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Heinrich Schwarz papers, 1894-1974

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Finding aid for the Heinrich Schwarz papers, 1928-1988
Series III. Writings, Lectures, and Publications, 1928-1985 12 boxes
Publications are arranged chronologically and contain manuscripts, correspondence, and photographs, galleys and printed matter for articles published between 1928-1973, with some material dating to 1985. Lectures are arranged by topic and include some correspondence, and printed ephemera. chronologically within their topic. With the lectures are also filed some correspondence, typescripts, notes, invitations or announcements, and ephemera.
Arranged in 2 subseries, writings and lectures.
Series III.A. Writings, 1928-1985 10 boxes
Manuscripts, correspondence, galleys, printed matter for Schwarz's articles and books, published 1928-1973, with some material dating to 1985. Much of the material relates to Schwarz's writings on D.O. Hill.
Box Folder
27 1 D.O. Hill Book - Proofs
Proof from Insel-Veralg; with annotations by H.S. (21 October 1930).
27 2 D.O. Hill: Der Meister der Photographie
1931 Edition (in German) of Schwarz's first book, with annotations (interleaved pages removed and placed in Box 26, Folder 3).
27 3 D.O. Hill Book
Interleaved pages removed from Schwarz's copy of D.O. Hill book; pages contain additional notes, bibliographic citations, and references to artworks.
27 4 D.O. Hill Exhibition, MoMA, 1941 - Correspondence
To Francis Henry Taylor at MoMA (1941) pledging Schwarz's commitment to making the show a success (3-26-41); letter from George Wm. Eggers commending Schwarz's loan to the MoMA and his work on the Hill show (10-4-41); and others. [9 pp.]
27 5 D.O. Hill Exhibition, MoMA, 1941 - Beaumont Newhall Correspondence
Letters to and from B.N. regarding the staging of the 1941 Hill exhibition at MoMA; letter from B.N. concerning a citation about Hill's original exposure in the U.S., with a quote from Alfred Stieglitz (to B.N.) (2-22-40); from B.N. regarding prints made from Schwarz's Hill calotypes and the possibility of offering the MoMA a set (1-26-41); to B.N. offering a gift of antique photographs and inquiring as to the necessary length of Schwarz's article for the MoMA Bulletin (8-4-41); from B.N. regarding the 1941 exhibition of Schwarz's prints at MoMA, including details of display and lighting (8-15-41); to B.N. with disappointment at their dwindling exhibition scheme (8-18-41); and others incl. list of Schwarz's calotype collection. [18 pp.]
27 6 "D.O. Hill" for The American Encyclopedia of Photography, 1941
Letters from W.M. Morgan requesting Schwarz's contribution at the recommendation of B.N. (1941). [6 pp.]
27 7 "D.O. Hill and Robert Adamson," Museum Notes, 1942
Photocopy of brief H.S. article. [1 p.]
27 8 "D.O. Hill" for Minicam Photography, 1943 - Correspondence
Letters from A.M. Mathieu regarding the preparation and proofing of this article. [28 pp.]
27 9 "D.O. Hill" for Minicam Photography, 1943 - Proofs
Galley proofs. [6 pp.]
27 10 "D.O. Hill Calotypes" for Museum Notes, RISD, 1944
Three letters from Alfred Neumeyer, Mills College, requesting the exhibition be allowed to travel (December 6 and 24, 1944); other correspondence; typed draft for article in Museum Notes; two copies of Museum Notes, December 1944. [40 pp.]
27 11 D.O. Hill - Connoisseurship and Collection Development, 1944-1974
Correspondence regarding Schwarz's Hill connoisseurship and his personal and professional collecting activities. [25 pp.]
27 12 "D.O. Hill and Robert Adamson and the Photographic Exhibitions," undated
Six drafts of this article, including one in German.
27 13 D.O. Hill Exhibition, MoMA - Edward Steichen Correspondence, 1949
Letters to and from Edward Steichen regarding a loan of H.S. calotypes for a MoMA exhibition to open April 1949 (3-28-49); H.S. reply sends 58 calotypes not shown in 1941 (3-30-49); from E.S., requesting more Hill-Adamson prints and suggesting his hunch that Adamson was the dominant collaborator (4-6-49); handwritten receipt from E.S. (4-9-49); thank you from E.S. (5-10-49); and others. [18 pp.]
27 12 D.O. Hill Exhibition, University of Glasgow, 1954
Xerox of catalogue and an invitation to a private viewing. [10 items]
27 13 "An Exhibition of Victorian Calotypes," Victorian Studies, 1958
Three copies of the article; 2 clippings on exhibitions of 19th century calotypes. [9 items]
27 14 "Great Masters of Early Photography," Davison Art Center, 1962
Invitations; typescript of Schwarz's talk on the exhibition [4 pp.]; clippings pertaining to both Schwarz's lecture and the exhibition. [24 items]
Box Folder
28 1 "Great Masters of Early Photography"
Exhibition catalogue paste-up, with annotations by H.S. [c. 50 pp.]
28 2 "Calotypes by D.O. Hill and Robert Adamson," Davison Art Center, 1970
Invitation and H.S. brochure for exhibition; correspondence thanking H.S. for offprints, exhibition. [18 pp.]
28 3 "Hill-Adamson Calotypes," Scottish Art Review, 1970
Drafts of this article and correspondence regarding the publication. [c. 60 pp.]
28 4 "D.O. Hill: A Centenary Exhibition," Scottish Arts Council Gallery, 1970
Correspondence regarding the inclusion of Schwarz's calotypes; invitation and postcards from the exhibition; two copies of Creative Camera with D.O. Hill article by Helmut Gernsheim; clipping: review of exhibition. [c. 27 items]
28 5 "Hill and Adamson Judged by their Contemporaries," Apollo Correspondence, 1972
Correspondence regarding the publication of this article, including letters to and from Apollo editors and to and from libraries and museums, from whom H.S. wished to acquire photographs; also thank-yous from colleagues to whom he had sent reprints. [85 pp.]
28 6 "Hill and Adamson Judged by their Contemporaries" Apollo Typescripts, 1972
Nine typescripts of the article, including one in German, some with annotations or changes. [84 pp.]
28 7 "Hill and Adamson Judged by their Contemporaries," Galleys Apollo, 1972
One original and two photocopies of the galley for the article, with H.S. corrections. [24 pp.]
28 8 "Hill and Adamson Judged by their Contemporaries," ApolloPhotographs, 1972
Photoprints for the article's illustration. [27 items]
28 9 D.O. Hill Book, second edition (unrealized)
Extensive correspondence between H.S. and the publishing firms with whom he had contracts and proposals pending over the years for a production of a second edition of his Hill monograph, including Insel-Verlag, Aperture, Edinburgh University Press, Oliver & Boyd; also correspondence with colleagues regarding this second edition, including A. Hyatt Mayor, Beaumont Newhall, Keith Andrews, and others. (See also Elisabeth Schwarz Correspondence for her efforts in this project after Dr. Schwarz' death.) [c. 80 pp.]
28 10 Schwarz Calotype Collection
Proof sheets of Schwarz' calotype collection. [10 photographs]
Box Folder
29 1 "Der Almanach für Damen auf das Jahr 1809: Das erste Buch mit Lithographischen Illustrationen," Zeitschrift für Bücherfreunde, 1928
Photocopy of the article. [6 pp]
29 2 "Carl Weber und Lithographie" - Correspondence, 1920-1934
Correspondence gathering information for and regarding the publication of the article, in German. [14 pp.]
29 3 "Julia Margaret Cameron," The Complete Photographer Notecards, 1941
Approximately 50 notecards cataloguing the portraits of J.M. Cameron interleaved with 18 small photographs of Cameron originals; eight photographs for use in article. [76 items]
29 4 "J.M. Cameron," The Complete Photographer Correspondence, 1941
Two letters from H.S. to Willard Morgan, General Editor; copy of The Complete Photographer, Issue 10, vol. 2. [3 items]
29 5 "J.M. Cameron," The Complete Photographer, 1941
[20 pp.]
29 6 "Nadar," The Complete Photographer Photographs, 1941
[23 photographs]
29 7 "Nadar," The Complete Photographer Research Materials, 1941
Photocopies of early articles, scholarly journals. [9 items]
29 8 Art and Photography, Book Proposal
Two-page outline for a book on art and photography. [2 pp.]
29 9 Delacroix Article, proposed - Correspondence
Correspondence with Beaumont Newhall regarding their simultaneous proposal of a Delacroix article to the Magazine of Art (1949). [7 pp.]
29 10 Delacroix Article, proposed - Notes and Photographs
Notes and photographs gathered in preparation for an article on Delacroix. [c. 35 pp.]
29 11 Delacroix Article, proposed - Research Materials
Magazine of Art, 1952, with an article on Delacroix and photography by Beaumont Newhall and 1962, with an article on Delacroix and photography by Van Deren Coke. [2 items]
29 12 "Art and Photography: Forerunners and Influences," Magazine of Art Proofs and Typescripts, 1949
Two publisher's proofs with brief corrections by H.S.; several draft versions of the article; correspondence with Thames and Hudson proposing a book based on this material (1960). [115 pp.]
29 13 "The Mirror in Art," Art Quarterly Correspondence and Reprint, 1952
Correspondence; reprint. [7 items]
29 14 "Daumier, Gill, and Nadar," Gazette des Beaux-Arts, 1957 - Correspondence
Correspondence regarding the publication of Schwarz's article, including Erwin Panofsky, whose letter includes a detailed critique of Schwarz's article (1957(2)); Van Deren Coke (1957); Creighton Gilbert, introducing Van Deren Coke (1957); William Ivins, who wrote his letter in ink made according to Palatino's recipe of 1533 (1957); Gazette des Beaux-Arts (1956, 1957); Art Quarterly (1956). [c. 50 pp.]
29 15 "Daumier, Gill, and Nadar," Gazette des Beaux-Arts Typescripts, 1957
Two copies of the typescript for the article. [42 pp.]
29 16 "Daumier, Gill, and Nadar," Notes Gazette des Beaux-Arts, 1957
29 17 "Daumier, Gill, and Nadar," Gazette des Beaux-Arts Photographs 1957
Prints for the article. [12 items]
Box Folder
30 1 "Goya's Portrait of Goulon," College Art Journal, 1957
One reprint.
30 2 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift Correspondence, 1958
Correspondence including letters from Erwin Panofsky, thanking H.S. for the offprint and defining his term, "eccentric perspective" (1959); from E.H. Gombrich (1957), who dicusses the finishing touches on his book Art and Illusion and the "wishful thinking" of Panofsky's "symbolische Form"; from Sonia Delaunay regarding her husband's knowledge of Konrad Witz in his painting of "St. Severin" (n.d.); from Julian Held, including a Christmas card with suggestions for a lecturing forum for H.S. (1957); William Suida; I. Grafe at Phaidon Press; and many others. [c. 100 pp.]
30 3 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift Reprint, 1958
[1 item]
30 4 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift Notes, 1958
Notes and clippings collected for the mirror article, particularly on Robert Delaunay and Konrad Witz, Aachen cathedral. [c.100 pp.]
30 5 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift - Photographs, 1958
[11 items]
30 6 "William Etty's 'Self-Portrait' in the London National Portrait Gallery," Art Quarterly - Correspondence, 1958
Correspondence regarding the publication, with Burlington Magazine and with Art Quarterly; notes thanking H.S. for reprints of the article, including one from Beaumont Newhall. [c. 39 pp.]
30 7 "William Etty's 'Self-Portrait' in the London National Portrait Gallery," Art Quarterly - Typescripts, 1958
Three drafts of the article with brief notes; photographs. [28 pp.]
30 8 Salzburg und das Salzkammergut - Correspondence, 1958
Letter from Erwin Panofsky, thanking H.S. for sending the book and praising the manner in which Schwarz's book evokes the "Romantic" period of German painting. [1 p.]
30 9 "Ingres Graveur," Gazette des Beaux-Arts, Correspondence, 1939-1959
Early correspondence, 1939-1943, requests permission from Sacheverell Sittwell to reproduce his Ingres drawings; correspondence, 1955-1959, records Schwarz's publishing activities as they pertain to this article, i.e. letters to his publishers, including extensive correspondence with the Gazette des Beaux-Arts, letters requesting photographs, correspondence with colleagues, including Hans Naef, A. Hyatt Mayor, and others, letters to and from his translator. [c. 100 pp.]
30 10 "Ingres Graveur," Gazette des Beaux-Arts Correspondence, 1959-1967
Letter from Erwin Panofsky (1960) thanking H.S. for the "Ingres" reprint and for hosting E.P. and his wife at Camden; similar letters from Hans Naef, Agnes Mongan, Otto Kurz; letters to 1967. [c 75 pp.]
30 11 "Ingres Graveur," Gazette des Beaux-Arts Notes and Clippings, 1936-1959
Copy of "Ingres as Lithographer" by Hans Naef (1957); relevant newspaper articles; Museum Notes from the Toledo Museum of Art (1936); typed notes. [c. 50 pp]
30 12 "Ingres Graveur," Gazette des Beaux-Arts Typescripts, 1959
Two pp. "Résumé" outlining the subject matter and intellectual purpose of Schwarz's proposed article; 22 page draft of article. [24 pp.]
30 13 "Ingres Graveur," Gazette des Beaux-Arts Photographs, 1959
[19 items]
Box Folder
31 1 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Correspondence 1925-1935
Letters, in German. [c. 20 pp.]
31 2 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Correspondence 1960-1962
List of colleagues, institutions to whom H.S. sent reprints; many letters of thanks, especially from German and Austrian colleagues, with comments on the article and other events (1960-63); many in German. [c. 40 items]
31 3 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Reprint
[1 item]
31 4 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Photographs
[55 items]
31 5 "Die Graphischen Werke von Egon Schiele" und "Nachtrag," Philobiblon, Correspondence, 1961-1962
Letters concerning the preparation and publication of the article, including photo requests, requests for information and advice; letters expressing gratitude for reprints. [c. 70 pp.]
31 6 "Die Graphischen Werke von Egon Schiele" und "Nachtrag," Philobiblon Notes, 1961-1962
Includes notes and research materials, e.g. gallery catalogues, bibliographic references. [c. 30 pp.]
31 7 "Die Graphischen Werke von Egon Schiele" und "Nachtrag," Philobiblon Photographs, 1961-1962
[30 items]
31 8 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie Correspondence, 1962
Correspondence regarding this article, primarily thank-you letters for reprints received; also some photo requests. [c.50 pp.]
31 9 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie Typescripts, 1962
Correction of R. Pettit translation, 14 pp.; two 18 pp. typescripts in English (original and copy); leaves from actual publication (with copy). [c. 65 pp.]
31 10 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie, 1962 - Notes and Research Materials
Bundle of note pages, typed and handwritten; "Wiener Staatsoper" 1963-64; Central Europe 1600-1800, Ringling Museum of Art (1972); article on Palko by Klara Garas (1961). [c. 33 items]
31 11 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie, 1962 - Photographs.
[25 items]
Box Folder
32 1 "Carl Weber and Lithography," unpublished(?) - Correspondence 1962-1964
Letters seeking information and advice regarding the lithographic occupation of Weber, prints of Weber scores, etc.; in German and English. [12 pp.]
32 2 "Carl Weber and Lithography," unpublished(?) - Drafts
Two copies of a draft for a short article on Weber's role in the early history of Lithography with photocopied illustrations. [13 pp.]
32 3 "Carl Weber and Lithography," unpublished(?) - Notes and Research Materials
Handwritten and typed notes on Carl Weber; photocopies of relevant articles and sources. [39 pp.]
32 4 "Carl Weber and Lithography," unpublished(?) - Photographs
[12 items]
32 5 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Correspondence
Letters to and from H.S. regarding the publication of the article and the receipt of reprints; includes correspondence with Bärenreiter-Verlag, Fritz Novotny (1969), Otto Erich Deutsch (1962, 1963), and Dr. Scheidig, Direktor der Staatlichen Kunstsammlungen in Weimar (1959, 1962); many other museums, galleries, and colleagues. [c.50 pp.]
32 6 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Galley and Drafts
Galley with corrections (3pp.)
32 7 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Research Materials
Handwritten and typed notes; Karlsplatz, a small book by the Historisches Museum der Stadt Wien. [c. 15 items]
32 8 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Photographs
Photographs used in the article; print view of the Karlskirche. [8 photos; 1 print]
32 9 "Julius Schnorr von Carolsfeld in Salzburg und Berchtesgaden," Kunstjahrbuch der Stadt Linz, 1963 - Correspondence
Correspondence with primarily German and Austrian colleagues, including the Magistrat der Landeshauptstadt Linz, Hans Aurenhammer of the Österreichischen Galerie, and the Stadtmuseum Linz.
32 10 "Julius Schnorr von Carolsfeld in Salzburg und Berchtesgaden," Kunstjahrbuch der Stadt Linz, 1963 - Notes
Brief notes, references. [12 pp.]
32 11 "Julius Schnorr von Carolsfeld in Salzburg und Berchtesgaden," Kunstjahrbuch der Stadt Linz, 1963 - Drafts
Article typescript. [17 pp.]
32 12 "A Unique Woodcut by Hans Lautensack," Pantheon, 1964 - Correspondence
Communication with Pantheon regarding publication, corrections, and reprints; many-thank you letters from colleagues and institutions which received offprints of the article, including Panofsky (1964), Ackerman (1964); original offer to Burlington Magazine of the Lautensack paper (1963). [c. 75 pp.]
32 13 "A Unique Woodcut by Hans Lautensack," Pantheon, 1964 - Notes
[c. 45 pp.]
32 14 "A Unique Woodcut by Hans Lautensack," Pantheon, 1964 - Photographs
[20 items]
32 15 Honoré Daumier, Exhibition Catalogue, 1965 - Correspondence
Letters from colleagues and libraries express gratitude for the copies of Schwarz's catalogue received; originals plus photocopies. [c. 45 items]
32 16 Honoré Daumier, Exhibition Catalogue, 1965 - Photographs
Photographs from the article. [43 items]
Box Folder
33 1 "Palma Giovane and his Family: Observations on some Portrait Drawings," Master Drawings, 1965 - Correspondence
Letter from Perry Cott, Chief Curator at the National Gallery of Art, Washington D.C. thanking H.S. for the article and expressing his intention to change the attribution of the "Vittoria" bust in their collection due to Schwarz's research; letters to and from the editors of Master Drawings regarding the publication of the article; many letters requesting references and photos; thank you letters from colleagues and institutions regarding reprints. [c. 75 pp.]
33 2 "Palma Giovane and his Family: Observations on some Portrait Drawings," Master Drawings, 1965 - Notes
Handwritten notes and several photocopied references; Record of the Art Museum, Princeton University. [c. 50 items]
33 3 "Palma Giovane and his Family: Observations on some Portrait Drawings," Master Drawings, 1965 - Photographs
[80 items]
33 4 "Heinrich Reinhold in Italien," Jahrbuch der Hamburger Kunstsammlungen, 1965 - Correspondence
Correspondence regarding information about Heinrich Reinhold works in other museums and galleries, incl. the Hamburg Kunsthalle; letters from colleagues expressing gratitude for reprints received, incl. Keith Andrews, National Gallery Scotland and Otto Kurz, the Warburg Institute; correspondence with the publisher. [c. 75 pp.]
33 5 "Heinrich Reinhold in Italien," Jahrbuch der Hamburger Kunstsammlungen, 1965 - Notes and Research Materials
Handwritten copy of Heinrich Reinhold's last letter; Reinhold article from the 1936 Künstlerlexicon; 1928, 1929, and 1824 articles on Heinrich Reinhold (photocopies); extensive handwritten notes on biography and art; newspaper clippings. [c. 40 pp.]
33 6 "Heinrich Reinhold in Italien," Jahrbuch der Hamburger Kunstsammlungen, 1965 - Photographs
[77 items]
33 7 Lexicon der Christlichen Iconographie, 1965 - Correspondence
Letter from H.S. offering his services as author of an article on the Owl, the Mirror, or other topics; correspondence with Verlag Herder Freiburg; lists of topics in the Lexicon with brief notes. [c. 60 pp.]
Box Folder
34 1 "Louis Dorigny in Wien," Mitteilungen der Österreichischen Galerie, 1966 - Correspondence
Extensive correspondence with Hans Aurenhammer, Österreichischen Galerie, regarding Louis Dorigny's work and the article's publication; requests for photographs of and references to Dorigny's work; many receipts for reprints received by colleagues and institutions. [c. 100 pp.]
34 2 "Louis Dorigny in Wien," Mitteilungen der Österreichischen Galerie, 1966 - Notes
Handwritten and typed notes made during H.S. research; a few photocopies of source materials. [c. 50 pp.]
34 3 "Louis Dorigny in Wien," Mitteilungen der Österreichischen Galerie, 1966 - Photographs
[22 items]
34 4 "Vermeer and the Camera Obscura," Pantheon, 1966 - Correspondence
Letters to and from colleagues regarding this article, including Erwin Panofsky (1966), who admired the article yet offers his criticism of the use of a Hoogstraten etching in the essay; James Ackerman, Fogg Museum, who thanks H.S. for the paper and remarks that he intends to use some of its information in connection with his seminar, "Art and Science in the Renaissance" (1966); Jakob Rosenberg, National Gallery of Art, also expresses gratitude for the reprint and interest in Schwarz's work (1966); William Sebastian Heckscher, Duke University, describes the recent Vermeer show by deVries at the Hague as the "ultimate in gruesome distortion" and raves about Schwarz's treatment of the topic (n.d.);Beaumont Newhall (1966); Julius Held states that he enjoyed the article but remains skeptical of the role of science in art (1966); Van Deren Coke (1966); correspondence with Pantheon regarding publication matters; Charles Seymour, Jr. correspondence regarding his review of Schwarz's "Vermeer..." manuscript, as it responds to earlier work by Seymour (1965). [c. 125 pp.]
34 5 "Vermeer and the Camera Obscura," Pantheon, 1966 - Notes
Handwritten and typed research notes on Vermeer and optical devices. [48 pp.]
34 6 "Vermeer and the Camera Obscura," Pantheon, 1966 - Photographs
Photos for inclusion in the published article. [24 items]
34 7 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - General Correspondence
Many letters thanking H.S. for reprints sent and commenting on the article and recent work by colleagues; letter from Erwin Panofsky to Dr. Gustav Künstler commenting on the latter's recent "Las Meninas" article (1960); Alessandra Comini, informing H.S. that she has "requested" him for her dissertation defense, as she has responded to his work in her paper (1967, 1968); letter from H.S. to the d'Offay Couper Gallery declaring a recent Schiele offering misattributed (1968); d'Offray response (1968). [c. 100 items]
34 8 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - Viennese Correspondence
Letters from Frau Melanie Schüster Schiele, describing her brother's view of self, his use of the mirror in his studio, and the floorplan of his studio (8/8/1967; 5/7/1967); sketch of Schiele's studio by Mrs. Jella Reif-Pollack, who visited Schiele there in 1917 (1967); correspondence with Wolfgang Fischer of Marlborough Fine Art, Ltd., London, regarding the specifics of Schiele's studio, the placement of mirrors, introductions to living acquaintances (1965-6). [17 items]
34 9 "Schiele, Dürer and the Mirror," Art Quarterly Correspondence, 1968
Letters to and from the editors of Art Quarterly in the course of the preparation of Schwarz's article for publication. [36 pp.]
34 10 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - Publication Correspondence
Correspondence regarding unsuccessful submissions of Schwarz's paper to the College Art Association, Burlington Magazine, Hauswedell & Co. Verlag, and others. [c.35 pp.]
34 11 "Schiele, Dürer and the Mirror," Art Quarterly, 1968 - Typescripts and Corrections
Two photocopies of pre-publication versions of the article with corrections. [c. 35 pp.]
34 12 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - Notes and Research Materials
Handwritten and typed notes; clippings. [c.40 pp]
34 13 "Schiele, Dürer and the Mirror," The Art Quarterly,1968 - Photographs
[17 items]
Box Folder
35 1 "Joseph Rosa und das Museé Napoleon," Mitteilungen der Österreichischen Galerie, 1968 - Correspondence
Extensive correspondence with Hans Aurenhammer of the Österreichische Galerie (1968); many expressions of gratitude for reprints received. [c. 50 pp.]
35 2 "Joseph Rosa und das Museé Napoleon," Mitteilungen der Österreichischen Galerie, 1968 - Notes
Handwritten and typed notes including several transcriptions of Joseph Rosa letters. [c. 30 pp.]
35 3 "Joseph Rosa und das Museé Napoleon," Mitteilungen der Österreichischen Galerie, 1968 - Photographs
[10 items]
35 4 "J. August Heinrich," Neue Deutsche Biographie, 1969 - Correspondence
Correspondence with the Neue Deutsche Biographie, regarding publication; with colleagues and galleries in reference to photo requests, reprints received, and translation of the ariticle. [c. 100 pp.]
35 5 "J. August Heinrich," Neue Deutsche Biographie, 1969 - Drafts and notes
Examples of previous biographies; a reprint of Schwarz's biography of August Heinrich; handwritten and typed notes; research source articles, photocopied. [c. 50 pp.]
35 6 "J. August Heinrich," Neue Deutsche Biographie, 1969 - Photographs
Photographs and photocopies of August Heinrich's diary. [14 items]
35 7 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Correspondence
Correspondence regarding reproductions for and reprints of Schwarz's article. [c. 50 pp.]
35 8 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Reallexikon Correspondence and Contracts
Original contract between H.S. and the Reallexikon; guidelines for authors; correspondence. [c. 40 pp.]
35 9 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Typescript with Corrections
Typescript and photocopy of the article; corrections and annotations, notes regarding selection of illustrations. [c. 70 pp.]
35 10 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Proofs
Typed proof with handwritten corrections. [c. 50 pp.]
35 11 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Notes and Research Materials
Extensive typed notes on the symbolism of the owl; photocopies of significant references, sources. [c. 100 pp.]
35 12 "Annual Report," Davison Art Center and Wesleyan Art Department, 1971-192
Authored by H.S. and others, file contains photocopies of each. [c. 25 pp.]
35 13 "Early Lithography, 1801-1835," Davison Art Center, 1972
Catalogue, with statement by H.S. [1 item]
Box Folder
36 1 Davison Art Center Selected Acquisitions, 1955-1972
Three copies of this catalogue, which includes "A Tribute to H.S." by Alan Shestack; 27 reprints of Shestack's article; correspondence from colleagues who received a copy of this publication, incl. Otto Kurz and William Sebastian Heckscher. [40 items]
36 2 Wesleyan, Summer 1972
Two copies of this issue, which includes "Shaping a Collection" about H.S. by Alan Shestack. [2 items]
36 3 Shestack, "Prints at Wesleyan University," from The Print Collector's Newsletter, 1972
[1 p.]
36 4 "An Eighteenth Century English Poem on the Camera Obscura," pub. post-1974 - Ms. and Reprint
Handwritten ms.; two corrected typescripts, one corrected by Mrs. Van Deren Coke; reprint of the article as published. [40 pp.]
36 5 Johann Nestroy im Bild, 1977 - Typescript of "Forword"
Typed draft of the "Forword" published posthumously in Nestroy im Bild, 1977; draft dated 1958. [c. 40 pp.]
36 6 "On Photography, Part II," (title not given by author) Art and Photography: Forerunners and Influences, 1985 - Typescript
Photocopied typescript originally written in the 1960's, but not published until 1985; corrected by third party in preparation for publication. [33 pp.]
36 7 "Art and Photography: Forerunners and Influences," published posthumously as "On Photography, Part I," Art and Photography: Forerunners and Influences, 1985 - Typescripts
One typed draft; one photocopied draft with corrections by third party, perhaps J&V Verlag. [29 pp.]
36 8 Art and Photography: Forerunners and Influences, 1985 - Reviews
Photocopies of various reviews of Schwarz's book of essays. [c. 25 pp.]
Series III.B. Lectures, 1957-1970 2 boxes
Correspondence, manuscripts, and printed ephemera relating to Schwarz's lectures at museums and universities.
Box Folder
37 1 "The Owl in Art," Lecture at the Metropolitan Museum of Art, Correspondence, 1957
Letter from Julius Held (11/6/57), thanking H.S. for a "stimulating lecture" and remarking Panofsky's approval of one of Held's theories; the Met's announcements listing the lecture. [3 items]
37 2 "The Owl in Art," Lecture at Smith College, 1963
Sign from H.S. lecture at Smith College (3/18/63) and an invitation to a post-lecture meeting at the home of Esther and Leonard Baskin; The Sophian, Smith College Newspaper (3/19/63) with review of Schwarz lecture. [3 items]
37 3 "Art and Photography: Symptoms and Trends of a New Vision," Lecture at the Metropolitan Museum of Art, 1958
Letters arranging the lecture with the Dean of Education, Sterling A. Callisen, at the Metropolitan; letters from H.S. to invite friends and colleagues, including Harry Bober (NYU), to whom Schwarz expresses his disappointment at James Ackerman's rejection of this paper for The Art Bulletin and his interest in Bober's assessment. [22 pp.]
37 4 "Art and Photography: Symptoms and Trends of a New Vision," which is elsewhere titled, "After 1839: Effects and Examples of a New Vision,"
Four complete typescripts of this paper in various stages of refinement. [c. 130 pp.]
37 5 "Art and Photography: Symptoms and Trends of a New Vision," Lecture at the Metropolitan Museum of Art, 1958 - Notes
Typed slide list for the lecture; handwritten notes; "MMA Calendar" October 1958, which advertises Schwarz's October 19th lecture. [17 pp.]
37 6 "Art and Photography: Symptoms and Trends of a New Vision," Lecture at the Fogg Art Museum, Harvard University, 1959 - Correspondence
A letter from Jakob Rosenburg inviting H.S. for a Spring lecture at Harvard (12/1958); letters arranging the lecture; an expression of regret from Georgy Kepes (1959) who could not attend; congratulations from colleagues; Fogg Bulletin listing lecture. [22 pp.]
37 7 "After 1839: Effects and Examples of a New Medium," Worcester Art Museum, 1966 - Correspondence and Typescript
Correspondence regarding the arrangements for the lecture and the honorarium; typescript of lecture; Museum Bulletin announcing the lecture. [26 pp.]
37 8 "Art and Photography: Effects and Examples of a new Medium," Columbia University, 1966 - Announcements
Announcements and letter. [5 pp.]
37 9 "After 1839: Effects and Examples of a New Medium," Philadelphia Museum of Art, 1970 - Correspondence
Correspondence with Kneeland McNulty and Philadelphia Museum regarding choice of topic and logistics of lecture; brief notes and slide instructions; museum schedule listing Schwarz's talk. [16 pp.]
37 10 "After 1839: Effects and Examples of a New Medium," Philadelphia Museum of Art, 1970 - Typescripts
Typescripts with corrections. [62 pp.]
37 11 "Before 1839: Symptoms and Trends," College Art Association, 1963 - Correspondence with Beaumont Newhall
Beaumont Newhall, elected chairman of a panel on the relationship of art and photography for a CAA session, invites H.S. to be the first panelist (30 July 1962); H.S. responds to B.N. that he would be honored to participate but that he was rather interested in the circumstances by which the CAA had chosen this topic, as H.S. had recently proposed it (11 September 1962); B.N. writes that the other panelists are Henry Holmes Smith, Van Deren Coke, and George Amberg (17 September 1962); B.N. requests that H.S. submit his topic as soon as possible, as Herschel Chipp would like them by 4 November for advertising purposes (30 October 1962); B.N. thanks H.S. for his successful lecture and requests permission to use an "amazingly modern picture' discovered by H.S. (27 January 1963); continuing correspondence regarding the publication of Schwarz's lectures given at the CAA meeting in Baltimore, although B.N. is unable to help; and others. [22 pp. plus 1 photograph]
37 12 "Before 1839: Symptoms and Trends," College Art Association Meeting, Baltimore, 1963 - Ephemera
Preliminary and final programs; announcement; accomodations at the Lord Baltimore Hotel; Annual Business Meeting of the CAA agenda. [8 items]
37 13 "Art and Photography," Mt. Holyoke College, 1964-Correspondence
Letters to and from Jean Harris, Chairman, Mt. Holyoke Friends of Art regarding the arrangements for Schwarz's lecture (Oct. 1963-Jan. 1964); announcement; school pamphlet. [10 pp.]
37 14 "Before 1839: Symptoms and Trends," George Eastman House, 1964 - Transcription and Typescripts
Three typescripts (one original, typed) including slidelist; two transcriptions (photocopied). [c. 75 pp.]
37 15 "Franz Anton Palko as a Portrait Painter," Czechoslovak Society of Arts and Sciences in America, Third Congress, 1966 - Correspondence
Letters arranging the specifics of the lecture forum and content; also, letters regarding the possible publication of Schwarz's article in Czechoslovakia: Past and Present, a book which grew out of this third congress.
37 16 "Franz Anton Palko as a Portrait Painter," Czechoslovak Society of Arts and Sciences in America, Third Congress, 1966 - Pamphlets
[6 items]
37 17 "Numerical Order and Symbolism," Davison Art Center, 1967 - Correspondence
Correspondence from friends and colleagues regarding Schwarz's lecture; announcement. [c. 20 pp.]
37 18 "Numerical Order and Symbolism," Davison Art Center, 1967 - Notes and Clippings
Handwritten and typed notes in preparation for the exhibition; relevant newspaper clipptings. [c. 40 pp.]
Box Folder
38 1 Assorted Negatives for articles
Negatives of images used for the articles, "Ingres Graveur," "Daumier, Gill, and Nadar," "Eule," and others. [14 items]
38 2 Negatives - "Before 1839" Lecture
[9 items]
38 3 Negatives - Art and Photography Lectures
[18 items]


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