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Heinrich Schwarz papers, 1894-1974

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Finding aid for the Heinrich Schwarz papers, 1928-1988

Container List

Series I. Heinrich Schwarz Research Files, ca. 1928-1970 23 boxes
Schwarz' working files for teaching, reference, and idea development contain primarily unpublished materials, including handwritten and typed notes, correspondence, manuscripts, and a voluminous photograph collection. The series is organized in eight subseries, each of which represents a primary field of research.
Series I.A. History of the Graphic Arts, ca. 1950-1974 1 box
Files contain his dissertation, Die Anfänge der Lithographie in Österreich, notes on printing techniques, Old Masters, Italian, French, and German Renaissance and Baroque printmaking, a proposal for a book on lithography, and documents from his work as Curator of Prints at Wesleyan.
Box Folder
1 1 History
Notes for a history of printmaking, with outines for "A History of the Graphic Arts." [c. 78 items].
1 2 Techniques
Reproduced pages describing various printmaking techniques. [c. 22 items]
1 3 Intaglio
Most regarding 15th century works, notes on both the process and practitioners of intaglio printmaking, including Dürer, Schongauer, Veit Stoss, and others. [c. 19 items]
1 4 Engraving
A Guide to the Processes and Schools of Engraving, British Museum, 1923; 9 photographs; 6 pp. correspondence. [17 items]
1 5 Masters
Typed copy list of 15th to 18th century graphic artists. [2 pp.]
1 6 Italy 15th/16th Century
Handwritten citations of works consulted. [c. 10 items]
1 7 France 15th/16th Century
Handwritten and typed citation notes concerning French Renaissance printing. [7 items]
1 8 Dürer
"Summary of the Exhibit: 'Dürer Before and After,'" notes on Dürer's art and influence. [c. 31 items]
1 9 Germany 16th Century (Post-Dürer)
Notes, with citations and commentary. [12 items]
1 10 17th Century
Handwritten notes on Rembrandt, Hals, Rubens, Callot and others. [c. 35 items]
1 11 18th Century
Notes regarding work of Tiepolo, Hogarth, and others. [18 items]
1 12 19th Century
Notes, clippings, and very brief correspondence regarding 19th century graphic artists and the process of lithography. [c. 40 items]
1 13 Meryon
Includes 6 pp. of notes on Meryon works, 18 photographs, a letter from Fritz Novotny (1974), and a 16 pp. Knoedler catalogue for a Meryon sale. [26 items]
1 14 Color(ed) Printmaking
Notes, 1 p. on the history of "Clairs-Obscurs." [6 items]
1 15 Proposal for a Book on Lithography
[4 pp. typed]
1 16 Wesleyan Print Collections
lists of prints (1955-1956, n.d.) and book list. [18 items]
1 17 Print Curatorship, 1954
printed materials, 1954, n.d. [11 items]
1 18 Print Council of America, Annual Meeting, 1972
Minutes, 8 pp.; Report on the Bibliography of Oeuvre-Catalogues, 10 pp.; Trustees, 5 pp.; Directors, 1 pp. [24 pp.]
1 19 Oeuvre-Catalogues of Graphic Artists, Index
[6 pp. photocopied]
1 20 Oeuvre-Catalogues of Graphic Artists
Checklist of the oeuvre-catalogues of graphic artists to be included in Print Council publication (1972). [92 pp.]
Series I.B. Art and Photography, ca. 1940-1960 3 boxes
Art and Photography files include correspondence, notes, and a notebook of photography. Correspondents include Beaumont Newhall, André Weil, Meyer Shapiro, Edward Steichen, Charles Sheeler, Ansel Adams, and others, most dating from the 1940's and 1950's. Notes, correspondence, and occasional photographs relate to particular topics in this subject area, such as "early photography and the camera obscura," "photography and technology," and "photosculpture." Schwarz also collected articles on photography by colleagues, relevant clippings, and exhibition catalogues, all of which are housed here.
Box Folder
2 1 General Correspondence on Photography 1941-1950
Most are photo requests and letters of thanks, although some do discuss photographic concerns. Correspondents include: Walter Clark (1941-5); Meyer Shapiro, handwritten (1942, 1944); Edward Steichen (1944); Charles Sheeler, handwritten (1944); Ansel Adams (1944); Walter Arensberg (1944); Monroe Wheeler (1947); and others.
2 2 Beaumont Newhall/H.S. Correspondence 1941-1950
Letters to and from Beaumont Newhall (MoMA) regarding photo requests, research interests and projects. Subjects include art and photography, camera obscura prints, Stieglitz letters, Talbot's Sun pictures, and recent discoveries. [32 items]
2 3 Andrá Weil/H.S. Correspondence 1944
Letter from Weil discusses photographs by Degas he sent to H.S. Other brief letters regard Weil's "Carmontelle" exhibition. [4 pp.] See also "Diorama," Box 6, f.4 for A. Weil correspondence.
2 4 General Correspondence on Photography, in German
Includes letter from Carl Schniewind, Art Institute of Chicago, requesting a loan of Schwarz photographs (1941); Erica Tietze, discussing Mantegna and the camera obscura (1948); Correspondence with Lotte Schönitzer-Külm and Hermann Speer, regarding her father's, Heinrich Kühn's, estate (1948, 1950); A. Baillou (1949); Hans Roth, regarding D.O. Hill (1965); Süddeutsche Zeitung photo of Soviet fortifications in the forefront of Moscow University (1957). [29 items]
2 5 Photography Notebook
H.S. notes on various issues pertaining to the history of photography and divided as follows:
(1) Bibliographies of early photography; Early illustrated books and photomagazines
(2) Photographic Clubs and Societies (cf. also "Exhibitions")
(3) Precursors of Photography
(4) Early Photography in the U.S., Germany, and Italy
(5) Austrian (Viennese), French and English Photographers, Franz Antoine, and Ludwig Angerer
(6) Photographic Museums and Exhibitions; Collections
(7) Photo literature
(8) Notes on photographs of which reproductions are in existence
2 6 Photography Notebook
(9) Notes on individual photographers (arranged in alphabetical order), including Atget, Denis-Baldus, Delaroche, Cameron, Carroll, Daguerre, Delamotte, Nadar, Petit, Stieglitz (obit.), Talbot, Weston, and others.
Box Folder
3 1 History of Photography
Thirteen index cards with notes on the role of photography in the history of art; printed materials (1957, n.d.); notes; photo of early photographic objects. [65 items]
3 2 John Ruskin
Photographs of the Ruskin drawing, "The Towers of Fribourg"; notes on Ruskin's writing and art. [18 items]
3 3 Early Photography and the Camera Obscura
Notes with annotations, primarily bibliographic; book orders; catalogue. [72 items]
3 4 Catalogues and Articles on Early Photography
1967. [9 items]
3 5 Clichés-verre
Notes on technique and practitioners; photos of etchings on glass; printed matter. [35 items]
3 6 Cartoons of Photography
Notes, primarily from 19th-century publications; copies and clippings of cartoons. [47 items]
3 7 Photographic Conventions in Painting
Schwarz' title for a collection of gallery catalogues of trompe l'oeil, portrait, and still life painting (1948-49, 1951-52, 1957, 1961); c. 30 pages of clippings dealing with the above topics, most from the The New York Times. [c. 47 items]
3 8 Photosculpture
Notes on photosculpture in the 1860's; articles (1864, 1958). photographs. [c. 36 items]
3 9 Photography's Escape from Painting, 1946-1962
Schwarz's title for a group of exhibition catalogues, photos, and clippings, most from The New York Times (1946-1947, 1959, 1962), on contemporary art movements. [18 items]
3 10 Abstract Art, 1948
Photographs, two newspaper articles (1948 and n.d.). [12 items]
3 11 Art and Technology, 1944-1963
Notes, gallery announcements, clippings (1944-5, 1958-60, 1963); photographs. [38 items]
3 12 Photography and Technology, 1948-1963
Clippings (1948, 1950, 1956-63), photographs and notes collected to illustrate uses of photography in advanced technology, esp. in naval and space programs. [29 items]
3 13 Photography and Travel
Brief correspondence, clippings, and photographs. [14 items]
3 14 Art and Travel
Exhibition catalogues, photograph. [6 items]
Box Folder
4 1 Miscellaneous Notes on Art and Photography
[18 items]
4 2 Bibliographic Notes on Art and Photography
References to art, photography, and symbolism. [103 pp.]
4 3 Articles by Colleagues, 1944-1967
Beaumont Newhall (1944, 1967); Helmut Gernsheim (1950-1952); A. Hyatt Mayor (1959) and others. [26 items]
4 4 Exhibition Invitations and Catalogues, Photography, 1960-1963
4 5 Exhibition Invitations and Catalogues, Painting, Sculpture, and Graphics
[20 items]
4 6 Magazine Clippings, 1944-1954
Popular articles relating to art and photography, many from Life, (1944, 1950-54).
4 7 Newspaper Clippings
Popular articles relating to art and photography.
Series I.C. Optical Phenomena and Instruments, 1933-1970 2 boxes
Files contain materials concerned with the evolution of optical devices before photography. There are files on anamorphosis, camera obscura, diorama, magic lantern, microcope, and peepshow, among others. Contents include copious notes, photos of devices and of original documents describing instrument use, cartoons, and clippings.
Box Folder
5 1 Bibliography
Heavily annotated in preparation for proposed publication; citations for glass plate negatives, machine à dessiner, and artists who utilized optical technology in the production of their art. [100+ pp.]
5 2 Anamorphosis
Notes on its history and literature. [21 pp.]
5 3 Anamorphosis - Letters and Clippings
[15 items]
5 4 Wahren Christianthum - Correspondence
Requesting editions at U.S. libraries for Schwarz's optical inquiries; images discussed. [11 pp.]
5 5 Wahren Christianthum - Notes
On Arndt's work and photocopies of several of the images. [c. 32 items]
5 6 Camera Obscura - Correspondence
Also references to other optical phenomena; Correspondence with Meyer Shapiro (1944), A. Hyatt Mayor (1944), Walter Clark (1944), H.V.S. Ogden (1947), Beaumont Newhall (1948-49, 1966), Gaston Bensimon (1950); letters discuss references to the camera obscura in art, literature, and history; several in-depth discussions of artists' technique with the camera obscura, such as Canaletto, Guardi, Vermeer, and others. [c. 49 items]
5 7 Camera Obscura - Research Notes
A chronological history of the camera obscura, beginning in 350 B.C. with sources and bibliographic citations; [c. 150+ pp.]
5 8 Camera Obscura - Research Notes
A log of references to the camera obscura. [c. 150+ pp.]
5 9 Camera Obscura - Primary Sources I
Photocopies and photographs of books and manuscripts discussing the camera obscura, most c. 1950. [c. 75 pp.]
5 10 Camera Obscura - Primary Sources II
[c. 70 pp.]
Box Folder
6 1 Camera Obscura - Catalogues and Clippings
Harvard Exhibition of Scientific Instruments (1949); E.P. Goldschmidt & Co. catalog; magazine article. [5 items]
6 2 Camera Lucida - Research Notes
Typed notes recording references to the camera lucida and descriptions of artists who used the apparatus. [c. 30 pp.]
6 3 Camera Lucida - Source Materials
Photocopies of letters, treatises, and articles that document the history. [c.50 pp.]
6 4 Diorama - Correspondence and Notes
A letter and a page of notes, "Notes on the Carmontelle Exhibition held at the Galerie André Weil, from André Weil (1944); Schwarz' notes on diorama exhibition; Bibliography of the Diorama (1933). [20 pp.]
6 5 Diorama - Articles and Photographs
[8 items]
6 6 Magic Lantern (see also Camera Obscura) - Correspondence and Notes
[33 pp.]
6 7 Magic Lantern (see also Camera Obscura) - Primary sources and clippings
photocopies of "La Physique Occulte" (1696) and "Philosophical Transactions" (1668) on the magic lantern; contemporary articles on magic lantern. [16 items]
6 8 Mechanical Musical Instruments
notes on the history of mechanical musical instruments; photographs of cartoons; print dealer's catalogue (1956). [13 items]
6 9 Microscope
2 letters; typed notes, photostat, "La Philosophie du Microcosme," Jaques Callot, pp. 135-145; photographs. [23 items]
6 10 Peepshows - Correspondence and Notes
"Fürmitziger Curiositet-Narr." 1 p. from Abraham a Sancta Clara Centifolium Stultorum in Quarto, Wien 1709; "Die Rarekiek" 1 p. lithograph taken from book; 2 pp. correspondence (plus 2 photos) from Frick Collection, regarding a Drouais portrait (1966); typed research notes on the history of the peepshow. [62 items]
6 11 Peepshows - Primary Sources
Photocopies of original sources for Schwarz' history of the peepshow, including Valenciennes, "Élémens de Perspective Pratique..." and Moritz von Rohr; "Peep-show or Case?" in Kunsthistorische Mededeelingen (1949); two photographs. [23 items]
6 12 Perspective - Primary Sources
Documents on the use of perspective and the pentograph, including "Della Perspectiva" and an 18th century travel diary. [24 pp.]
6 13 Physionotrace - Notes
[54 pp.]
6 14 Physionotrace - Primary sources and Catalogues
Photocopies, catalogues and clippings. [17 items]
6 15 Silhouette - Notes
Notes on the history and technique. [21 pp.]
6 16 Silhouette - Articles
[8 items]
Series I.D. The Mirror, ca. 1940-1966 1 box
The Mirror files contain materials collected in preparation for a book on the iconology of the mirror in art. Correspondents include H.W. Janson, Julius Held, Creighton Gilbert, and Erwin Panofsky. Note topics include the various attributes of the mirror, "Bonum," "Malum," and "Speculum sine Macula," the Claude glass or black mirror, and primary sources consulted.
Box Folder
7 1 Correspondence
Copy letter from Erwin Panofsky to John E. McCall regarding Brunelleschi's use of a perspective device and Ivin's "garbled account;" (1941); letters to and from Julius Held; many letters to Schwarz requesting advice/critique on the use of the mirror in art, attributions, and photo requests (bulk 1950's). [75 pp.]
7 2 Research Notes
Typed notes on Schwarz's research into the role of the mirror in art, with bibliographic references, quotations from the consulted texts, and commentary. [c. 100-150 pp.]
7 3 Notes
Typed and handwritten notes, many on notepaper or library call slips, recording Schwarz's research into the role of the mirror in art; a continuation of the previous folder, although the latter notes contain less quotation and commentary in general. [c. 100 items]
7 4 The Black Mirror (or Claude Glass) - Notes
Typed and handwritten notes recording Schwarz's research into the use of the Black Mirror in art and literature. [c. 50-75 pp.]
7 5 "Speculum sine Macula" - Notes and Sources
Typed notes on the iconography of the mirror as a symbol of the Virgin; photocopies from the Pancarpium Marianum. [9 pp.]
7 6 Iconography of the Mirror in Art - Notes
Typed notes, with citations and commentary arranged with the respective attribute, including Visus, Luxuria, Vanitas, Sirens, Prudentia, Superba, Venus, and Truth. [41 pp.]
7 7 Parmigianino's Self-Portrait, Wien
Correspondence; three pp. of calculations and graphs pertaining to the use of the mirror in Parmigianino's work; photographs of the "Self-Portrait," one with labelled axes which refer to the graphs. [10 pp.]
7 8 Primary Sources
Photocopies of original documents dealing with the mirror; two photographs of the mirror in art too large to be housed in the appropriate binder. [23 pp.]
7 9 Scholarly Articles
Erling Eng 1962 ("With best wishes, E.E."); Gustav Künstler 1959 (also inscribed to H.S.); Bruno Schweig 1940; trans. of William Suida, "The History of Mirrors" 1954; Carla Gottlieb 1960 (with inscription to H.S.), 1966; and others.
7 10 Scholarly Articles
Jean Boullet, "Le Monde des Miroirs," 1962; David G. Carter 1954 (inscribed, "For your mirror file"); two MMA Bulletins; and others. [13 items]
7 11 Newspaper Clippings
[18 items].
Series I.E. The Symbolic Owl, ca. 1944-1974 2 boxes
The Symbolic Owl files contain Schwarz' extensive research into the iconology of the owl in art, and includes correspondence with colleagues, notes, articles by scholars in this area, zoological references, and abundant ephemera collected both by H.S. and received as gifts from amused friends.
Box Folder
8 1 Bollingen Grant Correspondence, 1962
Communications regarding the application process for a Bollingen grant, which H.S. hoped to receive for his project on the symbolism of the owl. [39 pp.]
8 2 Herbert Friedman/ H.S. Correspondence, 1965-1973
Letters regarding Schwarz's review of Friedman's manuscript The Symbolic Goldfinch (1945) and articles and lectures on the symbolism of the owl. [22 pp.]
8 3 General Correspondence, 1954-1964
Letters to and from H.S. regarding his research on owl symbolism, including letters to other scholars, galleries and libraries regarding citations, photo requests and publications.
8 4 General Correspondence, 1965-1973
[58 pp.]
8 5 Research Notes
Primarily bibliographic or reference notes on the history of owl symbolism, with some brief correspondence and clippings. Subjects and groupings have been maintained as they were arranged by H.S: natural history and folklore, church fathers, prints and miniatures, devices, signatures, stamps, synagogue, ape and owl. [c. 100 items]
8 6 Research Notes
On night, decoy, solitude, virtues, death, owl persecuted, jeux de la chouette, Greco-Roman and Celtic, misc. paintings, sculptures, prints. [c. 100 items]
8 7 Research Notes
On scriptures, Shakespeare, A.A. Milne, bestiaries, physiologies, medieval poems. [c. 75 items]
8 8 Research Notes
Pages of typed notes listing references and works consulted on the owl and owl symbolism, with quotations of text, descriptions, and brief annotations. [c. 50 items]
Box Folder
9 1 Articles by Colleagues and Scholars
Wolfgang Wegner (1957); Karl-August Wirth (1968); several zoological articles on avian nomenclature and animal design in art; "The Owl of Athena," Louis Halle. [11 items]
9 2 Source Materials
Photocopies of early documents relevant to the history of owl symbolism, including "La Chouette," The Physiologus, Johnson's Natural History, excerpt from Der Reformationsteppich in Weimarer Schloßmuseum und sein Meister Seger Bombeck; photographs. [81 pp.]
9 3 Catalogues
Depictions of owls in art and literature. [18 items]
9 4 Catalogues
Continuation of folder 3, above. [16 items]
9 5-6 Newspaper Clippings.
9 7 Ephemera
Ticket stubs, cocktail napkins, greeting cards, and advertisements illustrating owl symbolism in contemporary society.
Series I.F. Inventories of Research Materials, ca. 1942-1974 1 box
Inventories of Research Materials includes inventories of the research materials in Schwarz' offices and homes, personal inventories such as his curriculum vitae and miscellaneous articles and catalogues not originally filed with any particular research area.
Box Folder
10 1 Curriculum Vitae of Dr. Heinrich Schwarz
First drafted around 1942, the C.V. was later revised, presumably by his wife; lists most important publications and appointments. [20 pp. including photocopied duplicates]
10 2 Inventories - Wesleyan Office
Photocopy of a card catalogue recording lecture and research materials collected by H.S. and arranged at Wesleyan University. [c. 50-75 pp.]
10 3 Inventories - New York Apartment
List of research materials and articles stored in New York (c. 1973). [5 pp.]
10 4 Inventories - H.S. Articles
Photocopy of card catalogue of H.S. articles. [c. 40 pp.]
10 5 Inventories - Files on Art and Photography
List of major subject areas for Schwarz's research files on art and photography. [7 pp.]
10 6 Inventories - H.S. Library
Photocopy of a card catalogue of Schwarz's personal library. [c. 75-100 pp.]
10 7 Miscellaneous - Photo requests
Several miscellaneous letter; notes. [6 pp.]
10 8 Miscellaneous - Articles
Art News from 1942 and 1943; sele arte 1958; New Yorker. [9 items]
10 9 Miscellaneous - Catalogues
. [7 items]
10 10 Miscellaneous
Notes, clippings. [4 items]
Series I.G. Photographs, ca. 1940-1970 11 binders
The photographs are arranged by topic paralleling the earlier research files, from "Art and Photography" through the "Owl." These photographs and glass negatives were collected for research, for the illustration of articles, and for teaching purposes.
11 binders contain color and black-and-white photographic prints collected by H.S. from museums and libraries in the U.S. and in Europe. This subseries provides a visual companion to the notes, correspondence, and other textual research materials housed in Series I, Subseries A to F.
11 Research Files - Art and Photography
Research photographs relevant to Schwarz's investigation of the relationship between art and photography in general; more specific or focused collections of photographs follow the general collection of photographs on art and photography (in binders 13 and 14).
12 Research Files - Art and Photography
Research photographs on Art and Photography, General files (continued).
13 Research Files - Art and Photography
Research photographs on Art and Photography, General (continued); Early Photography; Cartoons on Photography.
14 Research Files - Art and Photography; Optical Phenomena
Research photographs on Photographic Conventions in Painting; Photography and Painting; and Optical Phenomena, General.
15 Research Files - Optical Phenomena
Photographs concerning Optical Phenomena, General (continued); Anamorphosis; Bird's Eye View; and the Camera Obscura.
16 Research Files - Optical Phenomena
Photographs concerning the Camera Obscura (continued); Camera Lucida; and the Magic Lantern.
17 Research Files - Optical Phenomena
Photographs concerning Peepshows; Physionotrace; and Silhouette.
18 Research Files - The Mirror in Art
Photographs collected in the course of Schwarz's investigation of the iconography of the mirror in art; the photos in this binder illustrate the history of the mirror as a positive element, "Bonum."
19 Research Files - The Mirror in Art
Photographs for Schwarz's study of the mirror as a negative element, or the mirror "Malum," in art.
20 Research Files - The Symbolic Owl
Photographs for Schwarz's proposed study and publication, "The Symbolic Owl."
21 Research Files - The Symbolic Owl
A continuation of photographs for "The Symbolic Owl."
22* Research Files - Oversize Photographs
22* 1 Research Files - Art and Photography - Early Photography
Reproductions of portrait photographs of writers, politicians, etc. taken by Nadar, Carjat, and other 19th century photographers. [30 items]
22* 2 Research Files - Art and Photography - Photography and Painting
Oversized photographs from Schwarz's Art and Photography research files. [6 items]
22* 3 Research Files - Art and Photography - Newspaper Clippings
Life, 26 April 1954 and December 1966. [2 items]
22* 4 Research Files - Optical Phenomena - Machines pour dessiner
Oversize photographs. [8 items]
22* 5 Research Files - The Mirror
Oversize photos from Schwarz's collection of research material on the symbolism of the mirror in art; artists include van Eyck, Parmigianino, Metsys, Artemesia Gentilleschi, and others. [20 items]
22* 6 Research Files - The Mirror - Clippings
Oversize clippings from Life and other sources; catalogue from the Aachen celebration and pilgrimage, 1958. [6 items]
22* 7 Research Files - The Owl
Oversize photographs considered for the "Eule" article. [6 items]
22* 8 Research Files - The Owl - Newspaper Clippings
. [6 pp.]
23 Research Files - Lantern Slides
23 1 "Végétation aux Iles Sons-le-Vent," 1880
23 2 Paul Gauguin, "Pape Moe," 1893
23 3 Wife of Gauguin's Cook in Atuana, Marquesas Islands, 1902
23 4 Paul Gauguin, "Woman with Fan," 1902.
23 5 Paul Gauguin, "Ancestors of Tehaman," 1893
23 6 "Les Lutteurs Marseilles Frères"
23 7 Gustave Courbet, "Les Letteurs," 1853
23 8 Honore Daumier, "Wrestlers"
23 9 Edouard Manet, "Course au Bois de Boulogne"
23 10 Edouard Muybridge, "Galopping Horses," 1902
23 11 Edgar Degas, Horse, Bronze
23 12 Gauguin, "Nude Javanese," 1893
23 13 Edgar Degas, "Courses en Provence," 1873
23 14 Georges Roualt, "Charles Baudelaire," 1927
23 15 Carjat, "Portrait of Charles Baudelaire," 1927
23 16 Paul Cezanne, "The Bather," 1885-1890
23 17 Photograph of the Model Used for "The Bather," 1885-1890
23 18 Harold E. Edgarton, "Bobby Jones with Driver," 1933
23 19 Thomas Eakins, "Pole Vaulter," 1885
23 20 "2/5 of U.S. Land Area composed of 310 prints," U.S. Navy, 1954
23 21 Gustav Courbet, "P.J. Proudhon and his Family," 1853 1865
23 22 Reutlinger, after Carjat, after Amedie Bourson, "Portrait of P.-J. Proudhon," before 1865
23 23 Werner Graeff
23 24 Nadar, "Portrait of Charles Baudelaire"
23 25 Manet, "Portrait of Charles Baudelaire"
23 26 Canaletto, "Sta. Maria della Salute"
23 27 R. de la Nezíère, "La Photographie and l'histoire naturelle," 1901
23 28 Goya, "The Bull Fight"
23 29 Aimé-Nicholas Morot, "Rézonville 16 août 1870"
23 30 French, Instantaneous photograph, c. 1900
23 31 Henri Toulouse-Lautrec, "Poster for Paul Sescau," 1894
32 Paul Sescau, "A La Mie," 1891
Box Folder
23 33 Punch cartoon, 1953
23 34 George Cruikshank, Sun Drawing, 1841
23 35 Nadar, "Ingratitude de la peinture, qui refuse la plus petite place de son exposition à la photographie, à qui elle doit tant," 17 Jan 1857
23 36 New Hampshire License Plate 1963
23 37 Henri Toulouse-Lautrec, "A La Mie," 1891
23 38 Franz V. Lenbach, "The Artist and his Family," 1903
23 39 Alfred Stevens, "Parisian Celebrities," 1900?
23 40 Nadar, "Painting offering to photography a place at the exposition," 1957
23 41 Nadar, "La Photographie solicitant une toute petite place a l'exposition des beaux-arts," 1857
23 42 Jean-Louis Meissonier, "Portrait of Leland Stanford," 1881
23 43 Anton V. Werner, Moltke near Paris," 1873
23 44 Abel Damourette, "Daguerrotype Cartoons," 1858
23 45 James Ensor, "Mon portrait Squeletisé," 1889
23 46 "Portrait of James Ensor," 1889
23 47 General Count Moltke on a horse dummy, 1871
23 48 Edvard Munch, "Death in a Sickroom," 1893
23 49 X-ray photo, Shell of the pearly nautilus
23 50 H. Fantin-Latour, "Mrs. Edwin Edwards"
23 51 Between Acts, 1958
23 52 Degas, Horse, Bronze.
52 glass plates housed in original wooden case.
Series II. Bibliographic Files, ca. 1928-1974 3 boxes
A collection of 3 x 5 inch and 4 x 6 inch index cards are inscribed with information on sources consulted in the course of Schwarz' research. They are arranged by topic and include an alphabetical file of sources in general.
24 Bibliographic Card File - Sources
A to Z (3 x 5 in.) card file of primary sources and works consulted with a bibliographic record on each card. Rich in 18th and 19th century sources relevant to Schwarz's primary areas of research.
25 Bibliographic Card File - Art and Photography
Card file (4 x 6 in.) on art and photography with citations for works in this subject and annotations by H.S.
26 Bibliographic Card File
Card file (3 x 5 in.) of bibliographic and biographical data on photographers Nadar and D.O. Hill; the Hill file is divided into sections by the dates 1821-59, 1861-79, 1879-99, 1900-19, 1920ff., each with a full set of duplicates. Also in this box are several other groups of reference cards, including a section of Artists' Monographs, the addresses of art and photography dealers and galleries, and a bibliography of Schwarz's publications and papers.
Series III. Writings, Lectures, and Publications, 1928-1985 12 boxes
Publications are arranged chronologically and contain manuscripts, correspondence, and photographs, galleys and printed matter for articles published between 1928-1973, with some material dating to 1985. Lectures are arranged by topic and include some correspondence, and printed ephemera. chronologically within their topic. With the lectures are also filed some correspondence, typescripts, notes, invitations or announcements, and ephemera.
Arranged in 2 subseries, writings and lectures.
Series III.A. Writings, 1928-1985 10 boxes
Manuscripts, correspondence, galleys, printed matter for Schwarz's articles and books, published 1928-1973, with some material dating to 1985. Much of the material relates to Schwarz's writings on D.O. Hill.
Box Folder
27 1 D.O. Hill Book - Proofs
Proof from Insel-Veralg; with annotations by H.S. (21 October 1930).
27 2 D.O. Hill: Der Meister der Photographie
1931 Edition (in German) of Schwarz's first book, with annotations (interleaved pages removed and placed in Box 26, Folder 3).
27 3 D.O. Hill Book
Interleaved pages removed from Schwarz's copy of D.O. Hill book; pages contain additional notes, bibliographic citations, and references to artworks.
27 4 D.O. Hill Exhibition, MoMA, 1941 - Correspondence
To Francis Henry Taylor at MoMA (1941) pledging Schwarz's commitment to making the show a success (3-26-41); letter from George Wm. Eggers commending Schwarz's loan to the MoMA and his work on the Hill show (10-4-41); and others. [9 pp.]
27 5 D.O. Hill Exhibition, MoMA, 1941 - Beaumont Newhall Correspondence
Letters to and from B.N. regarding the staging of the 1941 Hill exhibition at MoMA; letter from B.N. concerning a citation about Hill's original exposure in the U.S., with a quote from Alfred Stieglitz (to B.N.) (2-22-40); from B.N. regarding prints made from Schwarz's Hill calotypes and the possibility of offering the MoMA a set (1-26-41); to B.N. offering a gift of antique photographs and inquiring as to the necessary length of Schwarz's article for the MoMA Bulletin (8-4-41); from B.N. regarding the 1941 exhibition of Schwarz's prints at MoMA, including details of display and lighting (8-15-41); to B.N. with disappointment at their dwindling exhibition scheme (8-18-41); and others incl. list of Schwarz's calotype collection. [18 pp.]
27 6 "D.O. Hill" for The American Encyclopedia of Photography, 1941
Letters from W.M. Morgan requesting Schwarz's contribution at the recommendation of B.N. (1941). [6 pp.]
27 7 "D.O. Hill and Robert Adamson," Museum Notes, 1942
Photocopy of brief H.S. article. [1 p.]
27 8 "D.O. Hill" for Minicam Photography, 1943 - Correspondence
Letters from A.M. Mathieu regarding the preparation and proofing of this article. [28 pp.]
27 9 "D.O. Hill" for Minicam Photography, 1943 - Proofs
Galley proofs. [6 pp.]
27 10 "D.O. Hill Calotypes" for Museum Notes, RISD, 1944
Three letters from Alfred Neumeyer, Mills College, requesting the exhibition be allowed to travel (December 6 and 24, 1944); other correspondence; typed draft for article in Museum Notes; two copies of Museum Notes, December 1944. [40 pp.]
27 11 D.O. Hill - Connoisseurship and Collection Development, 1944-1974
Correspondence regarding Schwarz's Hill connoisseurship and his personal and professional collecting activities. [25 pp.]
27 12 "D.O. Hill and Robert Adamson and the Photographic Exhibitions," undated
Six drafts of this article, including one in German.
27 13 D.O. Hill Exhibition, MoMA - Edward Steichen Correspondence, 1949
Letters to and from Edward Steichen regarding a loan of H.S. calotypes for a MoMA exhibition to open April 1949 (3-28-49); H.S. reply sends 58 calotypes not shown in 1941 (3-30-49); from E.S., requesting more Hill-Adamson prints and suggesting his hunch that Adamson was the dominant collaborator (4-6-49); handwritten receipt from E.S. (4-9-49); thank you from E.S. (5-10-49); and others. [18 pp.]
27 12 D.O. Hill Exhibition, University of Glasgow, 1954
Xerox of catalogue and an invitation to a private viewing. [10 items]
27 13 "An Exhibition of Victorian Calotypes," Victorian Studies, 1958
Three copies of the article; 2 clippings on exhibitions of 19th century calotypes. [9 items]
27 14 "Great Masters of Early Photography," Davison Art Center, 1962
Invitations; typescript of Schwarz's talk on the exhibition [4 pp.]; clippings pertaining to both Schwarz's lecture and the exhibition. [24 items]
Box Folder
28 1 "Great Masters of Early Photography"
Exhibition catalogue paste-up, with annotations by H.S. [c. 50 pp.]
28 2 "Calotypes by D.O. Hill and Robert Adamson," Davison Art Center, 1970
Invitation and H.S. brochure for exhibition; correspondence thanking H.S. for offprints, exhibition. [18 pp.]
28 3 "Hill-Adamson Calotypes," Scottish Art Review, 1970
Drafts of this article and correspondence regarding the publication. [c. 60 pp.]
28 4 "D.O. Hill: A Centenary Exhibition," Scottish Arts Council Gallery, 1970
Correspondence regarding the inclusion of Schwarz's calotypes; invitation and postcards from the exhibition; two copies of Creative Camera with D.O. Hill article by Helmut Gernsheim; clipping: review of exhibition. [c. 27 items]
28 5 "Hill and Adamson Judged by their Contemporaries," Apollo Correspondence, 1972
Correspondence regarding the publication of this article, including letters to and from Apollo editors and to and from libraries and museums, from whom H.S. wished to acquire photographs; also thank-yous from colleagues to whom he had sent reprints. [85 pp.]
28 6 "Hill and Adamson Judged by their Contemporaries" Apollo Typescripts, 1972
Nine typescripts of the article, including one in German, some with annotations or changes. [84 pp.]
28 7 "Hill and Adamson Judged by their Contemporaries," Galleys Apollo, 1972
One original and two photocopies of the galley for the article, with H.S. corrections. [24 pp.]
28 8 "Hill and Adamson Judged by their Contemporaries," ApolloPhotographs, 1972
Photoprints for the article's illustration. [27 items]
28 9 D.O. Hill Book, second edition (unrealized)
Extensive correspondence between H.S. and the publishing firms with whom he had contracts and proposals pending over the years for a production of a second edition of his Hill monograph, including Insel-Verlag, Aperture, Edinburgh University Press, Oliver & Boyd; also correspondence with colleagues regarding this second edition, including A. Hyatt Mayor, Beaumont Newhall, Keith Andrews, and others. (See also Elisabeth Schwarz Correspondence for her efforts in this project after Dr. Schwarz' death.) [c. 80 pp.]
28 10 Schwarz Calotype Collection
Proof sheets of Schwarz' calotype collection. [10 photographs]
Box Folder
29 1 "Der Almanach für Damen auf das Jahr 1809: Das erste Buch mit Lithographischen Illustrationen," Zeitschrift für Bücherfreunde, 1928
Photocopy of the article. [6 pp]
29 2 "Carl Weber und Lithographie" - Correspondence, 1920-1934
Correspondence gathering information for and regarding the publication of the article, in German. [14 pp.]
29 3 "Julia Margaret Cameron," The Complete Photographer Notecards, 1941
Approximately 50 notecards cataloguing the portraits of J.M. Cameron interleaved with 18 small photographs of Cameron originals; eight photographs for use in article. [76 items]
29 4 "J.M. Cameron," The Complete Photographer Correspondence, 1941
Two letters from H.S. to Willard Morgan, General Editor; copy of The Complete Photographer, Issue 10, vol. 2. [3 items]
29 5 "J.M. Cameron," The Complete Photographer, 1941
[20 pp.]
29 6 "Nadar," The Complete Photographer Photographs, 1941
[23 photographs]
29 7 "Nadar," The Complete Photographer Research Materials, 1941
Photocopies of early articles, scholarly journals. [9 items]
29 8 Art and Photography, Book Proposal
Two-page outline for a book on art and photography. [2 pp.]
29 9 Delacroix Article, proposed - Correspondence
Correspondence with Beaumont Newhall regarding their simultaneous proposal of a Delacroix article to the Magazine of Art (1949). [7 pp.]
29 10 Delacroix Article, proposed - Notes and Photographs
Notes and photographs gathered in preparation for an article on Delacroix. [c. 35 pp.]
29 11 Delacroix Article, proposed - Research Materials
Magazine of Art, 1952, with an article on Delacroix and photography by Beaumont Newhall and 1962, with an article on Delacroix and photography by Van Deren Coke. [2 items]
29 12 "Art and Photography: Forerunners and Influences," Magazine of Art Proofs and Typescripts, 1949
Two publisher's proofs with brief corrections by H.S.; several draft versions of the article; correspondence with Thames and Hudson proposing a book based on this material (1960). [115 pp.]
29 13 "The Mirror in Art," Art Quarterly Correspondence and Reprint, 1952
Correspondence; reprint. [7 items]
29 14 "Daumier, Gill, and Nadar," Gazette des Beaux-Arts, 1957 - Correspondence
Correspondence regarding the publication of Schwarz's article, including Erwin Panofsky, whose letter includes a detailed critique of Schwarz's article (1957(2)); Van Deren Coke (1957); Creighton Gilbert, introducing Van Deren Coke (1957); William Ivins, who wrote his letter in ink made according to Palatino's recipe of 1533 (1957); Gazette des Beaux-Arts (1956, 1957); Art Quarterly (1956). [c. 50 pp.]
29 15 "Daumier, Gill, and Nadar," Gazette des Beaux-Arts Typescripts, 1957
Two copies of the typescript for the article. [42 pp.]
29 16 "Daumier, Gill, and Nadar," Notes Gazette des Beaux-Arts, 1957
29 17 "Daumier, Gill, and Nadar," Gazette des Beaux-Arts Photographs 1957
Prints for the article. [12 items]
Box Folder
30 1 "Goya's Portrait of Goulon," College Art Journal, 1957
One reprint.
30 2 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift Correspondence, 1958
Correspondence including letters from Erwin Panofsky, thanking H.S. for the offprint and defining his term, "eccentric perspective" (1959); from E.H. Gombrich (1957), who dicusses the finishing touches on his book Art and Illusion and the "wishful thinking" of Panofsky's "symbolische Form"; from Sonia Delaunay regarding her husband's knowledge of Konrad Witz in his painting of "St. Severin" (n.d.); from Julian Held, including a Christmas card with suggestions for a lecturing forum for H.S. (1957); William Suida; I. Grafe at Phaidon Press; and many others. [c. 100 pp.]
30 3 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift Reprint, 1958
[1 item]
30 4 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift Notes, 1958
Notes and clippings collected for the mirror article, particularly on Robert Delaunay and Konrad Witz, Aachen cathedral. [c.100 pp.]
30 5 "The Mirror of the Artist and the Mirror of the Devout," Suida Festschrift - Photographs, 1958
[11 items]
30 6 "William Etty's 'Self-Portrait' in the London National Portrait Gallery," Art Quarterly - Correspondence, 1958
Correspondence regarding the publication, with Burlington Magazine and with Art Quarterly; notes thanking H.S. for reprints of the article, including one from Beaumont Newhall. [c. 39 pp.]
30 7 "William Etty's 'Self-Portrait' in the London National Portrait Gallery," Art Quarterly - Typescripts, 1958
Three drafts of the article with brief notes; photographs. [28 pp.]
30 8 Salzburg und das Salzkammergut - Correspondence, 1958
Letter from Erwin Panofsky, thanking H.S. for sending the book and praising the manner in which Schwarz's book evokes the "Romantic" period of German painting. [1 p.]
30 9 "Ingres Graveur," Gazette des Beaux-Arts, Correspondence, 1939-1959
Early correspondence, 1939-1943, requests permission from Sacheverell Sittwell to reproduce his Ingres drawings; correspondence, 1955-1959, records Schwarz's publishing activities as they pertain to this article, i.e. letters to his publishers, including extensive correspondence with the Gazette des Beaux-Arts, letters requesting photographs, correspondence with colleagues, including Hans Naef, A. Hyatt Mayor, and others, letters to and from his translator. [c. 100 pp.]
30 10 "Ingres Graveur," Gazette des Beaux-Arts Correspondence, 1959-1967
Letter from Erwin Panofsky (1960) thanking H.S. for the "Ingres" reprint and for hosting E.P. and his wife at Camden; similar letters from Hans Naef, Agnes Mongan, Otto Kurz; letters to 1967. [c 75 pp.]
30 11 "Ingres Graveur," Gazette des Beaux-Arts Notes and Clippings, 1936-1959
Copy of "Ingres as Lithographer" by Hans Naef (1957); relevant newspaper articles; Museum Notes from the Toledo Museum of Art (1936); typed notes. [c. 50 pp]
30 12 "Ingres Graveur," Gazette des Beaux-Arts Typescripts, 1959
Two pp. "Résumé" outlining the subject matter and intellectual purpose of Schwarz's proposed article; 22 page draft of article. [24 pp.]
30 13 "Ingres Graveur," Gazette des Beaux-Arts Photographs, 1959
[19 items]
Box Folder
31 1 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Correspondence 1925-1935
Letters, in German. [c. 20 pp.]
31 2 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Correspondence 1960-1962
List of colleagues, institutions to whom H.S. sent reprints; many letters of thanks, especially from German and Austrian colleagues, with comments on the article and other events (1960-63); many in German. [c. 40 items]
31 3 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Reprint
[1 item]
31 4 "August Heinrich und die geistigen Voraussetzungen seiner Malerei," Mitteilungen der Österreichischen Galerie, 1960 (originally published in Amicis, 1926) - Photographs
[55 items]
31 5 "Die Graphischen Werke von Egon Schiele" und "Nachtrag," Philobiblon, Correspondence, 1961-1962
Letters concerning the preparation and publication of the article, including photo requests, requests for information and advice; letters expressing gratitude for reprints. [c. 70 pp.]
31 6 "Die Graphischen Werke von Egon Schiele" und "Nachtrag," Philobiblon Notes, 1961-1962
Includes notes and research materials, e.g. gallery catalogues, bibliographic references. [c. 30 pp.]
31 7 "Die Graphischen Werke von Egon Schiele" und "Nachtrag," Philobiblon Photographs, 1961-1962
[30 items]
31 8 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie Correspondence, 1962
Correspondence regarding this article, primarily thank-you letters for reprints received; also some photo requests. [c.50 pp.]
31 9 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie Typescripts, 1962
Correction of R. Pettit translation, 14 pp.; two 18 pp. typescripts in English (original and copy); leaves from actual publication (with copy). [c. 65 pp.]
31 10 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie, 1962 - Notes and Research Materials
Bundle of note pages, typed and handwritten; "Wiener Staatsoper" 1963-64; Central Europe 1600-1800, Ringling Museum of Art (1972); article on Palko by Klara Garas (1961). [c. 33 items]
31 11 "Franz Anton Palko als Bildnismaler," Mitteilungen der Öesterreichischen Galerie, 1962 - Photographs.
[25 items]
Box Folder
32 1 "Carl Weber and Lithography," unpublished(?) - Correspondence 1962-1964
Letters seeking information and advice regarding the lithographic occupation of Weber, prints of Weber scores, etc.; in German and English. [12 pp.]
32 2 "Carl Weber and Lithography," unpublished(?) - Drafts
Two copies of a draft for a short article on Weber's role in the early history of Lithography with photocopied illustrations. [13 pp.]
32 3 "Carl Weber and Lithography," unpublished(?) - Notes and Research Materials
Handwritten and typed notes on Carl Weber; photocopies of relevant articles and sources. [39 pp.]
32 4 "Carl Weber and Lithography," unpublished(?) - Photographs
[12 items]
32 5 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Correspondence
Letters to and from H.S. regarding the publication of the article and the receipt of reprints; includes correspondence with Bärenreiter-Verlag, Fritz Novotny (1969), Otto Erich Deutsch (1962, 1963), and Dr. Scheidig, Direktor der Staatlichen Kunstsammlungen in Weimar (1959, 1962); many other museums, galleries, and colleagues. [c.50 pp.]
32 6 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Galley and Drafts
Galley with corrections (3pp.)
32 7 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Research Materials
Handwritten and typed notes; Karlsplatz, a small book by the Historisches Museum der Stadt Wien. [c. 15 items]
32 8 "Ferdinand Olivier's 'St. Karlskirche in Wien'" Festschrift Otto Erich Deutsch, 1963 - Photographs
Photographs used in the article; print view of the Karlskirche. [8 photos; 1 print]
32 9 "Julius Schnorr von Carolsfeld in Salzburg und Berchtesgaden," Kunstjahrbuch der Stadt Linz, 1963 - Correspondence
Correspondence with primarily German and Austrian colleagues, including the Magistrat der Landeshauptstadt Linz, Hans Aurenhammer of the Österreichischen Galerie, and the Stadtmuseum Linz.
32 10 "Julius Schnorr von Carolsfeld in Salzburg und Berchtesgaden," Kunstjahrbuch der Stadt Linz, 1963 - Notes
Brief notes, references. [12 pp.]
32 11 "Julius Schnorr von Carolsfeld in Salzburg und Berchtesgaden," Kunstjahrbuch der Stadt Linz, 1963 - Drafts
Article typescript. [17 pp.]
32 12 "A Unique Woodcut by Hans Lautensack," Pantheon, 1964 - Correspondence
Communication with Pantheon regarding publication, corrections, and reprints; many-thank you letters from colleagues and institutions which received offprints of the article, including Panofsky (1964), Ackerman (1964); original offer to Burlington Magazine of the Lautensack paper (1963). [c. 75 pp.]
32 13 "A Unique Woodcut by Hans Lautensack," Pantheon, 1964 - Notes
[c. 45 pp.]
32 14 "A Unique Woodcut by Hans Lautensack," Pantheon, 1964 - Photographs
[20 items]
32 15 Honoré Daumier, Exhibition Catalogue, 1965 - Correspondence
Letters from colleagues and libraries express gratitude for the copies of Schwarz's catalogue received; originals plus photocopies. [c. 45 items]
32 16 Honoré Daumier, Exhibition Catalogue, 1965 - Photographs
Photographs from the article. [43 items]
Box Folder
33 1 "Palma Giovane and his Family: Observations on some Portrait Drawings," Master Drawings, 1965 - Correspondence
Letter from Perry Cott, Chief Curator at the National Gallery of Art, Washington D.C. thanking H.S. for the article and expressing his intention to change the attribution of the "Vittoria" bust in their collection due to Schwarz's research; letters to and from the editors of Master Drawings regarding the publication of the article; many letters requesting references and photos; thank you letters from colleagues and institutions regarding reprints. [c. 75 pp.]
33 2 "Palma Giovane and his Family: Observations on some Portrait Drawings," Master Drawings, 1965 - Notes
Handwritten notes and several photocopied references; Record of the Art Museum, Princeton University. [c. 50 items]
33 3 "Palma Giovane and his Family: Observations on some Portrait Drawings," Master Drawings, 1965 - Photographs
[80 items]
33 4 "Heinrich Reinhold in Italien," Jahrbuch der Hamburger Kunstsammlungen, 1965 - Correspondence
Correspondence regarding information about Heinrich Reinhold works in other museums and galleries, incl. the Hamburg Kunsthalle; letters from colleagues expressing gratitude for reprints received, incl. Keith Andrews, National Gallery Scotland and Otto Kurz, the Warburg Institute; correspondence with the publisher. [c. 75 pp.]
33 5 "Heinrich Reinhold in Italien," Jahrbuch der Hamburger Kunstsammlungen, 1965 - Notes and Research Materials
Handwritten copy of Heinrich Reinhold's last letter; Reinhold article from the 1936 Künstlerlexicon; 1928, 1929, and 1824 articles on Heinrich Reinhold (photocopies); extensive handwritten notes on biography and art; newspaper clippings. [c. 40 pp.]
33 6 "Heinrich Reinhold in Italien," Jahrbuch der Hamburger Kunstsammlungen, 1965 - Photographs
[77 items]
33 7 Lexicon der Christlichen Iconographie, 1965 - Correspondence
Letter from H.S. offering his services as author of an article on the Owl, the Mirror, or other topics; correspondence with Verlag Herder Freiburg; lists of topics in the Lexicon with brief notes. [c. 60 pp.]
Box Folder
34 1 "Louis Dorigny in Wien," Mitteilungen der Österreichischen Galerie, 1966 - Correspondence
Extensive correspondence with Hans Aurenhammer, Österreichischen Galerie, regarding Louis Dorigny's work and the article's publication; requests for photographs of and references to Dorigny's work; many receipts for reprints received by colleagues and institutions. [c. 100 pp.]
34 2 "Louis Dorigny in Wien," Mitteilungen der Österreichischen Galerie, 1966 - Notes
Handwritten and typed notes made during H.S. research; a few photocopies of source materials. [c. 50 pp.]
34 3 "Louis Dorigny in Wien," Mitteilungen der Österreichischen Galerie, 1966 - Photographs
[22 items]
34 4 "Vermeer and the Camera Obscura," Pantheon, 1966 - Correspondence
Letters to and from colleagues regarding this article, including Erwin Panofsky (1966), who admired the article yet offers his criticism of the use of a Hoogstraten etching in the essay; James Ackerman, Fogg Museum, who thanks H.S. for the paper and remarks that he intends to use some of its information in connection with his seminar, "Art and Science in the Renaissance" (1966); Jakob Rosenberg, National Gallery of Art, also expresses gratitude for the reprint and interest in Schwarz's work (1966); William Sebastian Heckscher, Duke University, describes the recent Vermeer show by deVries at the Hague as the "ultimate in gruesome distortion" and raves about Schwarz's treatment of the topic (n.d.);Beaumont Newhall (1966); Julius Held states that he enjoyed the article but remains skeptical of the role of science in art (1966); Van Deren Coke (1966); correspondence with Pantheon regarding publication matters; Charles Seymour, Jr. correspondence regarding his review of Schwarz's "Vermeer..." manuscript, as it responds to earlier work by Seymour (1965). [c. 125 pp.]
34 5 "Vermeer and the Camera Obscura," Pantheon, 1966 - Notes
Handwritten and typed research notes on Vermeer and optical devices. [48 pp.]
34 6 "Vermeer and the Camera Obscura," Pantheon, 1966 - Photographs
Photos for inclusion in the published article. [24 items]
34 7 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - General Correspondence
Many letters thanking H.S. for reprints sent and commenting on the article and recent work by colleagues; letter from Erwin Panofsky to Dr. Gustav Künstler commenting on the latter's recent "Las Meninas" article (1960); Alessandra Comini, informing H.S. that she has "requested" him for her dissertation defense, as she has responded to his work in her paper (1967, 1968); letter from H.S. to the d'Offay Couper Gallery declaring a recent Schiele offering misattributed (1968); d'Offray response (1968). [c. 100 items]
34 8 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - Viennese Correspondence
Letters from Frau Melanie Schüster Schiele, describing her brother's view of self, his use of the mirror in his studio, and the floorplan of his studio (8/8/1967; 5/7/1967); sketch of Schiele's studio by Mrs. Jella Reif-Pollack, who visited Schiele there in 1917 (1967); correspondence with Wolfgang Fischer of Marlborough Fine Art, Ltd., London, regarding the specifics of Schiele's studio, the placement of mirrors, introductions to living acquaintances (1965-6). [17 items]
34 9 "Schiele, Dürer and the Mirror," Art Quarterly Correspondence, 1968
Letters to and from the editors of Art Quarterly in the course of the preparation of Schwarz's article for publication. [36 pp.]
34 10 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - Publication Correspondence
Correspondence regarding unsuccessful submissions of Schwarz's paper to the College Art Association, Burlington Magazine, Hauswedell & Co. Verlag, and others. [c.35 pp.]
34 11 "Schiele, Dürer and the Mirror," Art Quarterly, 1968 - Typescripts and Corrections
Two photocopies of pre-publication versions of the article with corrections. [c. 35 pp.]
34 12 "Schiele, Dürer and the Mirror," Art Quarterly,1968 - Notes and Research Materials
Handwritten and typed notes; clippings. [c.40 pp]
34 13 "Schiele, Dürer and the Mirror," The Art Quarterly,1968 - Photographs
[17 items]
Box Folder
35 1 "Joseph Rosa und das Museé Napoleon," Mitteilungen der Österreichischen Galerie, 1968 - Correspondence
Extensive correspondence with Hans Aurenhammer of the Österreichische Galerie (1968); many expressions of gratitude for reprints received. [c. 50 pp.]
35 2 "Joseph Rosa und das Museé Napoleon," Mitteilungen der Österreichischen Galerie, 1968 - Notes
Handwritten and typed notes including several transcriptions of Joseph Rosa letters. [c. 30 pp.]
35 3 "Joseph Rosa und das Museé Napoleon," Mitteilungen der Österreichischen Galerie, 1968 - Photographs
[10 items]
35 4 "J. August Heinrich," Neue Deutsche Biographie, 1969 - Correspondence
Correspondence with the Neue Deutsche Biographie, regarding publication; with colleagues and galleries in reference to photo requests, reprints received, and translation of the ariticle. [c. 100 pp.]
35 5 "J. August Heinrich," Neue Deutsche Biographie, 1969 - Drafts and notes
Examples of previous biographies; a reprint of Schwarz's biography of August Heinrich; handwritten and typed notes; research source articles, photocopied. [c. 50 pp.]
35 6 "J. August Heinrich," Neue Deutsche Biographie, 1969 - Photographs
Photographs and photocopies of August Heinrich's diary. [14 items]
35 7 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Correspondence
Correspondence regarding reproductions for and reprints of Schwarz's article. [c. 50 pp.]
35 8 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Reallexikon Correspondence and Contracts
Original contract between H.S. and the Reallexikon; guidelines for authors; correspondence. [c. 40 pp.]
35 9 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Typescript with Corrections
Typescript and photocopy of the article; corrections and annotations, notes regarding selection of illustrations. [c. 70 pp.]
35 10 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Proofs
Typed proof with handwritten corrections. [c. 50 pp.]
35 11 "Eule," Reallexikon zur Deutschen Kunstgeschichte, 1970 - Notes and Research Materials
Extensive typed notes on the symbolism of the owl; photocopies of significant references, sources. [c. 100 pp.]
35 12 "Annual Report," Davison Art Center and Wesleyan Art Department, 1971-192
Authored by H.S. and others, file contains photocopies of each. [c. 25 pp.]
35 13 "Early Lithography, 1801-1835," Davison Art Center, 1972
Catalogue, with statement by H.S. [1 item]
Box Folder
36 1 Davison Art Center Selected Acquisitions, 1955-1972
Three copies of this catalogue, which includes "A Tribute to H.S." by Alan Shestack; 27 reprints of Shestack's article; correspondence from colleagues who received a copy of this publication, incl. Otto Kurz and William Sebastian Heckscher. [40 items]
36 2 Wesleyan, Summer 1972
Two copies of this issue, which includes "Shaping a Collection" about H.S. by Alan Shestack. [2 items]
36 3 Shestack, "Prints at Wesleyan University," from The Print Collector's Newsletter, 1972
[1 p.]
36 4 "An Eighteenth Century English Poem on the Camera Obscura," pub. post-1974 - Ms. and Reprint
Handwritten ms.; two corrected typescripts, one corrected by Mrs. Van Deren Coke; reprint of the article as published. [40 pp.]
36 5 Johann Nestroy im Bild, 1977 - Typescript of "Forword"
Typed draft of the "Forword" published posthumously in Nestroy im Bild, 1977; draft dated 1958. [c. 40 pp.]
36 6 "On Photography, Part II," (title not given by author) Art and Photography: Forerunners and Influences, 1985 - Typescript
Photocopied typescript originally written in the 1960's, but not published until 1985; corrected by third party in preparation for publication. [33 pp.]
36 7 "Art and Photography: Forerunners and Influences," published posthumously as "On Photography, Part I," Art and Photography: Forerunners and Influences, 1985 - Typescripts
One typed draft; one photocopied draft with corrections by third party, perhaps J&V Verlag. [29 pp.]
36 8 Art and Photography: Forerunners and Influences, 1985 - Reviews
Photocopies of various reviews of Schwarz's book of essays. [c. 25 pp.]
Series III.B. Lectures, 1957-1970 2 boxes
Correspondence, manuscripts, and printed ephemera relating to Schwarz's lectures at museums and universities.
Box Folder
37 1 "The Owl in Art," Lecture at the Metropolitan Museum of Art, Correspondence, 1957
Letter from Julius Held (11/6/57), thanking H.S. for a "stimulating lecture" and remarking Panofsky's approval of one of Held's theories; the Met's announcements listing the lecture. [3 items]
37 2 "The Owl in Art," Lecture at Smith College, 1963
Sign from H.S. lecture at Smith College (3/18/63) and an invitation to a post-lecture meeting at the home of Esther and Leonard Baskin; The Sophian, Smith College Newspaper (3/19/63) with review of Schwarz lecture. [3 items]
37 3 "Art and Photography: Symptoms and Trends of a New Vision," Lecture at the Metropolitan Museum of Art, 1958
Letters arranging the lecture with the Dean of Education, Sterling A. Callisen, at the Metropolitan; letters from H.S. to invite friends and colleagues, including Harry Bober (NYU), to whom Schwarz expresses his disappointment at James Ackerman's rejection of this paper for The Art Bulletin and his interest in Bober's assessment. [22 pp.]
37 4 "Art and Photography: Symptoms and Trends of a New Vision," which is elsewhere titled, "After 1839: Effects and Examples of a New Vision,"
Four complete typescripts of this paper in various stages of refinement. [c. 130 pp.]
37 5 "Art and Photography: Symptoms and Trends of a New Vision," Lecture at the Metropolitan Museum of Art, 1958 - Notes
Typed slide list for the lecture; handwritten notes; "MMA Calendar" October 1958, which advertises Schwarz's October 19th lecture. [17 pp.]
37 6 "Art and Photography: Symptoms and Trends of a New Vision," Lecture at the Fogg Art Museum, Harvard University, 1959 - Correspondence
A letter from Jakob Rosenburg inviting H.S. for a Spring lecture at Harvard (12/1958); letters arranging the lecture; an expression of regret from Georgy Kepes (1959) who could not attend; congratulations from colleagues; Fogg Bulletin listing lecture. [22 pp.]
37 7 "After 1839: Effects and Examples of a New Medium," Worcester Art Museum, 1966 - Correspondence and Typescript
Correspondence regarding the arrangements for the lecture and the honorarium; typescript of lecture; Museum Bulletin announcing the lecture. [26 pp.]
37 8 "Art and Photography: Effects and Examples of a new Medium," Columbia University, 1966 - Announcements
Announcements and letter. [5 pp.]
37 9 "After 1839: Effects and Examples of a New Medium," Philadelphia Museum of Art, 1970 - Correspondence
Correspondence with Kneeland McNulty and Philadelphia Museum regarding choice of topic and logistics of lecture; brief notes and slide instructions; museum schedule listing Schwarz's talk. [16 pp.]
37 10 "After 1839: Effects and Examples of a New Medium," Philadelphia Museum of Art, 1970 - Typescripts
Typescripts with corrections. [62 pp.]
37 11 "Before 1839: Symptoms and Trends," College Art Association, 1963 - Correspondence with Beaumont Newhall
Beaumont Newhall, elected chairman of a panel on the relationship of art and photography for a CAA session, invites H.S. to be the first panelist (30 July 1962); H.S. responds to B.N. that he would be honored to participate but that he was rather interested in the circumstances by which the CAA had chosen this topic, as H.S. had recently proposed it (11 September 1962); B.N. writes that the other panelists are Henry Holmes Smith, Van Deren Coke, and George Amberg (17 September 1962); B.N. requests that H.S. submit his topic as soon as possible, as Herschel Chipp would like them by 4 November for advertising purposes (30 October 1962); B.N. thanks H.S. for his successful lecture and requests permission to use an "amazingly modern picture' discovered by H.S. (27 January 1963); continuing correspondence regarding the publication of Schwarz's lectures given at the CAA meeting in Baltimore, although B.N. is unable to help; and others. [22 pp. plus 1 photograph]
37 12 "Before 1839: Symptoms and Trends," College Art Association Meeting, Baltimore, 1963 - Ephemera
Preliminary and final programs; announcement; accomodations at the Lord Baltimore Hotel; Annual Business Meeting of the CAA agenda. [8 items]
37 13 "Art and Photography," Mt. Holyoke College, 1964-Correspondence
Letters to and from Jean Harris, Chairman, Mt. Holyoke Friends of Art regarding the arrangements for Schwarz's lecture (Oct. 1963-Jan. 1964); announcement; school pamphlet. [10 pp.]
37 14 "Before 1839: Symptoms and Trends," George Eastman House, 1964 - Transcription and Typescripts
Three typescripts (one original, typed) including slidelist; two transcriptions (photocopied). [c. 75 pp.]
37 15 "Franz Anton Palko as a Portrait Painter," Czechoslovak Society of Arts and Sciences in America, Third Congress, 1966 - Correspondence
Letters arranging the specifics of the lecture forum and content; also, letters regarding the possible publication of Schwarz's article in Czechoslovakia: Past and Present, a book which grew out of this third congress.
37 16 "Franz Anton Palko as a Portrait Painter," Czechoslovak Society of Arts and Sciences in America, Third Congress, 1966 - Pamphlets
[6 items]
37 17 "Numerical Order and Symbolism," Davison Art Center, 1967 - Correspondence
Correspondence from friends and colleagues regarding Schwarz's lecture; announcement. [c. 20 pp.]
37 18 "Numerical Order and Symbolism," Davison Art Center, 1967 - Notes and Clippings
Handwritten and typed notes in preparation for the exhibition; relevant newspaper clipptings. [c. 40 pp.]
Box Folder
38 1 Assorted Negatives for articles
Negatives of images used for the articles, "Ingres Graveur," "Daumier, Gill, and Nadar," "Eule," and others. [14 items]
38 2 Negatives - "Before 1839" Lecture
[9 items]
38 3 Negatives - Art and Photography Lectures
[18 items]
Series IV. Correspondence, 1943-1974 1 box
Assorted, largely personal correspondence arranged chronologically. The bulk of the letters falls within the 1960s and early 1970s.
Box Folder
39 1 A.E. Marshall, 1943-1945
Marshall and H.S. discuss Marshall's support for Schwarz's work (by paying Schwarz's research assistants for a brief period), collecting activities, and early photography.
39 2 Research Assistants, 1945
Correspondence between H.S. and two of his research assistants, Hedwig Schleiffer in Cambridge, Massachusetts and Elisabeth Colman in New York. [c. 50 pp.]
39 3 Miscellaneous Personal Correspondence, 1952-1972
Letters from friends travelling with personal and professional concerns; an invitation from Jasper Johns (signed), extended at the request of John Cage (1967); many letters from 1972ff. wishing H.S. a speedy recovery from his illness. [c. 50 pp.]
39 4 Miscellaneous Photo Requests, 1958-1972
Misc. requests for reproductions from museums and galleries for study purposes. [c. 75 pp.]
39 5 Keith Andrews Correspondence, 1959-1960
Letters primarily from K. Andrews, National Gallery of Scotland regarding publications and interests. [8 pp.]
39 6 Herschel B. Chipp Correspondence, 1962
Letters to and from H. B. Chipp, regarding a mutual interest in Viennese Expressionism. [5 pp.]
39 7 Alan Shestack Correspondence, 1972
Letters to and from A. Shestack, regarding mutual health concerns and the disposition of Schwarz's calotype collection. [4 pp.]
39 8 Hans Frank Correspondence, 1972
Correspondence concerning the opening of the Photomuseum Schloß Arensberg, Salzburg (in German). [6 pp.]
39 9 Alessandra Comini, 1972
Letter and invitation to a lecture; c.v. with photo of Comini. [5 items]
39 10 Reception for H.S., Davison Art Center, 4 May 1972
Invitation; campus report (1 July 1972); transcript of speech by John Risley. [4 pp.]
39 11 Teaching Evaluations, 1972
Highly favorable student evaluations of Schwarz's teaching at Wesleyan. [3 pp.]
39 12 Miscellaneous Personal Correspondence, 1973-1974
Letters from Harold Joachim, Otto Kurz, Winslow Ames and others regarding Schwarz's health and academic happenings. [c. 45 pp.]
39 13 Miscellaneous Personal Correspondence (in German), 1973-1974
[c. 45 pp.]
39 14 Inventory of Personal Affects, 1973
Inventory of Schwarz's personal items remaining at the Davison Art Center, Wesleyan University and at home; handwritten. [10 pp.]
39 15 Articles by Otto Kurz
Six reprints of articles sent to H.S. by Otto Kurz in 1973 or 1974. [7 items]
Series V. Elisabeth Schwarz Correspondence, 1973-1985 2 boxes
Elisabeth Schwarz's correspondence concerns her efforts to publish the large body of unpublished research left by her husband upon his death in 1974. The letters range in date from 1973 to 1985 and involve many of his former colleagues. The correspondence also concerns the disposition of Schwarz' calotype collection. Correspondents include Weston Naef, Fritz Novotny, Alan Shestack, and Jugend und Volk Verlag, publisher of Johann Nestroy im Bild.
Box Folder
40 1 Miscellaneous Personal Correspondence, 1973
Letters to Elisabeth Schwarz of personal content, i.e. health, interests, and travel, from friends and colleagues of H.S., including Kneeland McNulty, John Szarkowski, Walter Hugelhofer. [16 pp.]
40 2 Colin Campbell and William Kerr, Wesleyan University, Correspondence, 1974-1981
These letters document Elisabeth Schwarz's ongoing relationship with Wesleyan after her husband's death, including invitations to events, financial arrangements, and the removal of Schwarz's personal affects. [c. 50+ pp.]
40 3 Heinrich Schwarz Archive Disposition
Correspondence between Elisabeth Schwarz and peers, scholars, and friends regarding her attempts to place Schwarz's archive of photographs and research materials with a gallery or academic institution; letters to Julius Held (1978); to and from Everett Fahy (1976), Otto Kurz (1974-76), Alan Shestack (1977), Harold Joachim (1980), and many others; letters often include financial, aesthetic, and scholarly evaluations of the archive. [c. 100 pp.]
40 4 Fritz Novotny Correspondence, 1975-1978
Letters to and from Fritz Novotny, Kunsthistorisches Institut der Universität Wien, regarding recent academic and intellectual developments on the Continent; publishing prospects for Schwarz's works; contacts and friends, including Meyer Shapiro (entirely in German). [c. 75 pp.]
40 5 Weston Naef Correspondence, , 1975-1978 1985
Correspondence with Weston Naef, Metropolitan Musuem of Art, New York, and subsequently the J. Paul Getty Museum, concerning primarily the storage and disposition of Schwarz's archive. calotype collection of H.S. stored at MMA and valued at $250,000.00 in a preliminary receipt (1975); further correspondence on preparation of a second edition of the D.O. Hill monograph (1975-1978); W.Naef resigns as collaborator on second edition (1978); letters as Curator of Photographs at Getty Museum expresses Naef's interest in the collection for the Getty Research Library (1985). [c. 100 items]
40 6 Douglas Druick Correspondence, 1975-1980
Letters to and from Douglas Druick, Curator of Prints, The National Gallery of Canada, who agrees to edit and complete Schwarz's "Bibliography of Lithography" for publication (1975); D.D. later must resign from the project due to other obligations (1979). [c. 60 pp.]
40 7 Nestroy Collection Correspondence, 1976-1977
Correspondence with Jeanne Newlin, Harvard Theatre Collection, concerning the possible placement of Schwarz's Nestroy materials there; no resolution in this collection. [12 pp.]
40 8 Johann Nestroy im Bild: eine Ikonographie, 1977
Original contract between Jugend und Volk Verlag and Elisabeth Schwarz (8/1976); correspondence concerning editing of the text, royalties and honorarium, and release (1974-77); correspondence between Elisabeth Schwarz and the Institut für Theaterwissenschaft, Universität Wien, in cooperation with whom the book was released; announcement from The Germanic Review of the 175th anniversary of Nestroy's birthday, including a note about the festival and H.S. book (Summer 1979); accounting printouts of sales and revenue from the book in 1981 and 1983 with Elisabeth Schwarz's royalties. [c. 150 items]
40 9 Hans Boudouin Correspondence, 1977-1978
Correspondence concerning a "Crucifixion" owned by Elisabeth Schwarz, identified as a Gillis Mostaert by Boudouin, Keeper, Kunsthistorische Musea, Stad Antwerpen (1978); reprint of Boudouin article. [10 pp.]
40 10 Hans Aurenhammer Correspondence, 1977-1983
Letters to and from Hans Aurenhammer, Direktor der Österreichischen Galerie, concerning publication opportunites for Schwarz's materials, happenings in Austria, and personal sentiments. [17 pp.]
40 11 Alan Shestack Correspondence, 1977-1983
Correspondence between Elisabeth Schwarz and Alan Shestack, Curator, Yale University Art Gallery, most often concerning publication of Schwarz's work and disposition of his archive, for which Elisabeth Schwarz sought Shestack's advice; Shestack letter of 1977 describes his last-minute decision to reject The Art Institute of Chicago, which left Shestack "persona non grata" there; Shestack writes also to arrange a viewing of the collection for himself and a student; other topics include the Hill book revision, the library, and possible contacts. [c. 40 pp.]
40 12 D.O. Hill, Second Edition, proposed
Correspondence generated by Elisabeth Schwarz's search for an editor and publisher of a second edition of H.S. first book; correspondents include Michael Hoffman, Aperture; The Royal Photographic Society; Peter Galassi, MoMA; letters to and from several prospective editors. [21 pp.]
40 13 Insel-Verlag Correspondence, 1978
Correspondence between Elisabeth Schwarz's legal representatives and the publishing firm regarding Elisabeth Schwarz's rights to publish the content of the D.O. Hill book in a second edition. [7 pp.]
40 14 Keith Andrews Correspondence, 1978-1979
Letters attempting to schedule a meeting between Andrews, National Gallery of Scotland, and Elisabeth Schwarz concerning Schwarz's work. [11 pp.]
40 15 H.S. Calotype Collection - Research Correspondence, 1979
Letters from a student of Beaumont Newhall's requesting the opportunity to view Schwarz's collection in New York; photocopy of a list of H.S. calotypes compiled by Beaumont Newhall in 1941. [22 pp.]
40 16 H.K. Heinisch Correspondence, 1983-1985
Correspondence regarding publication of Schwarz's "Before 1839" lecture on the History of Photography. [14 pp.]
Box Folder
41 1 Art and Photography Correspondence, 1985
Correspondence between various galleries and museums regarding reproduction fees; lists of illustrations with photocopies; extensive correspondence between Elisabeth Schwarz and Nathan Lyons; transcript of "Before 1839: Symptoms and Trends" lecture. [c. 200 pp.]
41 2 Die Anfänge der Lithographie in Österreich Correspondence, 1983-1985
Letters to and from Professor Walter Koschatzky, Direktor der Albertina, concerning the publication of H.S. dissertation (1921) by the Albertina, realized 1988. [17 pp.]
41 3 Newspaper Clippings
Three large newspaper sections. [3 items]

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