||||||||
| 135 | 4-25 | Richard Nonas 1-5, 7-12, 14-20, 22-25 | |||||||||
| box | |||||||||||
| 136 | Bruce Nauman, Ricard Nonas (RN) | ||||||||||
| 136 | 1-15 | Bruce Nauman 26-32, 34-36, 39-43 | |||||||||
| 136 | 16 | Bruce Nauman 44/45 works not in the collection | |||||||||
| 136 | 17 | Bruce Nauman miscellaneous personal correspondence | |||||||||
| 136 | 18 | Bruce Nauman miscellaneous gallery correspondence | |||||||||
| 136 | 19 | Bruce Nauman announcements and invitations | |||||||||
| 136 | 20 | Bruce Nauman miscellaneous photographs | |||||||||
| 136 | 21 | Bruce Nauman miscellaneous | |||||||||
| box | |||||||||||
| 137 | Maria Nordman | ||||||||||
| 137 | 1-9 | Maria Nordman 1-6, 12-14 | |||||||||
| 137 | 10 | Maria Nordman works not in the collection | |||||||||
| 137 | 11 | Maria Nordman miscellaneous personal correspondence | |||||||||
| 137 | 12 | Maria Nordman miscellaneous gallery correspondence | |||||||||
| 137 | 13 | Maria Nordman announcements and invitations | |||||||||
| 137 | 14 | Maria Nordman miscellaneous photographs | |||||||||
| 137 | 15 | Maria Nordman miscellaneous | |||||||||
| box | |||||||||||
| 138 | Claes Oldenburg | ||||||||||
| 138 | 1-16 | Claes Oldenburg 1-16 | |||||||||
| 138 | 17 | Claes Oldenburg miscellaneous personal correspondence | |||||||||
| 138 | 18 | Claes Oldenburg miscellaneous gallery correspondence | |||||||||
| 138 | 19 | Claes Oldenburg miscellaneous invoices and receipts | |||||||||
| 138 | 20 | Claes Oldenburg announcements and invitations | |||||||||
| 138 | 21 | Claes Oldenburg miscellaneous photographs | |||||||||
| 138 | 22 | Claes Oldenburg miscellaneous | |||||||||
| box | |||||||||||
| 139 | Roman Opalka, Dennis Oppenheim, Eric Orr | ||||||||||
| 139 | 1 | Roman Opalka 1 | |||||||||
| 139 | 2 | Roman Opalka announcements and invitations | |||||||||
| 139 | 3 | Roman Opalka miscellaneous | |||||||||
| 139 | 4 | Dennis Oppenheim 1 | |||||||||
| 139 | 5 | Dennis Oppenheim miscellaneous correspondence | |||||||||
| 139 | 6 | Dennis Oppenheim announcements and invitations | |||||||||
| 139 | 7 | Dennis Oppenheim miscellaneous photographs | |||||||||
| 139 | 8 | Dennis Oppenheim miscellaneous | |||||||||
| 139 | 9 | Eric Orr 1 | |||||||||
| 139 | 10 | Eric Orr miscellaneous correspondence | |||||||||
| 139 | 11 | Eric Orr announcements and invitations | |||||||||
| 139 | 12 | Eric Orr miscellaneous blueprints | |||||||||
| 139 | 13 | Eric Orr miscellaneous photographs | |||||||||
| 139 | 14 | Eric Orr miscellaneous | |||||||||
| box | |||||||||||
| 140 | Lucio Pozzi, R Rabinovitch, Mario Radice, Robert Rauschenberg | ||||||||||
| 140 | 1-2 | Lucio Pozzi 1-5 | |||||||||
| 140 | 3 | Lucio Pozzi miscellaneous correspondence | |||||||||
| 140 | 4 | Lucio Pozzi announcements and invitations | |||||||||
| 140 | 5 | Lucio Pozzi miscellaneous photographs | |||||||||
| 140 | 6 | Lucio Pozzi miscellaneous | |||||||||
| 140 | 7 | R Rabinovitch miscellaneous | |||||||||
| 140 | 8 | Mario Radice 1 | |||||||||
| 140 | 9 | Mario Radice announcements and invitations | |||||||||
| 140 | 10-20 | Robert Rauschenberg 1-11 | |||||||||
| box | |||||||||||
| 141 | Robert Rauschenberg | ||||||||||
| 141 | 1 | Robert Rauschenberg miscellaneous gallery correspondence | |||||||||
| 141 | 2 | Robert Rauschenberg announcements and invitations | |||||||||
| 141 | 3 | Robert Rauschenberg miscellaneous photographs | |||||||||
| 141 | 4 | Robert Rauschenberg works not in the collection | |||||||||
| 141 | 5 | Robert Rauschenberg miscellaneous | |||||||||
| box | |||||||||||
| 142 | James Rosenquist | ||||||||||
| 142 | 1-8 | James Rosenquist 1-8 | |||||||||
| 142 | 9 | James Rosenquist miscellaneous personal correspondence | |||||||||
| 142 | 10 | James Rosenquist miscellaneous gallery correspondence | |||||||||
| 142 | 11 | James Rosenquist announcements and invitations | |||||||||
| 142 | 12 | James Rosenquist miscellaneous photographs | |||||||||
| 142 | 13 | James Rosenquist works not in the collection | |||||||||
| 142 | 14 | James Rosenquist miscellaneous | |||||||||
| box | |||||||||||
| 143 | Mark Rothko, Robert Ryman | ||||||||||
| 143 | 1-7 | Mark Rothko 1-7 | |||||||||
| 143 | 8 | Mark Rothko miscellaneous personal correspondence | |||||||||
| 143 | 9 | Mark Rothko miscellaneous gallery correspondence | |||||||||
| 143 | 10 | Mark Rothko miscellaneous correspondence | |||||||||
| 143 | 11 | Mark Rothko announcements and invitations | |||||||||
| 143 | 12 | Mark Rothko miscellaneous photographs | |||||||||
| 143 | 13 | Mark Rothko miscellaneous bank receipts | |||||||||
| 143 | 14 | Mark Rothko miscellaneous | |||||||||
| 143 | 15-20 | Robert Ryman 1-6 | |||||||||
| box | |||||||||||
| 144 | Robert Ryman | ||||||||||
| 144 | 1-24 | Robert Ryman 7-15, 17-20, 22-32 | |||||||||
| box | |||||||||||
| 145 | Robert Ryman, George Segal | ||||||||||
| 145 | 1 | Robert Ryman miscellaneous personal correspondence | |||||||||
| 145 | 2 | Robert Ryman miscellaneous gallery correspondence | |||||||||
| 145 | 3 | Robert Ryman announcements and invitations | |||||||||
| folder | |||||||||||
| 4 | Robert Ryman miscellaneous invoices and receipts | ||||||||||
| box | folder | ||||||||||
| 145 | 5 | Robert Ryman restoration report on 11, 12, 13 by Dr. Paolo Cadorin, April 1990 | |||||||||
| 145 | 6 | Robert Ryman miscellaneous photographs | |||||||||
| 145 | 7 | Robert Ryman miscellaneous photographs of works in the collection | |||||||||
| 145 | 8 | Robert Ryman miscellaneous | |||||||||
| 145 | 9-10 | George Segal 1-2 | |||||||||
| 145 | 11 | George Segal announcements and invitations | |||||||||
| 145 | 12 | George Segal miscellaneous | |||||||||
| box | |||||||||||
| 146 | Richard Serra | ||||||||||
| folder | |||||||||||
| 1-14 | Richard Serra 1-14 | ||||||||||
| box | folder | ||||||||||
| 146 | 15-17 | Richard Serra 16-18 (works not in the collection) | |||||||||
| box | |||||||||||
| 147 | Richard Serra, Joel Shapiro | ||||||||||
| 147 | 1 | Richard Serra 20 (A/B/C) | |||||||||
| 147 | 2 | Richard Serra miscellaneous personal correspondence | |||||||||
| 147 | 3 | Richard Serra miscellaneous gallery correspondence | |||||||||
| 147 | 4 | Richard Serra announcements and invitations | |||||||||
| 147 | 5 | Richard Serra miscellaneous photographs | |||||||||
| 147 | 6 | Richard Serra miscellaneous shipping documents | |||||||||
| 147 | 7 | Richard Serra miscellaneous | |||||||||
| 147 | 8-14 | Joel Shapiro 1-2, 2A, 4, 6, 6A, 7 | |||||||||
| 147 | 15 | Joel Shapiro miscellaneous gallery correspondence | |||||||||
| 147 | 16 | Joel Shapiro announcements and invitations | |||||||||
| 147 | 17 | Joel Shapiro miscellaneous photographs | |||||||||
| 147 | 18 | Joel Shapiro miscellaneous | |||||||||
| box | |||||||||||
| 148 | Antoni Tàpies | ||||||||||
| 148 | 1-14 | Antoni Tàpies 1-14 | |||||||||
| 148 | 15 | Antoni Tàpies miscellaneous personal correspondence | |||||||||
| 148 | 16 | Antoni Tàpies miscellaneous gallery correspondence | |||||||||
| 148 | 17 | Antoni Tàpies announcements and invitations | |||||||||
| 148 | 18 | Antoni Tàpies miscellaneous invoices | |||||||||
| 148 | 19 | Antoni Tàpies works not in the collection | |||||||||
| 148 | 20 | Antoni Tàpies miscellaneous photographs | |||||||||
| box | |||||||||||
| 149 | Vittorio Tavernari, Jean Tinguely, David Tremlett | ||||||||||
| 149 | 1-2 | Vittorio Tavernari 1-2 | |||||||||
| 149 | 3 | Vittorio Tavernari miscellaneous correspondence | |||||||||
| 149 | 4 | Vittorio Tavernari announcements and invitations | |||||||||
| 149 | 5-8 | Jean Tinguely 1-4 | |||||||||
| 149 | 9 | Jean Tinguely miscellaneous gallery correspondence | |||||||||
| 149 | 10 | Jean Tinguely announcements and invitations | |||||||||
| 149 | 11 | Jean Tinguely miscellaneous photographs | |||||||||
| 149 | 12 | Jean Tinguely miscellaneous | |||||||||
| 149 | 13-22 | David Tremlett 1-4, 6-11. | |||||||||
| 149 | 23 | David Tremlett miscellaneous gallery correspondence | |||||||||
| 149 | 24 | David Tremlett announcements and invitations | |||||||||
| 149 | 25 | David Tremlett miscellaneous photographs | |||||||||
| box | |||||||||||
| 150 | James Turrell | ||||||||||
| 150 | 1-6 | James Turrell 1-6 | |||||||||
| 150 | 7 | James Turrell 6A-B, 6C, 6D, 6E | |||||||||
| 150 | 8-14 | James Turrell 8, 10-11, 13 (not in the collection), 14-15, 23 | |||||||||
| box | |||||||||||
| 151 | James Turrell | ||||||||||
| 151 | 1 | James Turrell miscellaneous personal correspondence | |||||||||
| 151 | 2 | James Turrell miscellaneous gallery correspondence | |||||||||
| 151 | 3 | James Turrell announcements and invitations | |||||||||
| 151 | 4 | James Turrell works not in the collection | |||||||||
| 151 | 5 | James Turrell plans | |||||||||
| 151 | 6 | James Turrell Skystone Foundation | |||||||||
| 151 | 7 | James Turrell newspaper articles | |||||||||
| 151 | 8 | James Turrell miscellaneous shipping documents | |||||||||
| 151 | 9 | James Turrell miscellaneous photographs | |||||||||
| 151 | 10 | James Turrell miscellaneous | |||||||||
| box | |||||||||||
| 152 | Cy Twombly, Lawrence Weiner | ||||||||||
| 152 | 1 | Cy Twombly 1 | |||||||||
| 152 | 2 | Cy Twombly announcements and invitations | |||||||||
| 152 | 3 | Cy Twombly works not in the collection | |||||||||
| 152 | 4 | Cy Twombly miscellaneous | |||||||||
| 152 | 5-34 | Lawrence Weiner 1-14, 14A, 15-29 | |||||||||
| box | |||||||||||
| 153 | Lawrence Weiner | ||||||||||
| 153 | 1-9 | Lawrence Weiner 30, 38-40, 45-48, 52 | |||||||||
| 153 | 10 | Lawrence Weiner miscellaneous personal correspondence | |||||||||
| 153 | 11 | Lawrence Weiner miscellaneous gallery correspondence | |||||||||
| 153 | 12-14 | Lawrence Weiner announcements and invitations | |||||||||
| 153 | 15 | Lawrence Weiner miscellaneous | |||||||||
| box | |||||||||||
| 154 | Doug Wheeler | ||||||||||
| 154 | 1-15 | Doug Wheeler 1-15 | |||||||||
| 154 | 16 | Doug Wheeler miscellaneous personal correspondence | |||||||||
| 154 | 17 | Doug Wheeler miscellaneous gallery correspondence | |||||||||
| 154 | 18 | Doug Wheeler miscellaneous photographs | |||||||||
| 154 | 19 | Doug Wheeler miscellaneous | |||||||||
| box | |||||||||||
| 155 | Ian Wilson | ||||||||||
| 155 | 1-10 | Ian Wilson 1-9 (see also Series III box 165 for notes regarding "Discussion" series), 10 (work not in the collection) | |||||||||
| 155 | 11 | Ian Wilson miscellaneous personal correspondence | |||||||||
| 155 | 12 | Ian Wilson miscellaneous gallery correspondence | |||||||||
| 155 | 13 | Ian Wilson announcements and invitations | |||||||||
| 155 | 14 | Ian Wilson miscellaneous | |||||||||
| box | |||||||||||
| 156A-156B | Indices | ||||||||||
| Box 156A contains 6 7/8 x 7 3/8" index cards with an itemized listing of everything in Series II.A, alphabetized by artist. See the appendices for a complete photocopy, which is cross-referenced with the finding aid. Box 156B houses other indices for Series II.B. Primitive, Series II.C. Deaccessioned Artists, Series III. Writings, Series VIII. Clippings, and Panza's "drawings" collection. See the appendices for photocopies of the Primitive and Clippings series. | |||||||||||
| box | |||||||||||
| X1-X15 | Duplicates | ||||||||||
| Duplicates (photocopies) of material in subseries II.A., especially material related to Minimal and Conceptual artists. 15 boxes. | |||||||||||
| Series II.B. Primitive, ca. 1959-1990 2 boxes | |||||||||||
| Series II.B contains black and white photographs and photocopies of Panza's primitive collection. Many have typed descriptions signed by Franco Monti on the verso. | |||||||||||
| box | folder | ||||||||||
| 157 | 1-39 | Primitives 1-39 | |||||||||
| box | folder | ||||||||||
| 158 | 1-15 | Primitives 40-54 | |||||||||
| 158 | 16 | Primitive works formerly in the collection | |||||||||
| 158 | 17 | Primitive works offered | |||||||||
| 158 | 18 | Primitive inventory and appraisal 1972 | |||||||||
| 158 | 19-22 | Primitive works not in the collection | |||||||||
| Series II.C. Artists Deaccessioned, ca. 1959-1990 4 box(es) | |||||||||||
| Series IIC contains material similar to that in the artists' files in Series II.A (photographs, printed materials, letters), but also includes correspondence about Panza's sale of the art works. | |||||||||||
| box | folder | ||||||||||
| 159 | 1-6 | Claude Bellegarde 1-6 | |||||||||
| photographs. | |||||||||||
| 159 | 7-8 | Peter Bruning 1-2 | |||||||||
| photographs. | |||||||||||
| 159 | 9 | Peter Bruning miscellaneous correspondence | |||||||||
| 2 letters from requesting Panza to write a 1 page text about his art. | |||||||||||
| 159 | 10-16 | Camille Bryen 1-7 | |||||||||
| photographs and letter from L. Bryen in Camille Bryen 1. | |||||||||||
| 159 | 17 | Camille Bryen miscellaneous correspondence | |||||||||
| 1 letter from Bryen (12/22, no year) and 2 from L. Bryen (one dated 8/29/59). | |||||||||||
| 159 | 18 | Richard Diebenkorn 1 | |||||||||
| postcard from the artist (1957), invoice from Poindexter gallery (1958), letter from Martha Jackson agreeing to buy the work (1960), shipping documents and photographs. See Series IV, Box 180, for photographs. | |||||||||||
| 159 | 19-24 | Luis Feito 1-6 | |||||||||
| photographs. | |||||||||||
| 159 | 25 | Luis Feito miscellaneous | |||||||||
| photographs and copy of letter from the Venice Biennale (25 Sep 1958). | |||||||||||
| 159 | 26-29 | Philip Guston 1-4 | |||||||||
| letter and invoice from Janis, photocopies of similar documents (see Series IIA, Kline for originals) and photographs. | |||||||||||
| 159 | 30 | Philip Guston miscellaneous gallery correspondence | |||||||||
| 2 letters from David McKee (1980, 81) and letter from Musa Mayer re catalog raisonne (1983). | |||||||||||
| 159 | 31 | Philip Guston announcements and invitations | |||||||||
| 4 items. | |||||||||||
| box | folder | ||||||||||
| 160 | 1-5 | Osvaldo Licini 1-5 | |||||||||
| photographs. | |||||||||||
| 160 | 6 | Osvaldo Licini miscellaneous correspondence | |||||||||
| letter from Venice Biennale (1958). | |||||||||||
| 160 | 7-10 | René Laubies 1-4 | |||||||||
| photographs with small exhibition brochure from Studio P. Facchetti, Paris, 10 déc., 1955, in René Laubies 4. | |||||||||||
| 160 | 11-24 | Gino Meloni 1-14 | |||||||||
| photographs. | |||||||||||
| 160 | 25 | Gino Meloni miscellaneous photographs | |||||||||
| 15 photographs (see also Box 266 for extensive quantity of other photographs). | |||||||||||
| box | folder | ||||||||||
| 161 | 1-5 | Lowell Nesbitt 1-5 | |||||||||
| photographs, transparencies and announcement. | |||||||||||
| 161 | 6 | Lowell Nesbitt miscellaneous correspondence | |||||||||
| letters from Castelli about sale of all five works (1968), Ivan Karp (Works of Art OK Harris, 1971) and Galerie M.E. Thelen (1971-72) and shipping documents. | |||||||||||
| 161 | 7 | Lowell Nesbitt announcements and invitations | |||||||||
| includes Gimpel & Weitzenhoffer March 9-27, 1971, exhibition catalog, 2 items. | |||||||||||
| 161 | 8 | Lowell Nesbitt miscellaneous photographs | |||||||||
| 14 photographs and 5 transparencies. | |||||||||||
| 161 | 9-13 | Joe Raffaele 1-5 | |||||||||
| letters and statements from Stable Gallery (1966), shipping documents, Vogue clipping, photographs (including Stable installation), and a transparency. | |||||||||||
| 161 | 14 | Joe Raffaele miscellaneous photographs | |||||||||
| 17 photographs. | |||||||||||
| 161 | 15 | Mario Sironi 1 | |||||||||
| photographs. | |||||||||||
| 161 | 16 | Mario Sironi miscellaneous | |||||||||
| photographs and letter from Jürgen Harten about Sironi show (1988). | |||||||||||
| box | folder | ||||||||||
| 162 | 1-12 | Emilio Vedova 1-12 | |||||||||
| photographs. | |||||||||||
| 162 | 13 | Emilio Vedova miscellaneous personal correspondence | |||||||||
| considerable correspondence from the artist about his work (1957-60), ca.30 items. | |||||||||||
| 162 | 14 | Emilio Vedova miscellaneous correspondence | |||||||||
| letters with Robert Elkon regarding sale of works (1960); Nico Abramo (1974); Instituto della Enciclopedia Italiana regarding photo request (1977); Comune di Venezia regarding loans for "Vedova" (1984); Agnès Van der Plaetsen asking to see the collection (1985); Susan Bilar (1987); Berlinische Galerie im Gropiusbau regarding loans for "Stationen der Moderne" (1988). | |||||||||||
| 162 | 15 | Emilio Vedova announcements and invitations | |||||||||
| 3 items, including catalogs for Galerie Springer, Berlin, 1.-31. October, 1957, and Galerie Günther Franke, Munich, 27. June-30. July, 1959. | |||||||||||
| 162 | 16 | Emilio Vedova miscellaneous photographs | |||||||||
| 1 slide and ca.70 photographs. | |||||||||||
| Series III. Writings, 1956-1990 4.5 lin. ft. 11 boxes | |||||||||||
| Series III contains manuscripts and typescripts by Panza, some annotated and many photocopied, on art related topics, some of which are unpublished. For those that have been published the files sometimes include clippings, photocopies or journals. Some of the works were written or translated into English and French. There is much production material relating to Christopher Knight's book Art of the Sixties and Seventies: The Panza Collection (New York, 1987). This series also includes one box of datebooks (1978-1990)with an address book (1956). | |||||||||||
| box | folder | ||||||||||
| 163 | 1 | "Il collezionista creatore? La collezione e' un'opera" (article in 5 pages in Italian) | |||||||||
| 1 photocopy typescript, 1 English original typescript 7 pages (The Art Collector, a Creator? The Collection is a Work of Art, published, 1983), 1 photocopy of article in Gran Bazaar (Apr 1983). | |||||||||||
| 163 | 2 | "Il regime fiscale dei beni culturali" 1981 | |||||||||
| 9 pages, 1 photocopy typescript; "Critiche alla proposta di legge sui beni culturali": 3 sheets handwritten and 2 pages photocopy typescript; "Osservazioni al progetto legge concernente la disciplina legislativa dei beni culturali, limitatamente ai beni mobili di proprieta privata" (24 Feb 1981): 3 pages, 1 photocopy typescript; "Gli obiettivi della legge sul regime fiscale dei beni culturali": photocopy of an article by Vincenzo Scotti with comment by Panza. | |||||||||||
| 163 | 3 | "Milano - Los Angeles" undated | |||||||||
| 1 photocopy typescript of 4 pages in Italian, and 1 photocopy typescript of 8 pages in English. | |||||||||||
| 163 | 4 | "La Collezione Panza - 600 opere degli anni 50-60-70" undated | |||||||||
| 2 pages in Italian, 3 photocopy typescript. | |||||||||||
| 163 | 5 | "80 opere degli anni 1945-1962 della Collezione Panza," undated | |||||||||
| 4 pages in Italian, 3 photocopy typescript. | |||||||||||
| 163 | 6 | "La piazza nella storia delle citta' italiane..." 1981 | |||||||||
| photocopies of 17 handwritten pages in Italian, 3 copies. | |||||||||||
| 163 | 7 | "L'arte contemporanea ed il suo ambiente sociale" undated | |||||||||
| 23 pages in Italian, 1 orig typescript, 1 photocopy typescript, 9 sheets handwritten, 1 photocopy typescript in English of 18 pages (Contemporary Art and Its Social Environment), 1 original typescript in French of 21 pages, translations by Eve Rockert. | |||||||||||
| 163 | 8 | "Documenti dell'arte americana dal 1950 al 1975" (published) undated | |||||||||
| 1 photocopy typescript. | |||||||||||
| 163 | 9 | "Il mecenatismo puo' ancora esistere?" undated | |||||||||
| 6 sheets original hw; 1 original typescript and 1 photocopy typescript of 9 pages. | |||||||||||
| 163 | 10 | "Il trascendente come componente dell'arte moderna" undated | |||||||||
| 16 pages in Italian, 1 original typescript and 1 photocopy typescript; 11 sheets handwritten; 6 pages of original typescript of English translation (The Transcendent as a Component of Modern Art). | |||||||||||
| 163 | 11 | "L'arte minimale e la Tradizione del Classico" (published) undated | |||||||||
| 6 pages, 3 photocopy of article, 5 sheets handwritten. | |||||||||||
| 163 | 12 | "L'arte ambientale" (published) undated | |||||||||
| 7 pages in Italian, 1 original typescript and 2 photocopy typescript; 7 and 11 pages hw; 9 pages of English translation (Environmental Art), original typescript, 1 photocopy typescript of 7 pages in English; article of 3 pages with photographs. | |||||||||||
| 163 | 13 | "Perche' colleziono l'arte americana" (Why I Collect American Art) undated | |||||||||
| 6 pages in Italian, original typescript, 3 photocopy typescript; 6 pages of English translation, 2 original typescript and 3 photocopies; 11 sheets handwritten. | |||||||||||
| 163 | 14 | "Environmental Art Museum" (published) 1974 | |||||||||
| 5 pages in English, 1 original typescript, 3 photocopy typescript; Data vol. IV, no. 12. (1974), 6 pages. | |||||||||||
| box | folder | ||||||||||
| 164 | 1 | "Che cosa gli amici dei musei vogliono dai musei: Il collezionismo privato" (published) 1980 | |||||||||
| 2 photocopy typescript of 6 pages; 5 sheets hw; "I collezionismo privato" in Amici dei musei no. 17-18 (Dec. 1980). | |||||||||||
| 164 | 2 | "Quale museo per la societa' di oggi?" undated | |||||||||
| 1 original typescript and 2 photocopy typescript of 12 pages; 11 sheets handwritten; 3 photocopy typescript of 3 page summary; 5 sheets handwritten. | |||||||||||
| 164 | 3 | "Musei d'Arte Moderna in Europa e in America" undated | |||||||||
| 11 sheets handwritten and 1 photocopy. | |||||||||||
| 164 | 4 | "How a Museum of Contemporary Art Should Be" (1979, CIMAM conference, see Box 23) ca. 1979 | |||||||||
| 1 corrected photocopy typescript, 1 original typescript and 2 photocopy typescript of 15 pages; 10 sheets handwritten. | |||||||||||
| 164 | 5 | "Which Kind of Museum Need a Collector of Today Art" undated | |||||||||
| 1 original typescript and 1 photocopy typescript of 8 pages; 6 sheets handwritten. | |||||||||||
| 164 | 6 | "Riuso di edifici monumentali come musei d'arte moderna" 1982 | |||||||||
| 1 photocopy typescript of 17 pages; 4 sheets handwritten; letter to Sig. Coltro (27 Oct 1982); letter to Miss Teresa (undated); 1 photocopy typescript of 13 pages; letter to Sig Coltro (3 Nov 1982); 2 typescript (1 of them original) with corrections. | |||||||||||
| 164 | 7 | "Perche' fare dei musei d'arte contemporanea" undated | |||||||||
| 1 photocopy typescript and 1 original typescript of 14 pages; 9 sheets handwritten. | |||||||||||
| 164 | 8 | "Un ringraziamento" (Vernissage du samedi, 8 novembre 1980, 17 heures; Minimal + Conceptual Art de la Collection Panza; Allocution du Panza) 1980 | |||||||||
| 7 sheets handwritten in Italian; 5 sheets handwritten in French; 2 photocopy typescript of 6 pages in French (8 Nov 1980). | |||||||||||
| 164 | 9 | "Ambiente e arte" undated | |||||||||
| 15 sheets handwritten; 11 sheets handwritten. | |||||||||||
| box | folder | ||||||||||
| 165 | 1 | "L'arte visiva contemporanea e il suo ambiente" undated | |||||||||
| 12 sheets handwritten. | |||||||||||
| 165 | 2-3 | "Le origini dell'arte minimale e concettuale" 1986 | |||||||||
| 1 original typescript and 2 photocopy typescript of 10 pages; 6 sheets handwritten (1 Apr 1986); 1 original and 1 photocopy typescript in English (The Origins of Minimal and Conceptual Art). | |||||||||||
| 165 | 4 | "L'arte degli anni 60-70 - arte minimale - concettuale e ambientale" undated | |||||||||
| 14 sheets handwritten; 4 pages typescript with corrections. | |||||||||||
| 165 | 5-6 | "Light and Space Museum Institute for Perceptual Studies" undated | |||||||||
| 6 photocopy typescript of 1 page; 4 pages handwritten; letter to Ari Sikora (9 Jul 1985); letter to Mark Pally (9 Jul 1985). | |||||||||||
| 165 | 7 | "Collezioni pubbliche e private - un confronto per un progresso" undated | |||||||||
| 1 original typescript and 1 photocopy typescript of 20 pages. | |||||||||||
| 165 | 8 | "The Words of the Collector" (published) 1958 | |||||||||
| 1 original typescript of 5 pages in Italian; Cimaise no. 2 (Dec 1958) article in French and English. | |||||||||||
| 165 | 9-10 | "Il nuovo Museo Pompidou" (published) 1986 | |||||||||
| 4 sheets handwritten in Italian; 9 pages photocopy typescript; 14 sheets handwritten in English; 3 sheets handwritten in English; clipping of Il Sole:24 Ore "La ville lumiere sfida New York" no. 34 (Feb 9-10, 1986); 1 original typescript and 1 photocopy typescript of 9 pages in Italian; 1 photocopy typescript of 6 pages in English with corrections; 1 original typescript and 1 photocopy typescript in English. | |||||||||||
| 165 | 11 | Letter to Irene Borger 30 Jun 1984 | |||||||||
| (see also Box 12) in response to her Wall Street Journal article, Panza outlines in detail his attempts to house the collection permanently in Italy. 3 photocopy handwritten of 5 pages. | |||||||||||
| 165 | 12-13 | Rotary Club articles, , 1959-1960 1984 | |||||||||
| "Conversazione Rotary": 31 pages handwritten and 16 pages original typescript; Arte Astratta, Estratto dal no.4 del 1960: booklet of 8 pages, reprint; Rotary Club di forlì no. 277 (May-Jun 1959), includes "Arte Astratta" article; speech, 1 photocopy typescript of 16 pages; Rotary Centro speech (17 Apr 1984), 1 original typescript of 6 pages. | |||||||||||
| 165 | 14 | Lettera giovanile | |||||||||
| 3 pages handwritten. | |||||||||||
| 165 | 15 | Writings 1970s | |||||||||
| article in L'uomo e l'arte (Apr 1971); "Problemo del mercato dell'Arte" (31 Mar 1975): 3 pages original ts, 4 pages photocopy typescript; "La loggia dei mercanti" (24 Mar 1978): 4 pages photocopy typescript; "Lettera su un quotidiano (15 Sep 1978): 3 pages photocopy typescript, 1 sheet hw; Intervento al convegno su "Milano e i suoi musei" del Partitio Comunista Italiano (29 Mar 1979): 4 pages photocopy typescript. | |||||||||||
| 165 | 16 | Writings 1980s | |||||||||
| includes transcript for meeting "Il collezionismo lombardo" (1980); letter regarding article by Sergio Bianchi (1982); "Arte per spazi pubblici" (1984); "Documenti dell'arte americana dal 1950 al 1975" (published, n.d.); "Milano e Torino: i musei piangono" (published, 1984); and "Perche' dipingere" (n.d.). | |||||||||||
| 165 | 17 | Writings miscellaneous | |||||||||
| Tavola rotunda su "Il colezionismo Lombardo" associazione Amici del Poldi Pezzoli: 4 pages photocopy typescript letter dated 16 May 1980; testo per concerto Biumo "Arte concettuale, minimale e ambientale" (July 1983): 1 sheet hw; letter to the director of Gruppo Amici dell'arte di Varese in response to a letter by Sergio Bianchi (2 Aug 1982): 3 sheets hw, 5 pages original typescript; "Arte per spazi pubblici" (120 Jan 1984): 2 pages typescript; 1 sheet handwritten and 3 photocopy of a handwritten sheet in response to a letter from George Haessler (16 Jun 1984); "Documenti dell'arte americana da 1950 al 1975": 3 pages photocopy typescript and photocopy of article; "Milano e Torino: i musei piangono": letter to Nico Orengo (19 Sep 1984), 5 pages photocopy ts, 2 copies and 1 photocopy of La Stampa (29 Sept 1984); "Perche' dipingere?": 2 pages photocopy typescript with card from Enrico Baj. | |||||||||||
| box | folder | ||||||||||
| 166 | 1 | "L'arte europea e il mondo d'oggi" n.d. | |||||||||
| 2 photocopy typescript of 3 pages, 2 sheets handwritten. | |||||||||||
| 166 | 2 | "Una storia di immagini e l'immagine di una storia" copied typescript by Germano Celant 1980 | |||||||||
| 30 page photocopy typescript. | |||||||||||
| 166 | 3-4 | "L'arte ambientale di Los Angeles" (published) 1987 | |||||||||
| see Notiziario in Box 69, Rimini). 2 sheets handwritten, 2 pages photocopy typescript. | |||||||||||
| 166 | 5 | "Lo stupore della creazione" undated | |||||||||
| 1 sheet handwritten and photocopy. | |||||||||||
| 166 | 6 | "Arte e rappresentazione della realta'" undated | |||||||||
| original typescript of 7 pages, 16 pages handwritten. | |||||||||||
| 166 | 7 | "Collezionare arte moderna" ca. 1986 | |||||||||
| 10 pages photocopy typescript with annotations, 37 pages handwritten, 11 pages original typescript. | |||||||||||
| 166 | 8 | Convegno Osservatorio 1986 | |||||||||
| 5 sheets of notes; letter from Cinzia Macchi (321 Mar 1986); cost sheet and pcs; "Noi e le stelle convegno..." 2 sheets handwritten. | |||||||||||
| 166 | 9 | "Arte sull'acqua" n.d. | |||||||||
| 1 sheet original typescript and 2 photocopies, 2 sheets handwritten. | |||||||||||
| 166 | 10 | Geneva Conference ("Le Present de l'Art dans le Monde Contemporain") 1988 | |||||||||
| letter from Adelina von Fürstenberg (1 Feb 1988) with 7 pages photocopy typescript. | |||||||||||
| 166 | 11 | Interview with Pontus Hulten, Richard Koshalek and Julia Brown (published) 24-27 Sep 1982 | |||||||||
| 35 pages original ts, 14 page photocopy typescript w/corrections, 33 pages photocopy ts w/corrections, photocopy page proof w/corrections, photocopy of book text. | |||||||||||
| 166 | 12 | Interview with Kerry Brougher (published) 8 Nov 1984 | |||||||||
| 20 pages photocopy typescript with corrections. | |||||||||||
| 166 | 13 | 2 Interviews Museum of Contemporary Art, Los Angeles (MOCA) | |||||||||
| 14 sheets handwritten, 12 pages original typescript, 4 sheets handwritten. | |||||||||||
| 166 | 14 | Elenco opere d'arte compilate da Giuseppe Panza | |||||||||
| ca. 157 pages, mostly photocopies, of a list of works in the collection with dimensions and small drawings. | |||||||||||
| box | folder | ||||||||||
| 167 | 1 | Note su artisti vari | |||||||||
| "Enzo Ardito": 4 pages photocopy typescript, photocopy of text from Galleria San Fedele (9/28-10/14); "Incontra con Vittore Frattini": 1 photocopy of text in MuseoVarese 19; "Kandinsky: giochi di colore per dipingere l'anima": 3 sheets handwritten, 4 pages original typescript, original and photocopy of clipping in Il Sole-24 Ore (7 Jan 1985); "Richard Long": 2 sheets handwritten, 3 pages photocopy typescript; "Molti artisti di valore": clipping of Corriere delle sera (4 Oct 1970) and photocopy in 4 pieces; "Richard Nonas": 3 pages original typescript, photocopy of article; "Mauro Staccioli": 3 pages photocopy typescript in Italian, 2 pages photocopy typescript in English; "Tàpies": 1 sheet handwritten, photocopy of text in Il giornale dell'arte no. 24 (June 1985), 2 pages photocopy typescript, 1 sheet handwritten. | |||||||||||
| 167 | 2-3 | "Beuys" n.d. | |||||||||
| 2 sheets handwritten, 2 copies of 6 pages photocopy typescript in Italian, 5 pages original typescript in English. | |||||||||||
| 167 | 4-5 | "Gli impacchettamenti di Christo sono arte?" | |||||||||
| 3 photocopy typescript of 5 pages; 3 sheets handwritten in Italian; 3 sheets handwritten in English (The Christo Packing Could Be Called Art?); photocopy of text in Il giornale dell'arte no. 28 (Nov 1985); 5 pages original typescript with corrections and 2 photocopy typescripts. | |||||||||||
| 167 | 6 | "Vittore Frattini" undated | |||||||||
| 1 sheet handwritten. | |||||||||||
| 167 | 7 | "Robert Irwin - artista della percezione" undated | |||||||||
| 2 photocopy typescript of 16 pages. | |||||||||||
| 167 | 8-10 | "Turrell" (published in Occluded Front as "Turrell: Artist of the Sky") 1985 | |||||||||
| 13 sheets handwritten, 30 pages photocopy typescript, 2 photocopy typescript with corrections of 19 pages (20 Mar 1985), 13 pages photocopy typescript w/corrections, all in English; 10 sheets handwritten, 17 pages original typescript, 4 sheets handwritten, 2 photocopy typescript and original typescript of 7 pages, all in Italian; and 1 original of a newspaper and photocopies; 2 original typescript of 5 pages, photocopy typescript with corrections, 3 sheets handwritten. | |||||||||||
| 167 | 11 | "Jim Turrell - Conversazione sull'arte ambientale" (conversation between "D." and "R.") undated | |||||||||
| 20 pages photocopy typescript. | |||||||||||
| 167 | 12 | "Il piu' importante artista vivente" (about Ian Wilson) undated | |||||||||
| 1 original typescript and 2 photocopy typescripts of 6 pages; 3 sheets handwritten; 2 photocopy typescript of 7 pages in English (The Most Important Living Artist). | |||||||||||
| 167 | 13 | miscellaneous notes, ca. 1985 | |||||||||
| ca. 25 items. | |||||||||||
| 167 | 14 | Writings G. Panza miscellaneous, undated | |||||||||
| "Deserto": 1 sheet handwritten; "Progetto": 4 pages photocopy typescript and 2 sheets handwritten; "La parola e l'arte concetuale": 20 pages handwritten; "Situazione collacazione collezione Panza in edifici pubblici": 2 pages handwritten photocopy; "Considerazioni sul reddito indotto Provocato dalla eventuale trasformazione ... Villa Menafoglio Panza a Biumo Superiore": 3 pages original typescript; "Considerazione sul reddito indotto alla economia della città di Vigevano..." : 5 sheets handwritten, 3 pages photocopy typescript; "Musei e conservazione quando l'arte contemporanea diventa documento del XX secolo e quindi deve essere conservata": 10 pages typescript, 4 pages typescript; "Light and Space Museum": 3 pages handwritten, 3 pages typescript; "Museomania o crescita culturale": 6 pages handwritten, 3 pages photocopy typescript; "Arte minimale concettuale e ambientale": 3 pages handwritten photocopy; letter regarding article by Calvesi: 4 pages original typescript; "Esperienze di un collezionista": 20 pages handwritten; "Perchè colleziono": 4 pages handwritten, 2 pages photocopy typescript; Gran Bazar 2 pages photocopy typescript. | |||||||||||
| box | folder | ||||||||||
| 168 | 1-2 | "Considerazioni sul convegno promosso da Ass. Dimore Storiche, il Sole 24 Ore e Cassa di Risparmio di Torino" 1986 | |||||||||
| 4 sheets handwritten and pc; 6 pages original typescript with corrections and photocopies. | |||||||||||
| 168 | 3 | "I grandi stabilimenti per la produzione dell'acciaio abbandonati per obsolescenza possono rivivere come musei d'arte minimale e della storia dell' industria" n.d. | |||||||||
| orig and photocopy typescript of 3 pages in Italian; 3 pages in English (How Abandoned Steelworks Due to Obsolescence Could Be Used as Minimal Arts Museums and Industrial History Museums); original and photocopy typescript of 7 pages in German; 2 original typescript and 1 photocopy of 3 pages in French. | |||||||||||
| 168 | 4 | "Quale museo? Opportunita' di un centro culturale per l'arte contemporanea a Genova" (presented at Circolo Turati conference) 1980 | |||||||||
| see Series I, Box 26. 1 original typescript and 1 photocopy typescript of 13 pages. | |||||||||||
| 168 | 5 | "Progetti ambientali San Fedele" (published) n.d. | |||||||||
| 1 photocopy typescript of 4 pages, 2 sheets handwritten, photocopy of text in Rassegno San Fedele Aug 1977/1978. | |||||||||||
| 168 | 6 | "Sistemazione Villa Menafoglio-Panza di Biumo per adibirla a museo" n.d. | |||||||||
| pc typescript of 23 pages, 8 shets handwritten. | |||||||||||
| 168 | 7 | "Villa Menafoglio, Litta, Panza" (published) n.d. | |||||||||
| also includes plans. | |||||||||||
| 168 | 8 | "Istruzioni per realizzare la mostra 'arte concettuale New York 1965-1970' Rimini Festival dell'amicizia agosto 1983" 1983 | |||||||||
| 168 | 9 | Rivoli and Venaria varie: "I Palazzi di Rivoli e Venaria come sede di opere d'arte moderna" | |||||||||
| 5 sheets handwritten, 7 pages photocopy typescript; "Proposta per un museo d'arte moderna nel Palazzo di Venaria": 4 pages photocopy typescript; "Arte degli anni 60-70 nel Castello di Venaria": 2 pages photocopy typescript; "The Venaria Hunting Lodge": 1 page photocopy typescript. | |||||||||||
| 168 | 10 | Rivoli and Venaria: "I Palazzi di Rivoli e Venaria come sede di opere d'arte moderna" n.d. | |||||||||
| 7 pages photocopy typescript. | |||||||||||
| box | |||||||||||
| 169 | Christopher Knight, Art of the Sixties and Seventies | ||||||||||
| folder | |||||||||||
| 1-4 | Original transcript of Christopher Knight interview with Panza | ||||||||||
| with annotations, edited version of interview (copy), manuscript of book, Italian translation of interview (see also Box 53-54 Knight and Jaca files for more on interview and book production). | |||||||||||
| box | |||||||||||
| 170 | Christopher Knight, Art of the Sixties and Seventies | ||||||||||
| 170 | 1-7 | Frontmatter and illustrations, | |||||||||
| Italian translation of forward by Richard Koshalek, introduction, production instructions, artist biographies, alpha list of works in the collection and layout drawings for illustrations (Art Informal, Abstract Expressionism, Proto-Pop, Pop) with copies. | |||||||||||
| box | |||||||||||
| 171 | Christopher Knight, Art of the Sixties and Seventies | ||||||||||
| 171 | 1-8 | Layout drawings for illustrations (Minimal, Conceptual) with copies | |||||||||
| box | |||||||||||
| 172 | Art of the Sixties and Seventies | ||||||||||
| 172 | 1-7 | Layout drawings for illustrations, photographs | |||||||||
| (Environmental, Land Art, Kinetic [Mochetti]), photo info, drawings for photo reductions and photocopies of color and black & white photographs. | |||||||||||
| box | |||||||||||
| 173 | Panza's Date Books, , 1956 1978-1990 | ||||||||||
| Date books note appointments related to art, with one address book from 1956. | |||||||||||
| Series IV. Miscellaneous artists, 1969-1990 9 lin. ft. 24 boxes | |||||||||||
| Series IV contains material sent to Panza from galleries or artists to solicit sales. In some cases there is much material which Panza accumulated as he seriously considered whether or not to make acquisitions. Most of the artists are from the United States, especially Southern California. Material consists of correspondence with artists and galleries, photographs, slides, transparencies, announcements, invitations, biographies, photocopied articles and clippings. The bulk of the material is from the 1970s and 1980s. | |||||||||||
| box | |||||||||||
| 174 | AB-ASH, includes: | ||||||||||
| 174 | 1 | List of artists contained in this series | |||||||||
| 174 | 2 | Abish, Cecile, , , 1978 1982 1983 | |||||||||
| includes 3 letters from and photocopied article, 6 items. | |||||||||||
| 174 | 4 | Abrams, Frederick S., 1982 | |||||||||
| letter from. | |||||||||||
| 174 | 5-7 | Acconci, Vito, 1988 | |||||||||
| includes announcements, photocopied article, 11 slides, 10 photographs, bio and "Some Notes on Activity and Performance" and 2 letters from Jean Milant, Cirrus, ca. 34 items. | |||||||||||
| 174 | 13-15 | Anselmo, Giovanni | |||||||||
| 23 photographs, announcements and invitations, ca.29 items. | |||||||||||
| 174 | 17 | Antonakos, Stephen, 1971-1979 | |||||||||
| includes announcements and invitations, 6 photographs, 2 postcards and 4 letters from (1971, 1975, 1976, 1979), photocopy of Panza letter to, 52 slides, 2 xeroxed articles, short typescripts for 6 neon installations and "Proposed Rooms #1, 2 and 3," ca. 80 items. | |||||||||||
| 174 | 22-24 | Armleder, John M., 1980-1985 | |||||||||
| mostly announcements and invitations, but also 2 letters from Marika Malacorda (1980, 1985), ca.20 items. | |||||||||||
| 174 | 27 | Asher, Michael, 1974-1977 | |||||||||
| includes correspondence with Asher, Asher's lawyer and Nicholas Logsdail of Lisson re sale and contractual arrangements for purchase of three adapted reconstructions of the situational work shown at Toselli, Lisson and Friederich, and Panza's reasons for not purchasing (1974); extensive quantity of letters from the artist with proposals and arrangements for Varese room and sale of Biennale work (1975-1977); 8 page agreement commissioning works of art; 26 photographs; and announcements; ca.60 items. | |||||||||||
| box | |||||||||||
| 175 | ASS-BAR, includes: | ||||||||||
| 175 | 3-5 | Aycock, Alice, 1978-1988 | |||||||||
| includes bio, photocopied articles, 13 slides, 26 photographs, announcements and invitations, 2 letters from John Weber (1978, 1988) and letter from the artist (1979), ca.60 items. | |||||||||||
| 175 | 6 | Aziz, Philip | |||||||||
| letter from. | |||||||||||
| 175 | 13 | Bailey, Mark, 1975 | |||||||||
| letter from regarding his thoughts on the commercial aspects of the art world. | |||||||||||
| 175 | 16-18 | Baldessari, John | |||||||||
| includes 2 photographs, 14 slides, "General Idea" microfiche, photocopied projects, announcements and invitations, ca.35 items. | |||||||||||
| 175 | 20 | Balth, Carel, 1976-1978 | |||||||||
| includes letter from with statement about his photo works (1976), letter from (1978), photocopied typescript "Work with Light and Perception" and 6 photographs, ca.13 items. | |||||||||||
| box | |||||||||||
| 176 | BAS-BOG, includes: | ||||||||||
| 176 | 1-2 | Baselitz, Georg | |||||||||
| announcements, invitations and poster, 11 items. | |||||||||||
| 176 | 5-6 | Baumann-Hudson, Edith, 1986-1987 | |||||||||
| includes 2 letters (1986) and 1 postcard from (1987), letters from Joni Gordon, Newspace (1986-87), 11 slides, 4 photographs, photocopied articles and "Visual Silences" brochure, ca.28 items. | |||||||||||
| 176 | 7-8 | Baumgarten, Lothar | |||||||||
| 3 photographs of "Projection Piece" mounted on Konrad Fischer stationary with notes, 6 announcements and invitations, and many photocopied articles. | |||||||||||
| 176 | 11 | Belcher, Alan, 1987 | |||||||||
| includes letter from Anne Livet (1987) and 29 slides. | |||||||||||
| 176 | 15-16 | Berg, Peter, 1979-1989 | |||||||||
| drawing sent as a thank-you card (1984), letters and notes from (1979-1981), invitations, and small catalog from Wilson Gallery (1989), ca.12 items. | |||||||||||
| 176 | 17 | Bertocchi, Fabrizio | |||||||||
| "L'Architettura viceversa: tempo, luogo, immaginazione." | |||||||||||
| 176 | 23 | Blank, Irma, 1978 | |||||||||
| includes small catalog (1978) and typescript by Paolo Fossati, 5 items. | |||||||||||
| 176 | 26 | Bochner, Mel, 1972 | |||||||||
| includes letter from Sonnabend (1972), 10 photographs and announcements, 17 items. | |||||||||||
| 176 | 27-28 | Boetti, Alighiero | |||||||||
| 9 photographs, announcements and invitations, 16 items. | |||||||||||
| box | |||||||||||
| 177 | BOL-BY, includes: | ||||||||||
| folder | |||||||||||
| 5 | Brainin, Jerald Lee | ||||||||||
| letter from (1988) and 11 slides. | |||||||||||
| box | folder | ||||||||||
| 177 | 7 | Brauntuch, Trudy | |||||||||
| 8 slides, 2 announcements. | |||||||||||
| 177 | 8 | Brecht, George | |||||||||
| 3 photographs, 1 announcement. | |||||||||||
| 177 | 13 | Brown, James | |||||||||
| 3 photographs, 3 announcements. | |||||||||||
| 177 | 15 | Burattin, Rinaldo Frank | |||||||||
| 2 postcards from. | |||||||||||
| 177 | 16 | Burn, Ian | |||||||||
| 5 photographs and 3 typescripts (1973). | |||||||||||
| 177 | 17 | Burri, Alberto | |||||||||
| includes letter from (1982), copy of letter to (n.d.) and transparency, 5 items. | |||||||||||
| 177 | 18 | Burson, Nancy | |||||||||
| 2 letters from (1978), invitations and copied articles, 6 items. | |||||||||||
| 177 | 20-21 | Burton, Scott | |||||||||
| 4 transparencies, 3 photographs, 7 slides, announcements, letter from Max Protetch, ca.14 items. | |||||||||||
| 177 | 22 | Burton, Sigrid | |||||||||
| letter from with decals, crayon doodles and reflective and sparkle cut pieces (1985), another letter from (n.d.) and announcements with personalized notes, 7 items. | |||||||||||
| 177 | 23 | Butler, Eugenia | |||||||||
| 5 photographs. | |||||||||||
| 177 | 25-26 | Byars, James Lee | |||||||||
| letter from Marian Goodman (1977), photo, 2 announcements and piece of fabric with Byars name. | |||||||||||
| box | |||||||||||
| 178 | CA-CH, includes: | ||||||||||
| 178 | 1 | C., Richard, , 1980-1981 1983 | |||||||||
| 6 postcards and 1 poem from. | |||||||||||
| 178 | 2 | Cadere, Andre | |||||||||
| announcements and typescripts "numéro un" and "deux," 6 items. | |||||||||||
| 178 | 4 | Callis, Jo Ann | |||||||||
| includes 27 slides, and postcards and notecards with Callis's work, ca.48 items. | |||||||||||
| 178 | 9 | Cavellini, Guglielmo A. | |||||||||
| set of postcards, decals, envelope decorated with "international postage," 8 items. | |||||||||||
| 178 | 11-12 | Chamberlain, John | |||||||||
| includes catalog "In Honor of John Chamberlain," announcements and 4 photographs, 13 items. | |||||||||||
| 178 | 15 | Christensen, Judi | |||||||||
| 14 slides, 8 photographs, 7 postcards, 2 letters and a note from Pietro Giustina (1985). | |||||||||||
| 178 | 16 | Chorpenning, Susan | |||||||||
| postcard from (1981), letter from (1987) with descriptions of 34 slides enclosed and performance instructions for "To Meet, To Meet Again" | |||||||||||
| 178 | 17-18 | Christo, 1969-1985 | |||||||||
| includes 20 photographs (one photo of the Pont Neuf Wrapped is signed by the artist), postcards from, letters from Anny De Decker (1969) and Jeanne-Claude Christo (1985), announcements and press releases, ca.72 items. | |||||||||||
| box | |||||||||||
| 179 | CI-CU, includes: | ||||||||||
| 179 | 1-2 | Ciarli, Carlo, 1984-1989 | |||||||||
| 3 letters (1984-1985) and 2 postcards from (1988-1989), photocopies of works and announcements. | |||||||||||
| 179 | 4-5 | Clemente, Francesco | |||||||||
| includes watercolor (see Box 307*), announcements and invitations, 11 items. | |||||||||||
| 179 | 8 | Conner, Bruce | |||||||||
| 11 photographs. | |||||||||||
| 179 | 11 | Cotton, Paul | |||||||||
| 8 slides and documentation sheet for "Museum Piece" (1969), and photo. | |||||||||||
| 179 | 12-13 | Cragg, Tony | |||||||||
| includes letter from Nicholas Logsdail (1989), announcements and invitations, ca.8 items. | |||||||||||
| 179 | 16-17 | Cucchi, Fabio | |||||||||
| announcements and invitations, 8 items. | |||||||||||
| 179 | 18 | Cumming, Robert | |||||||||
| slide, invitation and various material from Newspace. | |||||||||||
| box | |||||||||||
| 180 | DA-DI, includes: | ||||||||||
| 180 | 4 | Davie, Alan | |||||||||
| includes 5 photographs, announcements and invitations, 10 items. | |||||||||||
| 180 | 5-6 | Davis, Michael, ca. 1984-1988 | |||||||||
| includes 76 slides; 2 photographs; 5 letters from the artist (1984-1986, 1988); and blueprints of project drawings for "Floating Column," "Polarity/Insolation: Manhattan Project," "The Pool and the Landscape," "Time-Line for Forgotten Ancestors," "The Building, the Port and the Island" and "On Trail." | |||||||||||
| 180 | 7 | Davis, Ron | |||||||||
| 4 slides, 4 photographs. | |||||||||||
| 180 | 8 | Davis, Stephen | |||||||||
| 14 transparencies. | |||||||||||
| 180 | 10 | Delahaye, Jacques Charles | |||||||||
| 18 photographs and copy of a letter from Stadler. | |||||||||||
| 180 | 11 | De Luca, Michelangelo | |||||||||
| includes letter from (n.d.) and 10 sheets with diagrams and text. | |||||||||||
| 180 | 12-13 | De Maria, Nicola | |||||||||
| 8 announcements and invitations and a poster. | |||||||||||
| 180 | 17 | Diebenkorn, Richard | |||||||||
| 19 photographs and 1 announcement (see also Series II.C, box 158, for works formerly in the collection). | |||||||||||
| 180 | 19 | Dine, Jim | |||||||||
| 15 photographs. | |||||||||||
| box | |||||||||||
| 181 | DO-FI, includes: | ||||||||||
| 181 | 4 | Dubuffet, Jean | |||||||||
| 7 announcements and invitations. | |||||||||||
| 181 | 5 | Duchamp, Marcel | |||||||||
| 6 announcements and invitations. | |||||||||||
| 181 | 7 | Eatherton, Thomas, 1972-1987 | |||||||||
| includes letters from (1981, 1983, 1987), letter from Hal Glickman (1981), 5 photographs, copied diagram with annotations for "Move" (1972), ca.15 items. | |||||||||||
| 181 | 8 | Eldred, Dale | |||||||||
| photocopy of "Helsinki Project" text and 39 slides. | |||||||||||
| 181 | 11 | Ericson/Ziegler, 1988 | |||||||||
| 32 slides and letter from Jane Gekler, Wolff Gallery. | |||||||||||
| 181 | 13 | Estenger, Max, 1989 | |||||||||
| 2 photographs, 14 slides and letter from. | |||||||||||
| 181 | 17-18 | Finlay, Ian Hamilton | |||||||||
| includes copied typescript of how art relates to Callanish for the Edinburgh Festival; 7 page letter from regarding Panza's recent visit to his house, how the construction of his garden corresponds to the creation of his poetry and his problems with the Art Council (1975); announcements and invitations; ca.8 items. | |||||||||||
| 181 | 21-22 | Fischer, Joel | |||||||||
| 7 announcements and invitations. | |||||||||||
| box | |||||||||||
| 182 | FL-GR, includes: | ||||||||||
| 182 | 2 | Floriani, Sergio | |||||||||
| letter from with photocopy of and blueprints for "Traces" (ca.1988), clipping and announcements, 4 items. | |||||||||||
| 182 | 5-6 | Francis, Sam | |||||||||
| 5 announcements and invitations. | |||||||||||
| 182 | 7 | Frattini, Vittore, 1984-1986 | |||||||||
| includes letter from (1984), 2 notes from (1985), invitation with brushstrokes, 3letters from Elda Carletti of Manfredi (1984, 1986) and announcements, 12 items. | |||||||||||
| 182 | 9 | Gablik, Suzi | |||||||||
| 3 photographs. | |||||||||||
| 182 | 10 | George, Herbert | |||||||||
| letter from (1982), 32 slides, bio and photocopied text. | |||||||||||
| 182 | 15 | Goldberg, Glenn | |||||||||
| announcement, 3 invitations, 12 photographs and bio. | |||||||||||
| 182 | 16 | Goldstein, Jack | |||||||||
| 8 slides and an announcement. | |||||||||||
| 182 | 17 | Goldstein, Zvi, 1973-1987 | |||||||||
| includes letter and 5 postcards from, 2 photographs, announcements and invitations, 16 items. | |||||||||||
| 182 | 18 | Gormley, Anthony | |||||||||
| 7 announcements and invitations. | |||||||||||
| 182 | 19 | Graham, Dan | |||||||||
| includes 3 photographs, announcements and invitations, 12 items. | |||||||||||
| 182 | 20 | Griffa, Giorgio | |||||||||
| 12 photographs. | |||||||||||
| 182 | 21 | Grosvenor, Robert, 1968 | |||||||||
| 6 photographs, transparency and letter from Marilyn Fischbach. | |||||||||||
| box | |||||||||||
| 183 | GU-HEN, includes: | ||||||||||
| 183 | 2 | Guarducci, Mario, 1986 | |||||||||
| ca.20 slides and letter from. | |||||||||||
| 183 | 4 | Gutruf, Gerhard | |||||||||
| 31 mounted photographs and copied articles. | |||||||||||
| 183 | 8 | Halley, Peter | |||||||||
| 8 slides, 3 photographs announcements and invitations, correspondence with Rafael Jablonka, Julian Heynen of Krefelder Kunstmuseen and Sonnabend Gallery regarding the potential purchase and loan of "Cell with Conduit," (1988-1989), ca.27 items. | |||||||||||
| 183 | 10 | Harris, Susanne | |||||||||
| note from, note from Ugo Gerranti and 2 photographs. | |||||||||||
| 183 | 11 | Harrison, Helen and Newton | |||||||||
| includes 4 slides, bio, copied articles and Artweek, ca.10 items. | |||||||||||
| 183 | 12 | Hayward, James, , 1985 1988 | |||||||||
| includes original printed christmas card (1985), letter from (1988), announcements and invitations, 8 items. | |||||||||||
| 183 | 13 | Heizer, Michael, 1974-1982 | |||||||||
| 11 slides, 4 photographs, letter from Xavier Fourcade (1974), 2 letters from Paul Toner re "Double Negative" (1976), letter from Flow Ace Gallery (1982), announcements and invitations, ca.25 items. | |||||||||||
| 183 | 14 | Henselmann, Caspar | |||||||||
| 100 slides, letter from (n.d.), photocopied texts. | |||||||||||
| box | |||||||||||
| 184 | HER-J, includes: | ||||||||||
| 184 | 1 | Hera (Betty Voelker) 1981 | |||||||||
| 69 slides, letter from, announcements and many copied articles. | |||||||||||
| 184 | 3 | Heywood, Scot | |||||||||
| resume, 13 slides, copies articles. | |||||||||||
| 184 | 5 | Hobson, Diana, 1987 | |||||||||
| 20 slides, note from and bio. | |||||||||||
| 184 | 6 | Hockney, David | |||||||||
| 4 announcements and invitations and 3 photographs. | |||||||||||
| 184 | 7 | Höck, Inge, 1984 | |||||||||
| includes fiber collage "Tiroler Landschaft" and letter from, 3 items. | |||||||||||
| 184 | 8 | Hoeydonck, Paul van | |||||||||
| 22 photographs. | |||||||||||
| 184 | 11-12 | Horn, Rebecca | |||||||||
| 8 announcements and invitations. | |||||||||||
| 184 | 14 | Indiana, Robert, 1966 | |||||||||
| 4 slides of Stable Gallery exhibition. | |||||||||||
| 184 | 23-24 | Johns, Jasper, 1961-1962 | |||||||||
| includes letter from Castelli (1962) and 42 photographs, with some shots of 1961 Castelli show, announcements and invitations. | |||||||||||
| 184 | 25 | Johnson, Larry | |||||||||
| 6 slides, bio and copied articles. | |||||||||||
| box | |||||||||||
| 185 | K, includes: | ||||||||||
| 185 | 6 | Keinholz, Edward | |||||||||
| 21 photographs of the Alexander Iolas Gallery 1963 exhibition and 5 from Dwan's 1963 exhibition, 33 photographs total; transparency; 2 letters from Dwan (1963); and telegram from Eugenia Butler (1975). | |||||||||||
| 185 | 7-8 | Kelly, Ellsworth | |||||||||
| 3 photographs, 6 announcements and invitations. | |||||||||||
| 185 | 10 | Kiefer, Anselm | |||||||||
| 7 announcements and invitations. | |||||||||||
| 185 | 12 | Knauff, Steve | |||||||||
| 8 slides. | |||||||||||
| 185 | 14 | Koenig, John | |||||||||
| etching (1959) and note. | |||||||||||
| 185 | 15-16 | Kooning, Willem de | |||||||||
| 4 photographs and 2 announcements. | |||||||||||
| 185 | 17 | Krebs, Penelope | |||||||||
| includes 12 slides. | |||||||||||
| 185 | 20-21 | Kuhen, Gary, 1989 | |||||||||
| 7 photographs, transparency, letter from Jule Kewenig. | |||||||||||
| box | |||||||||||
| 186 | L-MATI, includes: | ||||||||||
| 186 | 2 | Lawson, George | |||||||||
| 4 slides and a transparency. | |||||||||||
| 186 | 8 | Longo, Robert | |||||||||
| 4 slides and 2 announcements. | |||||||||||
| 186 | 10 | Lysohir, Marilyn | |||||||||
| 6 photographs and 2 announcements. | |||||||||||
| 186 | 11 | Magnuson, Eric, 1989 | |||||||||
| letter from Kent Klamen of Dennis Anderson (1989), 35 slides and 2 transparencies. | |||||||||||
| 186 | 12 | Manzoni, Piero | |||||||||
| photographs, announcements, invitations and clippings, ca. 16 items. | |||||||||||
| 186 | 14 | Marika, Denise | |||||||||
| 7 items. | |||||||||||
| 186 | 16 | Markham, Michael, 1979 | |||||||||
| letter from (1979) and photocopies of photographs and typescripts for "Fieldpiece" and other works. | |||||||||||
| 186 | 17 | Martin, Agnes | |||||||||
| 3 photographs. | |||||||||||
| box | |||||||||||
| 187 | MATS-MI, includes: | ||||||||||
| 187 | 1-3 | Matsuno, Jeff (young artist interested in mysticism, who befriended the Panza's, especially Giovanni, while working at Museum of Contemporary Art, Los Angeles (MOCA). He lived with the Panzas in Milan for a while and converted to Catholicism with Panza's help) | |||||||||
| considerable material consisting of many long letters to Panza concerning mysticism and spirituality in art and life with some responses from Panza (see especially on love 15 Sep 1985); drawings and copies of plans and proposals for "Pretend Zen" (later to be performed anonymously as "Lectio Divina" at LAICA, Los Angeles), "Bardo Retreat," "Monastery" and others; photocopies of his notes made during "Lectio Divina"; and photographs; 1984-1989 (see also Series I, Box 19, Capp Street Project file). | |||||||||||
| 187 | 4-5 | McCracken, John | |||||||||
| 6 slides, 6 photographs, announcement and letter from Fred Hoffman (1988). | |||||||||||
| 187 | 10-11 | Merz, Mario | |||||||||
| 8 photographs, transparency, articles, announcements and invitations, ca.21 items. | |||||||||||
| 187 | 12-13 | Millar, Robert, 1987-1988 | |||||||||
| includes 30 slides, letter from Jeffrey Linden (1987) and note from Millar (1988). | |||||||||||
| 187 | 16 | Miss, Mary | |||||||||
| letter from Rosa Esman (1975), letters from Miss (ca.1975, 77), 31 photographs, 2 plans and announcement. | |||||||||||
| box | |||||||||||
| 188 | ML-N, includes: | ||||||||||
| 188 | 7 | Mooney, John David | |||||||||
| photocopied articles, letters from the artist (1976, 77), and press releases, ca.12 items. | |||||||||||
| 188 | 9 | Moroni, Lucrezia | |||||||||
| 20 slides and transparency. | |||||||||||
| 188 | 11 | Mouraud, Tania | |||||||||
| includes 9 photographs. 11 items. | |||||||||||
| 188 | 12 | Mudford, Grant | |||||||||
| 10 slides and bio. | |||||||||||
| 188 | 14-15 | Mullican, Matt | |||||||||
| includes slides and announcements, ca.10 items. | |||||||||||
| 188 | 17 | Murch, Anna Valentina | |||||||||
| 8 slides. | |||||||||||
| 188 | 21-22 | Neuhaus, Max | |||||||||
| includes letter from (n.d.) and another letter (1982) with information about his "siren" project, and announcements. | |||||||||||
| 188 | 24 | Nevelson, Louise, 1961 | |||||||||
| letters from Galerie Daniel Cordier and Martha Jackson and 7 photographs. | |||||||||||
| 188 | 25 | Noland, Kenneth, 1961 | |||||||||
| includes 7 photographs and letter from André Emmerich, 10 items. | |||||||||||
| box | |||||||||||
| 189 | O-PIA, includes: | ||||||||||
| 189 | 1 | Olivieri, Claudio, 1976 | |||||||||
| letter from and announcement. | |||||||||||
| folder | |||||||||||
| 2 | O'Neill, George D., 1985-1986 | ||||||||||
| 2 letters from and 26 transparencies. | |||||||||||
| box | folder | ||||||||||
| 189 | 4-5 | Paladino, Mimmo | |||||||||
| 7 announcements and invitations. | |||||||||||
| 189 | 9-10 | Paolini, Giulio | |||||||||
| 10 announcements and invitations. | |||||||||||
| 189 | 13 | Pascali, Pino | |||||||||
| 17 photographs and 2 announcements. | |||||||||||
| 189 | 15 | Pearlstein, Philip | |||||||||
| 9 photographs. | |||||||||||
| 189 | 16-17 | Penck, A.R. | |||||||||
| includes small exhibition catalog from Gillespie-Laage-Salomon (1982) and announcements, 10 items. | |||||||||||
| 189 | 18 | Penone, Giuseppe | |||||||||
| includes announcement with long statement and 6 other announcements and invitations. | |||||||||||
| 189 | 20 | Piacentino, Gianni | |||||||||
| includes letter from (n.d.), drawing, photographs, transparencies and announcements, ca.25 items. | |||||||||||
| box | |||||||||||
| 190 | PIC-PR, includes: | ||||||||||
| 190 | 2-3 | Picasso, Pablo | |||||||||
| 12 announcements and invitations. | |||||||||||
| 190 | 5 | Pinto, Bruno, 1980 | |||||||||
| includes letter from (1980), small catalog from Galleria San Luca (1980) and photographs, 11 items. | |||||||||||
| 190 | 7-8 | Pistoletto, Michelangelo | |||||||||
| 11 announcements and invitations. | |||||||||||
| 190 | 9 | Pizzo Greco, Alfredo | |||||||||
| includes posters with interview of Panza about Pizzo Greco. | |||||||||||
| 190 | 11-12 | Polke, Sigmar | |||||||||
| 7 announcements and invitations. | |||||||||||
| 190 | 13-14 | Pollock, Jackson | |||||||||
| 8 photographs, including one of the main wall of Janis exhibition (1957), 2 transparencies and an announcement. | |||||||||||
| 190 | 17-18 | Prokot, Inge, 1986 | |||||||||
| includes 5 photographs, letter from, announcements and invitations, ca.13 items (see also Box 308*). | |||||||||||
| box | |||||||||||
| 191 | RA-ROCC, includes: | ||||||||||
| 191 | 2-3 | Rainer, Arnulf | |||||||||
| ca.17 announcements and invitations and copied statement (1987). | |||||||||||
| 191 | 4 | Rajlich, Tomas | |||||||||
| 9 photographs. | |||||||||||
| 191 | 5 | Rancati, Daniela | |||||||||
| letter from (1980), note from (n.d.) and 9 photographs. | |||||||||||
| 191 | 13 | Rempfler, Hedwig Keel | |||||||||
| includes 2 drawings in crayon and one in pencil all mounted, 4 mounted photographs, letter from (1980) and poem. | |||||||||||
| 191 | 14 | Rhode Island School of Design, 1987 | |||||||||
| letters from Kristin Peterson of Snyderman Gallery and 17 slides. | |||||||||||
| 191 | 19 | Rocco, Ron, 1987 | |||||||||
| 7 photographs, letter from and an announcement. | |||||||||||
| box | |||||||||||
| 192 | ROCK-SCHI, includes: | ||||||||||
| 192 | 2 | Rockburne, Dorothea, 1972 | |||||||||
| 8 photographs, 5 slides, letter from Bykert Gallery, bio and announcement. | |||||||||||
| 192 | 3 | Rohel, Richard Ralph, , 1984 1987 | |||||||||
| includes 34 slides, 46 photographs, letters from and copied articles. | |||||||||||
| 192 | 5 | Rotella, Mimmo | |||||||||
| 7 photographs and announcement. | |||||||||||
| 192 | 6-7 | Rückriem, Ulrich | |||||||||
| 7 announcements and invitations. | |||||||||||
| 192 | 8-9 | Ruscha, Edward, 1966 | |||||||||
| letter from Fred Mueller (1966), 4 photographs, 6 announcements and invitations. | |||||||||||
| 192 | 13 | Saret, Alan | |||||||||
| 4 photographs, 2 transparencies and announcement. | |||||||||||
| 192 | 16 | Schiavino, Patrick A. | |||||||||
| notebook with photographs and copied articles. | |||||||||||
| box | |||||||||||
| 193 | SCHN-SP, includes: | ||||||||||
| 193 | 1-2 | Schnabel, Julian, 1977-1978 | |||||||||
| includes 20 transparencies, 4 slides, 11 photographs, letter from (1977), copy of a letter from Panza to Schnabel (1978), announcements and invitations, ca. 50 items. | |||||||||||
| 193 | 5-6 | Schumacher, Emil | |||||||||
| 3 photographs and 6 announcements and invitations. | |||||||||||
| 193 | 9 | Scully, Sean | |||||||||
| includes 13 transparencies, 16 items. | |||||||||||
| 193 | 10 | Self, Colin, 1966 | |||||||||
| 11 photographs and copied note from Robert Fraser. | |||||||||||
| 193 | 11 | Shafrazi, Tony, 1973 | |||||||||
| typescripts from Galleria Toselli. | |||||||||||
| 193 | 12 | Shaw, Joyce Cutler, 1985 | |||||||||
| brochure folder containing small exhibition pamphlets, two letters from, photographs and copied article. | |||||||||||
| 193 | 15 | Simonetti, Gianni Emilio | |||||||||
| 10 photographs. | |||||||||||
| 193 | 18 | Smithson, Robert, 1968 | |||||||||
| letter from Virginia Dwan with copied price list of "Earthworks" exhibition, 3 photographs from Dwan gallery (one of "Earthworks" installation) and announcement. | |||||||||||
| 193 | 23 | Sonnier, Keith | |||||||||
| ca.30 photographs, 2 transparencies and 5 announcements. | |||||||||||
| box | |||||||||||
| 194 | ST-T, includes: | ||||||||||
| 194 | 1 | Staccioli, Mauro | |||||||||
| photographs, announcements, copied articles, ca.25 items. | |||||||||||
| 194 | 3 | Stankiewicz, Richard | |||||||||
| 14 photographs, mostly from Stable Gallery. | |||||||||||
| 194 | 4-5 | Stella, Frank | |||||||||
| 7 announcements and invitations. | |||||||||||
| 194 | 8 | Strauss, Meredith | |||||||||
| 8 slides, bio and 2 announcements. | |||||||||||
| 194 | 20-21 | Tuttle, Richard | |||||||||
| 9 photographs, 12 announcements and invitations and letter from Yvon Lambert (1972). | |||||||||||
| box | |||||||||||
| 195 | U-WE, includes: | ||||||||||
| 195 | 4 | Vaccarino, Robin | |||||||||
| 10 slides and 2 announcements. | |||||||||||
| 195 | 8 | Varini, Felice | |||||||||
| 48 slides and letter from Claire Burrus (1989). | |||||||||||
| 195 | 10-11 | Vermieren, Didier, 1976 | |||||||||
| includes letter from Massimo Manini, 7 items. | |||||||||||
| 195 | 14-15 | Warhol, Andy | |||||||||
| 15 announcements and invitations and 3 photographs. | |||||||||||
| 195 | 17 | Wayne, Alan | |||||||||
| includes 7 slides and bio. | |||||||||||
| 195 | 19 | Enger, Edwin | |||||||||
| includes 8 photographs, 11 items. | |||||||||||
| box | |||||||||||
| 196 | WI-Z, includes: | ||||||||||
| 196 | 2 | Wilson, Ann | |||||||||
| 16 photographs. | |||||||||||
| 196 | 3 | Winter, David, ca. 1988 | |||||||||
| includes 20 slides, 5 photographs and letter from the artist. | |||||||||||
| 196 | 5 | Wisdom, Norton | |||||||||
| includes 20 slides. | |||||||||||
| 196 | 12 | Zazeela, Marian | |||||||||
| contains typescript notes and announcements regarding La Monte Young's "Dream House." | |||||||||||
| 196 | 13 | Zehr, Connie, 1984 | |||||||||
| letter from, 12 slides and bio. | |||||||||||
| 196 | 14 | Zimmerman, Elyn, , 1982 1984 | |||||||||
| 13 slides and two letters from Koplin Gallery. | |||||||||||
| 196 | 15-16 | Zorio, Gilberto | |||||||||
| 31 photographs, 6 transparencies and announcement. | |||||||||||
| box | |||||||||||
| 197 | Miscellaneous, includes: | ||||||||||
| 197 | 1-11 | Small amount of miscellaneous correspondence, photographs, slides, printed material. | |||||||||
| Series V. Museums, 1959-1990, 1970s-1980s 10 lin. ft. 26 boxes | |||||||||||
| Series consists primarily of correspondence documenting Panza's relationship with museums throughout the United States and Europe. Many of the letters refer to Panza's search for permanent installations of his collection, long-term and temporary exhibition loans and visits by others to his villa in Varese. Included is extensive and comprehensive material (1980-1987) from Museum of Contemporary Art, Los Angeles (MOCA) about board of trustee and curatorial functions, and regarding the sale of his collection to the institution. | |||||||||||
| box | |||||||||||
| 198 | USA, Museum of Contemporary Art, Los Angeles (MOCA) 1980-1982 | ||||||||||
| 198 | 1-3 | Board of Trustees | |||||||||
| meeting minutes and some correspondence outlining important board functions, including architect selection and construction of the Bunker Hill site, building renovation for the Temporary Contemporary, operating budgets, fund-raising, acquisitions policy, nomination of new trustees, etc.. | |||||||||||
| box | |||||||||||
| 199 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 199 | 1-3 | Board of Trustees, 1983-1985 | |||||||||
| meeting minutes and some correspondence documenting similar topics as above, and also includes "Strategic Development Plan," community relations, exhibitions program, acquisition of and financial arrangements for the Panza Collection. | |||||||||||
| box | |||||||||||
| 200 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 200 | 1-3 | Board of Trustees, 1986-1987 | |||||||||
| meeting minutes and some correspondence about the chief curator search, education programs, bookstore start-up financing and construction, volunteers. | |||||||||||
| box | |||||||||||
| 201 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 201 | 1 | Philosophy | |||||||||
| includes "Museum of Contemporary Art, Los Angeles (MOCA): An Introduction to its Goals and Policies," with report, "The Collections Information Book" and "The Collections of Museum of Contemporary Art, Los Angeles (MOCA)" (1981). | |||||||||||
| 201 | 2 | Acquisition Committee, 1982-1984 | |||||||||
| meeting minutes, policy drafts and reports about acquisitions (see also Board of Trustees). | |||||||||||
| 201 | 3 | Bylaws , see box 203, folder 9 for amended bylaws). undated | |||||||||
| 201 | 4 | Financial, 1980-1987 | |||||||||
| includes reports from Touche Ross & Co. (1980-1981) and Financial Planning and Budget Committee meeting minutes (1984, 1987; see also Board of Trustees). | |||||||||||
| 201 | 5 | Recognition Opportunities, , 1985 1987 | |||||||||
| summary and report regarding donor recognition). | |||||||||||
| box | |||||||||||
| 202 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 202 | 1-16 | Correspondence, 1980-1988 | |||||||||
| consists of letters and telegrams with Richard Koshalek, Eli Broad, William Kieschnick, other board members and Museum of Contemporary Art, Los Angeles (MOCA) staff regarding various topics, such as: Panza's election to the board (1980); Panza's delight over museum's progress, his concern about the relatively small quantity of exhibition space, which makes the installation of environmental art difficult, and Panza's museum plans in Italy (1981); negotiations for the purchase of 80 works from the collection (1983-84); many telegrams with Julia Brown and other Museum of Contemporary Art, Los Angeles (MOCA) staff regarding exhibition of works in Panza's collection for "The First Show" (1982-83), "The Panza Collection" (1984-85) and the Turrell exhibition (1985); Panza's concerns about Museum of Contemporary Art, Los Angeles (MOCA) skylights (see boxes 205-206 for schematics and Panza drawings), ideas for a sculpture garden (see box 24 for Panza installation designs), importance of keeping the Temporary Contemporary facility and finding a permanent home for his Minimal and Conceptual works (1984); 3 slides of Oldenburg reinstallation at Museum of Contemporary Art, Los Angeles (MOCA) and Panza's concerns for changes in the Barry entrance room (1985); Panza ideas for installation of Minimal and Conceptual works in the BH courtyard (similar to sculpture garden idea) and confusion over board potentially selling works (1986, see especially letter from Kathy Bonner 11/4). Also many short telegrams coordinating Panza's schedules while in L.A. and visitors to Varese. | |||||||||||
| box | |||||||||||
| 203 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 203 | 1 | Regione Piemonte acquisition correspondence, 1983 | |||||||||
| copies of Panza letters regarding placement of the works now at Museum of Contemporary Art, Los Angeles (MOCA). | |||||||||||
| 203 | 2 | Proposed collection acquisition, 1983-1984 | |||||||||
| correspondence and copies of Museum of Contemporary Art, Los Angeles (MOCA) agreement and appraisals by Sotheby's and Christie's. | |||||||||||
| 203 | 3 | Original sales contract, undated | |||||||||
| written by Panza. | |||||||||||
| 203 | 4 | Contract copy, 15 Dec 1983 | |||||||||
| 203 | 5 | Contract changes, 24 Jan 1984 | |||||||||
| 203 | 6 | Banca Popolare correspondence, 1984 | |||||||||
| regarding payment schedule. | |||||||||||
| 203 | 7 | Bill of Sale, 1985 | |||||||||
| folder | |||||||||||
| 8-9 | Sergio Erede correspondence, 1985-1986 | ||||||||||
| copy of 11 page letter to Erede, Panza's lawyer, from Panza about misunderstanding with Museum of Contemporary Art, Los Angeles (MOCA) over financial arrangements of sale with copies of documentation (1985). Separate folder contains letters regarding withholding tax and documents additional problems with Museum of Contemporary Art, Los Angeles (MOCA) about payment schedule and deaccessioning works from the collection. Also contains bill of sale for 1986 and Museum of Contemporary Art, Los Angeles (MOCA)'s amended bylaws (see also Series I, Box 6 for more with Erede). | |||||||||||
| box | folder | ||||||||||
| 203 | 10 | Bill of Sale, 1987 | |||||||||
| 203 | 11 | Mutual General Release agreement, 1988 | |||||||||
| 203 | 12-13 | Potential acquisition of Minimal and Conceptual works, 1985 | |||||||||
| list of artists selected by Koshalek of the second portion of Panza's collection (now at Guggenheim) with drawings and blueprints of Museum of Contemporary Art, Los Angeles (MOCA) schematics and potential installation schemes (1984). Also "Proposed Selections from the Remainder of the Panza Collection (Version Two)," 2 copies (April 5, 1985). | |||||||||||
| 203 | 14 | Photocopies of 38 works | |||||||||
| 203 | 15-16 | Loan Forms | |||||||||
| loan forms and some correspondence for "The First Show" and "Individuals" (see box 205 for checklists). | |||||||||||
| box | |||||||||||
| 204 | USA, Museum of Contemporary Art, Los Angeles (MOCA) 1984-1985 | ||||||||||
| 204 | 1-4 | Installation designs for the TC (Temporary Contemporary) | |||||||||
| original Panza drawings and copies of potential exhibitions of his collection at MOCA's TC building, n.d. (earlier), 6 Dec 1984, 9 Feb 1985, 15 Apr 1985. | |||||||||||
| 204 | 5-6 | Installation designs for Bunker Hill (i.e. MOCA building), 1984-1985 | |||||||||
| drawings and copies, 15 Apr 1984 and various 1984 and 1985. | |||||||||||
| 204 | 7 | Installation designs for California Plaza (i.e., MOCA building) undated | |||||||||
| drawings and copies. | |||||||||||
| box | folder | ||||||||||
| 205 | 8-10 | Installation designs for sculpture garden, 1984 | |||||||||
| drawings and copies of work photographs for proposed sculpture garden installation at California Plaza. | |||||||||||
| 205 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 205 | 1-2 | "Individuals" checklists, 1986 | |||||||||
| copies of typescript artists checklist and handwritten works checklist by Julia Brown with three letters from. Separate folder contains typescript checklist (28 Jan 1986) and short bios of artists. | |||||||||||
| 205 | 3 | Exhibitions 1986 | |||||||||
| consists mostly of press releases. | |||||||||||
| 205 | 4-7 | Press Releases, 1980-1987 | |||||||||
| A very incomplete set, from scattered years. | |||||||||||
| 205 | 8-10 | Press Clips, , 1981 1983-1987 | |||||||||
| contains copies of newspaper and journal articles regarding new building, exhibitions, and various other Museum of Contemporary Art, Los Angeles (MOCA) related topics, (bulk 1987). | |||||||||||
| 205 | 11 | Skylight Studies | |||||||||
| drawings by Panza (1984) for Museum of Contemporary Art, Los Angeles (MOCA) skylights at Bunker Hill site. | |||||||||||
| box | |||||||||||
| 206 | USA, Museum of Contemporary Art, Los Angeles (MOCA) | ||||||||||
| 206 | 1 | Skylight Blueprints | |||||||||
| for the Bunker Hill MOCA site. | |||||||||||
| 206 | 2 | Interviews | |||||||||
| copies of "The First Show" catalog and annotated typescript of "The Panza Collection." | |||||||||||
| 206 | 3 | Cards and Invitations | |||||||||
| includes invitations to Museum of Contemporary Art, Los Angeles (MOCA) openings and parties given by trustees, ca.43 items. | |||||||||||
| 206 | 4 | miscellaneous Cards | |||||||||
| includes thank you notes and invitations, ca.23 items. | |||||||||||
| 206 | 5 | Schedules | |||||||||
| notes, letters and invitations written primarily by Museum of Contemporary Art, Los Angeles (MOCA) staff to coordinate Panza's schedule while visiting L.A. | |||||||||||
| 206 | 6 | Addresses and phone numbers | |||||||||
| 206 | 7 | Receipts, 1988 | |||||||||
| some express mail receipts for documents sent to Museum of Contemporary Art, Los Angeles (MOCA), withholding tax forms for sale of collection and insurance and shipping receipts. | |||||||||||
| 206 | 8 | photographs | |||||||||
| mostly of Panza Collection installation, 10 items. | |||||||||||
| 206 | 9 | miscellaneous | |||||||||
| reports, memos, notes, announcements, etc. | |||||||||||
| box | |||||||||||
| 207 | USA, Los Angeles County Museum of Art (LACMA) | ||||||||||
| 207 | 1-2 | Contract correspondence and agreement, 1984-1986 | |||||||||
| much correspondence with Earl A. Powell regarding possible acquisition of the collection and copies of contract draft. | |||||||||||
| 207 | 3 | List of works | |||||||||
| copies of lists made by Panza. | |||||||||||
| 207 | 4 | Acquisition recommendation, 1985 | |||||||||
| list of works recommended for acquisition, generated by Los Angeles County Museum of Art (LACMA). | |||||||||||
| 207 | 5-6 | Third and Fourth floor plans | |||||||||
| blueprints of Los Angeles County Museum of Art (LACMA)'s Anderson building's fourth floor and Panza drawings for installations. | |||||||||||
| 207 | 7 | Correspondence | |||||||||
| includes letters about visits to the collection from Maurice Tuchman and loan requests. | |||||||||||
| 207 | 8 | Press releases | |||||||||
| announcements, press releases, collection lists, etc. | |||||||||||
| box | |||||||||||
| 208 | USA, Museum of Modern Art, New York (MOMA) | ||||||||||
| 208 | 1 | 1960-1969 | |||||||||
| membership cards. | |||||||||||
| 208 | 2-6 | 1972-1984 | |||||||||
| consists of material from the International Council of MOMA, such as correspondence, meeting minutes and itineraries, exhibition lists, financial statements, reports, etc. | |||||||||||
| box | |||||||||||
| 209 | USA, Museum of Modern Art, New York (MOMA) | ||||||||||
| 209 | 1-5 | 1985-1990 | |||||||||
| mostly general membership materials, including newsletters, calendars, correspondence, announcements, invitations and some items from the International Council,. | |||||||||||
| box | |||||||||||
| 210 | USA, Whitney Museum of Art | ||||||||||
| 210 | 1 | Correspondence | |||||||||
| letters from Richard Armstrong and other personnel about visits to Varese and loans. | |||||||||||
| 210 | 2-3 | Membership letters and info., 1988-1990 | |||||||||
| much material requesting donations and listing events. | |||||||||||
| 210 | 4 | Announcements and invitations | |||||||||
| ca.35 items. | |||||||||||
| box | |||||||||||
| 211 | USA, A-F; includes: | ||||||||||
| folder | |||||||||||
| 1 | Arizona | ||||||||||
| primarily contains material from Phoenix Art Museum in the form of correspondence and schedules regarding the Panza's visit there (1987). | |||||||||||
| box | folder | ||||||||||
| 211 | 2-4 | California, La Jolla Museum of Art, 1985-1987 | |||||||||
| includes extensive correspondence with Hugh Davies and others about possible loan and installation of the collection at the B Street Pier Warehouse (1985-1986), with copy of a letter from Panza outlining 10 different exhibition programs. Also includes announcements and Biennial Report 1986 and 1987. | |||||||||||
| 211 | 5-6 | California, Long Beach Museum of Art | |||||||||
| substantial correspondence with Jan Ernst Adlmann regarding 15 year loan of the collection (1974-75) with agreement, contract, blueprints of I.M. Pei's design for new museum and 6 slides of model. | |||||||||||
| 211 | 7 | California, miscellaneous | |||||||||
| includes correspondence and announcements from various art institutions in Calif. | |||||||||||
| 211 | 9 | Florida, Center for the Fine Arts, Miami, 1979-1980 | |||||||||
| polite correspondence re Jan van der Marck's appointment as director. | |||||||||||
| box | |||||||||||
| 212 | USA, I-N; includes: | ||||||||||
| 212 | 1 | Illinois, ca. 1974-1985 | |||||||||
| correspondence from James Speyer of the Art Institute of Chicago about visiting Varese and from various staff from Museum of Contemporary Art, Chicago. | |||||||||||
| 212 | 2-4 | Iowa, Des Moines Art Center, 1987-1990 | |||||||||
| includes some correspondence with Julia Brown Turrell about personal matters and long-term loans from the collection (1987), and "New Museum Architecture and Contemporary Art" symposium and copy of text written by Brown Turrell for Journal of Art about Panza's contractual arrangements with artists concerning fabrication (1990). Also includes press releases and telegrams, ca.27 items. | |||||||||||
| 212 | 5-7 | Massachusetts, Museum of Contemporary Art | |||||||||
| substantial correspondence with Thomas Krens and others about acquisition and long-term loans of works in the collection and government approval problems associated with the overall MASS Museum of Contemporary Art, Los Angeles (MOCA) project (1986-87). Also "MASS Museum of Contemporary Art, Los Angeles (MOCA) Project Realization Political Milestones," "Executive Summary" of project and blueprint (3 copies) of Williams College Contemporary Museum of Art renovation. | |||||||||||
| 212 | 9 | Michigan, Detroit Institute of Arts | |||||||||
| includes letters regarding Panza's 1985 lecture there. | |||||||||||
| 212 | 10 | Minnesota, Walker Art Center | |||||||||
| includes much polite correspondence with Martin Friedman. | |||||||||||
| 212 | 12-13 | New York, Dia Art Foundation | |||||||||
| includes correspondence with Philippa Pellizzi, Heiner Friedrich and Helen Winkler about De Maria's "Lightning Field" (see Series IIA Box 106.5 for some of the original letters) and Panza's museum programs, and announcements, ca.60 items. | |||||||||||
| box | |||||||||||
| 213 | USA, N-Z; includes: | ||||||||||
| 213 | 1 | New York, Guggenheim Museum of Art, 1969-1989 | |||||||||
| correspondence with Tom Messer and other personnel regarding financial contributions, loans for Rothko, Ryman and Lichtenstein exhibitions and visits to Varese (1969-1987), and includes copy of contract draft for purchase of works now at Guggenheim (1989). | |||||||||||
| 213 | 2 | New York, miscellaneous | |||||||||
| correspondence, announcements, membership cards, etc., from various museums. | |||||||||||
| 213 | 8 | Texas | |||||||||
| includes letter from and response to Stephen Nash, Dallas Museum of Art, about collection placement and loan request from Robert Murdock, Dallas Museum of Fine Art. | |||||||||||
| 213 | 10 | Washington, D.C. | |||||||||
| includes some letters from personnel of the Hirshhorn Museum and the National Gallery of Art. | |||||||||||
| 213 | 11 | Correspondence with directors | |||||||||
| thank you notes from, and letters arranging visits and discussing Panza's museum plans with Jan van der Marck, I. Michael Danoff, Richard Koshalek, J. Carter Brown, Marcia Tucker and many others. | |||||||||||
| box | |||||||||||
| 214 | France | ||||||||||
| 214 | 1-2 | Bordeaux, Musée d'Art Contemporain, 1980s | |||||||||
| correspondence with Jean-Louis Froment and other staff members about loans, visits and other matters. A separate folder contains newsletters, announcements, invitations, etc. | |||||||||||
| 214 | 3-4 | Lyon, Musée St. Pierre | |||||||||
| correspondence with Thierry Raspail about the exhibition of the collection (1989) and "La Couleur Seule (1988), announcements, invitations and newsletters. Also substantial quantity of plans drawn by Panza for Flavin exhibition with many photographs and slides of the museum. | |||||||||||
| box | |||||||||||
| 215 | France | ||||||||||
| 215 | 1-2 | Paris, Pompidou Center, 1970s-1980s | |||||||||
| correspondence with Dominique Bozo, Pontus Hulten and staff re exhibition and long-term loans, visits and other matters, and a substantial quantity of announcements and invitations. | |||||||||||
| 215 | 3 | Paris, Musée d'Art Moderne de la Ville de Paris | |||||||||
| mostly correspondence about "Electra" exhibition (1983) and also a letter from Pierre Gaudibert about the date change of the Rauschenberg show (1968). | |||||||||||
| 215 | 4-5 | St. Etienne | |||||||||
| primarily correspondence with Bernard Ceysson regarding the exhibition of Nauman and Long works (1988-1990) and 5 different plans drawn by Panza for various installations. | |||||||||||
| 215 | 6 | France, miscellaneous | |||||||||
| box | |||||||||||
| 216 | Germany, Japanese | ||||||||||
| 216 | 1 | Berlin | |||||||||
| includes correspondence with Lucius Grisebach about loans and a text for the "New York in Europa" exhibition (1976) and with Werner Haftmann, both of the Nationalgalerie, regarding loans for the Rothko show (1970-1971). | |||||||||||
| 216 | 2 | Köln | |||||||||
| includes much correspondence with Kasper Koenig regarding "Westkunst" loans (1980-1981), and with Evelyn Weiss and others about Rothko loans (1971-1972). | |||||||||||
| 216 | 3 | Stuttgart | |||||||||
| correspondence with Gudrun Inboden, Peter Beye and others about loans and placement of the collection at Staatsgalerie (1976-85). | |||||||||||
| 216 | 4 | Germany, miscellaneous | |||||||||
| 1972-81. | |||||||||||
| 216 | 5 | Germany, miscellaneous | |||||||||
| 1983-88. | |||||||||||
| 216 | 6 | Germany, correspondence with directors | |||||||||
| some miscellaneous correspondence | |||||||||||
| 216 | 7 | Austria | |||||||||
| 1 item. | |||||||||||
| 216 | 8 | Japan | |||||||||
| correspondence with Fumio Nanjo of the Japan Foundation (1983). | |||||||||||
| box | |||||||||||
| 217 | Belgium, Iran, Mexico, Holland | ||||||||||
| 217 | 1 | Belgium, 1971-1972 | |||||||||
| some correspondence about loans for "Metamorphoses de l'Objet" and announcements. | |||||||||||
| 217 | 2 | Iran | |||||||||
| 1 item. | |||||||||||
| 217 | 3 | Mexico | |||||||||
| 4 items. | |||||||||||
| 217 | 4-5 | Holland | |||||||||
| includes correspondence with Rudi Fuchs of Van Abbemuseum Eindhoven, Edy de Wilde of Stedelijk Museum, R.W.D. Oxenaar of Rijksmuseum Kröller-Müller and their staffs regarding loans and other matters. Also many blueprints of Van Abbemuseum Eindhoven. | |||||||||||
| box | |||||||||||
| 218 | Spain, Reina Sofia | ||||||||||
| 218 | 1 | Correspondence, 1985-1988 | |||||||||
| with Carmen Giménez and others regarding the loans, 1988 exhibition of the collection and other matters. | |||||||||||
| 218 | 2 | Announcements and invitations | |||||||||
| ca.40 items. | |||||||||||
| 218 | 3-6 | Plans for 1988 Exhibition | |||||||||
| includes blueprints, schematics, installation plans, and checklist. | |||||||||||
| 218 | 7 | Articles | |||||||||
| clippings and journals, some about the 1988 exhibition. | |||||||||||
| 218 | 8 | miscellaneous | |||||||||
| includes correspondence, insurance information and visitors record for 1988 show, 7 photographs of the building before it was renovated and 4 photographs of the interior after renovation. | |||||||||||
| box | |||||||||||
| 219 | Scandinavia, Spain (miscellaneous), Switzerland, United Kingdom | ||||||||||
| 219 | 1 | Scandinavia | |||||||||
| letters from Knud Jensen of Louisiana Museum of Modern Art about possible loans and acquisition of the collection (1971, 1978), Björn Springfeldt and others. | |||||||||||
| 219 | 2-3 | Spain | |||||||||
| some correspondence about collection placement, 10 items, and 1 architectural drawing and installation designs for El Borne project. | |||||||||||
| 219 | 4 | Bern, Kunsthalle | |||||||||
| includes letters from Franz Meyer regarding 1959 Tàpies exhibition and much material for 1979 exhibition of the collection, such as correspondence with Johannes Gachnang, checklist, installation plans, blueprints, typescript "Un conciliante dialogo d'arte" and 20 photographs of the exhibition. | |||||||||||
| 219 | 5 | Geneva, Musée Barbier-Mueller | |||||||||
| letters from Martine Renaud and others from l'Association des Amis du Musée Barbier-Mueller concerning shows, bulletins and other matters, and also includes announcements and invitations, 1981-87. | |||||||||||
| 219 | 6 | Zürich, Kunsthalle | |||||||||
| includes correspondence with Erika Billeter and R. Wehrli about loans, and collection lists. | |||||||||||
| 219 | 7 | Switzerland, miscellaneous | |||||||||
| includes correspondence with Martin Schwander regarding loans for Internationale Skulpturen-Ausstellung, Wenkenpark Riehen (1980) and many press releases and announcements from Kunstmuseum Luzern and other various institutions (see Series I, Box 11-13, for more regarding Basel, especially the long-term loan negotiations). | |||||||||||
| 219 | 8 | United Kingdom | |||||||||
| miscellaneous correspondence from Alan Bowness of the Tate Gallery and the staff of various museums about loans, collection placement and visits to Varese. | |||||||||||
| box | |||||||||||
| 220 | Canada, Australia, Italy | ||||||||||
| 220 | 1 | Vancouver Art Gallery, 1977-1984 | |||||||||
| mostly correspondence with Luke Rombout about long-term loans of the collection and booklet "Vancouver Sculpture Project 86." | |||||||||||
| 220 | 2 | Canada, miscellaneous | |||||||||
| contains mostly correspondence with the staff of the National Gallery of Canada about Panza writing a text on his collection, various loans and visits. | |||||||||||
| 220 | 3 | Australia | |||||||||
| 2 items. | |||||||||||
| 220 | 4-5 | miscellaneous Italy | |||||||||
| letters, brochures, announcements, invitations, etc. | |||||||||||
| 220 | 6 | miscellaneous Italy, correspondence with directors | |||||||||
| includes 2 letters from Palma Bucarelli (1974, 1980) and 2 letters to (1979, 1982). | |||||||||||
| 220 | 7-8 | Biennale di Venezia, 1986 | |||||||||
| includes much correspondence regarding loans for "Arte e scienza" (1986) and loans for other exhibitions, and announcements and invitations. | |||||||||||
| box | folder | ||||||||||
| 221 | 1-6 | Italy, Triennale di Milano | |||||||||
| Primarily extensive material for "Light, Space, Perception, Energy" (1990), such as correspondence, background materials, checklists, cost sheet, blueprints, installation plans. | |||||||||||
| box | |||||||||||
| 222 | Italy, Brera | ||||||||||
| 222 | 1-2 | Project Palazzo Citterio | |||||||||
| blueprints, Panza notes, "Relazione Architettonica" by Stirling, Wilford & Associates, 2 photographs of model. | |||||||||||
| 222 | 3-4 | miscellaneous | |||||||||
| includes much information from L'Associazione Amici di Brera, such as correspondence, schedules, invitations, invitation lists, financial report, etc. (see also Amici di Brera in Series I); and also letters from Sovrintendenza per i beni artistici e storici, newsletters, announcements and blueprints from Gregotti Associati, 1976-86, n.d. | |||||||||||
| box | |||||||||||
| 223 | Italy | ||||||||||
| 223 | 1 | Milan, Museo Poldi-Pezzoli, 1979-1990 | |||||||||
| mostly announcements and invitations, but also some letters from Alessandra Mottola Molfino (see also Series I, Box 3 for Associazione Amici del Museo Poldi Pezzoli). | |||||||||||
| 223 | 2-3 | Prato, Museo d'Arte Contemporanea Luigi Pecci, 1986-1990 | |||||||||
| includes many letters from Massimo Bellandi, programs of activities, Panza typescript "L'arte europea ed il mondo oggi," announcements and invitations. | |||||||||||
| 223 | 4 | Turin, Lingotto, 1987-1988 | |||||||||
| some correspondence and installation drawings by Panza for Luce-Torino exhibition. | |||||||||||
| 223 | 5 | Varese, Lodovico Pogliaghi, 1987 | |||||||||
| correspondence with Vera Rosnati Pogliaghi and lists of Panza donations. | |||||||||||
| 223 | 6-7 | Venice, Palazzo Grassi, 1984-1987 | |||||||||
| includes correspondence with Pontus Hulten and others regarding exhibitions (Arcimboldi and Tinguely), letters from Furio Colombo with materials regarding Amici di Palazzo Grassi, announcements and invitations. | |||||||||||
| Series VI. Galleries, 1959-1990 7.5 lin. ft. 19 boxes | |||||||||||
| Series VI contains printed ephemera in the form of announcements and invitations, with some notable correspondence interfiled. A separate box contains correspondence with prominent gallery owners, including Leo Castelli and Richard Demarco, about purchases, the settlement of accounts and Panza's involvement with the Edinburgh Art Festival. | |||||||||||
| box | |||||||||||
| 224 | France | ||||||||||
| 224 | 1 | Dijon, 1988-1990 | |||||||||
| 224 | 2 | Nice, 1988-1990 | |||||||||
| 224 | 3 | Marseille, 1988 | |||||||||
| 224 | 4 | France, miscellaneous, , 1982 1985-1990 | |||||||||
| 224 | 5 | Paris, 1959-1986 | |||||||||
| Includes letters from Gualtieri di San Lazzaro of Société Internationale d'Art XXe Siècle (1959, n.d.), René Drouin about selling his Wols (1959), Yvon Lambert (1968, 1976) and Betty Anderson (1976). | |||||||||||
| box | |||||||||||
| 225 | France | ||||||||||
| 225 | 1-5 | Paris, 1987-1990 | |||||||||
| box | |||||||||||
| 226 | Germany | ||||||||||
| 226 | 1 | Berlin, 1976-1990 | |||||||||
| 226 | 2 | Bonn, , 1980 1987-1990 | |||||||||
| 226 | 3-4 | Düsseldorf, , 1978-1981 1983-1990 | |||||||||
| 226 | 5 | Frankfurt, 1960-1990 | |||||||||
| 226 | 6 | Hamburg, 1972-1990 | |||||||||
| box | |||||||||||
| 227 | Germany, Austria | ||||||||||
| 227 | 1-2 | Köln, 1974-1990 | |||||||||
| 227 | 3-4 | Munich, 1968-1990 | |||||||||
| 227 | 5 | Stuttgart, 1988-1990 | |||||||||
| 227 | 6 | Germany, miscellaneous, 1978-1990 | |||||||||
| 227 | 7 | Innsbruck, 1983-1990 | |||||||||
| 227 | 8 | Vienna | |||||||||
| 1987-90. | |||||||||||
| box | |||||||||||
| 228 | Italy | ||||||||||
| 228 | 1 | Emilia-Romagna, 1978-1990 | |||||||||
| 228 | 2 | Florence, 1986-1990 | |||||||||
| 228 | 3 | Genoa, 1975-1990 | |||||||||
| includes 4 letters from Paolo Minetti of Galleriaforma (1978, 1980). | |||||||||||
| 228 | 4 | Lombardy, 1957-1990 | |||||||||
| includes letter from Guido Le Noci (1957); 7 items of correspondence with Marilena Pasquali and Franco Solmi of Galleria d'Arte Moderna, Bologna, regarding loans for "Europa/America" (1976). | |||||||||||
| 228 | 5-6 | Milan, 1973-1987 | |||||||||
| includes Françoise Lambert copied typescript "Notes on 'Cathexis'" (ca.1974) and original etching by Pierre Lindner (1980). | |||||||||||
| box | |||||||||||
| 229 | Italy | ||||||||||
| 229 | 1-5 | Milan, 1988-1990 | |||||||||
| 229 | 6 | Naples, 1987-1990 | |||||||||
| box | |||||||||||
| 230 | Italy | ||||||||||
| 230 | 1-2 | Rome, 1960-1990 | |||||||||
| 230 | 3 | Turin, 1975-1990 | |||||||||
| 230 | 4 | Venice, 1975-1990 | |||||||||
| includes 6 letters from Gabriella Cardazzo of Galleria d'Arte del Cavallino (1975-1978). | |||||||||||
| 230 | 5 | miscellaneous, , 1983 1985-1990 | |||||||||
| box | |||||||||||
| 231 | Australia, Belgium, Canada, Japan, Holland | ||||||||||
| 231 | 1 | Australia, , 1984 1987 | |||||||||
| 231 | 2 | Belgium, Antwerp, , 1986-1987 1989-1990 | |||||||||
| 231 | 3 | Belgium, Brussels, 1985-1989 | |||||||||
| 231 | 4 | Belgium, miscellaneous, 1975-1990 | |||||||||
| 231 | 5 | Canada, 1975-1990 | |||||||||
| 231 | 6 | Japan, 1977-1990 | |||||||||
| 231 | 7 | Holland, Amsterdam, 1980-1990 | |||||||||
| 231 | 8 | Holland, miscellaneous, , , 1976 1978 1980 | |||||||||
| box | |||||||||||
| 232 | Switzerland | ||||||||||
| 232 | 1 | Basel, 1959-1990 | |||||||||
| includes letter from Marie-Suzanne Feigel of Galerie d'Art Moderne (1959), 2 postcards from Rolf Preisig (1978, 1984). | |||||||||||
| 232 | 2 | Bern, 1979-1990 | |||||||||
| 232 | 3-4 | Geneva, 1976-1990 | |||||||||
| 232 | 5 | Luzern, 1988-1990 | |||||||||
| 232 | 6 | Lugano, 1974 | |||||||||
| 232 | 7-8 | Zürich, 1973-1990 | |||||||||
| box | |||||||||||
| 233 | Switzerland, Sweden, Norwegian, Spain, Portugal, miscellaneous | ||||||||||
| 233 | 1 | Swiss, miscellaneous, , 1983 1986-1990 | |||||||||
| 233 | 2 | Sweden, , 1985 1987-1990 | |||||||||
| mostly from Anders Tornberg in various shapes and using materials inventively. | |||||||||||
| 233 | 3 | Spain, 1986-1990 | |||||||||
| 233 | 4 | miscellaneous, , 1982 1985-1990 | |||||||||
| box | |||||||||||
| 234 | United Kingdom | ||||||||||
| 234 | 1-4 | London, , 1972 1975-1989 | |||||||||
| includes correspondence with Whitechapel Art Gallery about long-term loans at the National Gallery of Modern Art, Edinburgh (1979). | |||||||||||
| box | |||||||||||
| 235 | United Kingdom | ||||||||||
| 235 | 1-2 | London, 1990 | |||||||||
| folder | |||||||||||
| 3 | London, Lisson Gallery, 1979-1990 | ||||||||||
| includes some correspondence with staff about new works for Varese (1990). | |||||||||||
| box | folder | ||||||||||
| 235 | 4 | Edinburgh, , 1978 1986-1990 | |||||||||
| see box 242 for considerable correspondence with Richard Demarco. | |||||||||||
| 235 | 5 | miscellaneous, 1979-1990 | |||||||||
| box | |||||||||||
| 236 | USA | ||||||||||
| 236 | 1-5 | New York, 1957-1987 | |||||||||
| includes letters and notes from Betty Parsons (1957), David Hayes (1964), Richard Bellamy (1966), Xavier Fourcade (1974-1975, 1977, 1979-1979), Sidney Janis (1975, 1978, 1987), Max Protetch (1976, 1978, 1985), Holly Solomon (1977-1978, 1982, 1984-1985), Postcard from Judy Fiskin (1985), Panza notes listing galleries with works and prices (1971); 1957, 1964-1967, 1969, 1971-1972, 1974-1987. | |||||||||||
| box | |||||||||||
| 237 | USA | ||||||||||
| 237 | 1-5 | New York, 1988-1989 | |||||||||
| box | |||||||||||
| 238 | USA | ||||||||||
| 238 | 1-4 | New York, 1989-1990 | |||||||||
| box | |||||||||||
| 239 | USA | ||||||||||
| 239 | 1 | California, Irvine, 1987-1990 | |||||||||
| includes correspondence with Melinda Wortz, UCI, about a museum for perceptual art. | |||||||||||
| 239 | 4-5 | California, Los Angeles, 1973-1989 | |||||||||
| includes letter from Betty Asher (1981) and much material about loans to Ace Gallery for "The Innovators/Entering the Sculpture" (1989, see also Venice for other letters from Douglas Christmas). | |||||||||||
| box | |||||||||||
| 240 | USA | ||||||||||
| 240 | 1 | California, Los Angeles, 1990 | |||||||||
| 240 | 2-3 | California, San Francisco, 1974-1990 | |||||||||
| includes letters from Daniel Weinberg (1974, 1976, 1979-1980). | |||||||||||
| 240 | 4 | California, Santa Monica, 1987-1990 | |||||||||
| box | |||||||||||
| 241 | USA | ||||||||||
| 241 | 1 | California, Venice, 1974-1990 | |||||||||
| includes letters from Douglas Christmas (1974, 1977) and Peter Goulds (1988). | |||||||||||
| 241 | 2 | California, miscellaneous, 1977-1990 | |||||||||
| 241 | 3 | Illinois, Chicago, 1979-1990 | |||||||||
| includes letters from Donald Young (1979,1981, 1985). | |||||||||||
| 241 | 4-5 | United States, miscellaneous, 1970-1990 | |||||||||
| box | |||||||||||
| 242 | Correspondence | ||||||||||
| 242 | 1 | Bonomo, Marilena, 1975-1989 | |||||||||
| ca.19 items. | |||||||||||
| 242 | 2 | Castelli, Leo, , 1972-1976 1979-1988 | |||||||||
| substantial correspondence mostly contains photocopies of letters from Panza documenting minimal and conceptual art purchases, exchanges, his need for drawings and certificates from the artists, settling of accounts, Panza's museum programs and appraisal of the collection (1984), ca.50 items. | |||||||||||
| 242 | 3-6 | Demarco, Richard, 1975-1987 | |||||||||
| includes extensive correspondence with Demarco, staff and others regarding Edinburgh Arts Festival, covering topics such as exhibitions, fundraising, lectures, visits to Varese and festival itineraries. Also correspondence about finding space for the collection in Edinburgh (see also Series I, Box 65-66), copied typescript of Demarco's interview with Pontus Hulten (26 Mar 1982), Demarco Gallery board meeting minutes and clippings, ca.180 items. | |||||||||||
| 242 | 7 | Friedrich, Heiner, 1966-1978 | |||||||||
| includes correspondence about purchases and Panza's account with list of purchases, and 1 page description of La Monte Young and Marian Zazeela's "Sound and Light Environment" (1966) ca. 20 items. | |||||||||||
| 242 | 8 | Sperone, Gian Enzo | |||||||||
| mostly payment receipts with list of purchases, 1966, 1973-1976 ca. 20 items. | |||||||||||
| 242 | 9 | Weber, John, , 1971-1977 1985 | |||||||||
| mostly correspondence about Panza's account, with many financial statements, ca.25 items. | |||||||||||
| 242 | 10 | Westwater, Angela, , 1974-1975 1979-1980 | |||||||||
| 7 items. | |||||||||||
| Series VII. Photographs, ca. 1959-1990 13.5 lin. ft. | |||||||||||
| Series VII contains photographs of works in the collection, duplicating the photographs in Series II.A, with separate boxes of duplicate photographs filed numerically; the Panzas' furniture and tapestry collections, and original Ugo Mulas prints. Two separate boxes include photographs of Panza and his family, and Panza and his wife attending art related functions. Also contained within this series are glass slides, mostly of the works now at the Museum of Contemporary Art, Los Angeles (Museum of Contemporary Art, Los Angeles (MOCA)), slides of various artists' works and some oversize photographs of Minimal and Conceptual drawings in the collection. | |||||||||||
| box | |||||||||||
| 243 | Family photographs | ||||||||||
| Substantial quantity of photographs of Panza alone or with family and friends, including 6 original prints by Betty Freeman, 6 by George D. O'Neill, Jr., 13 by Il Giorno and 16 of Panza and collection by Oliviero Zanni. | |||||||||||
| box | |||||||||||
| 244 | Photographs of Art Related Functions | ||||||||||
| Extensive quantity of photographs of Panza and his wife attending various art related functions, such as openings, dinners, meetings and group trips. This box also contains a photo of Claes and Pat Oldenburg, signed by the artist (1963), photo by Turrell of the Panza's near the Roden Crater at sunset (1973), 4 photographs of 1961 Kline exhibition at Galleria Civica d'Arte Moderna, Turin, with Frank O'Hare and 36 photographs documenting the making of a film by Jose Maria Berzosa about the collection for French television. | |||||||||||
| Artist Albums | |||||||||||
| Twenty albums contain black and white photographs of works in the collection with many in situ at the villa. Most of these photographs are duplicates of prints in Series II.A including photographs which serve as copies of original documents, such as certificates, artists' correspondence and drawings. The last three boxes are photographs of Panza's Primitive and decorative arts collections, photographs of Gino Meloni's work and miscellaneous exhibitions. The photographs were primarily shot by Gian Sinigaglia, Giorgio Colombo and Panza, but some were also by Ugo Mulas in Spring 1961. This series only has Sinigaglia reprints of those originally shot by Panza (see especially Varese installations of Pop art bordered at the bottom with a white strip), and also contains Sinigaglia reprints of those originally shot by Mulas (for originals see box 265). Colombo, Panza's current photographer, holds most of the negatives and has made prints of Sinigaglia's photographs. | |||||||||||
| box | |||||||||||
| 245 | Ambienti | ||||||||||
| various works installed and in situ at the villa. | |||||||||||
| box | |||||||||||
| 246 | 1950s | ||||||||||
| Abstract Expressionist and Pop art works installed, and Fautrier, Kline, Lichtenstein, Oldenburg | |||||||||||
| box | |||||||||||
| 247 | 1950s | ||||||||||
| Rauschenberg, Rosenquist, Rothko, Segal, Tàpies | |||||||||||
| box | |||||||||||
| 248 | Agnetti, Andre, Barry, Bell | ||||||||||
| box | |||||||||||
| 249 | Beuys, Buren, Cane, Carpi, Charlton | ||||||||||
| box | |||||||||||
| 250 | Darboven | ||||||||||
| box | |||||||||||
| 251 | Davis, De Maria, Dibbets, Ferrari, Flavin | ||||||||||
| box | |||||||||||
| 252 | Fulton, Gilbert & George, Hains, Highstein, Huebler | ||||||||||
| box | |||||||||||
| 253 | Irwin | ||||||||||
| box | |||||||||||
| 254 | Joseph, Joubert, Judd | ||||||||||
| box | |||||||||||
| 255 | Kawara, Kosuth, Law | ||||||||||
| box | |||||||||||
| 256 | LeWitt, Long | ||||||||||
| box | |||||||||||
| 257 | Mangold, Marden, Mochetti | ||||||||||
| box | |||||||||||
| 258 | Morris | ||||||||||
| box | |||||||||||
| 259 | Nauman | ||||||||||
| box | |||||||||||
| 260 | Nauman, Nonas | ||||||||||
| box | |||||||||||
| 261 | Nordman, Opalka, Orr, Pozzi, Radice, Ryman | ||||||||||
| box | |||||||||||
| 262 | Serra, Shapiro, Tavernari, Tinguely, Tremlett | ||||||||||
| box | |||||||||||
| 263 | Turrell | ||||||||||
| box | |||||||||||
| 264 | Twombly, Weiner, Wheeler, Wilson | ||||||||||
| box | |||||||||||
| 265 | Primitive, Furniture, Tapestries, Mulas (original prints) | ||||||||||
| box | |||||||||||
| 266 | Meloni album | ||||||||||
| ca. 88 photographs. | |||||||||||
| box | |||||||||||
| 267 | Museum of Contemporary Art, Los Angeles (MOCA) 1985 exhibition | ||||||||||
| ca.13, Basel (ca. 33) and Düsseldorf (ca.21) 1980 exhibitions, and ca. 29 miscellaneous photographs with 12 of the villa and 3 photographs of Panza with Marcel Duchamp and others. | |||||||||||
| Duplicates | |||||||||||
| General note | |||||||||||
| Twenty-one 8x10x3 boxes of photographs duplicating those in Series II.A housed primarily in numerical order with many gaps in the sequence. Boxes 268-286 are photographs shot or printed by Sinigaglia. Box 287 has more by Sinigaglia and part by Colombo. Box 287 houses the remainder of Colombo, not numerically but grouped by artist, which includes Nauman, Turrell and others. | |||||||||||
| box | |||||||||||
| 289 | "Drawing" Collection | ||||||||||
| 133 photographs of Panza's "drawing" collection 9 1/2 x 12, 4 images on each photo | |||||||||||
| oversize | |||||||||||
| **1 | 1 Nauman photo, and 2 Morris xeroxes and 10 photographs. | ||||||||||
| oversize | |||||||||||
| **1-2 | 21 Nauman, 19 Judd and 2 Serra photographs. | ||||||||||
| box | |||||||||||
| 290-294 | Glass Slides | ||||||||||
| 2 5/8 x 2 5/8 slides of works in the collection, most are duplicates of above, but there are a few miscellaneous shots of installations in the villa (see especially Oldenburg), filed alphabetically by artist. | |||||||||||
| box | |||||||||||
| 290 | 23 slides of Jean Fautrier, 6 Dan Flavin, 31 Franz Kline, 11 Roy Lichtenstein | ||||||||||
| box | |||||||||||
| 291 | 35 Brice Marden, 35 Claes Oldenburg | ||||||||||
| box | |||||||||||
| 292 | 33 Claes Oldenburg, 37 Robert Rauschenberg | ||||||||||
| box | |||||||||||
| 293 | 15 Robert Rauschenberg, 20 James Rosenquist, 16 Mark Rothko, 20 Antoni Tàpies | ||||||||||
| box | |||||||||||
| 294 | 32 Antoni Tàpies | ||||||||||
| Slides | |||||||||||
| miscellaneous slides of various artwork mostly purchased from Portable Gallery, filed alphabetically by artist. | |||||||||||
| box | |||||||||||
| 295 | 8 Larry Bell, 16 Jean Dubuffet, 9 Sam Francis, 13 Robert Indiana, 19 Jasper Johns, 9 Donald Judd, 19 Ellsworth Kelly, 25 Edward Kienholz, 36 Franz Kline, 17 Roy Lichtenstein, 8 Richard Lindner, 20 Morris Louis, 26 Robert Morris, 8 Barnett Newman, 9 Kenneth Noland, 5 Larry Poons | ||||||||||
| box | |||||||||||
| 296 | 61 Robert Rauschenberg, 9 James Rosenquist, 2 Mark Rothko, 9 George Segal, 10 David Smith, 16 Andy Warhol, 11 Tom Wesselman, 17 Ann Wilson, ca. 125 unknown and miscellaneous | ||||||||||
| Series VIII. Clippings, ca. 1960-1990 10.5 lin. ft. | |||||||||||
| Series VIII contains magazine and newspaper clippings and photocopies of articles primarily about the collection. Most of the German texts have an accompanying Italian translation. See the appendices for a photocopy of the item level index in Box 156B. | |||||||||||
| box | |||||||||||
| 297-298 | Magazine articles | ||||||||||
| box | |||||||||||
| 297 | Articles about Panza collection, , 1961-1990 undated | ||||||||||
| 16 folders filled chronologically by publication date. | |||||||||||
| box | |||||||||||
| 298 | Articles on various museums, old buildings and miscellaneous, 1979-1990 | ||||||||||
| 19 folders containing Villa Scheibler (1979), Düsseldorf (1980), Mönchengladbach (n.d.), Basel (1981-1982, 1984), Rivoli (1982), L.A., Museum of Contemporary Art, Los Angeles (MOCA) and Los Angeles County Museum of Art (LACMA) (1981, 1983-1987, n.d), Mass Museum of Contemporary Art, Los Angeles (MOCA) (1987-1990), Centro Reina Sofia (1988, 1990), Saint Etienne (1989), Musée National d'Art Moderne, Paris (1990), miscellaneous artists, general articles on collecting, miscellaneous on art, science. | |||||||||||
| box | |||||||||||
| 299*-305* | Newspaper articles | ||||||||||
| Filed chronologically by topic, location. | |||||||||||
| box | |||||||||||
| 299* | France, Germany | ||||||||||
| 299* | 1-3 | France, 1981-1990 | |||||||||
| Lyon and St. Etienne (1989), Paris, Pompidou and Musée d'Art Moderne de la Ville de Paris (1981, 1986, 1990). | |||||||||||
| 299* | 4-12 | Germany, 1974-1983 | |||||||||
| Düsseldorf (1976-1983, n.d.), Frankfurt (1980, 1984), Mönchengladbach (1974-1977). | |||||||||||
| box | folder | ||||||||||
| 300* | 1-9 | Italy, 1977-1988 | |||||||||
| Florence, (1981-1982, 1988); Milan, Villa Scheibler (1977-1981); Poggio a Caiano (1979, 1981); Rivoli (1980-1984); Turin (1980, 1982-1984, 1986, 1988, n.d.). | |||||||||||
| box | |||||||||||
| 301* | Italy, Scotland, Spain | ||||||||||
| 301* | 1-6 | Italy, Varese, 1978-1990 | |||||||||
| Fondazione Panza (1983-1984), Concerts Villa Panza (1979-1980, 1982-1983), Masnago (1978-1979), City Associations and Museum (1979, 1987), Acquisition of the villa (1978-1979, 1981-1984, 1989), Exhibition of the collection (1978), miscellaneous (1978-7199, 1982-1984, 1986-1988, 1980). | |||||||||||
| 301* | 7 | Italy, Vigevano, 1981-1982 | |||||||||
| 301* | 8 | Scotland, 1981-1984 | |||||||||
| 301* | 9 | Spain, , undated 1986-1988 | |||||||||
| box | folder | ||||||||||
| 302* | 1-9 | Switzerland, 1974-1989 | |||||||||
| Basel, Kunsthalle Bern (1974-1977, 1979-1982, n.d.); Kunsthalle Bern (1979); Geneva (1988-1989) | |||||||||||
| box | folder | ||||||||||
| 303* | 1-14 | USA: Southern California, 1980-1990 | |||||||||
| Irvine, University of California, Irvine (1988), La Jolla Museum (1984-1985), Los Angeles County Museum of Art (LACMA) (1981, 1985, 1988, n.d.), Museum of Contemporary Art, Los Angeles (MOCA) (1980-1988), Museum of Contemporary Art, Los Angeles (MOCA) (1983-1984, 1988), Massachusetts Museum of Contemporary Art, (MassMOCA) (1987-1990). | |||||||||||
| box | |||||||||||
| 304* | USA, miscellaneous | ||||||||||
| 304* | 1-3 | USA, 1987-1990 | |||||||||
| Minneapolis-St. Paul (1987), New York, Guggenheim (1988-1990), Guggenheim-Varese (1989-1990). | |||||||||||
| 304* | 4 | Artists in the collection (1988-1990) | |||||||||
| 304* | 5-10 | Collection, 1967-1990 | |||||||||
| box | |||||||||||
| 305* | miscellaneous | ||||||||||
| 305* | 1 | Collectors, 1970-1989 | |||||||||
| 305* | 2-6 | Art miscellaneous, 1966-1990 | |||||||||
| 305* | 7 | Soprintendenza, , 1974-1978 1985-1986 | |||||||||
| 305* | 8 | Conferences, , , 1975 1981 1984 | |||||||||
| 305* | 9 | Science, , , 1973 1985-1988 n.d. | |||||||||
| 305* | 10 | miscellaneous | |||||||||
| box | |||||||||||
| 306* | Francesco Clemente Watercolor, 1983 | ||||||||||
| 9 3/8 x 12 3/8 in., 23.7 x 31.2 cm.; inscribed in pencil on verso "FRANCESCO CLEMENTE/2 APRIL TO 30 APRIL 1983/SPERONE WESTWATER 142 GREENE STREET NEW YORK/MARY BOONE 417 WEST BROADWAY NEW YORK"; paper printed " ©1983 Francesco Clemente." Image consists of a large human head with three smaller groupings of two figures engaged in sexual activities on either side and mid-section of head and bust with skull head in upper left corner, painted in ocher, brown, red, blue and green. | |||||||||||
| box | |||||||||||
| 307* | miscellaneous oversize | ||||||||||
| Rimini diploma (from Series I), 4 items from Ordre de la Grande Gidouille, 3 signs for proposed sale at Christie's (1984), photocopy of Kosuth's "Fifth Investigation" (1969, from Series IIA). Also photographs: 7 by Marcello Morandini, 9 of Inge Prokot's work (both removed from Series IV) and 3 of Peter Joseph's and 1 of Rauschenberg's work (both removed from Series IIA). | |||||||||||
| Series IX. Architectural drawings, ca. 1974-1990 ca. 980 items | |||||||||||
| Series IX houses plans, sections and elevations of Panza's museum projects, some with Panza's installation designs. There are many duplicates within this series. Some duplicates are filed in Series I. | |||||||||||
| box | |||||||||||
| *308 | Pamphilj Doria | ||||||||||
| 14 plans, some with installation designs. | |||||||||||
| box | |||||||||||
| *309 | Basel | ||||||||||
| very extensive quantity of architectural plans with installation designs. | |||||||||||
| box | |||||||||||
| *310 | Venaria Reale | ||||||||||
| 114 plans, sections, elevations, etc. | |||||||||||
| oversize | |||||||||||
| **2 | Basel | ||||||||||
| 3 plans and elevations. | |||||||||||
| oversize | |||||||||||
| **3 | Basel | ||||||||||
| 3 plans. | |||||||||||
| oversize | |||||||||||
| **4 | Basel | ||||||||||
| 8 plans, elevations and axiometrics. | |||||||||||
| oversize | |||||||||||
| **5 | Basel | ||||||||||
| 24 plans, sections and elevations. | |||||||||||
| oversize | |||||||||||
| **6 | Basel | ||||||||||
| 16 plans, sections and elevations. | |||||||||||
| oversize | |||||||||||
| **7 | Basel | ||||||||||
| 17 plans, sections, elevations and structural details. | |||||||||||
| oversize | |||||||||||
| **8 | Basel | ||||||||||
| 9 axiometrics, sections and plans. | |||||||||||
| oversize | |||||||||||
| **3 | Basel | ||||||||||
| 42 plans and sections. | |||||||||||
| oversize | |||||||||||
| **9 | Bologna | ||||||||||
| 2 plans. | |||||||||||
| oversize | |||||||||||
| **10 | Bonn | ||||||||||
| 10 plans and sections. | |||||||||||
| oversize | |||||||||||
| **11 | Bonn Museo and Massachusetts Museum of Contemporary Art (MASS MoCA) | ||||||||||
| Bonn 1 pencil drawing and Massachusetts Museum of Contemporary Art (MASS MoCA) 3 plans. | |||||||||||
| oversize | |||||||||||
| ** 12 | Cascina Taverna | ||||||||||
| 10 plans and sections, some with installation designs. | |||||||||||
| oversize | |||||||||||
| **13 | Cascina Taverna | ||||||||||
| 12 plans and sections, some with installation designs. | |||||||||||
| frame | |||||||||||
| **14 | Donaldson School, Edinburgh | ||||||||||
| 8 plans. | |||||||||||
| oversize | |||||||||||
| **15 | Düsseldorf | ||||||||||
| 5 plans. | |||||||||||
| oversize | |||||||||||
| **16 | Düsseldorf | ||||||||||
| 8 plans and interior elevations w/installation designs. | |||||||||||
| oversize | |||||||||||
| **17 | Düsseldorf | ||||||||||
| 5 plans w/installation designs. | |||||||||||
| oversize | |||||||||||
| **18 | Düsseldorf | ||||||||||
| 11 plans, elevations and sections | |||||||||||
| oversize | |||||||||||
| **19 | Düsseldorf | ||||||||||
| 21 plans and sections, some with installation designs. | |||||||||||
| oversize | |||||||||||
| **20 | Düsseldorf | ||||||||||
| 14 plans and elevations. | |||||||||||
| oversize | |||||||||||
| **21 | Düsseldorf | ||||||||||
| 14 plans and elevations for installations and lighting. | |||||||||||
| oversize | |||||||||||
| **22 | Environmental Art Museum | ||||||||||
| 12 installation designs. | |||||||||||
| oversize | |||||||||||
| **23 | Environmental Art Museum | ||||||||||
| 14 plans and sections. | |||||||||||
| oversize | |||||||||||
| **24 | Kassel | ||||||||||
| 3 plans. | |||||||||||
| oversize | |||||||||||
| **25 | Lingotto | ||||||||||
| 1 plan. | |||||||||||
| oversize | |||||||||||
| **26 | Long Beach Museum of Art (design proposal by I.M. Pei office) | ||||||||||
| 34 photocopies (some are of text), 17 plans with a few design schematics in ink and marker, 1974. | |||||||||||
| oversize | |||||||||||
| **27 | Los Angeles County Museum of Art (LACMA) (Anderson Building) | ||||||||||
| 10 plans and sections. | |||||||||||
| oversize | |||||||||||
| **28 | Teatro dell'Arte di Milano | ||||||||||
| 3 plans. | |||||||||||
| oversize | |||||||||||
| **29 | Palazzo Reale di Milano | ||||||||||
| 8 plans. | |||||||||||
| oversize | |||||||||||
| **30 | Mönchengladbach (Hans Hollein) | ||||||||||
| 15 plans and sections. | |||||||||||
| oversize | |||||||||||
| **31 | Mönchengladbach | ||||||||||
| 14 plans. | |||||||||||
| oversize | |||||||||||
| **32 | Mönchengladbach | ||||||||||
| 14 site plans, steet elevations, sections and plans. | |||||||||||
| oversize | |||||||||||
| **33 | Villa Reale Monza | ||||||||||
| 3 plans. | |||||||||||
| oversize | |||||||||||
| **34 | Museum of Contemporary Art, Los Angeles (MOCA), Cal. Plaza | ||||||||||
| 1 plan. | |||||||||||
| oversize | |||||||||||
| **35 | Museum of Contemporary Art, Los Angeles (MOCA), TC | ||||||||||
| 4 plans. | |||||||||||
| frame | |||||||||||
| **36 | Pamphilj Doria | ||||||||||
| 3 plans. | |||||||||||
| oversize | |||||||||||
| **37 | Pamphilj Doria | ||||||||||
| 14 plans, sections and elevations. | |||||||||||
| oversize | |||||||||||
| **38 | Poggio a Caiano | ||||||||||
| 10 plans, some with installation designs. | |||||||||||
| oversize | |||||||||||
| **39 | Poggio a Caiano | ||||||||||
| 9 plans, some with installation designs. | |||||||||||
| oversize | |||||||||||
| **40 | Reina Sofia | ||||||||||
| 14 plans. | |||||||||||
| oversize | |||||||||||
| **41 | Rivoli | ||||||||||
| 24 plans and sections with installation designs. | |||||||||||
| oversize | |||||||||||
| **42 | Rivoli | ||||||||||
| 14 plans and sections with installation designs. | |||||||||||
| oversize | |||||||||||
| **43 | Rivoli | ||||||||||
| 13 plans and sections. | |||||||||||
| oversize | |||||||||||
| **44 | St. Paul Station | ||||||||||
| 14 plans and sections. | |||||||||||
| oversize | |||||||||||
| **45 | Venaria Reale | ||||||||||
| 15 plans. | |||||||||||
| oversize | |||||||||||
| **46 | Venaria Reale | ||||||||||
| 4 plans. | |||||||||||
| oversize | |||||||||||
| **47 | Venaria Reale | ||||||||||
| 53 plans and sections with installation designs. | |||||||||||
| oversize | |||||||||||
| **48 | Venaria Reale | ||||||||||
| 29 plans and sections. | |||||||||||
| oversize | |||||||||||
| **49 | Venaria Reale | ||||||||||
| 34 plans with installation designs. | |||||||||||
| oversize | |||||||||||
| **50 | Venaria Reale | ||||||||||
| 11 plans and installation designs. | |||||||||||
| oversize | |||||||||||
| **51 | Venezia Arsenale | ||||||||||
| 2 plans. | |||||||||||
| oversize | |||||||||||
| **52 | Venezia Arsenale | ||||||||||
| 1 plan. | |||||||||||
| oversize | |||||||||||
| **53 | Venezia Arsenale | ||||||||||
| 5 plans. | |||||||||||
| oversize | |||||||||||
| **54 | Vigevano | ||||||||||
| 11 plans, sections and axiometrics. | |||||||||||
| oversize | |||||||||||
| **55 | Vigevano | ||||||||||
| 28 plans, sections and axiometrics. | |||||||||||
| oversize | |||||||||||
| **56 | Vigevano | ||||||||||
| 28 plans, sections and axiometrics. | |||||||||||
| oversize | |||||||||||
| **57 | Vigevano | ||||||||||
| 25 plans, sections and axiometrics. | |||||||||||
| oversize | |||||||||||
| **58 | Zürich Kokshalle | ||||||||||
| 6 plans and sections. | |||||||||||