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| Series I. Louis Vignes views and panoramas of Beirut and the ruins of
Palmyra, 1864 |
Louis Vignes views and panoramas of Beirut and the ruins of Palmyra (Digitized
version)
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| The photographs are numbered in the negative with the numbers repeated on their versos
in brown ink.
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| Arrangement |
| Arranged in order of receipt. |
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Palmyra |
| box |
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| 1 |
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2015.R.15-v55 [Northwest Corner of the Courtyard of the Temple of Bel, Palmyra] |
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Numbered in negative and on verso: 1. |
| 1 |
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2015.R.15-v56 [Gate of the Courtyard of the Temple of Bel, Palmyra] |
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Numbered in negative and on verso: 2. |
| 1 |
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2015.R.15-v57 [Columns, Eastern Part of the Courtyard, Temple of Bel,
Palmyra]
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Numbered in negative and on verso: 3. |
| 1 |
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2015.R.15-v58 [Gate, Temple of Bel, Palmyra] |
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Numbered in negative and on verso (twice): 4. |
| 1 |
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2015.R.15-v59 [View of the Temple of Bel from the Northwest Corner of the Courtyard,
Palmyra]
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Numbered in negative and on verso: 5. |
| 1 |
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2015.R.15-v60 [Colonnade, Northwest Corner of the Courtyard, Temple of Bel,
Palmyra]
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Numbered in negative and on verso: 6. |
| 1 |
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2015.R.15-v61 [Temple of Baalshaman, Palmyra] |
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Numbered in negative and on verso: 11. |
| 1 |
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2015.R.15-v62 [Triumphal Arch and Great Colonnade, Palmyra] |
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Numbered in negative and on verso: 9. |
| 1 |
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2015.R.15-v63 [West Side of the Colonnade, Palmyra] |
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Numbered in negative and on verso: 10. |
| 1 |
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2015.R.15-v64 [Central Part of the Colonnade, Palmyra] |
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Numbered in negative and on verso: 12. |
| 1 |
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2015.R.15-v65 [Southwest Exterior Corner of the Temple of Bel, Palmyra] |
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Numbered in negative and on verso: 13. |
| 1 |
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2015.R.15-v66 [Exterior, Southwest Corner of the Temple of Bel, Palmyra] |
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Numbered in negative and on verso: 14. |
| 1 |
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2015.R.15-v67 [East Side of Colonnade, Palmyra] |
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Numbered in negative and on verso: 15. |
| 1 |
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2015.R.15-v68 [Tower Tomb of Elahbel, Palmyra] |
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Numbered in negative and on verso: 16. |
| 1 |
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2015.R.15-v69 [Valley of the Tombs, Palmyra, Palmyra] |
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Numbered in negative and on verso: 18. |
| 1 |
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2015.R.15-v70 [East Side of the Colonnade, Palmyra] |
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Numbered in negative and on verso: 20. |
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[Two-part Panorama of Palmyra Featuring the Colonnade] |
| box |
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| 1 |
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2015.R.15-v71 Left print |
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Numbered in negative and on verso: 21. |
| 1 |
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2015.R.15-v72 Right print |
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Numbered in negative and on verso: 22. |
| 1 |
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2015.R.15-v73 [Four Tower Tombs around the Mound in the Valley of the Tombs,
Palmyra]
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Numbered in negative and on verso: 23. |
| 1 |
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2015.R.15-v74 [Large Tower Tomb, Valley of the Tombs, Palmyra] |
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Numbered in negative and on verso: 24. |
| 1 |
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2015.R.15-v75 [Large Tower Tomb, Valley of the Tombs, Palmyra] |
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Numbered in negative and on verso: 25. |
| 1 |
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2015.R.15-v76 [Six Tower Tombs, Valley of the Tombs, Palmyra] |
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Numbered in negative and on verso: 26. |
| 1 |
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2015.R.15-v77 [Camp of Diocletian, Palmyra] |
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Numbered in negative and on verso: 27. |
| 1 |
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2015.R.15-v78 [Camp of Diocletian, Palmyra] |
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Numbered in negative and on verso: 28. |
| 1 |
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2015.R.15-v79 [Man Leaning against a Column of Funerary Temple No. 86,
Palmyra]
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Numbered in negative and on verso: 29. |
| 1 |
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2015.R.15-v80 [Funerary Temple No. 86, Palmyra] |
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Numbered in negative and on verso: 30. |
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[Three-part Panorama of Palmyra Taken from the Camp of
Diocletian]
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| box |
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| 2 |
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2015.R.15-v81 Left print |
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Numbered in negative and on verso: 36. |
| 2 |
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2015.R.15-v82 Middle print |
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Numbered in negative and on verso: 35. |
| 2 |
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2015.R.15-v83 Right print |
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Numbered in negative and on verso: 34. |
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Rastan |
| box |
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| 2 |
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2015.R.15-v84 [Bridge over the Orontes River at Rastan] |
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Numbered in negative and on verso of print: 37. |
| 2 |
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2015.R.15-v85 [The Orontes River above the Rastan Bridge] |
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Numbered in negative and on verso of print: 38. |
| 2 |
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2015.R.15-v86 [Camp at Rastan] |
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Numbered in negative and on verso of print: 39. |
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Beirut |
| box |
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| 2 |
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[Panorama of Beirut Taken from Ras Beirut] |
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Two-part panorama. |
| 2 |
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2015.R.15-v87 Left print |
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Numbered in negative and on verso of print: 41. |
| 2 |
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2015.R.15-v88 Right print |
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Numbered in negative and on verso of print: 40. |
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[Panorama of Beirut Taken from the House of M. Amié Péretié] |
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Two-part panorama. Amié Péretié was the dragoman-chancellor of the French consulate
of Beirut and a collector of antiquities.
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| box |
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| 2 |
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2015.R.15-v89 Left print |
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Numbered in negative and on verso of print: 43. |
| 2 |
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2015.R.15-v90 Right print |
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Numbered in negative and on verso of print: 42. |
| 2 |
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2015.R.15-v91 Vue prise aux pins (Beyrouth) |
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On original mount. Title written on mount and numbered: 32. |
| 2 |
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2015.R.15-v92 Vue prise aux pins près de Beyrouth |
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On original mount. Title written on mount and numbered: 26. |
| 2 |
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2015.R.15-v93 Vue prise aux pins (Beyrouth) |
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On original mount. Title written on mount and numbered: 33. Shows two trees that
are substantially taller than the others.
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| 2 |
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2015.R.15-v94 [View along the Road to Damascus] |
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Numbered in negative and on verso of print: 47. Numbered in pencil: 68. |
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Panorama de Beyrouth du bord de la mer |
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Four-part panorama of Beirut. Title inscribed on versos of all of the parts. |
| box |
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| 2 |
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2015.R.15-v95 Left print |
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Annotation on verso in pencil: No. 1. Voyage du Duc de Luynes 1864. Panorama de
Beyrouth du bord de la mer. E (1) E. Panorama de Beyrouth.
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| 2 |
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2015.R.15-v96 Second from left print |
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Annotation on verso in pencil: No. 2. Voyage du Duc de Luynes 1864. Panorama de
Beyrouth du bord de la mer. E (2), E (1). Panorama de Beyrouth.
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| 2 |
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2015.R.15-v97 Second from right print |
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Annotation on verso in pencil: No. 3. Voyage du Duc de Luynes en Orient. 1864.
Panorama de Beyrouth du bord de la mer. E (3), E (2).
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| 2 |
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2015.R.15-v98 Right print |
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Annotation on verso in pencil: No. 4. Voyage du Duc de Luynes en Orient. Panorama
de Beyrouth du bord de la mer. E (3)
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| 2 |
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[Panorama of Beirut] |
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Two-part albumen panorama from paper negative. On original mount. |
| 2 |
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2015.R.15-v99 Left print |
| 2 |
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2015.R.15-v100 Right print |
| 2 |
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2015.R.15-v101 [Salon in the House of M. Aimé Péretié] |
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On original mount. An album of photographs sits on the round table in the
foreground, while the score of Rossini's The Barber of
Seville can be seen on the piano stand.
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