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Eric Orr documentary photographs and papers, 1959-2012, undated

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Orr (Eric) documentary photographs and papers
Series I. Documentary photographs, 1964-2001, undated 6.19 Linear Feet (27 boxes)
Series I.B. Sculpture and installations, 1968-1999, undated 3.36 Linear Feet (15 boxes)
Box folder
9 1 Unidentified project, Century City, (Los Angeles, California?), 1968
Five black-and-white slides and one unmounted color slide.
Sound Tunnel, 1971
One black-and-white slide.
Box Folder
9 2 Zero Mass, 1973
Eighteen color slides. Slides appear to depict the same work as other slides labeled Blue Void, 1981.
9 3 "Artist shooting the shit," Venice, California, 1974
Nine black-and-white slides.
9 2 Zero Mass, 1974
Three black-and-white slides.
9 3 Lead Window, 1976
One color slide.
9 4 Sunrise, 1976-1983
Twenty-seven color slides. One slide mount labeled: Inside Sunrise Electrum Light.
9 5 Gold As Prime Matter, 1979
One color print, three color slides, and one color transparency. One slide mount labeled Infinite Gold Void.
9 6 Unidentified project, Century City, (Los Angeles, California?), 1979
Five black-and-white slides of a schematic drawing for a project proposal with Larry Bell.
9 6 Fire as Prime Matter, 1980-1981
Two color slides.
9 7 Silence and the Ion Wind, 1980-1981
Five color slides, one labeled: From Inside L.A. County, '81.
9 2 Blue Void, 1981
Twenty-one color slides. Slides appear to depict the same work as other slides labeled Zero Mass, 1973.
Box Folder
23 1 "Gus Foster slides", 1981-1983, undated
Six color slides. Includes Solar Fountain, Blue Void, Vena-Mondt residence project, Blood Shadow, and an unidentified painting.
Box folder
9 8 Prime Matter, Los Angeles County Museum of Art (LACMA), 1981
Three color negatives, one color print, six color slides, and one color transparency.
9 9 Double Vision, 1982
Eight black-and-white slides, one color slide, and two color transparencies. Includes slides of schematic drawings. Several slide mounts read: Documenta / Kassel, Germany.
9 10 Linear B, 1982
Three color prints, thirty-six color slides, and two color transparencies. One slide mount labeled Prime Matter #3. Some slide mounts read: N. Ovsey fountain.
10 1 Newquist Doors, 1983
One color slide.
10 2 Solar Fountain, Performing Arts Center, Denver, Colorado, 1983
Collaborative project with Larry Bell. Sixty-one color negatives; seventy-eight color prints; thirty-one color slides; and fourteen color transparencies. Slides include images of preparatory drawings. An original label for one transparency reads: Courtesy of Neil G. Ovsey Gallery / Photo credit: Douglas Parker.
10 3 Stella, 1983
One color slide.
10 3 Threefold, 1983
Two color slides.
10 3 Naked Singularity, 1984
Thirteen color slides.
10 4 Carol Vena-Mondt residence project, 1985, undated
Collaboration with Frederick Fisher. Thirty-two color prints of installation models and seven color slides.
Box Folder
11 1 Fire and Water, Jenkins residence, Rancho Santa Fe, San Diego, California, 1985
Five color prints.
11 2 Ice, 1985
One color slide.
11 3 Light Space, Gemeentemuseum Den Haag, Netherlands, 1985
One color negative; twenty-nine color prints; one color slide; and one color transparency.
11 2 Prime Matter III, Malmö, Sweden, 1985 or 1986
Twelve color slides.
Box Folder
28 1 Prime Matter 5, 1985
Two black-and-white prints. Label for The Works Gallery, Long Beach, California on verso.
Box Folder
11 2 Prior, 1985
Two color slides.
11 4 Nexus, 1986
One color slide and three color transparencies.
11 5 North of Yesterday, 1986
Thirty-two color prints and five color slides. One slide mount reads: Corcoran show October 1986.
11 6 Nowling Fountain, 1986
Twenty-four color prints.
11 7 Prime Matter, Sydney Biennale, 1986
Eight color slides.
11 8 Prime Matter IV, Venice Biennale, 1986
Five color prints, twenty color slides, and one color transparency. One print includes Eric Orr with unidentified people.
Box Folder
12 1 Prior, 1986
One color slide.
12 2 Stella, 1986
Thirty color slides. Some slide mounts labeled Naked Singularity.
12 3 Stepped Singularity, 1986
Three color slides and two color transparencies.
12 4 Twin Water Columns, Sacramento, California, 1986
Twelve color slides.
12 5 Untitled (Grinstein commission), 1986
Two color prints and twenty-eight color slides.
12 6 Water Doors, 1986
One color negative, two color prints, eight color slides, and two color transparencies. Some slide mounts read: Zeidler commission.
12 7 Wittgenstein's Ladder, 1986
Three color slides.
12 8 Anaheim project model, 1987
One color slide.
12 8 Delineator, 1987
One color slide and two color transparencies.
12 9 Naked Singularity, 1987
Sixty-two color slides and one color transparency. One slide mount labeled North of Yesterday. One slide seemingly misidentified as Water Doors.
12 10 Naked Singularity A, 1987
Sixteen color slides. Appears to depict the same work as North of Yesterday (1986 or 1987).
12 11 Phelps Fountain, 1987
Thirty-four color prints.
Box Folder
13 1 Delineator, 1988
One color slide.
13 1 Naked Singularity, 1988
Eleven color slides.
13 2 North of Yesterday, Brea, California, 1988
Fifteen color slides.
13 3 Columbia Prime Matter, Beverly Hills, California, 1989
Forty-seven color negatives and five color slides.
13 4 Fractal B #5, 1989
Six color slides.
13 4 Fractal C, 1989
Two color slides.
13 4 Fractal C #11, 1989
Three color slides.
13 4 Fractal N, 1989
Two color slides.
13 5 Fractal S, 1989
Four color slides.
13 5 Fractal S #4, 1989
Four color slides.
13 6 Green Chemical Light, 1989
One color transparency. Appears to depict the same work as Cedars Cascade.
13 7 Lee Singularity, 1989
Eight color slides and twenty-seven color transparencies.
13 8 Oceans of Time, 1989
Three color prints and three color slides.
13 9 Prime Matter VIII, 1989
Nine color slides.
13 10 Saturday Night Special, 1989
Four color transparencies.
13 11 Alta Mira, Marriott Hotel, San Francisco, California, 1990-1991
Thirty-seven color negatives; eighteen color prints; fourteen color slides; and four color transparencies.
Some prints are adhered to each other and are restricted pending conservation.
Box folder
14 1 Amsterdam Prime Matter, Amsterdam, 1990
Three color slides and two color transparencies.
14 2 Bamboo Water Veil, Moreno Valley Mall, California, 1990
Two color slides.
14 2 L.A. Prime Matter, Los Angeles, California, 1990-1991
Seven color slides and one color transparency.
14 3 Naked Singularity, 1990
Two color slides.
14 4 Saturday Night Special, 1990
Thirty-two color slides.
14 5 Shizuoka Singularity, Shizuoka, Japan, 1990, 1992
Fourteen color slides.
14 6 Alta Mares, 1991
Four color slides.
14 7 Citadel project, 1991
Fifteen color negatives.
14 8 Lumiere, Long Beach, California, 1991, 1994
Two color negatives, seven color prints, fourteen color slides, and one color transparency.
14 9 Oceans of Time, MacArthur Place, Santa Ana, California, 1991
Three color slides.
14 10 Rain Column, Phoenix, Arizona, 1991-1992
One color print and twenty-three color slides. Some slide mounts labeled: Scottsdale Galleria Rainbox and Scottsdale Water Veil.
14 11 Unidentified, 1991
Three color slides.
14 12 Janssen Prime Matter, 1992
One color print and eight color slides.
14 13 Torrance Airport atrium, Torrance, California, 1992-1993
Thirty-six color slides.
Box Folder
15 1 Judgment of Paris, Yokohoma, Japan, 1993
Seven color slides.
15 2 North of Yesterday, Baldwin Park or Beverly Hills, California, 1993
Six color slides and seven color transparencies.
15 3 Topanga Cascade, Topanga Plaza, (Los Angeles, California?), 1993
One color print and forty-five color slides.
15 4 Fukushima Prime Matter, Fukushima, Japan, 1994
One color print and twenty-one color slides.
15 5 Naked Singularity, 1994
Two color slides.
15 6 Nippon Arch, Tokyo, Japan, 1994-1995
Thirty-five color negatives, three color prints, and eight color slides.
15 7 Hankyu Quartet, Osaka, Japan, 1995
One color negative and eleven color slides.
15 8 Moreno and/or Topanga project, 1995
Eight color prints and forty-one color slides.
15 9 Carl Bianco project, 1996
Twelve color prints and three color slides.
Box Folder
16 1 Cuba Libre, Seoul, Korea, 1996
Five color slides.
16 1 Imperial Cascade, Osaka, Japan, 1996
Twenty-five color negatives; two color printouts; five color prints; and two color slides.
16 2 Milken Singularity, Santa Monica, California, 1996
One color print, five color slides, and two color transparencies.
16 3 Archimedes Gate, Shimane, Japan, 1997
Four color prints and two color slides.
16 4 Dozer, 1997
Six color transparencies.
16 5 Mask, Seoul, Korea, 1997
Two color slides.
16 5 A Narrow Path of Emptiness, Seoul, Korea, 1997
Three color slides.
16 6 Portland Courthouse project, Portland, Oregon, 1997
Two color prints, five color slides, and six color transparencies.
16 7 Three Voices, Seoul, Korea, 1997
Two color slides and one color transparency.
16 8 Unidentified, 1997
Two color prints.
16 9 Cedars Cascade, Los Angeles, California, 1998
Twenty-seven color slides.
16 10 Inside Out, Production Firm, Santa Monica, California, 1998
One color slide and one color transparency.
16 11 Urayama Dam, Japan, 1998
Three color slides.
16 12 Cheekwood Prime Matter, Tennessee, 1999
Two color slides.
16 13 Bernstein project, undated
Three color transparencies.
Box folder
17 1 Bird Brain project, undated
Twenty-seven color negatives and eighteen color prints.
17 2 Black and Red, Korea, undated
One color transparency.
17 3 Citadel project, City of Industry, California, undated
Four color slides.
17 4 Della, undated
Two color transparencies.
17 5 Fire and Water, undated
Fifty-six color slides. Includes slides of schematic drawings.
17 6 Gold Void Window, undated
Twenty-two color slides.
17 7 Johnson residence project, undated
Two color negatives, one color print, and thirteen color transparencies.
17 8 LTV Center project, Dallas, Texas, undated
One color print.
17 9 MGM Grand project, Las Vegas, Nevada, undated
Nineteen color slides.
17 10 Moore project, undated
One color Polaroid.
17 11 Nynex, New York, undated
Six color prints and twenty color slides.
17 12 Oceans of Time, Maryland, undated
Three color slides.
Box Folder
18 1 Presbyterian Hospital project, California, undated
Four color prints.
18 2 Prime Matter, undated
Twenty-two color negatives.
18 3 Prime Matter #4, undated
One color slide.
18 4 Prime Matter VI, undated
Seven color prints. Verso of one print reads, Ann Moses.
18 5 Prime Matter #8, undated
Four color slides.
18 6 Saturday Night Special, undated
Four black-and-white prints, two color prints, and three color slides.
18 7 Schorr project, undated
Thirteen color prints.
18 8 Sheraton Hotel project, Chicago, Illinois, undated
Six color prints and one color slide.
Box Folder
28 12 Silence and the Ion Wind, undated
One black-and-white contact sheet.
Box Folder
18 9 Slate Water, undated
Four color transparencies.
18 10 State Capitol Building, Sacramento, California, undated
One color print.
18 11 St. Regis, Century City, Los Angeles, California, undated
Twenty color slides.
18 12 Stepped Singularity, undated
Three color transparencies.
18 13 Teak, undated
Twenty-five color slides and one color transparency.
18 14 Teak, Benny Larussa, undated
Thirty-eight color slides.
Box Folder
17 2 Teak II, Korea, undated
One color transparency.
Box Folder
18 15 Trumps Restaurant fountain, undated
Eleven color prints.
Box Folder
19 1 Volcan, undated
Nine color slides.
Box Folder
28 3 Zero Mass, undated
Eighteen black-and-white negatives.
Unidentified, undated
Box Folder
28 13 Black-and-white contact sheets
28 14 Black-and-white negative
Box
19, 28 Black-and-white prints
Box
19 Black-and-white transparencies
19 Color contact sheets
19 Color negatives
19 Color Polaroids
Box
19, 20, 21, 33 Color prints
Box
19, 21, 22 Color slides
Box
19, 20, 22 Color transparencies
Box Folder
23 2 Loose slide labels, 1982-1985, undated
Includes labels detached from slide mounts: Prime Numbers #2; Carbon/Llama; Sakkara #2; Light Walls; Radio Plays; Sculpture Masters; and Guy De Cointet.


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