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Series I. Photographs, 1957-2012
23.84 Linear
Feet
(44 boxes).
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Series I comprises black-and-white gelatin silver prints, contact sheets, and
black-and-white negatives, with some chromogenic color prints and color transparencies.
In his earliest work as a photographer, McMillan often used his good friends and art
school colleagues as models, including Ed Ruscha, Joe Goode, Robert Irwin, Patrick
Blackwell, and also provided portraits and other images to fellow artists for their
exhibition announcements and catalogues. McMillan's 1957 photographs of Ed Ruscha and
the house they shared in Hollywood are among the earliest photographs in the collection,
and photographs of the friends together and with their families and acquaintances in the
Los Angeles art scene make up a major part of the series. All prints described are
black-and-white unless otherwise noted, and are unmounted unless noted. McMillan's
handwritten notes have been reproduced in the file-level Scope and Contents notes, and
portions of the original envelopes from which the data was taken are stored in archival
binders with the corresponding project negatives and contact sheets. The measurements
listed in McMillan's handwritten notes nearly always reflect actual image size, and do
not match the sizes into which they have been sorted by the cataloger for long-term
housing, which was determined by the format and size of the substrate or mount. Dates
are taken directly from the verso of prints when present, or from contact sheets and
negative envelopes, though the dates listed by the artist on original materials are
inconsistent across the collection and should be considered approximate. Additionally,
reprints produced by Craig Krull Gallery for retrospective exhibitions have been
integrated into McMillan's existing project arrangement, making the item counts in
McMillan's notes different than the actual number of prints in the collection.
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Arrangement |
Negatives have been arranged to visually reflect the arrangement of developed film as
it appears on the nearest corresponding contact sheet (the numbering of shots is
inconsistent throughout the collection). Prints have been separated and stored flat in
boxes according to size, and folders are arranged alphabetically under surname of
individual subjects, with project title second, or by project name in cases of group
photographs. Projects represented by fewer than three prints are combined together into
one folder and arranged alphabetically according to individual subject or project.
Projects for which multiple envelopes were nested together in one larger envelope are
arranged with the outer envelope first, followed by those inside, which are themselves
arranged in alphabetical order by subject or name in cases where two or more separate
subjects with the same surname were grouped together (as with relatives or married
couples). Projects that contain photographs of two or more separate subjects who do not
share surnames have been kept together under the project title or surname of the subject
listed first on the envelope, and placed in alphabetical order, unless noted. Negatives
sleeves that feature identical metadata in McMillan's writing have been grouped together
at the end of project sections in the negatives binders. Negatives sleeves that have
unique marks or added data have been placed directly behind the corresponding negatives.
Contact sheets and negatives were placed in the original numerical order indicated on
the negative sleeves if numbers were present, or in the order of their original stack
placement inside the envelope if no other order was indicated.
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1818 - Home of 'Students 5', 1957-1960 |
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McMillan's handwritten notes on the envelope read, "1818 – home of 'students 5.' 1818
N. New Hampshire Ave, Hollywood, CA. Ed Ruscha Joe Goode Jerry McMillan 'Students 5.'
Pat Blackwell Don Moore Later: Bud Luckey moved in. Note: Wall Batterton was one of
the original 'Students 5.' He got married, moved out and Joe Goode came out from
Oklahoma and moved in, taking his place. - Original 'Students 5' – 1 photo, 8 x 10", 1
copy - Ed Ruscha's 'Car on a Stick' photo prints 13 3/8 x 10 ½" - Color print of 1818,
1960."
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Prints |
Box |
Folder |
1 |
1 |
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1818, Ed Ruscha's Car on a Stick in our Side Yard |
1 |
1 |
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8 x 10 |
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Four prints including three showing a photograph of Ed Ruscha's car mounted to
a stick, which is stuck into the ground near a tree, and one of Ed Ruscha
attaching the photograph to the stick.
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Box |
Folder |
8 |
1 |
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11 x 14 |
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Two prints, both featuring a photograph of Ed Ruscha's car mounted on a stick
that is stuck into the ground near a tree. One print is mounted on cardboard and
one is unmounted.
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Box |
Folder |
43* |
1 |
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Color images of the house at 1818 N. New Hampshire |
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Three prints including one 15x19 color print and two 8x10 color prints featuring
the façade of house at 1818 N. New Hampshire Ave., and one color transparency of
the image.
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1 |
1 |
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'Students 5' at Chouinard Costume Ball |
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Three 8x10 prints of a 1957 photograph by an unknown photographer, showing Jerry
McMillan, Ed Ruscha, Wall Batterton, Don Moore, and Patrick Blackwell dressed in
beggar costumes at a party. Notes on the original envelope confirm that there are
no negatives for this image in the collection.
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box |
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14 |
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Black-and-white negatives |
14 |
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Contact sheets |
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24 Young Los Angeles Artists, 1971 |
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Three 11x14 prints showing exhibition participants sitting on LACMA stairs. Artists
include John Alberty; Michael Asher; James Bradley; Vija Celmins; Ron Cooper; Mary
Corse; Robert Cumming; David Deutsch; Guy Dill; Laddie John Dill; Fred Eversley; Jack
Goldstein; Scott Grieger; Patrick Hogan; Richard Jackson; Peter Lodato; Alan McCollum;
Barbara Munger; Peter Plagens; Joe Ray; Allen Ruppersberg; Wolfgang Stoerchle; William
Wegman; and John White. McMillan's handwritten notes on the envelope read, "35mm 64
negs, 2 proofs/catalogue designed by Jerry McMillan, 1 copy."
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Box |
folder |
8 |
2 |
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Prints |
box |
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14 |
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Black-and-white negatives |
14 |
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Contact sheets |
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Wall Batterton and Cindy Batterton, 1963 |
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McMillan's handwritten notes on the envelope read, "Wall Batterton, One of the
original 'Students 5, artist"; 96 negs, 8 proofs, 1 vintage print, 13 ½ x 10 3/8",
1963. Cindy Batterton - 1963, 63 negs, 7 proofs, 2 vintage prints, 13 3/8 x 10 ½". 13
7/16 x 10 ½."
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Prints |
Box |
Folder |
44* |
1 |
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Cindy Batterton portrait |
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One 16 x 20 print, mounted to board, showing Cindy Batterton looking over the top
of a wooden fence with one of her paintings hanging behind her.
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Box |
Folder |
8 |
3 |
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Wall and Cindy Batterton posing with paintings |
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Two prints including one 11 x 14 mounted print of Wall Batterton posing with one
of his paintings, and one 11 x 14 unmounted print of Cindy Batterton posing with
one of her paintings.
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box |
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14 |
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Black-and-white negatives |
14 |
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Contact sheets |
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Billy Al Bengston & Don Everly, 1970 |
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McMillan's handwritten notes on the envelope read, "Photos for Billy Al Bengston and
Don Everly record album cover, 1970. 160 2 ¼ negs, 14 proofs, 34 35mm negs, 2 proofs,
copies of album cover and song page. 4 photo prints of Billy Al Bengston, 6 ¾" x 8 ½",
2 photo prints of Don Everly, 9 13/16 x 9 7/8", 1970 – 1 photo print of Don, 9 x 8
7/8", 1970."
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Prints |
Box |
Folder |
1 |
4 |
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Billy Al Bengston portraits |
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Five 8 x 10 prints of Billy Al Bengston wearing a white t-shirt and
sunglasses.
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Box |
Folder |
8 |
5 |
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Don Everly portraits |
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Three prints including one 11 x 14 and two 10 1/2 x 11 prints of Don Everly
posing with his guitar for an album cover. The folder is arranged alphabetically
under "Everly."
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box |
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15 |
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Black-and-white negatives |
15 |
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Contact sheets |
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Billy Al Bengston and Peter Alexander in bed, 1971 |
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McMillan's handwritten notes on the envelope read, "Billy Al Bengston and Peter
Alexander in bed," 1971, 36 negs, 1 proof."
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box |
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15 |
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Black-and-white negatives |
15 |
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Contact sheets |
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The contact sheet originally had a purple sticky note with an arrow drawn onto it
pointing to frame number 26.
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Larry Bell, 1961 |
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McMillan's handwritten notes on envelope read, "For Larry Bell – 12 negs, 1 proof, 1
copy print, 1 b+w print, 7 5/8 x 8."
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Prints |
Box |
Folder |
1 |
2 |
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8 x 10 and smaller |
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Three prints including one 8 x 10 print of Bell standing with his paintings in
his studio, and two different 8 x 8 prints of Bell posing with his paintings.
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Box |
Folder |
8 |
4 |
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11 x 12 |
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Three prints showing Bell sitting in front of a painting in his studio. |
Box |
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16 |
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Black-and-white negatives |
16 |
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Contact sheets |
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Includes two test strips. |
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Larry Bell and James Turrell, 1968 |
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McMillan's handwritten notes on the envelope read, "Larry Bell & Jim Turrell,
1968 - Larry Bell came to be photographed for L.A. Six catalogue, he brought James
(Jim) Turrell with him who I photographed also. 12 negs, 1 proof of Turrell alone,
1968, 12 negs, 1 proof total for two above = 24 negs."
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Box |
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16 |
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Black-and-white negatives |
16 |
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Contact sheets |
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Ed Bereal, 1961 |
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McMillan's handwritten notes on the envelope read, "One of the War
Babies, 1961 – 32 negs, 3 proofs." McMillan originally combined the Bereal
material in a larger envelope together with the Ron Miyashiro material.
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Prints |
Box |
Folder |
1 |
3 |
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8 x 10 |
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One 8 x 10 print of Bereal in front of his artwork, posing with one leg up on a
chair.
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Box |
Folder |
8 |
3 |
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11 x 14 |
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One 11 x 14 print of Bereal leaning on a chair, his artworks on the wall behind
him.
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Box |
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16 |
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Black-and-white negatives |
16 |
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Contact sheets |
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Natalie Bieser, circa 1977 |
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McMillan's handwritten notes on the envelope read, "Natalie Bieser Goode" (Joe
Goode's second wife), 1 bio page, two sides; 126 35mm negs, 4 proofs, 2 4 x 5" negs, 1
proof, 128 negs."
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Box |
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16 |
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Black-and-white negatives |
16 |
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Contact sheets |
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Patrick, Garie, and Anastasia Blackwell, 1959-1963 |
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McMillan's handwritten notes on the envelope read, "1 photo of Patrick – too large to
fit in envelope. Image is 10 ½ x 10 ½" – photo 23" x 17 ½", 1962; 1 large photo print
of Pat making a face for me, 19 3/8" x 16", 1963; 3 printed promotional material
mailers of Pat, 13" x 10"; Garie and Ana, 13 11/16" x 10", 1962; 1 photo print of Pat
with his painting Norm – 10 ½" x 13 3/8", 1962; 1 printed Christmas
mailer 16 ¾" x 10 5/8", 1963; 1 photo print of Garie, 15" x 12" – image 10 ½ x 10 ½"
(mounted), 1962; 1 photo print, mounted, of Anastasia, 15 x 12" image 10 ½" x 10 ½".
Patrick Blackwell, 148 negs, 13 proofs, 1 print of Pat's dog, Cha Cha; Garie
Blackwell, 72 negs, 6 proofs, 1962; Anastasia Blackwell, 95 negs, 8 proofs, 1962 -
Total: 315 negs, 27 proofs."
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Prints |
Box |
Folder |
44* |
2 |
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Blackwell family members |
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Four prints including one 16 x 20 mounted print of Patrick Blackwell sitting near
one of his paintings in an outdoor location strewn with debris; two 12 x 15 prints
of Garie and Anastasia Blackwell, mounted on board, and one unmounted close-up of
Patrick Blackwell's face, holding a flower between his teeth.
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Box |
Folder |
6 |
1 |
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Patrick Blackwell with his painting #5
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One 10 x 12 print of Blackwell in front of a large painting featuring a stylized
woman's head in a circle.
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Box |
Folder |
8 |
3 |
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Patrick Blackwell with his painting Norm
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One 11 x 14 print of Blackwell sitting near his painting Norm, in an
outdoor location strewn with wood and debris.
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Box |
Folder |
1 |
3 |
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Pat's dog Cha Cha |
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One 8 x 10 mounted print of Blackwell's dog Cha Cha, originally in envelope with
Blackwell contact sheets and negatives.
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Box |
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17-18 |
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Black-and-white negatives |
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Anastasia and Garie Blackwell material is in box 17, Patrick Blackwell material in
box 18.
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17-18 |
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Contact sheets |
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Irving Blum, circa 1970 |
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McMillan's handwritten notes on the envelope read, "Irving Blum for a Christmas card,
c.1970s, 24 negs, 2 proofs."
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Box |
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18 |
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Black-and-white negatives |
18 |
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Contact sheets |
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Boxing Match, 1972 |
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McMillan's handwritten notes on the envelope read, "'Boxing Match', Billy Al
Bengston, Ed Ruscha, Ken Price, Joe Goode, at "Indian Red Lopez" Boxing match. 52 35mm
negs, 2 proofs, 3 b&w prints 8 x 10" each; - Billy Al Bengston, Ed Ruscha, Ken
Price, Joe Goode, 1972 - 1 photo print 9 1/2 x 7 1/4"; - Ken Price, 1972, 1 photo
print, 6 3/16 x 9"; - Ed Ruscha, Ken Price, Joe Goode, 1972, 1 photo print 6 1/2 x 9
5/8"."
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Prints |
Box |
Folder |
6 |
1 |
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Billy Al Bengston, Ed Ruscha, Ken Price, Joe Goode at the Boxing
Match
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One 10 x 12 digital print showing the artists in profile, watching a boxing
match.
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1 |
5 |
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Ed Ruscha, Ken Price, Joe Goode at the Boxing Match, Billy Al Bengston
not shown
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Five prints including four 8 x 10 prints showing the artists watching a boxing
match, and one 8 x 10 portrait of Price on his way to the match.
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Box |
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19 |
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Black-and-white negatives |
19 |
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Contact sheets |
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A sticky note with a handwritten arrow was originally on the contact sheet pointing
toward frame number 2, which is also outlined in gray pencil.
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Paul Brach and Miriam Schapiro, 1969 |
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McMillan's handwritten notes on the envelope read, "Paul Brach/Miriam Schapiro/Tom
Garver/Phyllis Lutjeans - Tom Garver, Director of the Newport Harbor Museum, 3 negs,
Phyllis Lutjeans as assistant? 94 negs, 4 proofs, 1 catalogue that I designed, my
photo on page 2."
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Box |
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19 |
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Black-and-white negatives |
19 |
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Contact sheets |
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Peter Bunnell, Museum of Modern Art Photography into Sculpture
show, 1970
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McMillan's handwritten notes on the envelope read, "Peter Bunnell, Museum of Modern
Art, Photography into Sculpture show with my work, 1970. 1 neg, 1 proof,
1 print- 8 x 10."
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Box |
folder |
1 |
3 |
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Print |
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One 8 x 10 print of Peter Bunnell holding McMillan's photo sculptures, preparing
for the exhibition Photography into Sculpture at the Museum of Modern
Art.
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Box |
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19 |
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Black-and-white negatives |
19 |
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Contact sheets |
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Judy Chicago as a boxer 1966, 1970 |
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McMillan handwritten notes on envelope read, "48 2 ¼" negs, 4 proofs, 2 copies, 1
reproduction of
Artforum
ad. 1 print 10 ½" x 10 7/16", 1
invitation 6" x 8 ½". 104 negs, total. - "Judy Chicago," 5 pages about the photograph
from Gail Levin's book Becoming Judy Chicago, pub.
2007."
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Prints |
Box |
Folder |
6 |
2 |
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8 x 10 |
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Two prints including one 9 x 10 print showing Chicago standing in the corner of a
boxing ring with Hamilton-Cooke and Glenn, and one 7 1/2 x 11 print of the boxing
scene with Chicago sitting in corner, Hamilton-Cooke's hands on Chicago's
shoulders.
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Box |
Folder |
8 |
3 |
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11 x 14 |
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One print of Judy Chicago standing in the corner of a boxing ring, Alona
Hamilton-Cooke standing directly behind her and Jack Glenn wearing a bow tie
kneeling just outside the ring. All are looking at the camera.
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Box |
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19 |
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Black-and-white negatives |
19 |
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Contact sheets |
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Ronald Davis and Susan Davis, circa 1967 |
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McMillan's handwritten notes on the envelope read, "Susan and baby - 115 negs, 9
proofs, 2 announcements, 2 prints 19 5/8" x 16 ¾" + 16" x 20" - Susan Davis, 3 photos
9 ½" x 7 9/16", 7 3/8 x 5 ¾", 7 3/8 x 5 ¾"."
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Prints |
Box |
Folder |
44* |
3 |
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Ronald Davis |
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Three prints including one 16 x 20 of Ronald Davis sitting on the floor; one 16 x
20 unmounted print of Davis sitting on a wooden crate, and one 16 x 20 mounted
print of Davis sitting on a wooden crate. The verso of the cardboard-mounted
portrait has an identical, but damaged, print torn from the backing.
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44* |
3 |
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Susan Davis, mounted on board |
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Two 5 x 7 photographs of Davis's nude torso glued to cardboard backing, an
apparent printer's mock-up with hand-drawn measurements in pencil. Originally in
black paper folder with creased 8 x 10 photograph of Davis.
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Box |
Folder |
1 |
3 |
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Susan Davis, unmounted |
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One 8 x 10 unmounted photograph of Davis's torso, creased in the center
lengthwise. Originally in black paper folder with two photographs mounted to
board.
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Box |
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20 |
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Black-and-white negatives |
20 |
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Contact sheets |
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Peter Erskine, 1992 |
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McMillan's handwritten notes on the envelope read, "Peter Erskine, 23 negs, 1 proof,
1 catalogue I designed, 1 print of Peter 6 7/16 x 4 3/8". Christine Woelfle - 1
catalogue; Christine was Peter Erskine's wife's sister. They asked me to design a
catalogue in her memory."
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Box |
folder |
1 |
3 |
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Print |
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One 5x7 print of Erskine's headshot portrait, originally housed in plastic with a
catalogue for Erskine's 1992 solar work Secrets of the Sun.
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Box |
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20 |
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Black-and-white negatives |
20 |
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Contact sheets |
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Fred Eversley, 1969 |
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McMillan's handwritten notes on envelope read, "Photos made for
Life
magazine to match with Irwin and Wheeler photos I
had taken.
Life
mag. wanted to do a light and space
article, but never did."
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Box |
folder |
8 |
6 |
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Prints |
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Four full-length portraits of Eversley seated on a crate and holding a cigar. Sizes
range from 11 x 11 to 11 x 14.
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Box |
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20 |
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Black-and-white negatives |
20 |
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Contact sheets |
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Flag Series, 1962 |
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McMillan's handwritten notes on envelope read, "Flag series - 113 negs, 12 proofs, 1
announcement, 1962. Flag portfolio, negs, prints 11 ¼ x 8 ¾", 1962; - 1 mounted print
of apple and flag bag, 1962, 13 7/16 x 10 3/8"; - 2 extra prints not used, 7 13/16, 9
1/2 x 7 1/2", 1961; - 1 mounted bleed photo of my wife, Patty, and flag, 11 5/8" x 9
7/16", 1962; - One and only vintage flag portfolio, 13 prints, 11 ¼ x 8 ¾, 1962; -
Christmas card original art work, 1962; - Photo of Christmas tree inside bag. This was
mailed before Christmas, the crumpled-up bag was mailed between Christmas and New
Year. 12 negs, 1 proof, 1962." The envelope also contained a 5 x 7 exhibition
announcement for Picturing Ed: Jerry McMillan's photographs of Ed Ruscha,
1958-1970 featuring the McMillan image of Ed Ruscha with flag on the recto,
which has been moved to the Jerry McMillan announcements and ephemera file in Series
IV.
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Prints |
Box |
Folder |
44* |
1 |
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Flag images, mounted |
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Two 5 1/2 x 7 1/2 prints mounted side-by-side on a 16 x 20 board, a mock-up for a
Christmas card designed by McMillan. The board was originally wrapped in black
paper.
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Box |
Folder |
7 |
1 |
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Flag portfolio with 15 prints (original) |
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Original "Flag Series Portfolio" with 15 loose prints stacked on one another,
wrapped in three-fold black paper envelope with a single black paper cover with a
circular hole cut out of the lower left corner, through which a small flag image
showed through. Prints have been numbered (with the identifier FS for "Flag
Series") in the order in which they were stacked, beginning with the circular flag
image that was originally attached to the cover, and housed outside the black
paper envelope and single sheet cover, but in the same box. The circular flag
print that showed through the hole on the paper cover is stored with the other
prints. The prints are in fair condition, but the paper portfolio is in poor
condition: the circular flag image has a visible glue pattern but no longer sticks
to the paper envelope, on which a circle of glue is also visible where the image
was attached, and the paper envelope has distressed seams and some tears along the
folds. Prints numbered [2015.M.10-FS.13] and [2015.M.10-FS.14] are recent digital
prints, but all others appear to be originals.
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Box |
Folder |
6 |
1 |
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Patty McMillan with flag, mounted |
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One 9 1/2 x 11 1/2 print mounted on board. |
Box |
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21 |
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Black-and-white negatives |
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A negative strip from Flag Series portfolio photographs, featuring frames 9-12,
which has a bend on the right side near the top, and the contact strip for the same
frames originally had a sticky note attached with the words, "This photo is missing
from the portfolio, I need to make a new print," with an arrow pointed at frame 11
featuring Ed Ruscha wrapped in a flag.
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21 |
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Contact sheet |
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Joe Goode, 1960-1970 |
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McMillan's handwritten notes on the envelope read, "#1: - 212 negs, 20 proofs, 1 copy
- Negs of Joe's first wife, Judy, and daughter, Stephanie - Negs for War
Babies show - Negs for Milk Bottle Painting Show and
announcement - Negs of 'girlfriends,' 2 prints of Joe and his daughter Stephanie, 7
5/8 x 9 ½". #2: envelope - Photo announcement printed, Paintings of
Houses show, 10 3/8 x 10 ¾" - Printed announcement, photo of Joe Goode, 1966,
18 15/16 x 14 5/8" - Photo of Joe in his studio on Western Ave, 9 x 6 3/16" - Photo of
Joe in his studio doorway, 'The Crossroad Church' on Western Ave, LA, 10 x 8" - Photo
of Joe with his car calendar pages, 1968, 8 x 10" - Photo of Joe and girls working on
his car calendar, 1968, 5 1/8" x 7 ½" and 6 1/8" x 8 7/8" - Photo of Joe on his
letterhead, envelope and business cards, printed - 2 photo prints of Joe and
girlfriend Julie Wheeler, 15 ¾ x 19 3/16" – 15 ¾ x 19 7/8"."
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Prints |
Box |
Folder |
44* |
3 |
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Joe Goode and Julie Wheeler |
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Two 16 x 20 prints of Goode posing with girlfriend Julie Wheeler. |
Box |
Folder |
6 |
1 |
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Goode in the doorway of his studio |
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One 10 x 12 print showing Goode standing in the doorway of his studio, a building
with a storefront church sign.
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Box |
Folder |
44* |
2 |
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Joe Goode portraits |
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Three 16 x 20 prints. |
Box |
Folder |
9 |
1 |
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Joe Goode posing with his paintings |
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Two prints including one 11 x 14 print of Goode in his studio, looking at a
painting, mounted on cardboard, and one unmounted 11 x 14 print of Goode with one
of his milk bottle paintings.
|
1 |
6 |
|
|
Joe Goode studio shots |
|
|
|
|
Six prints including one 8 x 10 and one 7 x 8 print showing Goode and women
assistants working in his studio; one portrait of Goode holding a cup with
calendars on the wall behind him; one 8 x 10 print of Goode posing next to a
painting created for War Babies exhibition, and two 8 x 10 prints of
Goode with his daughter Stephanie.
|
Box |
|
22-23 |
|
|
Black-and-white negatives |
22-23 |
|
|
Contact sheets |
|
|
|
|
Joe Goode and Robert Graham, Jerry McMillan and Bob Graham, circa 1960s |
|
|
McMillan's handwritten notes on the envelope read, "Joe Goode & Bob Graham, Jerry
McMillan & Bob Graham - Bob Graham & Joe Goode at Mayer's Deli, then going
down the street to Jerry McMillan's studio, goofing off. 17 negs, 2 proofs. Several
photographs were made by Joe Goode."
|
Box |
|
24 |
|
|
Black-and-white negatives |
24 |
|
|
Contact sheets |
|
|
|
|
Joe Goode and Jerry McMillan in McMillan's studio, circa 1960s |
|
|
McMillan's handwritten notes on the envelope read, "Joe Goode and Jerry McMillan in
Jerry's studio" - 26 negs, 22 neg proofs, 1 proof, 1 print 3 5/8 x 5 1/2"."
|
Box |
folder |
1 |
6 |
|
Print |
|
|
|
One 4 x 6 print of McMillan with his arm around Goode's shoulder, Goode making a
face and looking sideways at McMillan.
|
Box |
|
24 |
|
|
Black-and-white negatives |
24 |
|
|
Contact sheets |
|
|
|
|
Robert Graham, 1967 |
|
|
McMillan's handwritten notes on the envelope read, "Envelope #1: 1. Bob Graham, 1967,
at Nick Wilder Gallery. 2. Bob at home with first wife Joey and son Stephen. B+W 338
35 mm negs, 10 proofs, 5 color trans with Bob's car - Envelope #2: 1. B+W, 2 ¼ negs,
photos for announcement, 1967. 111 2 ¼ negs of Bob and family. 10 proofs. 2. B+W 35
mm, Bob and family at train station. Tom Holland, wife, and Nick Wilder saying goodbye
– 72 negs, 2 proofs 3. B+W 35 mm, 6 negs, Nick Wilder Gallery, 2 negs. Bob with model,
1 proof. 4. B+W 35 mm, 18 negs, model for Bob, 1 proof 5. 2,207 B+W, 14 proofs."
|
|
|
|
|
|
Prints |
Box |
Folder |
43* |
2 |
|
|
Color images of Robert Graham posing with his car |
|
|
|
|
One 8 x 10 digital color print of Graham sitting in the open door of his parked
car, and five color 35mm transparencies of Graham posing with his car.
|
Box |
Folder |
1 |
7 |
|
|
Robert Graham posing with artworks and with his wife |
|
|
|
|
Six prints including one 8 x 10 and four 6 x 10 prints of Graham with his
artworks on display in Nicholas Wilder Gallery, and one 8 x 10 print showing
Graham sitting on a bed with his wife Joey.
|
Box |
Folder |
45* |
4 |
|
|
Robert Graham posing with his wife Joey, 16 x 20 |
|
|
|
|
Two 16 x 20 prints of Graham posing with his wife Joey in a studio. |
Box |
Folder |
9 |
2 |
|
|
Robert Graham with his family |
|
|
|
|
Two 11 x 12 prints of Graham with his wife Joey and son Steven, posing on a
grassy hill.
|
Box |
|
24 |
|
|
Black-and-white negatives |
24 |
|
|
Contact sheets |
|
|
|
|
Maren Hassinger and William Mahan, ARCO Center for Visual Art, 1976 |
|
|
McMillan's handwritten notes on the envelope read, "ARCO Center for Visual Art"-
Maren Hassinger / William Mahan, 208 35mm negs, 7 proofs, 8 b&w prints 8 x 10"
each, 1 b&w print 8 x 4 15/26"."
|
Box |
folder |
1 |
8 |
|
Prints |
|
|
|
Twelve prints, including eleven 8 x 10 prints and one 5 x 8 print featuring the
artists posing together and separately.
|
Box |
|
25 |
|
|
Black-and-white negatives |
25 |
|
|
Contact sheets |
|
|
|
|
George Herms, 1992 |
|
|
McMillan's handwritten notes on envelope read, "26 negs, 1 proof, 7 copies, photos of
George Herms - 1 booklet about George's show, 1 Artscene - 1
announcement, 10 post cards - 1 catalogue that was designed by Jerry McMillan, 1992,
The Secret Archives
."
|
Box |
folder |
1 |
9 |
|
Prints |
|
|
|
Four 8 x 10 bust portraits of Herms. |
Box |
|
25 |
|
|
Black-and-white negatives |
25 |
|
|
Contact sheets |
|
|
|
|
Robert Irwin in his studio, 1962-1963 |
|
|
McMillan's handwritten notes on envelope read, "Robert (Bob) Irwin - Bob in his
Studio, 35 negs, 3 proofs, 2 copies, 7 prints 7 5/8 x 7 13/16"."
|
|
|
|
|
|
Prints |
Box |
Folder |
2 |
1 |
|
|
8 1/2 x 8 and smaller |
|
|
|
|
Thirteen prints including seven 8 1/2 x 8 and six 5 x 5 prints of Irwin posing in
his studio.
|
Box |
Folder |
9 |
3 |
|
|
11 x 14 |
|
|
|
|
Two 11x14 prints of Robert Irwin sitting on a stool next to a work table in his
studio, his hands actively gesturing.
|
Box |
|
25 |
|
|
Black-and-white negatives |
25 |
|
|
Contact sheets |
|
|
|
|
Jan Series, 1963 |
|
|
McMillan's handwritten notes on the envelope read, "Jan series, 1963- 44 negs, 9
proofs, 1963. Photos used for the "Jan" series. -163 negs, 18 proofs, 1963 photos not
used. -207 negs, 27 proofs, 1963 total. -8 14 x 11" prints, vintage; -1 13 x 10 3/8"
print, vintage; -1 13 15/16 x 10 9/16 print, vintage."
|
box |
folder |
11 |
1 |
|
Prints |
|
|
|
Ten 11 x 14 prints featuring model "Jan" posing clothed and nude, as well as images
arranged by McMillan into still lifes and photographed.
|
Box |
|
26 |
|
|
Black-and-white negatives |
26 |
|
|
Contact sheets |
Box |
Folder |
2 |
7 |
John F. Kennedy collage, 1963 |
|
|
One 7 x 7 collage print showing a portrait of Kennedy in the middle ground propped
against a backdrop with the stenciled words "Dallas Nov. 22, 1963" in repeating rows,
and a shallow foreground featuring bunches of small flowers. No negatives relating to
this project are present in the collection.
|
|
|
|
|
Paul Klee, 1963 |
|
|
McMillan's handwritten notes on the envelope read, "11 negs, [2] proofs, 1 copy
print, 1 photo print 6" x 6" mounted on 15" x 15". Paul Klee is one of the Prussian
soldiers in the found photo that Jerry used in his photo."
|
|
|
|
|
|
Prints |
Box |
Folder |
43* |
3 |
|
|
Color digital print of a rusty can on the ground |
|
|
|
|
One 5 x 6 color inkjet print on photo paper. |
Box |
Folder |
6 |
1 |
|
|
Paul Klee photo collage |
|
|
|
|
One 10 x 10 black-and-white collage. |
Box |
Folder |
44* |
1 |
|
|
Paul Klee photo collage, mounted |
|
|
|
|
One 7 x 7 black-and-white collage on 16 x 16 board. |
Box |
|
27 |
|
|
Black-and-white negatives |
27 |
|
|
Contact sheets |
|
|
|
|
Hoon Kwak, 1993 |
|
|
McMillan's handwritten notes on the envelope read, "Hoon Kwak photos, '93 - photo for
a catalogue I designed of his art, 24 negs, 1 proof, 2 b&w prints 4 5/8 x 7"
each."
|
Box |
folder |
1 |
3 |
|
Prints |
|
|
|
Two 5 x 7 portraits of artist Hoon Kwak. |
Box |
|
27 |
|
|
Black-and-white negatives |
27 |
|
|
Contact sheets |
|
|
|
|
Los Angeles Six, 1968 |
|
|
McMillan's handwritten notes on the envelope read, "'L.A. Six,' all photographed in
Jerry's studio - Larry Bell, 36 negs, 3 proofs - Ron Davis, 36 negs, 3 proofs - Robert
Irwin, 36 negs, 3 proofs, 2 b&w prints 7 5/8 x 7 13/16" each - Craig Kauffman, 24
negs, 2 proofs - Edward Kienholz, 24 negs, 2 proofs - John McCracken, 12 negs, 1 proof
- 4 4 x 5" negs, 2 proofs - 1 Los Angeles 6 catalogue, The Vancouver Art
Gallery, 1968 - Total of all 172 negs, 16 proofs."
|
|
|
|
|
|
Prints |
Box |
Folder |
9 |
4 |
|
|
Los Angeles Six exhibition artists' portraits
|
|
|
|
|
Sixteen prints including two 10 x 12 portraits of Larry Bell blowing smoke from a
cigar; two 11 x 12 full portraits of Ron Davis standing with his dog at his feet;
one 12 x 12 print of Robert Irwin sitting on a crate; seven 11 x 12 prints of
Craig Kauffman; two 11 x 12 prints showing Edward Kienholz posing on a stool, and
two 11 x 12 prints of John McCracken sitting on a chair.
|
Box |
Folder |
2 |
2 |
|
|
Portraits of Larry Bell and Robert Irwin for Los Angeles
Six
|
|
|
|
|
Three prints including one 5 x 5 print of Bell standing and blowing smoke from a
cigar, and two 8 x 8 prints of Irwin sitting on a crate.
|
Box |
|
27 |
|
|
Black-and-white negatives |
27 |
|
|
Contact sheets |
|
|
|
One contact sheet for the Bell images is damaged, with torn and missing material
along top and right edge.
|
|
|
|
|
William (Bud) Luckey, 1960-1961 |
|
|
McMillan's handwritten notes on the envelope read, "William (Bud) Luckey, Animator.
Chouinard student that moved into 'Students 5' house after two had married. He I think
works for Pixar and was up for Academy Award for a short film, 2007 or '08."
|
|
|
|
|
|
Prints |
|
|
|
|
|
|
Luckey's boots |
Box |
Folder |
1 |
3 |
|
|
|
8 x 10 |
|
|
|
|
|
One 8 x 10 print showing a close-up of Luckey's boots, shot from the
ground.
|
Box |
folder |
10 |
1 |
|
|
|
11 x 14 |
|
|
|
|
|
One 11 x 14 print showing a close-up of Luckey's boots, shot from the
ground.
|
Box |
Folder |
44* |
1 |
|
|
Luckey with banjo |
|
|
|
|
One 16 x 20 mounted print of Luckey posing with his artworks and holding a
banjo.
|
Box |
|
28 |
|
|
Black-and-white negatives |
|
|
|
There is no negative for the prints of Luckey's boots included here, but similar
images are present among the negatives.
|
28 |
|
|
Contact sheets |
|
|
|
|
Mason, Ed, Jerry, 1968-1972 |
|
|
McMillan's handwritten notes on the envelope read, "Mason, Ed, Jerry -2 1/4" negs, Ed
Ruscha, Mason Williams, Thelma Camacho and Me, 24 negs, 2 proofs - 2 prints. 1. Ed
Ruscha, Jerry McMillan & Mason Williams, 7 9/16 x 9 9/16" 2. Ed Ruscha and Mason
Williams, 9 9/16 x 7 9/16" - Mason Williams After Throwing Pie at CBS TV Station 32,
35mm negs, 1 proof."
|
Box |
Folder |
2 |
3 |
|
Mason Williams, Ed Ruscha, and Jerry McMillan in McMillan's
studio
|
|
|
|
Four prints including two 8 x 10 images featuring Ruscha standing back-to-back with
Williams, and two 8 x 10 prints featuring Ruscha, McMillan, and Williams standing
abreast of each other.
|
Box |
|
28 |
|
|
Black-and-white negatives |
28 |
|
|
Contact sheets |
|
|
|
|
Jerry McMillan, 1963-1974 |
|
|
McMillan's handwritten notes on the envelope read, "152 negs / 7 proofs / 1 print / 1
announcement - 1 print of Jerry by Ed Ruscha - 6 announcements - 6 articles about
Jerry's work - 1 copy of Jerry's catalogue for his first traveling exhibition, 1970 -
3 catalogues: 1980, 1989, 2012. 2 magazines, art ltd., 2011,
B+W, 2013 - 1 self-portrait, 20" x 16", made same time as 'Walter
Hopps, Jerry McMillan Wants to See You!', 1963." Another McMillan self-portrait, for
which there is no negative in the collection, is stored with Yanez materials in Box 2,
Folder 9.
|
|
|
|
|
|
Prints |
Box |
Folder |
2 |
4 |
|
|
Jerry McMillan portraits |
|
|
|
|
Two prints including one 8 x 10 portrait of McMillan sitting in a restaurant
booth, taken by Ed Ruscha, and one image of a McMillan self-portrait pinned with
tacks to a piece of wood.
|
Box |
Folder |
46* |
3 |
|
|
Jerry McMillan self-portrait |
|
|
|
|
One 16 x 20 self-portrait of McMillan holding his tilted head in his hand. |
Box |
|
28 |
|
|
Black-and-white negatives |
28 |
|
|
Contact sheets |
|
|
|
|
Ron Miyashiro, 1961 |
|
|
McMillan's handwritten notes on the envelope read, "One of the War
Babies, 1961 – 36 negs, 3 proofs." McMillan originally combined the Miyashiro
material in an envelope together with the Ed Bereal material.
|
Box |
Folder |
10 |
1 |
|
Ron Miyashiro portrait print |
|
|
|
One 11 x 14 mounted print portrait of Miyashiro posing with his artwork. |
Box |
|
29 |
|
|
Black-and-white negatives |
29 |
|
|
Contact sheets |
Box |
folder |
46* |
1 |
Clark Murray, 1967 |
|
|
One 16 x 20 print of Murray reclining on a mattress, holding a cigarette. McMillan's
handwritten notes on the envelope read, "78 2 ¼ negs, 7 proofs, 1 print 18 ¾" x 15
15/16," invitation. Vintage."
|
Box |
|
29 |
|
|
Black-and-white negatives |
29 |
|
|
Contact sheets |
|
|
|
|
Rolf Nelson, 1965 |
|
|
McMillan's handwritten notes on the envelope read, "Photos of Rolf, his wife, and
Susan Davis who worked for him and was married to Ron Davis, the artist. Susan modeled
for me, her photos are in "Ron Davis" envelope, 72 negs, 7 proofs, test print, 1 copy,
1 large print of Rolf and his new wife, 20 x 16" print, vintage."
|
|
|
|
|
|
Prints |
Box |
Folder |
1 |
3 |
|
|
Facade of Rolf Nelson Gallery |
|
|
|
|
One 8 x 10 print of the Rolf Nelson Gallery facade with a sign reading
"Open."
|
Box |
Folder |
46* |
1 |
|
|
Rolf Nelson posing with his wife |
|
|
|
|
One 16 x 20 print of gallerist Nelson and his wife posing on the floor, captured
at floor level.
|
Box |
|
29 |
|
|
Black-and-white negatives |
29 |
|
|
Contact sheets |
|
|
|
|
Pasadena Art Museum being built, 1969 |
|
|
McMillan's handwritten notes on the envelope read, "Pasadena Museum of Art being
built- in the rain, 5 negs, 2 proofs, 1 copy."
|
Box |
|
30 |
|
|
Black-and-white negatives |
30 |
|
|
Contact sheets |
|
|
|
|
Pasadena Art Museum (PAM) openings and workshops, 1969-1970 |
|
|
McMillan's handwritten notes on the envelope read, "The Pasadena Art Museum - 13
photographic prints - joe3 negs, 14 proofs, 1 copy - 220 negs, 10 proofs - 36 negs, 1
proof, 1 copy – 1 11 x 14" contact print of 24 negs, 1 copy, 1970 - 12 window posters
of 4 images, 4 copies - 3 copies of one calendar of events, 1973 - 9 printed works
designed and shot by Jerry McMillan - 144 negs, 4 proofs, of Tom Terbell's (director)
40th birthday party."
|
|
|
|
|
|
Prints |
Box |
Folder |
10 |
1 |
|
|
Enlarged contact sheet |
|
|
|
|
One 11 x 14 print of an enlarged contact sheet featuring museum opening events
and Richard Serra images.
|
Box |
Folder |
6 |
1 |
|
|
Event at Pasadena Art Museum |
|
|
|
|
One 10 x 12 print showing museum guests mingling and looking at art. |
Box |
Folder |
2 |
5 |
|
|
Pasadena Art Museum openings and workshops |
|
|
|
|
Fourteen prints including one 3 x 5 snapshot and thirteen 8x10 prints of crowds
attending museum events. Persons featured in the photographs include Robert
Rauschenberg, DeWain Valentine, Andy Warhol, Barbara Haskell, and John Cage. The
negative for the John Cage print was not among the negatives marked "Cage" in the
original project folder.
|
Box |
|
30-31 |
|
|
Black-and-white negatives |
30-31 |
|
|
Contact sheets |
|
|
|
|
Pasadena's Choice, 1991 |
|
|
McMillan's handwritten notes on the envelope read, "Pasadena's Choice, The Armory
Center for the Arts '91, 50 negs, 2 proofs, 3 b&w prints, 8 x 10 each, 2
invitations."
|
Box |
folder |
2 |
6 |
|
Prints |
|
|
|
Three 8 x 10 prints featuring exhibition artists Gifford Myers; Linda Nishio;
Richard Bunkall; Sally Storch; Philip Cornelius; Elaine Carhartt; and Walter
Askin.
|
Box |
|
31 |
|
|
Black-and-white negatives |
31 |
|
|
Contact sheets |
|
|
|
|
Ken Price and collector Joan Harrell in his studio, 1967-1968 |
|
|
McMillan's handwritten notes on the envelope read, "Ken Price & collector Joan
Harrell in his studio, 17 negs, 1 proof, 2 b&w prints 8 x 10 each."
|
Box |
folder |
1 |
3 |
|
Prints |
|
|
|
Two 8 x 10 prints of Price sitting in a chair in his studio. |
Box |
|
31 |
|
|
Black-and-white negatives |
31 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha, 1959-1969 |
|
|
McMillan's handwritten notes on the envelope read, "47 negs, 6 Proofs, 3 Prints. 1.
Truck Across the Street From Our Studios, 1967, 7 1/2 x 9 1/2". 2. Head Photo, 1959, 7
1/2 x 7 1/2". 3. Ed First Studio, 8 9/16 x 8 9/16"."
|
|
|
|
|
|
Prints |
Box |
Folder |
12 |
1 |
|
|
Ed Ruscha at his first studio |
|
|
|
|
Six 11 x 14 prints showing Ruscha standing in the doorway of his first
studio.
|
Box |
Folder |
3 |
2 |
|
|
Ed Ruscha portraits |
|
|
|
|
Nine prints include one 8 x 8 print of Ruscha in check-patterned shirt looking at
the camera; two 8 x 8 prints of Ruscha laying in the grass; one 8 x 10 and one 8 x
8 portrait of Ruscha in white T-shirt with pencil behind his right ear; two 8 x 8
prints of Ruscha laying out images for his book Every
Building on the Sunset Strip, and two 8 x 10 prints of Ruscha standing
on Western Ave. in front of a moving truck painted with the words "Oklahoma
Furniture Manufacturing Co."
|
Box |
|
36 |
|
|
Black-and-white negatives |
36 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha 35mm prints, circa
1967-1972
|
|
|
McMillan's handwritten notes on the envelope read, "Ed and Jerry at Mayer's Deli on
Western Ave & Ed Walking Back to his Studio on Western Ave. 7/68; 36 negs, 1
proof, 1 print of Jerry McMillan - Ed in his Studio on Western Ave, 1967 or '68; 36
negs, 1 proof - Ed in his Studio Library, #21, and Leon Bing, 7/68, 54 negs, 2 proofs;
- Ed in his Studio, 1968, 37 negs, 2 two of the same, one dark, one light; - Ed with
his Porsche in our Studio's Courtyard, 34 negs, 1 proof - Ed at the Mayer's Deli up
the street on Western, 36 negs, 1 proof - all photographed with L.A. book of artists
in mind- made to be used for a book showing the relationship between L.A. artists and
the kind of life they lived. Everything was shot with a specific idea in mind. Book
was not made." 31 prints, mostly 8 x 10.
|
box |
folder |
4 |
1 |
|
Prints |
Box |
|
36 |
|
|
Black-and-white negatives |
36 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha signing prints at Tamarind, 1969 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha, 35mm - Ed Ruscha
Signing Prints at Tamarind, 1969; Ed & June Wayne, 1969, negs #27, 28, 29 Pasadena
Art Museum, 1969, #14, 15, total for three above = 95 negs, 3 proofs; - Ed at Cirrus
Talking with Artists, friend Jerry Anderson and Others 23 negs, 1 proof - Total negs,
118 negs, 4 proofs."
|
|
|
|
|
|
Prints |
Box |
Folder |
3 |
1 |
|
|
8 x 10 |
|
|
|
|
Five prints including four 8 x 10 prints showing Ed Ruscha signing his art and
one 8 x 10 print showing Ed Ruscha sitting with June Wayne; both have pencils
clenched in their teeth.
|
Box |
Folder |
6 |
3 |
|
|
10 1/2 x 6 and smaller |
|
|
|
|
Two prints including one 10 1/2 x 5 print showing Ruscha signing his art, and one
10 1/2 x 6 that shows Ruscha crossing his eyes.
|
Box |
|
32 |
|
|
Black-and-white negatives |
32 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha and Danna, 35mm, 1966-1970 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha & Danna" 35mm negs
- Ed and Danna/ Ed Looking at his Sunset book and checking his
Artforum cover, 38 negs, 1 proof, 1 print 6" x 9" - Danna Ruscha/ Ed
with books on his head and books piled on him, 36 negs, 1 proof, 1 copy, 2
announcements 6 x 4 1/4", 1 announcement 8 x 8" - "Danna Ruscha / Ed with his books,
36 negs, 1 proof, 1 copy - Total negs, 110 negs, 3 proofs, 2 copies."
|
|
|
|
|
|
Prints |
Box |
Folder |
5 |
2 |
|
|
Ed Ruscha posing alone and with his wife |
|
|
|
|
Thirteen prints including four 8 x 10 prints showing different views of Ruscha
looking at his press proofs; one 8 x 10 print of Ruscha with a phone to his ear,
holding his art work; one 8 x 10 print of Ruscha in front of his painting
Los Angeles County Museum of Art on Fire; one 8 x 10 print showing
Ruscha with several of his published books perched on his head; one 6 x 8 print
showing Ruscha holding his book Real Estate
Opportunities; two 8 x 10 prints showing Ruscha unfolding his book Every Building on the Sunset Strip; one 8 x 10 print
showing Ruscha posing with bow and arrow; one 8 x 10 print of close-up headshot
showing Danna Ruscha looking at Ed Ruscha in profile; one 8 x 10 print showing Ed
Ruscha and Danna Ruscha posing in a phone booth.
|
Box |
Folder |
12 |
3 |
|
|
Ed Ruscha posing with his books |
|
|
|
|
Two prints including one 11 x 14 print showing Ruscha lifting his books above his
head, and one 11 x 14 print showing Ruscha on the floor with his books spread
around him.
|
Box |
|
32 |
|
|
Black-and-white negatives |
32 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha and Danna, Ed with shirt off, 2 1/4 negatives, 1971 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha & Danna, Ed with
shirt off, 2 1/4" negs - 108 negs, 9 proofs."
|
|
|
|
|
|
Prints |
Box |
Folder |
5 |
1 |
|
|
8 x 10 and smaller |
|
|
|
|
Thirteen prints include seven 8 x 8 prints and one 8 x 10 print showing a
shirtless Ruscha in different poses; one 8 x 10 print showing a shirtless Ruscha
with his wife Danna Ruscha standing behind him, her hands on his shoulders; one 8
x 10 print showing Ruscha in a suit and Danna Ruscha in a lace dress; one 8 x 10
print of Ruscha wearing a suit and hat, holding a cigarillo; one 8 x 8 print of
Ruscha wearing a suit, holding a cigarillo and tipping his hat, and one 8 x 8
print of Ruscha wearing a suit, exhaling smoke.
|
Box |
Folder |
12 |
2 |
|
|
11 x 14 |
|
|
|
|
Three prints including one of Ruscha posing shirtless wearing a black hat, and
two of Ruscha posing shirtless with his wife Danna Ruscha.
|
Box |
|
33 |
|
|
Black-and-white negatives |
33 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha and Danna and Eddie Jr., 1971 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha & Danna and Eddie,
Jr.; Ed and Danna Ruscha with Eddie Jr, (Frenchie)- Ed Dressed as a Rabbit. 25 negs, 1
proof, 34 negs, 1 proof 6 negs, 2 proofs - Ed and Danna Ruscha, Ed with wet face, Ed
with Penny Little who dropped by, 36 negs, 1 proof, 2 test strip prints - Ed and Danna
Ruscha, 36 negs, 1 proof, 1 copy - Ed and Danna Ruscha, Ed with shirt off and cowboy
hat, 37 negs, 1 proof - Ed with his truck and plants in the back of his truck, 5 negs,
1 proof - Total negs- 179 negs, 8 proofs." Two contact sheets and two prints found in
this envelope were moved to the corresponding project negatives and contact sheets:
the contact sheets to Box 33, and the 8 x 10 prints to Box 5, Folder 1.
|
Box |
folder |
5 |
3 |
|
Prints |
|
|
|
Twelve prints including four 5 x 7 and eight 8 x 10 prints of Ruscha posing with
his wife Danna and son Eddie, Jr.
|
Box |
|
33 |
|
|
Black-and-white negatives |
33 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha and Joe Goode, 1969-1970 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha & Joe Goode, 21
negs, 1 proof - At Ann's Hamburger Stand on Santa Monica Blvd, 21 negs, 1 proof, 1 b
& w print, 4 11/16 x 6 7/8"; - Ed & Blair Sabol, a friend of Ed's, 8 negs, 1
proof; - Joe Goode, Ed Ruscha on our way to Nickodell's Restaurant 2 negs, 1 proof; -
Ed Ruscha, Joe Goode, & Valerie Cummings in Jerry's Studio, 1969, 35 negs, 1
proof; - 35 + 21 +8 + 2 = 66 negs in all."
|
Box |
folder |
3 |
3 |
|
Prints |
|
|
|
Twelve prints including five 6 x 8 prints showing Goode and Ruscha sitting at an
outdoor restaurant called Ann's Hamburger stand; two 6 x 8 prints showing Goode and
Ruscha walking on the sidewalk, with Nickodell Restaurant in the background; one 6 x
8 print of Ruscha and Goode standing next to each other in half-length portrait,
smiling; two 6 x 8 prints of Ruscha in close-up portraits, wearing a decorated
shirt, and two 8 x 10 half-length portraits of Ruscha sitting in a diner wearing
sunglasses.
|
Box |
|
33 |
|
|
Black-and-white negatives |
33 |
|
|
Contact sheets |
Box |
folder |
43* |
4 |
Ed Ruscha and Joe Goode - Newport Harbor Exhibition, 1968 |
|
|
Five 12 x 12 color prints of Ruscha and Goode on horseback, used as the catalogue
cover image for their 1968 joint exhibition at the Newport Harbor Art Museum. No
negatives are present in the collection. McMillan's handwritten notes on the envelope
read, "Exhibition presented at Newport Harbor at the Pavilion, 1968 - 1 catalogue
cover picture; No color – transparency - 1 B+W announcement, no negs."
|
|
|
|
|
Ed Ruscha and Walter Hopps at Walter's house, 1963 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha & Walter Hopps at
Hopps' House, and unknown woman, about 1963, 18 negs, 2 proofs, 2 prints, 7 3/8" x 7
3/4", Christmas Tree, 7 7/16" x 7 7/18"."
|
Box |
folder |
3 |
4 |
|
Prints |
|
|
|
Six 8 x 8 prints of Ruscha and Hopps sitting in chairs in Hopps's house, smoking
and talking.
|
Box |
|
33 |
|
|
Black-and-white negatives |
33 |
|
|
Contact sheets |
|
|
|
|
Ed Ruscha color - Ed and his books, 2012 |
|
|
McMillan's handwritten notes on the envelope read, "Proof sheet, disc, invitation, 1
print image, 11 3/8" x 9 5/8", paper size 19" x 13"."
|
Box |
folder |
43* |
5 |
|
Print |
|
|
|
One 16 x 20 digital color print and two 8 1/2 x 11 color digital contact sheets of
photographs of Ruscha taken by McMillan for the Gagosian Gallery exhibition Ed
Ruscha - Books & Co. The image is an update of McMillan's photograph of
Ruscha on the floor covered with his own books.
|
box |
item |
42 |
CM2 |
|
Computer disc with image files 2012
.06
GB
(38 files)
|
|
|
|
Ed Ruscha with his Books, digital image files
|
|
|
|
1 computer disc (DVD-R) : digital ; 4 3/4 in. Disc is titled: Ed Rusha with his
Books / 2012 Photos-Jerry McMillan. CM2 contains: 17 Canon RAW (.cr2); 2 Adobe
Photoshop (.psd); 2 Tagged Image File Format (.tif); 17 Extensible Metadata Platform
Format (.xmp) side car files.
|
|
|
|
|
Ed Ruscha, Joe Goode and Jerry McMillan on Ed's car, on stairs and hand over
eyes, 1970
|
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha, Joe Goode and Jerry
McMillan on Ed's car, on stairs and hands over eyes, 11 negs, 1 proof, 1 b&w print
6 1/2 x 9 1/2", 1 invitation 5 x 7 1/2"."
|
Box |
folder |
3 |
5 |
|
Prints |
|
|
|
Seven prints including three 8 x 10 prints featuring McMillan, Ruscha, and Goode
sitting on the back of Ruscha's 1939 Chevrolet; one 7 x 10 print and one 8 x 10
print showing the three artists standing abreast of each other in two different
poses with hands up shading their eyes, and one 8 x 10 print of the artists posing
on an outdoor staircase.
|
Box |
|
33 |
|
|
Contact sheets |
|
|
|
Negatives are not present, contact sheets only. |
|
|
|
|
Ed Ruscha Says Goodbye to College Joys, 1967 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha says goodbye to college
joys" - 1 printed magazine work, 1967, 72 negs, 6 proofs, 1 photo of Nancy Ames whose
bed we used for photo. I also shot the photo of Nancy for Nancy." An 11 x 14 print of
Nancy Ames originally from this envelope has been rehoused in Box 8 Folder 3 under the
Mason Williams and Nancy Ames project file folder to correspond with the project
arrangement of the negatives and contact sheets for this photograph, which themselves
are housed in Box 42.
|
Box |
Folder |
46* |
2 |
|
Ed Ruscha posing in a bed with several women |
|
|
|
Three prints including two 16 x 20 prints of an enlarged contact sheet from the
project, showing Ruscha in bed with two women, and one 16 x 16 print of Ruscha with
two women.
|
Box |
|
34 |
|
|
Black-and-white negatives |
34 |
|
|
Contact sheets |
Box |
Folder |
3 |
6 |
Ed Ruscha - Unidentified project or no negatives, circa 1960s |
|
|
Three 8 x 10 black-and-white prints of Ruscha from unidentified projects, with no
negatives present in the collection. Two prints show Ruscha posing holding his baby,
and one is a close-up portrait of Ruscha's head and shoulders.
|
|
|
|
|
Ed with Hollywood sign, color photos for Life,
1972
|
|
|
McMillan's handwritten notes on the envelope read, "Ed with Hollywood sign -
color/photos for Life '72 (shot for Life, but not used by
the magazine), 28 Wide Lux Color transparencies, 1 color print 4 x 10", 1 color print
4 x 10", 1 b&w print 4 x 10"."
|
|
|
|
|
|
Prints |
Box |
Folder |
43* |
6 |
|
|
Color |
|
|
|
|
Seven prints including six 8 x 10 color prints and one 10 x 12 print showing
Ruscha with the Hollywood sign in the background, with twenty-eight color
transparencies in the same folder.
|
6 |
3 |
|
|
Black-and-white |
|
|
|
|
One 8 x1 0 black-and-white digital print of Ruscha standing in front of the
Hollywood sign, wearing a hat.
|
|
|
|
|
Ed Ruscha with "Su" painting, 1961-1962 |
|
|
McMillan's handwritten notes on the envelope read, "Ed Ruscha with Su
painting, 1967- Ed with Painting Su, 28 negs, 3 proofs, 2 Beach Towels by
Ed, 4 negs total for two above = 32 negs, 3 proofs - One photo print of Su Hall, Ed's
girlfriend at Chouinard, 6 11/16 x 4 11/16", 8 negs, 2 proofs."
|
|
|
|
|
|
Prints |
Box |
Folder |
6 |
3 |
|
|
Ed Ruscha dressed in his naval uniform with his painting,
Su
|
|
|
|
|
One 8 1/2 x 11 digital print of Ruscha standing in front of a painting with his
naval uniform hat on the floor in front of him, a cigarette in his mouth.
|
3 |
7 |
|
|
Ed Ruscha posing in his Naval Reserve uniform |
|
|
|
|
Four prints including one 8 x 10 print of Ruscha standing in front of a painting
with his naval uniform hat on the floor in front of him, cigarette in his mouth;
one 8 x 10 print of Ed Ruscha standing with a flag tied around his torso; one 8 x
10 print of Ed Ruscha wrapped in an American flag and wearing a naval hat; and one
5x7 print of Su Hall seated in front of a small painting.
|
Box |
|
34 |
|
|
Black-and-white negatives |
34 |
|
|
Contact sheets |
|
|
|
|
Paul Sarkisian, 1968 |
|
|
McMillan's handwritten notes on the envelope read, "Paul Sarkisian, 1968, 73 negs, 3
proofs, 1 catalogue with my photo on the cover."
|
Box |
|
34 |
|
|
Black-and-white negatives |
34 |
|
|
Contact sheets |
|
|
|
A paper window was originally taped to a contact sheet test strip highlighting
frame 13. A handwritten note in pencil by McMillan states, "Used for Paul's
catalogue, Pasadena Art Museum. I designed it."
|
|
|
|
|
Barbara T. Smith, |
|
|
McMillan's handwritten notes on the envelope read, "Barbara T. Smith - 50 negs, 6
proofs, 3 digital color prints to show how some of these photos were used."
|
|
|
|
|
|
Prints |
Box |
Folder |
10 |
1 |
|
|
Portrait of Barbara T. Smith seated with paper bag covering her
torso
|
|
|
|
|
One 10 1/2 x 10 1/2 print of a nude Smith seated on floor with paper bag covering
the upper half of her body. Some tape damage on top edge.
|
Box |
Folder |
43* |
7 |
|
|
Color digital print of McMillan boxes featuring Smith
photographs
|
|
|
|
|
Present are two color 6 x 6 digital prints, although the envelope says there
should be three.
|
Box |
|
35 |
|
|
Black-and-white negatives |
35 |
|
|
Contact sheets |
|
|
|
|
James Turrell, 1969 |
|
|
McMillan's handwritten notes on the envelope read, "James Turrell, 1969, and three
negs of Nick Wilder - Photos made for
Life
magazine to
match up with Robert Irwin and Doug Wheeler photos made for Fort Worth Art Center
Museum - James Turrell, 45 negs, 4 proofs, 1 copy, 2 photo prints 11 3/9" x 10 " / 11
3/8 x 10"; - Nick Wilder, 3 negs, total 48 negs." This project was originally arranged
by McMillan in an envelope together with the Fred Eversley material.
|
Box |
Folder |
10 |
2 |
|
James Turrell portrait prints for Life
magazine
|
|
|
|
Five prints including four 11 x 14 prints and one 11 x 12 print of James Turrell
posing with a wooden crate for a Life magazine project. The verso of
one print reads, "Photo was to work with Irwin and Wheeler photos I took."
|
Box |
|
35 |
|
|
Black-and-white negatives |
35 |
|
|
Contact sheets |
|
|
|
|
John Vidnic, 1962 |
|
|
McMillan's handwritten notes on the envelope read,"60 negs, 5 proofs, 2 vintage
prints, 1962/3, 13 7/16" x 10 ½", 11 1/8 x 10 ½". John was a commercial
artist/designer and excellent watercolorist."
|
Box |
folder |
10 |
1 |
|
Prints |
|
|
|
Two 11 x 14 portraits of John Vidnic sitting at a drawing desk. |
Box |
|
35 |
|
|
Black-and-white negatives |
35 |
|
|
Contact sheets |
|
|
|
|
Diana Vitale, 1959-1962 |
|
|
McMillan's handwritten notes on the envelope read, "Painter, fashion illustrator,
artist, Chouinard grad, 117 2 ¼ negs, 10 proofs, 2 2 ¼ x 3 3/16 negs, 2 proofs, total:
119 negs, 12 proofs - 4 mounted vintage prints of Diana, 13 ¾ x 10 13/16", 13 1/8" x
10 7/8", 13 13/16" x 10 ¾", 13 5/8" x 10 3/8" - 1 unmounted vintage print, 13 3/8" x
10 ½", 2 announcements - 1 mounted art work for Diana's announcement with printing
bill, 1962."
|
|
|
|
|
|
Prints |
Box |
Folder |
47* |
1 |
|
|
Diana Vitale posing |
|
|
|
|
Five prints including four 16 x 20 mounted prints of Vitale in different poses,
and one 16 x 20 advertisement poster mock-up.
|
Box |
Folder |
10 |
1 |
|
|
Diana Vitale in a dark doorway |
|
|
|
|
One 11 x 14 print of Vitale standing in a dark stone doorway, dimly lit by
overhead moonlight.
|
Box |
|
36 |
|
|
Black-and-white negatives |
36 |
|
|
Contact sheets |
|
|
|
|
Walter Hopps, Jerry McMillan Wants to See You!, 1963-1964 |
|
|
McMillan's handwritten notes on the envelope read, "(contacts and negs) #12 toaster -
story of this photo and its meaning is inside, copied from Photographing the
L.A. Art Scene, 1958-75, 22 2 1/4" negs, 2 proofs sheets, 1 copy."
|
Box |
folder |
46* |
3 |
|
Prints |
|
|
|
One 16 x 20 print of McMillan's reflection in a toaster along with a message
addressed to Walter Hopps.
|
Box |
|
36 |
|
|
Black-and-white negatives |
36 |
|
|
Contact sheets |
|
|
|
|
War Babies, 1939-1961,
1961
|
|
|
Images from the 1961 exhibition at Huysman Gallery, which included artists Larry
Bell, Ed Bereal, Joe Goode, and Ron Miyashiro. McMillan's handwritten notes on the
envelope read, "War Babies, 1961 - 48 stars cloth flag,
53" x 91", 1961 - 18 negs, 2 proofs, in the Huysman Gallery - 3 prints, 8 x 8, never
seen before - 24 negs, 2 proofs, photos of some art works - 1 8 x 10 neg of total
announcement, 1 copy print, 1 CD of War Babies - 2 real
War Babies announcements, 1961 - 1 X-tra magazine, War Babies
image on pg. 67."
|
|
|
|
|
|
Prints |
Box |
Folder |
6 |
4 |
|
|
Exhibition images |
|
|
|
|
Three 9 1/2 x 11 prints taken at the War Babies exhibition at
Huysman Gallery in Los Angeles. One of the images features Goode alone, one shows
Goode and Henry Hopkins, and one is of Hopkins alone.
|
|
|
|
|
|
|
Poster images |
|
|
|
|
Prints of the War Babies image used on the advertisement poster,
featuring Bell, Bereal, Goode, and Miyashiro sitting around a table.
|
Box |
Folder |
10 |
1 |
|
|
|
8 1/2 x 11 |
|
|
|
|
|
One 8 1/2 x 11 digital print of the War Babies exhibition
advertisement poster image featuring Bell, Bereal, Goode and Miyashiro sitting
around a table.
|
Box |
folder |
46* |
1 |
|
|
|
16 x 16 |
Box |
|
36 |
|
|
Black-and-white negatives |
36 |
|
|
Contact sheets |
box |
item |
42 |
CM1 |
|
Computer disc with image files, 2010 |
|
|
|
Born-digital material unavailable until reformatted; access to original media
restricted. Contact Reference for information regarding reformatting.
|
|
|
|
|
West Coast, 1945-1969 exhibition catalogue cover, 1969
|
|
|
McMillan's handwritten notes on the envelope read, "Pasadena Art Museum catalogue -
30 negs, 2 proofs - 1 black-and-white print - 1 West Coast catalogue with
Jerry McMillan photos of 8 artists inside - Jerry also designed the catalogue."
|
Box |
folder |
10 |
1 |
|
Print |
|
|
|
One 11 x 11 print of ocean surf scene used on the cover of the catalogue for the
West Coast, 1945-1969
exhibition.
|
Box |
|
36 |
|
|
Black-and-white negatives |
|
|
|
A handwritten note by McMillan reads, "Also with friend Ed Angell who was my chrome
plater in Santa Monica."
|
36 |
|
|
Contact sheets |
|
|
|
|
Doug Wheeler and Robert Irwin - Fort Worth Art Center Catalogue, 1968-1969 |
|
|
McMillan's handwritten notes on the envelope read, "Doug Wheeler, 55 negs, 5 proofs,
Fort Worth Art Museum Catalogue designed by Jerry McMillan, photo request MCAX6D -
Robert (Bob) Irwin, 99 negs, 8 proofs, 1 print, 7 5/8" x 7 ½". Total: 154 negs, 13
proofs, 1 catalogue, 2 copies."
|
|
|
|
|
|
Prints |
Box |
Folder |
10 |
3 |
|
|
Doug Wheeler and Robert Irwin portraits |
|
|
|
|
Five prints including one 11 x 14 portrait of Wheeler astride a chair, and one 11
x 14 print and three 11 x 12 prints of Irwin posing and gesturing.
|
Box |
Folder |
2 |
1 |
|
|
Robert Irwin seated |
|
|
|
|
One 8 x 10 image of Irwin, arranged with other Irwin material under "I." |
Box |
|
37 |
|
|
Black-and-white negatives |
37 |
|
|
Contact sheets |
|
|
|
|
Charles E. White III, 1964-1965 |
|
|
McMillan's handwritten notes on the envelope read, "1 printed 'moving' announcement,
1964, 19 2/8" x 16", 1964 - 1 photographic print of Charles and model, 1964, 19 2/8" x
16", 1964 - 1 photographic print of just the model, 19 7/8 x 16", 1964; 57 negs, 5
proofs, 1965; 94 negs, 10 proofs, 1964; - 'Get to Know This Face,' 1964; – 1 copy of
printed mailer - 'Get to Know This Face,' 27 x 4"."
|
Box |
folder |
46* |
4 |
|
Prints |
|
|
|
Two 16 x 20 prints including one showing White posing clothed with a nude female
model, and one showing the model posing alone.
|
Box |
|
37 |
|
|
Black-and-white negatives |
37 |
|
|
Contact sheets |
|
|
|
|
Mason Williams and Nancy Ames, 1962, 1967 |
|
|
McMillan's handwritten notes on the envelope read, "Mason – 163 negs, 15 proofs, 2
photo prints 9 ½ x 7 3/8", 1 photo print 7 5/8 x 7 5/8" (1962-63), 2 digital prints, 7
¾ x 7 5/8" (2013); - Nancy – 85 negs, 3 proofs, 1 print 14 x 9 ¾"; - Mason – Mason's
book cover for book Boneless Roast, 24 negs."
|
|
|
|
|
|
Prints |
|
|
|
|
|
|
Mason Williams with banjo |
Box |
Folder |
2 |
8 |
|
|
|
8 x 10 |
Box |
Folder |
6 |
5 |
|
|
|
8 x 12 |
Box |
Folder |
8 |
3 |
|
|
Nancy Ames, 1967 |
|
|
|
|
One 11 x 14 full portrait of Ames wearing black, arranged alphabetically under
"Ames."
|
Box |
|
38 |
|
|
Black-and-white negatives |
38 |
|
|
Contact sheets |
|
|
|
|
Maurice Yanez, 1963 |
|
|
McMillan's handwritten notes on the envelope read, "1963- 96 negs, 8 proofs, 1 print
10 7/16 x 11 9/16", vintage."
|
|
|
|
|
|
Prints |
Box |
Folder |
10 |
1 |
|
|
Close-up of Maurice Yanez |
|
|
|
|
One 11 x 14 print of Yanez's face in close-up. |
Box |
Folder |
46* |
1 |
|
|
Maurice Yanez standing behind a camera |
|
|
|
|
One 16 x 20 print of Yanez standing behind a tripod, mounted to board. |
Box |
Folder |
2 |
9 |
|
|
Portrait of Jerry McMillan by Maurice Yanez |
|
|
|
|
One portrait of McMillan standing behind a tripod, created during Yanez shoot. No
negative is present in the collection.
|
Box |
|
39 |
|
|
Black-and-white negatives |
39 |
|
|
Contact sheets |