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Series V. Beaumont Newhall Lecture Materials, 1934-1992 ca. 10 lin. ft. |
This series includes lecture files, sound cassettes, and slides. Lecture files are
arranged chronologically by date of presentation, and contain transcripts along with
miscellaneous materials relating to the lectures, but in some instances only the
announcements for lectures. The lectures cover subjects such as Ansel Adams, Henri
Cartier-Bresson, Photography as Art, Alfred Stieglitz, and Edward Weston. Audio
recordings of the lectures are arranged by date of recording. Over 8,000 slides comprise
the largest portion of this series. They are organized either by lecture number, or
alphabetically by subject.
|
Arranged in 3 subseries: lecture files, sound cassettes, and slides. |
|
Series V.A. Lecture files, 1930-1991
3 Linear
Feet
|
|
Files include a list of Newhall's lectures, transcripts and notes for lectures, slide
lists for lectures, printed material. Arranged chronologically.
|
box |
folder |
204 |
1-53 |
|
1930-1978 |
204 |
1 |
|
|
List of lectures by Beaumont Newhall, 1930-1988 |
204 |
2 |
|
|
French Medieval Cathedrals (Brooklyn Museum) 1934 Feb 11, |
204 |
3 |
|
|
A New Vision through Photography (United Neighborhood Houses,
NY) 1937 May 10,
|
204 |
4 |
|
|
Painting and Photography (MoMA [Museum of Modern Art, N.Y.]) 1937 Dec 6, |
204 |
5 |
|
|
Documentary Photography 1938 Apr 13, |
204 |
6 |
|
|
Photographic Vision (Miniature Camera Club) 1941 Mar 3, |
204 |
7 |
|
|
(Princeton Print Club) 1947 Apr 17, |
204 |
8 |
|
|
History of Photography (Dupont, Wilmington, Del.) 1950 Jan 30, |
204 |
9 |
|
|
Press Photography (Kent Univ.) 1951 Mar 23, |
204 |
10 |
|
|
(Virginia Museum of Art, Richmond) 1952 Nov 28, |
204 |
11 |
|
|
Photography and the Suspense of Time (Eastman House) 1954 Oct 22, |
204 |
12 |
|
|
Muybridge and the Suspense of Time (Academy of Sciences, San
Francisco) 1955 Jan 16,
|
204 |
13 |
|
|
Since 1880: Photography's Growth 1955 Aug 17, |
204 |
14 |
|
|
Impact of Photography on the Arts (Frick Coll., NY) 1956 Apr 14, |
204 |
15 |
|
|
History of Photography (Henry Ford Museum) 1956 Mar 2, |
204 |
16 |
|
|
Photojournalism (Univ. of Miami Conference) 1957 May 7, |
204 |
17 |
|
|
Edison's Kinetoscope Apr 1958, |
204 |
18 |
|
|
NPPA Photojournalism Shortcourse (Eastman House) 1958 June 20, |
204 |
19 |
|
|
America in Daguerreotypes (New York Historical) 1958 Nov 12, |
204 |
20 |
|
|
(Virginia Museum of Fine Arts, Richmond) 1958 Nov 28, |
204 |
21 |
|
|
Air Vision (Columbia Univ.) 1959 Jan 9, |
204 |
22 |
|
|
(Metropolitan Museum of Art) 1960 Jan 16, |
204 |
23 |
|
|
National Trust for Historic Preservation 1960 Oct 22, |
204 |
24 |
|
|
unidentified 1962 Nov 28-30, |
204 |
25 |
|
|
The Photographic Revolution in the Visual Arts (London) 1963 Mar 12, |
204 |
26 |
|
|
F. H. Evans Exhibition 1964, |
204 |
27 |
|
|
Photography and the Historian 1965 Oct 11, |
204 |
28 |
|
|
Daguerreotype Tour of America 1967 Jan 26, |
204 |
29 |
|
|
Photography in North America in 1867 (National Gallery of
Canada) 1967 Jan 13,
|
204 |
30 |
|
|
Photography in Rochester before George Eastman (Roch. Hist.
Soc) 1967 Nov 8,
|
204 |
31 |
|
|
The Discovery of Photography 1968 Mar 4, |
204 |
32 |
|
|
Introduction of Sound Motion Pictures 1968 May 14, |
204 |
33 |
|
|
Towards a New Vision of the Universe 1969 June 7, |
204 |
34 |
|
|
(Iowa) 1970, |
204 |
35 |
|
|
Potemkin (SUNY) 1970 Apr 15, |
204 |
36 |
|
|
Photography and the Historian (Univ. of Calif-Santa Cruz) 1970 July 20-21, |
204 |
37 |
|
|
Introduction of Sound (UNM Film Course) 1971 Nov 6, |
204 |
38 |
|
|
Gautier and Photography (Gautier Symposium, UNM) 1973, |
204 |
39 |
|
|
Alfred Stieglitz and the Gallery Called "291" (Columbia College,
Chicago) 1974 Mar 22,
|
204 |
40 |
|
|
Edward and Brett Weston (UNM) Spring 1974, |
204 |
41 |
|
|
Early Photography of the U. S. West (Amon Carter Museum, Fort
Worth) 1974 Sept 12,
|
204 |
42 |
|
|
Impressionism and Photography (Brigham Young Univ.) 1974 Nov 14, |
204 |
43 |
|
|
Book and Camera (The Grolier Club, New York) 1974 Dec 17, |
204 |
44 |
|
|
Cartier-Bresson 1976 Apr 2, |
204 |
45 |
|
|
(Society for Photographic Education) 1978 Mar 3, |
204 |
46 |
|
|
The Black Mountain Experience 1978 May 4, |
204 |
47 |
|
|
Philadelphia and Photography (George Eastman House,
Rochester) 1978 May 19,
|
204 |
48 |
|
|
Alfred Stieglitz (Metropolitan Museum of Art, New York) 1978 May 22, |
204 |
49 |
|
|
Alfred Stieglitz: The European Years (Council of Great Britain,
London) 1978 May 26,
|
204 |
50 |
|
|
Alfred Stieglitz: The European Years (Wallraf-Richartz Museum,
Vienna) 1978 May 6,
|
204 |
51 |
|
|
Collectors of Photography Symposium 1978 Oct 12, |
204 |
52 |
|
|
(Oklahoma State University) 1978 Dec 1, |
204 |
53 |
|
|
Reminiscences (Photographic Historical Society of New York) 1978 Dec 2, |
box |
folder |
205 |
1-31 |
|
1979-1983 |
205 |
1 |
|
|
Beaumont Newhall's Photographs (G. Ray Hawkins Gallery, Los
Angeles) 1979 Feb 3,
|
205 |
2 |
|
|
Mirrors & Windows (Walker Art Center, Minneapolis) 1979 Feb 23, |
205 |
3 |
|
|
Ansel Adams and New Mexico (UNM, History of Photography
Symposium) 1979 Mar 30,
|
205 |
4 |
|
|
Aero Vision (Air and Space Museum, Washington) 1979 Sept 28, |
205 |
5 |
|
|
The Genesis of Pictorial Photography (Museum of Fine Arts,
Houston) 1979 Oct 26,
|
205 |
6 |
|
|
On Beaumont Newhall's Photography (Univ. of Missouri at St.
Louis) 1980 Apr 6,
|
205 |
7 |
|
|
Photography and the Book (Bromsen Lecture, Boston Public
Library) 1980 May 3,
|
205 |
8 |
|
|
Photography in the Southwest 1980 June 16, |
205 |
9 |
|
|
Light as Subject (UNM) 1980 Nov 15, |
205 |
10 |
|
|
Cartier-Bresson (Rice Univ., Houston) 1981 Mar 20, |
205 |
11 |
|
|
Ansel Adams (Fogg Art Museum) 1981 June 4, |
205 |
12 |
|
|
Seminar (Friends of Photography, Asilomar, CA) 1981 July 12-17, |
205 |
13 |
|
|
Cartier-Bresson 1981 Sept 18, |
205 |
14 |
|
|
Photography and the Book (Boston Public Library) 1982 Jan 12, |
205 |
15 |
|
|
Stieglitz: Steerage and Autochrome (UNM) 1982 Jan 28, |
205 |
16 |
|
|
Beaumont Newhall Photographer (Museum of Art, University of
Oklahoma) 1982 Feb 6,
|
205 |
17 |
|
|
A Crumbs Broadside (Art Institute of Chicago) 1982 Apr 23, |
205 |
18 |
|
|
Cartier-Bresson (MOMA, San Francisco) 1982 Apr 29, |
205 |
19 |
|
|
Brett Weston (Friends of Photography, Carmel, CA) 1982 July 16, |
205 |
20 |
|
|
German Avant Garde Photographers (Center for Photographers, Santa
Fe) 1982 Aug 10,
|
205 |
21 |
|
|
Photography in New Mexico (Society for Photographic
Education) 1982 Sept 19,
|
205 |
22 |
|
|
The Real Thing (Buckminster Fuller Symposium) 1982 Sept 24, |
205 |
23 |
|
|
(Univ. of Nebraska) 1982 Oct 1, |
205 |
24 |
|
|
Case of the Elliptical Wheel (Photohistory V Symposium) 1982 Oct 13, |
205 |
25 |
|
|
The Overview of Art History (Univ. of Hawaii) 1983 Jan 16, |
205 |
26 |
|
|
(Beaumont Newhall Lectures, Palm Beach Junior College) 1983 Feb 25-27, |
205 |
27 |
|
|
The Unreality of Photography (UNM) 1983 Apr 14, |
205 |
28 |
|
|
Edward Weston (MOMA, San Francisco) 1983 May 26, |
205 |
29 |
|
|
Group f/64 (Friends of Photography, Asilomar, CA) 1983 June 19, |
205 |
30 |
|
|
Beaumont Newhall's Own Photographs (Carmel, CA) 1983 June 24, |
205 |
31 |
|
|
Edward Weston (California Museum of Photography, Riverside) 1983 Oct 8, |
box |
folder |
206 |
1-19 |
|
1984-1987 |
206 |
1 |
|
|
Cartier-Bresson (San Diego) 1984 Jan 12, |
206 |
2 |
|
|
A Tribute to Collectors (New York, NY) 1984 May 12, |
206 |
3 |
|
|
Alfred Stieglitz (MOMA, San Francisco) 1984 May 23, |
206 |
4 |
|
|
Edward Weston (Albuquerque, NM) 1984 June 10, |
206 |
5 |
|
|
Ansel Adams (Museum of Photographic Arts, San Diego) 1984 Aug 2, |
206 |
6 |
|
|
Photo history for Collectors (NM Council on Photography) 1984 Oct 27, |
206 |
7 |
|
|
Ansel Adams (NM Council on Photography) 1985 Aug 9, |
206 |
8 |
|
|
Reminiscenses (Eastman House) 1986 May 10, |
206 |
9 |
|
|
A Pueblo Legend (Albuquerque) 1986 May 30, |
206 |
10 |
|
|
Photography to Me (Los Alamos History Museum) 1986 Sept 12, |
206 |
11 |
|
|
Edward Weston (MOMA, San Francisco) 1986 Nov 13, |
206 |
12 |
|
|
(Milwaukee Art Museum) 1987, |
206 |
13 |
|
|
Edward Weston (Seattle Art Museum) 1987 Mar 15, |
206 |
14 |
|
|
George Eastman House (George Eastman House) 1987 Apr 1, |
206 |
15 |
|
|
Edward Weston (San Diego Museum of Photography) 1987 June 25, |
206 |
16 |
|
|
The Unreality of Photography (NM Council on Photography) 1987 Aug 18, |
206 |
17 |
|
|
Henri Cartier-Bresson (Orlando Museum of Art) 1987 Sept 20, |
206 |
18 |
|
|
Edward Weston (Metropolitan Museum of Art, New York) 1987 Oct 10, |
206 |
19 |
|
|
Henri Cartier-Bresson (The College of Santa Fe) 1987 Oct 16, |
box |
folder |
207 |
1-20 |
|
slide sequences 1988-1991, |
207 |
1 |
|
|
The Unreality of Photography (New York Public Library) 1988 Apr 7, |
207 |
2 |
|
|
The Unreality of Photography (Fim in the Cities, Saint Paul,
MN) 1988 May 22,
|
207 |
3 |
|
|
Weston Exhibition (High Art Museum, Atlanta) 1988 Sept 28, |
207 |
4 |
|
|
The Birth of Photography (J. Paul Getty Museum, Malibu, CA) 1989 Jan 30, |
207 |
5 |
|
|
The Birth of Photography (UNM Centennial) 1989 Feb 28, |
207 |
6 |
|
|
Eliot Porter (Washington Univ., St. Louis) 1989 Mar 3, |
207 |
7 |
|
|
Photography: Early Beginnings (UNM) 1989 Apr 11, |
207 |
8 |
|
|
Positive/Negative (College of St. John, Santa Fe) 1989 June 4, |
207 |
9 |
|
|
The Birth of Photography (Smithsonian Institute) 1989 June 6, |
207 |
10 |
|
|
Edward Weston (NM Council on Photography) 1989 Aug 8, |
207 |
11 |
|
|
The Birth of Photography (Richmond, VA) 1989 Oct 26, |
207 |
12 |
|
|
Edward Weston (Center for Creative Photography) 1990 Jan 26, |
207 |
13 |
|
|
Photography: 1839-1987, (UNM) 1990 Mar 20, |
207 |
14 |
|
|
Memorial Service for Eliot Porter 1990 Dec 8, |
207 |
15 |
|
|
Ansel Adams and Nancy Newhall and Fiat Lux (Univ. of
California-Irvine) 1991 Jan 9,
|
207 |
16 |
|
|
Photography From 1836-1937 (The Art Center of Corpus Christi) 1991 Mar 23, |
207 |
17 |
|
|
German Photographers (The Daguerreian Society) Nov 1991, |
207 |
18 |
|
|
Ansel Adams: Recollections by Beaumont Newhall and Lillian DeCock (Univ.
of Calif.-Irvine) n.d.,
|
207 |
19 |
|
|
Slide lists for lectures, I |
207 |
20 |
|
|
Slide lists for lectures, II |
box |
folder |
208 |
1-3 |
|
Art History, 1979 |
208 |
1 |
|
|
(#s 1-8) 1979 |
208 |
2 |
|
|
(#s 9-20) 1979 |
208 |
3 |
|
|
(#s 21-30) 1979 |
box |
folder |
209 |
1-4 |
|
Art History, 1984 |
209 |
1 |
|
|
(#s 1-5) 1984 |
209 |
2 |
|
|
(#s 6-10) 1984 |
209 |
3 |
|
|
(#s 11-20) 1984 |
209 |
4 |
|
|
(#s 21-29) 1984 |
|
Series V.B. Sound cassettes, 1968-1992, n.d. 142 cassettes |
|
|
Selected audio recordings: 1968-1992, n.d.
|
|
Interviews and lectures. Sound cassettes have been numbered by the repository,
C1-C142. Reformatted cassettes are available for use. Online access to selected
digitized audio recordings is available to on-site readers and Getty
staff.
|
|
Original cassettes are filed in the boxes named. Reformatted versions (archival
masters, copy masters and use copies), although described here, are shelved
elsewhere.
|
box |
|
210 |
|
|
1968-1978 |
|
|
|
|
|
|
C1: Arnold Newman conversation with Nancy Newhall 1968, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C2: Film beginnings (B.Newhall lecture, Rochester Institute of
Technology) 1968 Apr 2,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C3: Beaumont Newhall on film (Rochester Institute of
Technology) 1968 May 19,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C4: History of Photography (Univ. of California, Santa Cruz) 1968 July 1, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Label on side B: Party at Adams's house, piano much laughter. |
|
|
|
|
|
|
C5: Ansel Adams and Adrian Wilson playing piano at party on last day of
UC Summer Workshop [Univ. of California, Santa Cruz] 1968 July 6,
|
|
|
|
|
1 sound cassette |
|
|
|
|
|
|
C6: Barbara Morgan Nov 1968, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C7: Toward a New Vision of the Universe (B. Newhall lecture, George
Eastman House) 1969 June 7,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C8: Toward a New Vision of the Universe (George Eastman
House) 1969 June 7,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C9: On Criticism and Photography (Society for Photographic
Education) 1970,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C10: Minor White, lecture by B. and N. Newhall 1971 Mar 10, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C11: Felix Man and Stefan Lorant. Colloquy on photojournalism (B.
Newhall's Seminar SUNY, Rochester). 1971 May 12,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C12: Beaumont and Nancy Newhall Farewell Party at George Eastman
House 1971 July 7,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C13: Beaumont and Nancy Newhall Farewell Party at George Eastman
House 1971 July 7,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C14: Walker Evans (B. Newhall at Univ. of Michigan) 1971 Oct 29, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on cassette label: "At his exhibit at Univ. of Michigan, Walker Evans
answered questions from the audience before I gave my lecture." Transcription in
Newhall, Photographs, Essays and Images, pp. 211-220.
|
|
|
|
|
|
|
C15: Film History: Introduction of Sound, and the film Sous le
toits de Paris (UNM) 1971 Nov 16,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C16: Historiography & History of Photography (B. Newhall lecture at
Princeton Univ.) 1973 May 14,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C17: Interview with Brett Weston 1973 June 18, |
|
|
|
|
1 sound cassette (21 min.) : analog, original |
|
|
|
|
1 sound cassette (21 min.) : analog, archival master |
|
|
|
|
1 sound disc (CD) (21 min.) : digital, copy master. |
|
|
|
|
1 sound disc (CD) (21 min.) : digital, use copy. |
|
|
|
|
|
|
C18: Writing my History of photography (Historiography
seminar) 1975 Feb 18,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
Side 2 labelled: B. Newhall lecture: Birth of photography, prob. 1969? 1989?
[indecipherable date]
|
|
|
|
|
|
|
C19: Interview with William Clift 1975 Apr 27, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C20: Interview with William Clift 1975 Apr 27, |
|
|
|
|
1 sound cassette (45 min.): analog, original. |
|
|
|
|
1 sound tape reel (45 min.) : analog, 7 1/2 ips, mono. ; 5 in., 1/2 tape,
archival master.
|
|
|
|
|
1 sound cassette (45 min.) : digital, copy master. |
|
|
|
|
1 sound cassette (45 min.) : analog, use copy. |
|
|
|
|
Interview 18 min., followed by music program. B. Newhall in conversation with
Clift at the Museum of New Mexico. Broadcast on KHFM, Albuquerque.
|
|
|
|
|
|
|
C21: Laura Gilpin interview with B. Newhall 1975 Apr 28, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Side A label: Photo reception, cond. Side B label: Coburn and Stieglitz. |
|
|
|
|
|
|
C22: Laura Gilpin interview with B. Newhall 1975 Apr 28, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Broadcast KHFM, Albuquerque. |
|
|
|
|
|
|
C23: Sarah Greenough, Social Landscape (Art History 426, UNM) 1975 May 1, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C24: Recollections of Alden Scott Boyer (UNM) 1975 May 6, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on label: "a rather poor recollection." |
|
|
|
|
|
|
C25: Deutsche Werkbund Exhibit "Film und Foto", Stuttgart 1929 (B.
Newhall lecture, UNM) 1976,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C26: Historiography seminar (UNM) 1977 Feb 17, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C27: Stieglitz on Picasso (B. Newhall lecture) 1977 May 15, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C28: B. Newhall interview with Abby Eden on the Gernsheim
Collection 1977 Aug 20,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C29: Photographers of the West, 1842-1930, (Univ. of
Colorado) 1977 Sept 9,
|
|
|
|
|
1 sound cassette (67 min.) : analog, original. |
|
|
|
|
2 sound tape reels of 2 (67 min.) : analog, 7 1/2 ips, mono. ; 5 in., 1/2 in.
tape, archival master.
|
|
|
|
|
2 sound cassetes of 2 (67 min.) : digital, copy master. |
|
|
|
|
1 sound cassette of 1 (67 min.) : analog, use copy. |
|
|
|
|
|
|
C30: Alfred Stieglitz (B. Newhall lecture) 1977 Oct 15, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C31: Georgia O'Keeffe TV documentary, sound track 1977 Nov 15, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C32: Black Mountain College Experience, side 1, side 2 1978 May 4, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C33: Black Mountain College Experience, side 3 1978 Mar 4, |
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C34: John Morris 1978 Mar 7, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on tape: "a very poor recording of John Morris, also words and pictures" |
box |
|
211 |
|
|
1978-1982 |
|
|
|
|
|
|
C35: Alfred Stieglitz and the Steerage (B. Newhall lecture,
UNM) 1978 Apr 14,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on label: "transcribed." |
|
|
|
|
|
|
C36: Alfred Stieglitz: The European Years, B. Newhall lecture 1978 May 22, |
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on label: "This is a very poor recording. Can this be improved?" |
|
|
|
|
|
|
C37: Alfred Stieglitz: The European Years (B. Newhall lecture at the
Metropolitan Museum) 1978 May 22,
|
|
|
|
|
1 sound cassette. [Copy 2 or continuation of tape C36?] |
|
|
|
|
Note on label: "delivered in Boston, London, Paris, Vienna." |
|
|
|
|
|
|
C38: Collectors symposium: Harry Lunn and George Rinhart (B. Newhall
lecture, George Eastman House) 1978 Oct 11,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on label: "duplicate." |
|
|
|
|
|
|
C39: Collectors Symposium: Harry Lunn and George Rinhart (George Eastman
House) 1978 Oct 12,
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C40: Collodion invention to tintype; Master portraitists, Nadar (Art
History 425, UNM) 1979,
|
|
|
|
|
1 sound cassette. |
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C41: Historiography of Photography: a survey lecture (Chicago Art
Institute) 1979 Jan 26,
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1 sound cassette. |
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Note on case: 1982 Sept 5, not chosen for transcription [sic?]. |
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C42: B. Newhall lecture on "Mirrors and Windows" exhibit (Walker Art
Center, Minneapolis) 1979 Feb 23,
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1 sound cassette. |
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Note on label: Szarkofski. |
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C43: Ansel Adams and New Mexico, B. Newhall lecture, History of
Photography Symposium (UNM) 1979 Mar 30,
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1 sound cassette. |
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C44: Solarization (Art History 426, UNM) 1979 Apr 24, |
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1 sound cassette. |
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C45: Air Vision, B. Newhall lecture (National Air and Space Museum,
Washington) 1979 Sept 20,
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1 sound cassette. |
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C46: The Genesis of Pictorial Photography, B. Newhall lecture (Museum of
Fine Arts, Houston) 1979 Oct 26,
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1 sound cassette. |
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C47: Photography and the book (Boston Public Library) 1980 May 3, |
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1 sound cassette of 2. |
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C48: Photography and the book (Boston Public Library) 1980 May 3, |
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2nd sound cassette of 2. |
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C49: Ralph Harley interviewing Harold Kitner at Kent State Univ. on
Stieglitz's Steerage photograph following B. Newhall lecture Nov 1980,
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1 sound cassette. |
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C50: Polaroid Film 1981 Jan 3, |
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1 sound cassette of 2. |
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|
Tape relates to a film Newhall made for Polaroid. |
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C51: Polaroid Film 1981 Jan 3, |
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2nd sound cassette of 2. |
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Relates to film Newhall made for Polaroid. Label on tape: Concord flight NY to
London, video art film; pilot's comments. Note on case: preproduction.
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C52: Making Film in London for Polaroid 1981, |
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1 sound cassette. |
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Note on case: Trip 2, finished production then to Paris. |
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C53: 50 Years of Photography (B. Newhall lecture, International Center
for Photography, NYC) 1981 Feb 19,
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C54: Barbara Morgan, pt. 3, pt. 4 1981 Sept 22, |
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1 sound cassette. |
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C55: Nadar (Art History 425, UNM) 1982, |
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1 sound cassette. |
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C56: Strand, Sheeler, Steichen, Weston (Art History 426, UNM), side
B 1982 Mar 7,
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1 sound cassette. |
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|
Side A label: lecture 15 Mid-term review, partly duplicate of [side B;
scraps.
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C57: B. Newhall lecture (Univ. of Oklahoma), side 1 1982 June 19, |
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|
1 sound cassette. |
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|
Side 2 label: Duplicate, 1982 Feb. 6. Label in case: B. Newhall lecture,
"Beaumont Newhall photographs," Univ. of Oklahoma, 1982 June 19.
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C58: Art History 425, lectures 10 and 11, pt. 1 1982 Sept 11, |
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1 sound cassette. |
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C59: Art History 425, lecture 11 and 12 1982 Sept 22, |
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1 sound cassette. |
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Note in case: excellent and complete. |
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C60: Buckminster Fuller Symposium, B. Newhall lecture 1982 Sept 24, |
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1 sound microcassette. |
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C61: Art History 425, lectures 15 and 16 1982 Sept 28, |
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1 sound cassette. |
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C62: Art History 425, lectures 18 and 18A 1982 Oct 3, |
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1 sound cassette. |
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C63: Art History 425, Roger Fenton, Civil War 1982 Oct 7, |
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1 sound cassette. |
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C64: Art History 425, lectures 19A and 20 1982 Oct 12, |
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1 sound cassette. |
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C65: Art History 425 Mid-Term Review 1982 Oct 19, |
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1 sound cassette. |
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C66: Art History 425, W. H. Jackson and the West 1982 Oct 28, |
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1 sound cassette. |
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C67: Helmut Gernsheim lecture on Gernsheim (Photohistory V Conference,
Rochester) 1982 Oct 30,
|
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|
1 sound cassette. |
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|
Note: An amusing and well delivered talk...about how he became a photo collector.
Transcribed in Image 27 (Dec. 1984).
|
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|
C68: The Case of the Elliptical Wheel (Gernsheim and Newhall at Eastman
House) 1982 Oct 30,
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1 sound cassette. |
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|
Note: Delivered with fellow guest Helmut Gernsheim at a meeting of the the
Rochester Photo-Historical Society. An article based on this lecture published in
Image 28 (Mar 1985).
|
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C69: Art History 425 1982 Nov 1, |
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1 sound cassette. |
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C70: Art History 425, Muybridge; Dry Plate; Eastman 1982 Nov 4, |
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1 sound cassette. |
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C71: Art History 425, Dry Plate technology; Hand Cameras 1982 Nov 16, |
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|
1 sound cassette. |
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|
Side 2 label: "eva photos, Primoli, Riis, Degas, Zola, Vuillard." |
|
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C72: Eastman and Kodak, B. Newhall lecture 1982 Nov 9, |
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1 sound cassette. |
box |
|
212 |
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1982-1990 |
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C73: Art History 425, Film beginnings 1982 Nov 11, |
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1 sound cassette. |
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|
Side 2 label: Art Hist. 425, [indecipherable title] 1979 Oct 11. Label in case:
Motion Pictures
|
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|
C74: P. H. Emerson and the Pictorialists 1982 Nov 23, |
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1 sound cassette. |
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label on side 2: Pictorialists of the 20s. |
|
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|
C75: Art History 425, Stieglitz, pt. I, 1864-ca. 1896 1982 Nov 30, |
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1 sound cassette. |
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|
Label on side B: AS to Camera Notes
|
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|
C76: Art History 425, Stieglitz, pt. II, 1896- 1982 Dec 2, |
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1 sound cassette. |
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C77: Unreality of Photography (Raouls, Santa Fe) 1982 Dec 30, |
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|
1 sound cassette. |
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|
Note on label: Part only. |
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|
C78: Stieglitz on Modern Art 1983 Jan 19, |
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1 sound cassette. |
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C79: From Emerson to Stieglitz 1983 Jan 20, |
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1 sound cassette. |
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C80: Stieglitz 1983 Jan 27, |
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1 sound cassette. |
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C81: Art History 426, Stieglitz and "291" 1983 Feb 17, |
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|
1 sound cassette. |
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|
C82: B. Newhall lecture on Beaumont Newhall's Photographs (Photography
Symposium, Palm Beach Junior College) 1983 Feb 27,
|
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|
1 sound microcassette. |
|
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|
C83: Henri Cartier-Bresson reading from The Decisive
Moment
1983 Apr 4,
|
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1 sound cassette. |
|
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|
Note on label in case: This is simply H. C-B reading a page or two from his book
The Decisive Moment.
|
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|
C84: Henri Cartier-Bresson 1983 Apr 12, |
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|
1 sound cassette. |
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|
Note on label in case: This has been transcribed by Donna 1982 Oct 14. |
|
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|
C85: Art History 426, B. Newhall on Cartier-Bresson with demonstration of
Leica camera 1983 Apr 14,
|
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|
1 sound cassette. |
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|
Label on tape: Also beginnings of Hine, Evans. |
|
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|
C86: The Unreality of Photography 1983 Apr 14, |
|
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|
1 sound cassette. |
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|
Note on tape: Copy. Note on side 2: Continued by not completed. |
|
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|
C87: The Unreality of Photography, Pt. I. (UNM Research
Lecture) 1983 Apr 19,
|
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|
1 sound cassette. |
|
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|
|
Note on tape: Duplicate. |
|
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|
C88: History 426 1983 Apr 21, |
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|
1 sound cassette. |
|
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|
|
Note on tape: D. Lange (end) Photojournalism (beginning). |
|
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|
C89: B. Newhall lecture on Group f/64, Friends of Photography 1983 June 19, |
|
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|
1 sound cassette. |
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|
C90: Charis Wilson lecture on Edward Weston 1983 June 23, |
|
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|
1 sound cassette. |
|
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|
Note on label in case: Friends of Photography Group f/64 workshop at Asilomar,
Calif.
|
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|
C91: Beaumont Newhall autobiography (UNM) 1984 Apr 20, |
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|
1 sound cassette. |
|
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|
|
Note on tape: B. Newhall introductory lecture at UNM Beaumont Newhall Lecture
Series.
|
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|
C92: Edward Weston (B. Newhall lecture, Museum of
Albuquerque) 1984 June 10,
|
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|
1 sound cassette. |
|
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|
C93: Ansel Adams (B. Newhall lecture, Museum of Photo Arts, San
Diego) 1984 Aug 2,
|
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|
1 sound microcassette. |
|
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|
C94: Art History 425, lecture 5 and part of lecture 6 1984 Sept 4, |
|
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|
1 sound microcassette. |
|
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|
C95: B. Newhall lecture on his own photographs (George Eastman
House) 1984 Sept 22,
|
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|
1 sound microcassette. |
|
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|
C96: Art History 425, Conquest of action film (UNM) 1984 Oct 30, |
|
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|
1 sound microcassette. |
|
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|
C97: Beaumont Newhall and Helmut Gernsheim at AIPAD, N.Y. 1984 Nov 2, |
|
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|
1 sound microcassette. |
|
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|
C98: Beaumont Newhall and Helmut Gernsheim at AIPAD, N.Y. 1984 Nov 2, |
|
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|
1 sound cassette. |
|
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|
Note on tape: Duplicate. |
|
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|
|
C99: Ansel Adams (B. Newhall lecture, NM Council on Photography at
College of Santa Fe) 1985 Aug 9,
|
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|
|
1 sound microcassette. |
|
|
|
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|
C100: Heikin, award for excellence in photography (Friends of Photography
Award dinner) 1986 Mar 8,
|
|
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|
|
1 sound cassette. |
|
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|
|
Note on tape: Copy of microcassette. |
|
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|
C101: Photo Eye 1986 Apr 1, |
|
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|
1 sound cassette. |
|
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|
|
Note on tape: Poor recording. |
|
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|
C102: Photography to me (B. Newhall lecture, Tucson Art
Institute) 1986 Apr 4,
|
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|
|
1 sound cassette. |
|
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|
|
Note on label in case: Duplicate. |
|
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|
C103: Photography to me (B. Newhall lecture, Tucson Art
Institute) 1986 Apr 4,
|
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|
1 sound cassette. |
|
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|
Note on tape: Duplicate. |
|
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|
C104: Beaumont Newhall awarded Honorary PhD. by NYU Brockport 1986 May 10, |
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|
1 sound cassette. |
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|
C105: Photography to me (Los Alamos History Museum) 1986 Sept 12, |
|
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|
1 sound cassette. |
|
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|
Note on tape: Duplicate from minitape recorded by David Scheinbaum. |
|
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|
C106: Photography to me (Los Alamos History Museum) 1986 Sept 12, |
|
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|
1 sound microcassette. |
|
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|
|
Recorded by David Scheinbaum. |
|
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|
C107: Edward Weston (B. Newhall lecture, Seattle Art Museum) 1987 Mar 15, |
|
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|
1 sound cassette. |
|
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|
C108: Edward Weston, pt. I (B. Newhall lecture, Museum of Photography,
San Diego) 1987 June 25,
|
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|
1 sound cassette. |
|
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|
C109: The Unreality of Photography 1988 Apr 4, |
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|
1 sound cassette. |
|
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|
C110: The Unreality of Photography (B. Newhall lecture, New York Public
Library) 1988 Apr 7,
|
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|
|
1 sound cassette. |
|
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|
C111: The Unreality of Photography: Film in the cities ( B. Newhall
lecture, Saint Paul, MN) 1988 May 22,
|
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|
1 sound microcassette. |
|
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|
C112: Birth of Photography (Getty Museum) 1988, |
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|
1 sound cassette. |
|
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|
|
Side B: B. Newhall lecture, Straight Talk on Straight Photography, 1988 Sept 18
[also at Getty Museum?]
|
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|
|
C113: Birth of Photography (Distinquished Lecture Series, Virginia Museum
of Fine Arts, Richmond, VA) 1989 Oct 26,
|
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|
|
1 sound cassette. |
|
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|
C114: B. Newhall lecture on exhibit, "Photography 1839-1937," (MoMA
[Museum of Modern Art, N.Y.]) 1990 Mar 20,
|
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|
1 sound cassette. |
|
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|
C115: Eliot Porter (B. Newhall; at memorial service?) 1990 Dec 8, |
|
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|
1 sound cassette. |
box |
|
213 |
|
|
1991-1992, n.d. |
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|
C116: Fiat Lux (B. Newhall lecture, Univ. of California
Symposium) 1991 Jan 9,
|
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|
1 sound cassette. |
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|
Note on label in case: Book by Nancy and Ansel. |
|
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|
C117: Photography to me (Art Museum of Corpus Christi, TX) 1991 Mar 23, |
|
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|
1 sound cassette. |
|
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|
|
Note in case: Given on March 23, 1991 to a group of photographers at the Art
Museumof Corpus Christi, Texas.
|
|
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|
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|
|
C118: Interview with Malin Wilson on my photographic career 1991 July 19, |
|
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|
1 sound cassette. |
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|
C119: B. Newhall Journal 1991 Oct 17, |
|
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|
1 sound cassette. |
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|
Note on tape: Typed. |
|
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|
C120: B. Newhall Journal, tape 2 1991 Nov 19, |
|
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|
1 sound cassette. |
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|
C121: Interview by Jay Rabinowitz, Aperture
1992 July 30,
|
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|
|
1 sound cassette. |
|
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|
|
C122: Ansel Adams - At One with Beauty, Antenna Theater,
FAMSF, n.d.
|
|
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|
|
1 sound cassette : analog, original |
|
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|
1 sound cassette : analog, archival master |
|
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|
1 sound disc (CD) : digital, copy master. |
|
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|
1 sound disc (CD) : digital, use copy. |
|
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|
C123: Ansel Adams (B. Newhall phone call with him about photographing
Canyon de Chelle), n.d.
|
|
|
|
|
1 sound cassette (17 min., 30 sec.) : analog, original. |
|
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|
1 sound cassette (17 min., 30 sec.) : analog, archival master. |
|
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|
1 sound disc (CD) (17 min., 30 sec.) : digital, copy master. |
|
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|
|
1 sound disc (CD) (17 min., 30 sec.) : digital, use copy. |
|
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|
|
Note on tape: Also classical music. |
|
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|
C124: Air Vision, Art History 426 (UNM) n.d. |
|
|
|
|
1 sound cassette. |
|
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|
|
C125: Hugo Erfurth (translation of), n.d. |
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on tape: Translation of Hugo Erfurth, p. 5-60, 60-95
(literal); p. 96-200 (only excerpts pertaining to Erfurth.
|
|
|
|
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|
|
C126: Group f/64 controversy, a discussion by George Craven, n.d. |
|
|
|
|
1 sound cassette (13 min.) : analog, original. |
|
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|
|
1 sound cassette (13 min.) : analog, archival master. |
|
|
|
|
1 sound disc (CD) (13 min.) : digital, copy master. |
|
|
|
|
1 sound disc (CD) (13 min.) : digital, use copy. |
|
|
|
|
Note on tape: The f/64 controversy by George. B tape 16. |
|
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|
C127: Victor Hasselblad on the camera lost in space, n.d. |
|
|
|
|
1 sound cassette. |
|
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|
|
Note on tape: Duplicate. |
|
|
|
|
|
|
C128: Harry Lunn lecturing at George Eastman House, n.d. |
|
|
|
|
1 sound cassette. |
|
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|
|
Note on tape: B tape 6. |
|
|
|
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|
|
C129: Photo Eye of the 1920s, Exhibit in Stuttgart 1929, n.d. |
|
|
|
|
1 sound cassette : analog, original. |
|
|
|
|
1 sound cassette : analog, archival master. |
|
|
|
|
1 sound disc (CD) : digital, copy master. |
|
|
|
|
1 sound disc (CD) : digital, use copy. |
|
|
|
|
Note on tape; A survey from journals of the extraordinary exhibition "Photo Eye
of the 20s" held in Stuttgart in 1929. It was a huge show,with several thousand
photographs.
|
|
|
|
|
|
|
C130: Rembrandt Theft at Eastman House, n.d. |
|
|
|
|
1 sound cassette. |
|
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|
|
Note on tape: B. tape 7. |
|
|
|
|
|
|
C131: Stieglitz, by Nancy Newhall, n.d., Feb 1982? |
|
|
|
|
1 sound cassette : analog, original. |
|
|
|
|
1 sound cassette : analog, archival master. |
|
|
|
|
1 sound disc (CD) : digital, copy master. |
|
|
|
|
1 sound disc (CD) : digital, use copy. |
|
|
|
|
|
|
C132: Stieglitz and Steichen, by Newhall, n.d. |
|
|
|
|
1 sound cassette : analog, original. |
|
|
|
|
1 sound cassette : analog, archival master. |
|
|
|
|
2 sound discs of 2 (CDs) : digital, copy masters (pt.1, pt.2). |
|
|
|
|
2 sound discs of 2 (CDs) : digital, use copies (pt.1, pt.2). |
|
|
|
|
|
|
C133: Stieglitz: The European Years (German transl.), n.d. |
|
|
|
|
1 sound cassette (3 min., 34 sec.) : analog, original. |
|
|
|
|
1 sound cassette (3 min., 34 sec.) : analog, archival master. |
|
|
|
|
1 sound disc (CD) (3 min., 34 sec.) : digital, copy master. |
|
|
|
|
1 sound disc (CD) (3 min., 34 sec.) : digital, use copy. |
|
|
|
|
|
|
C134: Stieglitz: The Steerage, n.d. |
|
|
|
|
1 sound cassette : analog, original. |
|
|
|
|
1 sound disc (CD) : digital, copy master. |
|
|
|
|
1 sound disc (CD) : digital, use copy. |
|
|
|
|
Note on tape: Incomplete. |
|
|
|
|
|
|
C135: Draft for a visit with Paul Strand, n.d. |
|
|
|
|
1 sound cassette. |
|
|
|
|
Note on tape: Typed. |
|
|
|
|
|
|
C136: Radio Broadcast on photo inventor W. H. Talbot (B. Newhall and
Christi), n.d.
|
|
|
|
|
1 sound cassette. |
|
|
|
|
|
|
C137: Conversation with Willard Van Dyke, tape 1, n.d. |
|
|
|
|
1 sound cassette. |
|
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|
Note on tape: B. tape 9. |
|
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C138: Conversation with Willard Van Dyke, n.d. |
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|
1 sound cassette. |
|
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|
Note on tape: B. tape 9A. |
|
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|
C139: Weegee on Photography, n.d. |
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1 sound cassette. |
|
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|
Note on tape: Copied from a phonograph record produced in 1958 by Lou Stettner
for Candid Recordings.
|
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|
C140: Weegee, n.d. |
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|
1 sound cassette. |
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|
C141: B. Newhall and Susan Weiley on Focus, n.d.
|
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1 sound cassette. |
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C142: Monor White, n.d. |
|
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|
1 sound cassette. |
|
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|
Note in case: Not by BN. |
|
Series V.C. Slides, n.d. ca. 8,000 slides |
|
Slides for Newhall's teaching and public lectures. |
box |
folder |
214 |
1-5 |
|
Lectures numbered 1, 5-8 |
214 |
1 |
|
|
#1 (Intro. to History of Photography) |
214 |
2 |
|
|
#5 (Daguerreotypes) |
214 |
3 |
|
|
#6 (Daguerreotypes) |
214 |
4 |
|
|
#7 (Daguerreotypes) |
214 |
5 |
|
|
#8 (Daguerreotypes) |
box |
folder |
215 |
1-7 |
|
Lectures 10-13, 15-17 |
215 |
1 |
|
|
#10 (Talbot, photogenic drawings, Herschel) |
215 |
2 |
|
|
#11 (D. O. Hill) |
215 |
3 |
|
|
#12 (Blanquart-Eurard, Baldus, calotype, Le Secq, DuCamp) |
215 |
4 |
|
|
#13 (Prevost, Langenheim, Bayard) |
215 |
5 |
|
|
#15 (collodion process, Frederick Scott Archer, tintypes) |
215 |
6 |
|
|
#16 (carte-de-visite) |
215 |
7 |
|
|
#17 (Nadar, Durrieu, Sarony) |
box |
folder |
216 |
1-5 |
|
Lectures 18-20 |
216 |
1 |
|
|
#18 (Rejlander, H. P. Robinson, Notman) |
216 |
2 |
|
|
#18A (Cameron, Hugo, Carroll) |
216 |
3 |
|
|
#19 (Fenton, Robertson) |
216 |
4 |
|
|
#19A (civil war photography, Brady, Barnard, Gardner, O'Sullivan,
Cook)
|
216 |
5 |
|
|
#20 (cameras, stereoscopes, T. H. O'Sullivan, W. Bell) |
box |
folder |
217 |
1-6 |
|
Lectures 21-24 |
217 |
1 |
|
|
#21 (Jackson, Muybridge, Hillers, Frith, Beato) |
217 |
2 |
|
|
#21A (?) |
217 |
3 |
|
|
#22 (Muybridge, Eakins, Degas) |
217 |
4 |
|
|
#22A (cameras) |
217 |
5 |
|
|
#23 (Eastman) |
217 |
6 |
|
|
#24 (photography in fiction, zoetrope, The Great Train
Robbery)
|
box |
folder |
218 |
1-5 |
|
Lectures 25-28 |
218 |
1 |
|
|
#25 (Degas, E. Willard) |
218 |
2 |
|
|
#26 (Emerson) |
218 |
3 |
|
|
#26A (Annan, William Strange, Demachy, Henneberg) |
218 |
4 |
|
|
#27A (Vogel, Stieglitz, White & Stieglitz) |
218 |
5 |
|
|
#28 ( Camera Work, Stieglitz)
|
box |
folder |
219 |
1-4 |
|
Lectures 29-32 |
219 |
1 |
|
|
#29 (Käsebier, C. H. White, Steichen, Toulouse-Lautrec, Ives, Eugene,
Day)
|
219 |
2 |
|
|
#30 (F. H. Evans, Coburn, W. Roberts, Nancy Newhall) |
219 |
3 |
|
|
#31 (Rodin, Stieglitz, Picasso, DuChamp, Cézanne, Kandinsky) |
219 |
4 |
|
|
#32 (Stieglitz, "291") |
box |
folder |
220 |
1-4 |
|
Lectures 33-36 |
220 |
1 |
|
|
#33 (Stieglitz, Lake George) |
220 |
2 |
|
|
#34 (Sheeler, Outerbridge, Photo Eye of the 20s, Steichen,
Strand)
|
220 |
3 |
|
|
#35 (Strand) |
220 |
4 |
|
|
#36 (E. Weston, W. Mortensen, J. P. Edwards, advanced
winners)
|
box |
folder |
221 |
1-6 |
|
Lectures 37-40A |
221 |
1 |
|
|
#37 (E. Weston) |
221 |
2 |
|
|
#37A (E. Weston) |
221 |
3 |
|
|
#38 (Brett Weston, Imogen Cunningham, W. Van Dyke, Stackpole) |
221 |
4 |
|
|
#39 (Renger-Patzsch, Erfurth) |
221 |
5 |
|
|
#40 (Ansel Adams) |
221 |
6 |
|
|
#40A ( This is the American Earth, by Ansel Adams and
Nancy Newhall)
|
box |
folder |
222 |
1-5 |
|
Lectures 41, 43-45 |
222 |
1 |
|
|
#41 (Atget, Zille) |
222 |
2 |
|
|
#43 (Jacob Riis, Lewis Hine, Photo Eye of the 20s) |
222 |
3 |
|
|
#44 (D. Lange, Abbott) |
222 |
4 |
|
|
#44A ( North America, by J. Russell Smith)
|
222 |
5 |
|
|
#45 (Walker Evans, James Agee) |
box |
folder |
223 |
1-7 |
|
Lectures 48-51, 53-54 |
223 |
1 |
|
|
#48 (distortions, cameras) |
223 |
2 |
|
|
#49 (Man, Salomon) |
223 |
3 |
|
|
#50 (Kertesz, Brassai) |
223 |
4 |
|
|
#51 (Cartier-Bresson) |
223 |
5 |
|
|
#53 (Coburn, Shad, Man Ray, Bruguier, Barbara Morgan,
Picasso)
|
223 |
6 |
|
|
#53A (distortions) |
223 |
7 |
|
|
#54 (photograms, Moholy-Nagy) |
box |
folder |
224 |
1-4 |
|
Lectures 55-57 |
224 |
1 |
|
|
#55 (Renger-Patzsch, Moholy-Nagy, Werner Graeff, Franz Roh) |
224 |
2 |
|
|
#55A ( Amerika, by Erich Mendelsohn)
|
224 |
3 |
|
|
#56 (Bauhaus, Grosz, photomontage, Hausmann, Moholy-Nagy,
Tucholsky)
|
224 |
4 |
|
|
#57 (photojournalism, Nadar, M. Bourke-White, W. E. Smith) |
box |
box |
225 |
1-8 |
|
Lectures 57B-61, 65, 70 |
225 |
1 |
|
|
#57B ( My Camera in Yosemite, by Ansel Adams)
|
225 |
2 |
|
|
#58 (Siskind, Sommer) |
225 |
3 |
|
|
#58A (Minor White) |
225 |
4 |
|
|
#59 (?) |
225 |
5 |
|
|
#60 (air vision, aerospace, Nadar) |
225 |
6 |
|
|
#61 (air vision) |
225 |
7 |
|
|
#65 (?) |
225 |
8 |
|
|
#70 (?) |
box |
|
226 |
|
|
Slides: Adam-Salamon - Caricature |
|
|
|
|
|
|
Adam-Salamon |
|
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|
|
Adams, Ansel |
|
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|
Airborne Camera |
|
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Alvarez-Bravo |
|
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Ambrotype |
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Annan |
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Anthony |
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Armory Show |
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Arp |
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Atget |
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Avedon |
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Baader |
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Baldus |
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Balla |
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Barley |
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Barnard |
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Baugin |
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Bauhaus |
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Bayard |
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Bayer, Herbert |
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Baynham Jones |
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Bell, Willard |
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Bennett |
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Ben Yusuf |
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Bisch |
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Bierstadt |
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|
Black, J. w. |
|
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Blau |
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Bloch, Ernest |
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Bomberg, David |
|
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Bonge |
|
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|
Bourke-White, Margaret |
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Brady |
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Bragagua |
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Brandt |
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Braque |
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Braun, Adolphe |
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Brigman |
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Bruguiere |
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Bullock |
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Burke |
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Burns |
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Burri |
|
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Caillebotte |
|
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|
Calderon, P. H. |
|
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|
Callahan |
|
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Calland |
|
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Calotype |
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Camera |
|
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Cameron |
|
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Canaletto |
|
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|
Capa, C. |
|
|
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|
|
|
Caption |
|
|
|
|
|
|
Caricatures |
box |
|
227 |
|
|
Slides: Carjat - Daguerreotype (German) |
|
|
|
|
|
|
Carjat |
|
|
|
|
|
|
Carrá, Carlo |
|
|
|
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|
|
Carroll, Lewis |
|
|
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|
Cartier-Bresson |
|
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|
|
Cavelier |
|
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|
CDV |
|
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|
Cézanne |
|
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Chadwick |
|
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Chagall |
|
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Chase |
|
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|
Chevalier |
|
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|
Citroen |
|
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|
Civil War |
|
|
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|
Claudet |
|
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|
Coburn |
|
|
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|
Color |
|
|
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|
Constable |
|
|
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|
Corot |
|
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|
Courbet |
|
|
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|
|
Cunningham, Imogen |
|
|
|
|
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|
Currier, Charles |
|
|
|
|
|
|
Curry, F. C. |
|
|
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|
Dada |
|
|
|
|
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|
Daguerre |
|
|
|
|
|
|
Daguerreotype-American |
|
|
|
|
|
|
Daguerreotype-German |
|
|
|
|
Given to Beaumont Newhall by Darl Steinorth. Slides in order of Steinorth's
lecture given at UNM, transcript included.
|
|
|
|
|
|
|
Daguerreotype-Metternich |
|
|
|
|
From Philip Condex. |
box |
|
228 |
|
|
Slides: Dali - Lee |
|
|
|
|
|
|
Dali, Salvador |
|
|
|
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|
|
Davison |
|
|
|
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|
Day, F. H. |
|
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|
Dean |
|
|
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|
Degas |
|
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|
|
Delano, J. |
|
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|
Delaunay |
|
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Delmaet |
|
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Demachy |
|
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De Meyer |
|
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Derain |
|
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Dickins |
|
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|
Dickinson |
|
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Disderi |
|
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|
Documentary |
|
|
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|
|
Doisneau, Robert |
|
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Draper |
|
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Ducos Du Hauron |
|
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Dufy |
|
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Duncan |
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Dürer |
|
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Durrieu |
|
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Eakins |
|
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|
Eastman |
|
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|
Edgerton |
|
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|
|
Edwards, J. P. |
|
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|
Egyptian Photography |
|
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|
Eisenstaedt |
|
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|
Equipment |
|
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|
Erfurth |
|
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Ernst |
|
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|
Evans, F. H. |
|
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|
Evans, Walker |
|
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|
Exhibitions |
|
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|
Fardon |
|
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|
Fenton |
|
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Fiorucci |
|
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Fizeau |
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Frank |
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Friesz |
|
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|
Frith, W. P. |
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FSA |
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Gardner |
|
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Garnett |
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Gaugin |
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Gerome |
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Gibson, J. F. |
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Gill, J. |
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Gogh, Van |
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GRD |
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Haas |
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Haden, S. |
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Hall, Basil |
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Halsmann |
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Harnett |
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Hart |
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Hartley |
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Hasek-Halke |
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Heartfield |
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Herschel |
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Herzog, F. B. |
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Hesler |
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Hewitt, A. |
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Heyman |
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Hill, D. O. |
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Hillers |
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Hine, Lewis |
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Hiroshige |
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Holder, Preston |
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Hollyer |
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Houseworth |
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Houvet |
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Howlett |
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Hunt, H. |
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Ingres |
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Jackson |
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Johnston |
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Jones, Pirkle |
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Karsh |
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Kasebier |
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Kassak |
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Keiley |
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Kermochan |
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Kertesz |
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Kline |
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Klute |
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Knox |
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Kobell |
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Kodak |
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Kuhn |
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Kupka |
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Labrot |
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Landseer |
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Lange, Dorothea |
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Lartigue |
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Laughlin, C. J. |
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Lautrec |
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Lavenson, Alma |
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Layout |
|
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|
|
Lee, Russell |
box |
|
229 |
|
|
Slides: LeGrey - Rulofson |
|
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|
|
LeGrey |
|
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Leibl |
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Lenses |
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Lessing |
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Lewis, Wyndham |
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Lippman |
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Lissitzky |
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Llewelyn |
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London |
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Lumiere |
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Lynes |
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Lyons |
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Malevich |
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Man |
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Manguin |
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Man Ray |
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Mansell, T. |
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Marey |
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Marquest |
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Mategna |
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Mather, M. |
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Matisse |
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Mayhew |
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Merlin |
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Mesens |
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Model |
|
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Modotti |
|
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Moholy-Nagy |
|
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|
Monet |
|
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|
Morath, I. |
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Morgan, Barbara |
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Mucha |
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Mulready |
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Mutoscope |
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Muybridge |
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Mydans |
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Nadar |
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Newhall, Beaumont |
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Newman |
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News |
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New York Dada |
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Noskowiak, S. |
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Notman |
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O'Sullivan |
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Painting |
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Parks, G. |
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Parsey |
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Percy |
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Penn |
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Photo Books |
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Photojournalism |
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Photo-Secession |
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Physionotrace |
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Picabia |
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Picasso |
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Pierre Petit |
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Pistoletto |
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Pollack |
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Porter |
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Portrait |
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Postcard |
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Poussin |
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Printing Process |
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Random Shot |
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Rassetti |
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Rauschenberg |
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Ray, Man (see Man Ray) |
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Reekie |
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Rejlander |
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Renger-Patzsch |
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Renoir |
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Rey, Guido |
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Robertson |
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Riis |
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Rivington |
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Robinson, H. P. |
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Rochester Photography |
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Rossetti |
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Rothstein |
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Rowinski |
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Rubincam |
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Rulofson |
box |
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230 |
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Slides: Runoff - Toulouse Lautrec |
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Runoff |
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Rusch, E. |
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Russell |
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Ryder, J. F. |
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Sander |
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Savage |
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Sawyer |
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Schwartz |
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Schwitters |
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Science |
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Sealey |
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Seurat |
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Shahn, Ben |
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Sharpe |
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Shaw |
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Sheeler, Charles |
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Shew |
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Shore, H. |
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Shustak |
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Simpson, W. |
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Siskind |
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Smith, Pamela Coleman |
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Sommer |
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Southworth |
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Spencer |
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Steichen |
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Steiner |
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Stereo |
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Stieglitz |
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Stock |
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Strand |
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Struss |
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Studios |
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Sutcliffe |
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Talbot |
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Thompson, John |
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Tilney |
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Tintypes |
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Toulouse-Lautrec |
box |
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231 |
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Slides: Towards a New Vision of the Universe - Zille; Misc. |
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Towards a New Vision of the Universe |
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Turner |
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Twenties (20's) |
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Tzara |
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Uelsmann |
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Underhill |
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U.S.A. |
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Vaccaro |
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Vachon, John |
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Valastro |
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Vance |
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Van Dongen |
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Van Gogh |
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Van Dyke, Willard |
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Velazquez |
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Vermeer |
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Vlaminck |
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Waldack |
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Welpott |
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Weston, Brett |
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Weston, Edward |
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Whistler |
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White, Clarence |
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White, Minor |
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Wiggins |
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Wilkie |
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Willoughby |
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Wilson, Charis |
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Wilson, G. W. |
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Wolcott |
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Worh, Don |
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Wynfield, D. W. |
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X Ray |
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Zille |
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Misc. slides (unidentified) |