Title: | Harry Smith papers |
Dates: | 1888-2010, bulk 1987-1990 |
Number: | 2013.M.4 |
Creator/Collector: | Smith, Harry Everett, 1923-1991 |
Extent: | 229 Linear Feet (340 boxes, 4 flatfile folders) |
Abstract: | The archive was assembled after the death of Harry Smith, polymath filmmaker, painter, and collector of American vernacular art, music, and artifacts. It contains correspondence from the last three years of Smith's life, a selection of Smith's manuscripts and art, most of his original films, his final audio project, Materials for the Study of Religion and Culture in the Lower East Side or Movies for Blind People, and a sizeable portion of his realia collections, including paper airplanes. |
Request Materials: | Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy. |
Language: | Collection material is in English . |
Repository: | The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 Business Number: (310) 440-7390 Fax Number: (310) 440-7780 reference@getty.edu URL: http://hdl.handle.net/10020/askref (310) 440-7390 |
Author: | Annette Leddy |
Harry Smith, polymath filmmaker, painter, and collector of American vernacular art, music, and artifacts, was born on May 23, 1923 in Portland, Oregon. Smith grew up in Washington state, moving between the small rural towns of Anacortes and Bellingham, in the center of Pacific Northwest Coast Indian territory. Smith's father, Robert James Smith, worked in the salmon industry successively as a marine engineer, boat captain, and night watchman. His mother, Mary Louise Hammond, taught on the Lummi Indian Reservation from 1925 to 1932.
Inspired by his mother's work on the Reservation, Smith became fascinated with local Native American cultures. By age 15, Smith had recorded songs and rituals of the Lummi, Salish and Swinomish peoples and compiled a dictionary of Puget Sound dialects. He also began collecting early American folk records. This was the beginning of a lifelong interest in documenting the art and language of diverse cultures on audio, film, and canvas. In 1944, Smith took a brief trip to the San Francisco Bay Area, attended a Woody Guthrie concert and smoked marijuana for the first time. This proved a life-altering experience for him, and Smith decided soon after to leave his studies at the University of Washington to move to San Francisco.
In the following two decades, Smith made the unique abstract experimental films that remain landmarks in the history of film. He also compiled the influential Anthology of American Folk Music, a compendium of vernacular music that emanated from a range of professional and non-professional, rural and urban musicians who recorded for local audiences. This collection of heart-wrenching musical narratives from "the old weird America" would become the foundation of the 1960s revolution in American folk and rock music.
Throughout the 1970s Smith focused on the four-screen film Mahagonny, an imaginative reworking of the Kurt Weill and Bertolt Brecht opera. The film is Smith's portrait of New York City, where he spent most of his adult life, otherwise recording the city's ambient sounds and collecting its detritus, always applying the anthropologist's method together with his keen sense of aesthetics to gather items of unexpected beauty and fascination.
An itinerate who flaunted normative social expectations, Smith lived most of his life in cheap New York hotels like The Breslin or The Chelsea, surrounded by his friends, acolytes, and collections. During the last few years, he moved to Boulder, Colorado, where he taught at the Naropa Institute at the instigation of his longtime friend and colleague Allen Ginsberg.
The Harry Smith Archives was created in 1992 after Smith's death. Committed to the location, preservation and presentation of the work of artist Harry Smith, it is a not-for-profit 501(c)(3) organization registered in the State of New York since 1998. On December 2nd, 1991, five days after Harry Smith died at the Chelsea Hotel, a group of Smith's colleagues gathered in the apartment of Raymond Foye. Attendees included Allen Ginsberg, Jonas Mekas, Joe Gross, Bill Breeze, Rani Singh, Deborah Freeman and others. The focus of the meeting was to discuss an immediate plan to collect and catalog Smith's remaining belongings and surmise about his continuing legacy.
In the years that followed, the Harry Smith Archives held annual memorials and screenings at Naropa Institute, St. Mark's Poetry Project, Anthology Film Archives, and other locations, with the goal of increasing awareness of Smith's work. The Archives also continued researching, locating, identifying and collecting Smith's art objects that had been dispersed to various private and public collections. The Archives co-produced with Smithsonian Folkways the 1997 reissue of the Anthology of American Folk Music, with expanded notes and essays and CD-ROM capability, exposing it to an entirely new audience. Originally issued by Folkways in 1952 as three volumes of two LPs each, (a total of 84 tracks), it had been commercially unavailable for many years. The Archives also produced a series of concert events between 1999 and 2001. The first concert, precipitated by Meltdown Festival guest director Nick Cave, was a salute to the influential and idiosyncratic Anthology and many of Smith's other interests. Similar concerts followed in New York at St Ann's Warehouse. This exploration continued with a two day symposium at the Getty Research Institute Harry Smith: The Avant-Garde in the American Vernacular, which featured a concert "No Depression in Heaven" at the GRI along with two five-hour concerts at UCLA's Royce Hall. The Harry Smith Project box set issued by Shout! Factory Records in 2006 is a multi-media record of those concerts. The Old Weird America, a documentary by Rani Singh produced by the Harry Smith Archives, traced the history of the Anthology from its initial compilation of 78 records to its release on Folkways Records in 1952, when it helped to inspire the urban folk revival of the 1960s. The film also considered the Anthology's continuing influence on modern music.
The collection, assembled by the Harry Smith Archives after Smith's death, comprises most of what remained of Smith's work after an itinerate life. Correspondence in Series I is focused on the last few years of Smith's life, when he received mail from former students, acolytes, and medical or social service institutions. Series II contains interesting examples of Smith's poetry, photocopy collage art, and daily ramblings in his journals, though much of the written material is in the form of photocopies. Series III contains a large number of photographs of Smith in a range of activities, some by notable American photographers, and a number by Allen Ginsberg. Series IV contains biographical research, clippings from several decades about Smith's work, and about the posthumous performances of his work organized by the Harry Smith Archives, which is also the primary focus of the videos in Series VII.
Series V contains recordings by and about Smith, along with Smith's Materials for the Study of Religion and Culture in the Lower East Side or Movies for Blind People, comprised of audio cassette recordings of collected sounds such as faucet drippings, wind, bird calls, and traffic. Series VI contains most of the extant works in 16 mm film, and amply documents Smith's major film, Mahagonny, which the Harry Smith Archives transferred to various formats. Smith's collections in Series VIII are the highlight of the archive, where Smith's unique aesthetic strikingly emerges in the patterns that embrace multiple cultures, commercial and handmade objects, and paper ephemera of every imaginable kind.
The papers are arranged in eight series:
Series I. Correspondence, 1974-1992, undated;
Series II. Writings, research, and
artwork, circa 1920-1991, undated;
Series III. Photographs, slides, and
transparencies, 1940-2006, undated;
Series IV. Printed matter,
1943-2008, undated;
Series V. Audio recordings,
1964-2010, undated;
Series VI. Film projects,
1947-2003;
Series VII. Videos,
1964-2007;
Series VIII. Collections, 1888-circa
1990, undated.
Open for use by qualified researchers with the following exceptions: audio visual material is unavailable until reformatted; Box 340 is sealed.
Contact Library Reproductions and Permissions.
Other Smith materials are held at the Smithsonian Folkways, the Anthology Film Archives, the Harry Smith Archives, and with private collectors. Recordings of GRI-sponsored Harry Smith events are also held in Getty Institutional Archives.
Selected digitized audio and video recordings from Series V., VI., and VII. are available to on-site readers and Getty staff.
Harry Smith papers, 1888-2010 (bulk 1987-1990), The Getty Research Institute, Los Angeles, 2013.M.4.
http://hdl.handle.net/10020/cifa2013m4
Gift of the Harry Smith Archives. Acquired in 2013.
The collection was processed by Annette Leddy, Jan Bender, and Gary Echternacht in 2013, with Bender soley responsible for rehousing and processing the objects in Series VIII. Annette Leddy cataloged the collection, incorporating into the Biographical/Historical notes some sentences from Nancy Perloff and Rani Singh.
Four unopened, unused audio reels were deaccessioned from the collection in 2022.
Series I. Correspondence, 1974-1992, undated 2.09 Linear Feet (5 boxes) | |||||||||||
Consisting almost entirely of letters received, this series comprises the mail sent to Smith during the last four years of his life, while he was mostly in residence at the Naropa Institute. The major portion of this material is financial, consisting of bills and receipts. Some of the material is from friends and former students. | |||||||||||
Arrangement | |||||||||||
Organized in two groupings: letters from friends and fans, arranged in alphabetical order by the last name of the correspondent; and bills and receipts, roughly grouped by type. | |||||||||||
box | |||||||||||
1-2 | Letters from friends, 1974-1992 | ||||||||||
Letters written to Harry Smith while he was in residence at the Naropa Institute in Boulder, Colorado during the last four years of his life. One highlight is the file of letters from Allen Ginsberg, who often berates Smith for over-spending. One letter is from 1974; the rest are from the last four years of his life and the year after. | |||||||||||
box | |||||||||||
3-5 | Bills and receipts, 1986-1992 | ||||||||||
Including medical bills, letters from Social Services, receipts, and miscellaneous files of random phone numbers, names, and phone messages. |
Series II. Writings, research and artwork, circa 1920-1991, undated 9.75 Linear Feet (17 boxes) | |||||||||||
Consisting of Smith's research materials regarding string figures in various cultures of the world; inventories of his book, record and audio cassette collections; and a sampling of his writings and artwork on paper. | |||||||||||
Arrangement | |||||||||||
Arranged by category of material. | |||||||||||
box | |||||||||||
6-10 | String figure studies, undated | ||||||||||
Mostly original material comprised of Smith's anthropological studies of string figures in various cultures. Arranged in a numerical system devised by Smith, the study appears in the form of a card catalog, with more lengthy descriptions featured on similarly arranged sheets of paper. One box contains extra string. A mounted string figure is also in Series IV. Collections. | |||||||||||
box | |||||||||||
11 | Assorted writings, 1942-1991, undated | ||||||||||
Writing by Smith, including several letters of historic significance, such as those to Hilla Rebay at the Guggenheim Museum from 1950 to 1951. Also of interest is a copy of a notebook in a black binder found in 1991, the original of which is in a private collection; a copy of Smith's manuscript on alchemy, the original of which is with William Breeze, executor of the Aleister Crowley estate; and a copy of a poetry manuscript, the original of which is at the Anthology Film Archives. | |||||||||||
box | |||||||||||
12 | Assorted artwork, undated | ||||||||||
Includes examples of Smith's Border Art, specifically made for Darrin Daniel's chapbook Alchemical Coffeehouse; typewriter drawings; collages on paper; Tarot drawings; and miscellaneous designs. These files include examples of Smith's use of the photocopy machine as a medium, sometimes with felt pen additions. Included also are the Harry Smith Archive's laminates of assorted Smith photographs and artwork. | |||||||||||
box | |||||||||||
13 | Assorted notes and materials, undated | ||||||||||
Includes several notebooks with scant entries, egg brochures, jellies used in films, and Smith's freshman year high school yearbook. | |||||||||||
box | |||||||||||
17-20 | Library catalog and reading notes, undated | ||||||||||
Card catalog of books in Harry Smith's library, along with his reading notes pulled from specific books. Bill Morgan of the Harry Smith Archives made the listing of all the books and cited the annotations found in the books. | |||||||||||
box | |||||||||||
21-23 | Record covers, circa 1920-1950, undated | ||||||||||
Photocopies of the covers of records in Smith's collection. Arranged in numerical order according to a numbering system devised by the Harry Smith Archives. | |||||||||||
box | |||||||||||
24 | Audio cassette labels, notes, and ephemera, 1988, undated | ||||||||||
Photocopies of audio cassette labels, along with material with recording notes and ephemera found in the cassette boxes. | |||||||||||
box | |||||||||||
25 | Vintage box, undated | ||||||||||
Cardboard box with vintage design motif, formerly used to house string figure study notecards. |
Series III. Photographs, slides, and transparencies, 1940-2006, undated 2.46 Linear Feet (7 boxes) | |||||||||||
This series consists of numerous photographs of Smith from every stage of his life, though the major portion of portraits date to the decade before his death. Also included are views of colleagues, such as Allen Ginsberg, students, and friends. Some are large format views by known American photographers. | |||||||||||
Arrangement | |||||||||||
Arranged by medium. | |||||||||||
box | |||||||||||
26 | Ethnographic slides, circa 1942 | ||||||||||
Thirty-five original glass encased negatives, seven cracked. | |||||||||||
box | |||||||||||
27 | Portraits of Smith and friends, 1940-1991 | ||||||||||
Black and white views of Harry Smith at work and at play. Includes a few original photographs from the 1940s, including a famous one of Smith audio taping a Native American ceremony. There are also views of Smith in his San Francisco days at the Jimbo Club, and numerous portraits of Smith, primarily from the 1980s, by known American photographers, including Steve Miles, John Palmer, John Cohen, Scott Ferro and Robert Tredici. Several photographs of Smith were taken by Allen Ginsberg, and Ginsberg also appears with Smith in some photographs. There are some later views of Greil Marcus, and random views of Smith artwork. | |||||||||||
box | |||||||||||
28-30 | Portraits of Smith, friends, and collections, circa 1942- circa 1992 | ||||||||||
Color snapshots, polaroids, transparencies, negatives and slides showing Harry Smith primarily in the last decade of his life, with a few views from the 1940s through the 1970s. There are numerous views of Smith at the Naropa Institute, where he taught for his last four years. His final quarters at the Chelsea Hotel are amply documented, including his books and collections. Neighbors, students and friends also appear in these photographs. A highlight of this documentation is a series of mounted string figures that Smith collected. Only one of the mounted string figure objects is included in the GRI collection; the others are held in private collections or at the Smithsonian Folkways. | |||||||||||
box | |||||||||||
31-32 | Film stills and artwork, circa 2000, undated | ||||||||||
Two thick binders of color slides, transparencies and prints presenting selected views from nearly all of Smith's films and artwork. While most of these images appear to have been made by the Harry Smith Archives, a small number may have been made by Smith or during his lifetime. | |||||||||||
box | item | ||||||||||
143 | V156 | String figures, zodiac, and jazz paintings, undated | |||||||||
1 videodisc (CD-R) : sd., col. ; 4 3/4 in. | |||||||||||
143 | V153, V155 | Heaven and earth magic, February, 2005, undated | |||||||||
2 videodiscs (CD-R) : sd., col. ; 4 3/4 in. | |||||||||||
143 | V157 | Cohen contact sheet, May 29, 2006 | |||||||||
1 videodisc (CD-R) : sd., col. ; 4 3/4 in. | |||||||||||
box | |||||||||||
36, 37 | Harry Smith Concert views, 1999 |
Series IV. Printed matter, 1943-2008, undated 5.92 Linear Feet (11 boxes) | |||||||||||
This series comprises a mix of materials generated by Harry Smith, such as photocopies of fairytales and myths, or press about Smith's work that appeared during Smith's lifetime in serials and mass market magazines. The remainder of the material comes from the Harry Smith Archives, including research about the Pacific Northwest where Smith was raised, and press about concerts, films, and other events that celebrate Smith's legacy. | |||||||||||
Arrangement | |||||||||||
Arranged in chronological order by year. | |||||||||||
box | |||||||||||
41 | Serials, 1943-2006 | ||||||||||
Including little magazines containing articles about Harry Smith, such as The American (1943), Sing Out! (1966/1969), and Show (1970). | |||||||||||
box | |||||||||||
43 | Press clips, 1952-2008 | ||||||||||
A collection of mostly photocopies of clips from mass magazines, academic presses, and online forums, about Harry Smith's work, the Anthology, the Anthology reissue, and activities of the Harry Smith Archives. | |||||||||||
box | |||||||||||
44 | Anthology materials, 1952-1997 | ||||||||||
Materials pertinent to the reissue of the Anthology of American Folk Music, including files of letters from contributors to the collected remembrances of those who knew Smith. | |||||||||||
box | |||||||||||
38-40 | Assorted brochures, 1958-2003 | ||||||||||
Including photocopies of course readings on fairytales and myth; brochures for the Naropa Institute, Smithsonian Folkways, and other institutions; and product catalogs. | |||||||||||
box | |||||||||||
45-47 | Research, 1971-2008 | ||||||||||
Including correspondence related to the quest for further information about Smith's life and work, with a number of files devoted to the region in which he was raised in Washington state. Also included are files of brochures, writings on Smith that are not press clips, and documentation from assorted projects of the Harry Smith Archives. | |||||||||||
box | |||||||||||
37 | Large format mixed materials, 1989-2007 | ||||||||||
Including a Mandala calendar, Harry Smith designs like those in Box 7, clippings, a map of the Heaven and Earth Library made by Anthology Film Archives, and photocopies of Harry Smith concert photos found in Box 36. | |||||||||||
box | |||||||||||
42 | Mass market magazines, 2000-2005 | ||||||||||
Including magazines containing articles on Harry Smith, also found in clippings collected by the Harry Smith Archives. Publications include Wired, Vanity Fair, Frieze, Art in America, Rolling Stone, Mojo, Oxford. |
Series V. Audio recordings, 1964-2010, undated 30.7 Linear Feet (56 boxes) | |||||||||||
Selected audio recordings from Series V. (digital version available on-site only):
1964-1995
|
|||||||||||
Selected born-digital audio recordings from Series V. (digital version available
on-site only)
|
|||||||||||
The larger portion of this series is the audio work, Materials for the Study of Religion and Culture in the Lower East Side or Movies for Blind People, which Smith began in New York and continued in Boulder. For this last major project of his life, Smith recorded everyday sounds ranging from a faucet drip, to the wind, to the sound of traffic, to a rock music performance -- auditory snapshots that comprise a portrait of Smith's life in the city. Also in this series are recordings of Smith's lectures on ethnographic and art historical themes, interviews with Smith, and assorted collected recordings. From 1991 on, recordings are by the Harry Smith Archives, and include concerts, symposia and conferences, and selected or reformatted Smith recordings. | |||||||||||
Arrangement | |||||||||||
Lectures, interviews, collected recordings, and recordings of the Harry Smith Archives are arranged in chronological order. Smith's audio work Materials for the Study of Religion and Culture in the Lower East Side or Movies for Blind People, is separate from the other recordings and is arranged in chronological order by the date that Smith assigned to each cassette. Note that while a given cassette may contain several recordings, only one title is listed for each cassette. | |||||||||||
1960s | |||||||||||
box | item | ||||||||||
92 | D5 | Smith at Sander's recording studio, 1964-1965 | |||||||||
1 sound disc : digital, stereo ; 43/4 in. | |||||||||||
John Cohen interview with Smith, December, 1968 | |||||||||||
box | item | ||||||||||
83 | C466-C467 | 2 sound cassettes : digital | |||||||||
box | item | ||||||||||
92 | D6 | 1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||
John Cohen interview with Smith: 1 sound disc : digital, stereo ; 4 3/4 in.
(digitized version available on-site only)
|
|||||||||||
1970s | |||||||||||
Audio for film #22, circa 1971 | |||||||||||
box | item | ||||||||||
79 | C464-C465 | 2 sound cassettes : analog | |||||||||
box | item | ||||||||||
93 | D38 | 1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||
box | item | ||||||||||
92 | D7 | Kiowa peyote meeting, 1973 | |||||||||
1 sound disc : digital, stereo ; 4 3/4in. | |||||||||||
box | item | ||||||||||
49 | R1-R2 | Roderick?, 1976 | |||||||||
2 sound tape reels (?min.): analog, 7 1/2 ips, stereo; 7 in., 1/2 in. tape. | |||||||||||
box | item | ||||||||||
92 | D10-D11 | First Blues, by Allen Ginsberg, 1976 | |||||||||
2 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
92 | D12 | Harry Smith at the Queens museum, October 11, 1978 | |||||||||
Harry Smith at the Queens museum, October 11, 1978, 1 sound disc : digital,
stereo ; 4 3/4 in. (digitized version available on-site only)
|
|||||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
48 | D1-D2 | Lords, Thinkin 'Bout a Girl, 1979 | |||||||||
2 sound discs, analog, 45 rpm, stereo ; 7 in. | |||||||||||
1980s | |||||||||||
box | item | ||||||||||
48 | D4 | Charles, Julius, Gambeling Song, circa 1940/1980 | |||||||||
1 sound disc, analog ; laminated paper, 6.5 in. | |||||||||||
Restricted. Traditional songs are not shared outside the Lummi Nation, and access to this recording is available only to the family of Julius Charles or with their express written permission. | |||||||||||
48 | D3 | Col. Watson, Mr. Carter Can, 1980 | |||||||||
1 sound disc, analog, 45 rpm, stereo; 7 in. | |||||||||||
box | item | ||||||||||
50 | C1 | A little bit more Harry Smith, March, 1984 | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
93 | D22 | The rationality of namelessness, July 2, 1988 | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
93 | D23 | Is self-reference possible? July 9, 1988 | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
93 | D21 | Mostly unintelligible, July 23, 1988 | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
92 | D13-D15 | Smith being kicked out of Chelsea Hotel, circa 1988 | |||||||||
3 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
92 | D16-D17 | Smith interviewed by Clint Frakes, 9 October 1988 | |||||||||
2 sound discs : digital, stereo ; 4 3/4 in. On D16, tracks 2, 4, 6, and 7 are blank tracks and have been omitted due to lack of content. On D17, tracks 2 and 3 are blank tracks and have been omitted due to lack of content. Complete digital masters have been preserved. | |||||||||||
box | item | ||||||||||
93 | D18 | Smith's audio selects, circa 1988 | |||||||||
Smith's audio selects, circa 1988 (digitized version available on-site
only)
|
|||||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
1990s | |||||||||||
box | item | ||||||||||
93 | D26-D30 | Native American cosmos, July 8, 1990 | |||||||||
5 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
79 | C435 | Harry Smith Memorial, Naropa, 1991 | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
Harry Smith memorial, 1992 | |||||||||||
box | item | ||||||||||
79 | C436-C440 | 5 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
84 | C492-C493 | 2 sound cassettes : digital | |||||||||
box | item | ||||||||||
94 | D39-D40 | 2 sound discs : digital, stereo ; 4 3/4 in. 1992 | |||||||||
From CD cases: D39: H.S. Memorial @ St. Marks Church pt. 1 of 2, 4-3-92, Speakers: Rani Singh, Steven Taylor, Eric Solstein, Nick Amster, Herbert Huncke. D40: Written on CD case: H.S. Memorial @ St. Marks Church pt. 2 of 2, 4-3-92, Speakers: Peter Orlovsky, Allen Ginsberg, Steve Delachinsky (?), M. Henry Jones, Peter Lamborn Wilson, Teresa Coe. | |||||||||||
Anthology of American Folk Music, 1992-1997 | |||||||||||
Recordings produced by Smithsonian folkways. See also Harry Smith Anthology revisited, produced in 2006 by Harry Smith Archives. | |||||||||||
Cassette version, 1992 | |||||||||||
box | item | ||||||||||
79 | C429-C434 | 6 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape | |||||||||
box | item | ||||||||||
84 | C494-C496 | 3 sound cassettes : digital | |||||||||
box | |||||||||||
82 | Cassette covers | ||||||||||
Compact Disc version, 1997 | |||||||||||
box | item | ||||||||||
94 | D44-D47 | 4 sound discs : digital, stereo ; 4 3/4 in. | |||||||||
box | item | ||||||||||
95 | D83-D85 | 6 sound discs (257 min.): digital, stereo ; 4 3/4 in. | |||||||||
box | folder | ||||||||||
48 | 4 | Box with program notes | |||||||||
box | item | ||||||||||
94 | D41-D43 | Twentieth anniversary of Naropa, July 4, 1994 | |||||||||
3 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
80 | C444-C451 | Smith's phone messages, 1995, undated | |||||||||
8 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
80 | C441-C443 | Stan Brakhage lecture, December 10, 1995 | |||||||||
3 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
81 | C452 | Allen Ginsberg, April 7, 1997 | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
Nick Cave, February 7, 1999 | |||||||||||
box | item | ||||||||||
84 | C497-C498 | 1 sound cassette : digital | |||||||||
box | item | ||||||||||
89 | C511-C522 | 12 sound cassettes : digital (DARS) | |||||||||
box | item | ||||||||||
94 | D48-D50 | Harry Smith's audio selections, June 1999 | |||||||||
3 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
84 | C499-C500 | Harry Smith Project: Royal festival hall, July 2, 1999 | |||||||||
2 sound cassettes : digital | |||||||||||
84 | C501 | Meltdown: Hal Willner's Harry Smith project, July 22, 1999 | |||||||||
1 sound cassette : digital | |||||||||||
Harry Smith tribute, November 12, 1999 | |||||||||||
box | item | ||||||||||
84 | D38 | 1 audio cassette : digital - empty | |||||||||
box | item | ||||||||||
94 | D52-D56 | 5 sound discs : digital, stereo ; 4 3/4 in. | |||||||||
2000s | |||||||||||
box | item | ||||||||||
97 | R6-R14 | Harry Smith project, 2000 | |||||||||
9 sound tape reels (min.?) : digital | |||||||||||
box | item | ||||||||||
90-91 | C523-C541 | Getty performances, April 20, 2001 | |||||||||
19 sound cassettes: digital (DPD) | |||||||||||
box | item | ||||||||||
335-339 | R15-R24 | Harry Smith audio, April 25-26, 2001 | |||||||||
10 sound tape reels (min.?) : digital | |||||||||||
box | item | ||||||||||
81 | C456-C459 | Harry Smith symposium, May 31, 2002 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
94 | D57-D62 | Heavenly tree grows downward, 2002 | |||||||||
6 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
Anthology of American Folk Music Revisited (Harry Smith Archives), 2006 | |||||||||||
Boxed set originally containing two DVDs now in Box 143 (The Old Weird America and Harry Smith Project Live Concert Film) and two CDs that feature recording of known American musicians playing selections from the Anthology and program notes that remain with the cover. | |||||||||||
box | item | ||||||||||
95 | D86-D87 | 2 sound discs (? min.) : stereo ; 4 3/4 in. | |||||||||
box | folder | ||||||||||
48 | 5 | Cover of boxed set | |||||||||
Including program notes. | |||||||||||
box | item | ||||||||||
95 | D67-D72 | Thanksgiving folk on KEXP-FM, 2006 | |||||||||
6 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
94 | D63-D65 | Northwest film forum, February 11, 2006 | |||||||||
3 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
95 | D66 | Raw, June 16, 2006 | |||||||||
95 | D73 | Parallel anthology, May 15, 2010 | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
undated | |||||||||||
box | item | ||||||||||
78 | C416 | Charles Compo, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C417 | Harald Gilland, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C418 | Dock Boggs, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C419 | Tarnat, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C420 | Sonny Boy, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C421 | Untitled, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C422 | Alan Berliner, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C423 | Medicine men and women, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
78 | C424-C428 | Untitled, undated | |||||||||
5 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
81 | C453 | Harry Smith, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
81 | C454-C455 | Sing out interview, undated | |||||||||
2 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
Quotidian: Harry Smith final mix, undated | |||||||||||
No Subnote Content | |||||||||||
box | item | ||||||||||
81 | C460-C461 | 2 sound cassettes : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
84 | C502-C503 | 2 sound cassettes : digital | |||||||||
box | item | ||||||||||
81 | C462 | Harry Smith review, undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
81 | C463 | Pennebaker film (audio for?), undated | |||||||||
1 sound cassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | |||||||||||
86-88 | Untitled post 10/11/97 transfers, undated | ||||||||||
55 sound cassettes : digital. No labels or information about contents. | |||||||||||
box | item | ||||||||||
93 | D31-D37 | Gregory corso dubs, undated | |||||||||
7 sound discs : digital | |||||||||||
box | item | ||||||||||
96 | D88-D108 | Untitled audio cassette CD transfers, undated | |||||||||
21 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
95 | D74 | Folkways files, undated | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
95 | D75-D76 | Harry Smith in conversation with Lisa Falour, undated | |||||||||
2 sound discs : digital, stereo ; 4 3/4 in. | |||||||||||
95 | D77 | Front row (BBC radio), undated | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
95 | D78 | Paper recordings, undated | |||||||||
Possibly reformats of 1940 recordings of Northwest Indians. | |||||||||||
95 | D79-D82 | Unidentified recordings, undated | |||||||||
Materials for the Study of Religion and Culture in the Lower East Side or Movies for Blind People, 1987-1990 | |||||||||||
1980s | |||||||||||
box | item | ||||||||||
50 | C2 | UK, April 5, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C3-C4 | Son Thomas, April 16, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C5 | Alan Golding, April 17, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C6 | Barber shop, April 18, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C7 | Birds, etc., April 18, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C8 | Rob Bunce, April 19, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C9 | Bobby Raywater, April 20, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C10-C11 | G. Boswell, April 23-24, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
50 | C12 | Tangeants, April 24, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
51 | C13 | Syd and Harry's Happy Hour, April 27, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C14 | Bobby Ray, April 27, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C15 | Crawfish Club, April 30, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C16 | Birds, May 9, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C17-C19 | UK 1-3, May 16, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C20 | Christmas, May 29, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C23 | Chas and Andy, June 6, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C21 | Esterman, June 19, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
51 | C22 | Jazz, June 19, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
52 | C24 | C.B.G.B., June 30, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
52 | C26-C27 | Hot Sundays, July 5, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
52 | C28-C29 | Pete Compo Trio, July 9, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
52 | C30-C34 | Roberto Clemente, July 12, 1987 | |||||||||
5 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
53 | C35 | Prospect Park, July 19, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
53 | C36-C37 | Pier 16, July 25, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
53 | C38 | Nadia, July 26, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
53 | C39 | S. Taylor, July 30, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
53 | C40 | Al Brooks, July 30, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
53 | C41-C43 | Caribbean Cult, August 9, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
53 | C44-C46 | Jazz Cult, August 10, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
54 | C47 | French, August 10, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
54 | C48-C51 | J.C.T., August 12, 1987 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
54 | C52-54 | Fugs, August 21, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
54 | C55 | Caruso, August 21, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
54 | C56-C57 | Prospect Park, August 30, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
55 | C58-C60 | I.L.G.W.V., September 7, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
55 | C61 | St. Marks U.K. Festival, September 20, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
55 | C62 | Construction, September 28, 1987 | |||||||||
1 sound cassette : analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
55 | C63 | Columb, September 29, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
55 | C64 | Sanding bedroom floor, September 30, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
55 | C65 | Music room, October 1, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
55 | C66-C67 | Construction, October 9, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
56 | C68 | Mitch R. Practicing, October 14, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C69-70 | Fourth floor front wind, October 15, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C71 | Construction, October 15, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C72-C75 | 4E.89, October 18-19, 1987 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C76 | Construction, October 19, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C77 | Columbus Place, October 23, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C78-C81 | 437 E. 12th, October 24, 1987 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C82 | Ellis Duncan, October 24, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C83 | S.S. Compo, October 25, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
56 | C84 | Back winds at kitchen window, October 25, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
57A | C85-C86 | 2195 Ocean Avenue, October 29-30, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57A | C87-C89 | 416 7th Avenue, October 30- November 1, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57A | C90-C91 | 336 9th Street bridge, November 8-9, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
52 | C5 | Cha at Synth, November 11, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
87 | C92-C95 | 2195 Ocean Avenue, November 11-15, 1987 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
87 | C96-C98 | 416 7th Avenue, November 15-16, 1987 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
57A | C99 | Canterbury Choral Society, November 15, 1987 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57A | C100-C101 | Foolish pleasure, November 17, 1987 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
57B | C102 | Reunion, January 10, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C102-C105 | Sweet waters, January 14-15, 1988 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C107-C108 | Untitled, February 7, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C109-C110 | Jam session, February 17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C111-C113 | Temp, April 30, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C114 | Steven Taylor, June 12, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C115 | Dancers, June 19, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C116 | Untitled, June 19, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C117 | Bedroom wind, June 19, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C120 | G. leaving, June 26, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
57B | C121 | Boulder, June 26, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
58 | C122-C126 | Boulder, July 4, 1988 | |||||||||
5 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C127-C128 | Untitled, July 5-6, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C129 | Door, July 7, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C130 | Table, July 7, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C131-C132 | Sisters, July 8, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C133 | Pennsylvania, July 9, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C134-C136 | Untitled, July 9, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
58 | C137 | Allison, July 13, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
93 | D19-D20 | Miscellaneous songs and audiolore, July 15, 1988 | |||||||||
2 sound discs: digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
59 | C138-C139 | Untitled, July 17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C140-C141 | Bali, July 17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C142-C143 | Brad, July 17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C144-C145 | Untitled, July 19, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C146 | Boulder, July 21, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C147 | White, July 21, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
49 | C148 | Girls, July 21, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
59 | C149-C150 | Kina Mama, July 22, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C151 | Party, July 23, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C152 | Dusty, July 25, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
59 | C153 | Native American, July 25, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
60 | C154 | Deck, July 28, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C155-C156 | Bedroom wind, July 28, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C157-C158 | Duct?, July 29, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C159-C160 | Bedroom window, July 30-31, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C161 | Gardening, July 31, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C162-C163 | Cricket, August 1, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C164 | Jay, August 2, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C165-C166 | Arapahoe, August 3, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C167 | Front step, August 4, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
60 | C168 | Greek festival, August 4, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
61 | C169-C176 | Front steps, August 5-7, 1988 | |||||||||
8 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
61 | C177 | Bathroom window, August 6, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
61 | C178-C179 | Mall, August 10, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
61 | C180-C182 | City Hall Lawn, August 11, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
61 | C183 | Radio + Sparrows, September 7, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
61 | C184 | Liz and Alan, August 15, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
61 | C185-C186 | Liz and Beth, August 16-17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
62 | C187-C188 | Hi-Lo, August 17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
62 | C189-C190 | Boulder County Fair, August 20-21, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
62 | C191-C193 | Sundance, August 25-26, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
62 | C194-C195 | Untitled, August 26, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
62 | C196 | Watchtower, August 29, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
62 | C197 | Untitled, August 29, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
62 | C198-C201 | Untitled, September 8, 1988 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
63 | C202-C203 | Football, September 10, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C204-C205 | Chat, September 10, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C206 | Roger Shore, September 14, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C207-C209 | P.A.C. Reading, September 17, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C210 | Constantine, September 22, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C211-C213 | Pick, September 25, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C214-C216 | B.L.H. Party, September 25, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
63 | C217-C218 | In car to Sundance, September 30, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
64 | C219 | Front steps, October 1, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C220-C222 | LAM, October 1, 1988 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C223-C224 | October festival, October 1, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C225-C226 | LAM dance, October 3, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C227-C228 | U.C. India, October 6, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C229-C230 | Bali class, October 17, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C231 | P.A.C, October 21, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
64 | C232 | Fairview vs. Cherry, October 21, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
65 | C233-C234 | P.A.C. Poetry, November 18, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C235-C236 | L.H.S.B., November 18, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C237 | Drip + clock, November 28, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C238 | Front steps, November 26, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C239-C240 | Sunrise, etc., November 27, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C241 | Drip at sunset, November 27, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C242 | Penny, December 3, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C243-C244 | Squirrels, December 4, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C245-C247 | Snowing, December 7, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C248 | Warren, December 9, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
65 | C249 | G=8, December 9, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
66 | C250-C251 | Untitled, December 10, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C252 | Drip and wind, December 13, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C253-C254 | Drip and tea kettle, December 15, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C255 | Anne, December 16, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C256 | Party, December 16, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C257 | P.A.C. dance, December 18, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C258 | Jack, December 17, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C259 | Gas meter, December 21, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C260 | Water from roof, December 18, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C261 | Wind, December 23, 1988 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C262-C263 | New York, December 24, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
66 | C264-C265 | Untitled, December 31, 1988 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
67 | C266 | Sisters, undated | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
67 | C267 | We often wonder, undated | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
67 | C268 | R.E.M. Traxs, undated | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
67 | C269-C273 | Untitled, undated | |||||||||
5 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
68 | C274-C277 | Untitled, January 1, 1989 | |||||||||
4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C278 | Pyra, January 20, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C279 | Rici, January 21, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C280 | Untitled, January 21, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C281-C282 | Kit, January 29, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C283 | Smith and Michael Brownstein, February 8, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C284-C287 | Bedroom window, February 13, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C288 | Bedroom window, February 15, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
68 | C89-C290 | Bedroom window, February 16, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
69 | C291-C293 | Bedroom window, February 21, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
69 | C294-C300 | St. Mark's, February 24-26, 1989 | |||||||||
7 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
69 | C301-C302 | Fls.prop.rehr, March 7, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
69 | C303 | Guitar, March 17, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
69 | C304 | Hen. St. set, March 18, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
69 | C305-C307 | Pidgeons, March 22, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
70 | C308-310 | Fls.prop.rehr, March 28, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
70 | C311-C313 | Wetlands, March 29, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
70 | C314-C316 | Gernon Rt., April 2, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
70 | C317-C319 | Taylor Brown, April 2, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
70 | C320-C321 | Ritz, April 8, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
70 | C22-C324 | Con. div., April 18-19, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
71 | C325 | Untitled, April 24, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C326 | Untitled, April 25, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C327-C328 | Front window, April 27, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C329-C330 | Mike, April 29, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C331 | Front room, May 7, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C332 | Bedroom, May 2, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C333-C334 | St. Marks, May 6, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C335 | Cafe, May 7, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C336 | Front window, May 15, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C337-C338 | Back window, May 7-15, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C339 | Front window, May 19, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C340 | Untitled, May 19, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
71 | C341 | Untitled, May 22, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
72 | C342 | Untitled, May 22, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
72 | C343-C345 | Back window, May 27, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
72 | C346 | Front window, May 28, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
72 | C347-C349 | Back window, May 29, 1989 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
72 | C350 | BDS, May 30, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
72 | C351 | ESPI, May 30, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
72 | C352 | Pre.J.C., May 31, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
73 | C353 | Jokes, May 31, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
73 | C354 | Cliff, June 1, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
73 | C355 | Dong break, June 3, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
73 | C356-C357 | Jim, June 3, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
73 | C358-C359 | Untitled, June 5, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
73 | C360 | Edit, June 5, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
73 | C361 | Light rain, June 9, 1989 | |||||||||
73 | 361 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
No Subnote Content | |||||||||||
box | item | ||||||||||
83 | C468 | 1 sound cassette: digital | |||||||||
Front window, June 10, 1989 | |||||||||||
box | item | ||||||||||
73 | C362-C363 | 2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C469-C470 | 1 sound cassette: digital | |||||||||
Party next door, June 11, 1989 | |||||||||||
box | item | ||||||||||
74 | C364 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C471 | 1 sound cassette: digital | |||||||||
Sink drain, June 11, 1989 | |||||||||||
box | item | ||||||||||
74 | C365 | I sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C472 | 1 sound cassette: digital | |||||||||
Upstairs front window, June 12, 1989 | |||||||||||
box | item | ||||||||||
74 | C366 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C473 | 1 sound cassette: digital | |||||||||
Birds, etc., front window, June 14, 1989 | |||||||||||
box | item | ||||||||||
74 | C369 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C474 | 1 sound cassette: digital | |||||||||
Ritz, June 18, 1989 | |||||||||||
box | item | ||||||||||
74 | C367 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C476 | 1 sound cassette: digital | |||||||||
Cro-mags, June 18, 1989 | |||||||||||
box | item | ||||||||||
74 | C370 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C475 | 1 sound cassette: digital | |||||||||
Front bedroom window traffic, June 27, 1989 | |||||||||||
box | item | ||||||||||
74 | C368,C371 | 2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C477-C478 | 2 sound cassettes: digital | |||||||||
Plane, July 3, 1989 | |||||||||||
box | item | ||||||||||
74-75 | C372, C382-C384 | 4 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C479 | 1 sound cassette: digital | |||||||||
Front steps, July 4, 1989 | |||||||||||
box | item | ||||||||||
74 | C373-C375 | 3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C480-C481 | 1 sound cassette: digital | |||||||||
box | item | ||||||||||
75 | C376 | P.A.C. dance, July 5, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
Warren rehearsal, July 9, 1989 | |||||||||||
box | item | ||||||||||
74-75 | C377-C378, C385 | 2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C483 | 1 sound cassette: digital | |||||||||
Cats crying, cats eating, July 9, 1989 | |||||||||||
box | item | ||||||||||
75 | C379 | 1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
83 | C482 | 1 sound cassette: digital | |||||||||
box | item | ||||||||||
75 | C380-C381 | P.A.C., July 9, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
83 | C484-C487 | Untitled, July 9, 1989 | |||||||||
5 sound cassettes: digital | |||||||||||
box | item | ||||||||||
90 | D24 | Comments, July 11, 1989 | |||||||||
box | item | ||||||||||
83-84 | C488-C489 | Falling water/ plane, July 13-14, 1989 | |||||||||
1 sound cassette: digital | |||||||||||
False prophets, July 15, 1989 | |||||||||||
box | item | ||||||||||
75 | C386-C387 | 2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||
box | item | ||||||||||
84 | C490 | 1 sound cassette: digital | |||||||||
box | item | ||||||||||
75 | C388 | Guitar, July 15, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
75 | C389-C390 | G. Stein, July 21, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
93 | D25 | Lecture, July 23, 1989 | |||||||||
1 sound disc : digital, stereo ; 4 3/4 in. | |||||||||||
box | item | ||||||||||
76 | C391 | Breathing, July 24, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C392 | Untitled, July 24, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C393 | G. Tent, July 25, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C394-C400 | MA&G, July 26-29, 1989 | |||||||||
7 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C401 | Thunderstorm, July 29, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C402-C403 | M.A. P.A.C., July 29, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C404-C405 | M.A. Theater, August 1, 1989 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C406 | Untitled, October 27, 1989 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
1990s | |||||||||||
box | item | ||||||||||
76 | C409 | Drip, March 20, 1990 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C407 | Untitled, March 21, 1990 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
box | item | ||||||||||
84 | C491 | Untitled, March 20-21, 1990 | |||||||||
box | item | ||||||||||
76 | C408 | Squirrels, March 25, 1990 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C410-C411 | Untitled, March 26, 1990 | |||||||||
2 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C412-C414 | Indian peak pickers, March 28, 1990 | |||||||||
3 sound cassettes: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. | |||||||||||
76 | C415 | Rain drip, March 28, 1990 | |||||||||
1 sound cassette: analog; 3 7/8 x 2 1/2 in., 1/8 in. tape. |
Series VI. Film projects, 1947-2003 29.91 Linear Feet (32 boxes) | |||||||||||
Selected video recordings from Series VI. (Digitized versions available on-site
only)
|
|||||||||||
Consisting of most of the extant films Smith made during his life. | |||||||||||
Arrangement | |||||||||||
Arranged in chronological order in three subseries: films by Smith, Mahagonny, and films about Smith. | |||||||||||
Series VI.A Films by Harry Smith, 1947-circa 1979 7.92 Linear Feet (10 boxes) | |||||||||||
Including a commercially available dvd of the films. Films are otherwise unavailable until reformatting is complete. Please contact repository regarding access. | |||||||||||
Arrangement | |||||||||||
Arranged in chronological order. | |||||||||||
box | item | ||||||||||
Box 98 | F1 | Unidentified (Film #1), 1947 | |||||||||
1 film reel (? min.) : sd., col. ; 16 mm. | |||||||||||
box | item | ||||||||||
100 | F3 | Early abstractions, 1956 | |||||||||
box | item | ||||||||||
99 | F2 | Film #1, 2, 3, 1956 | |||||||||
1 film reel (7 min.) : sd., col. ; 16 mm. Print. | |||||||||||
box | item | ||||||||||
100 | F3 | Film #1-5, 7, 10 1956 | |||||||||
1 film reel (23 min.) : sd., col. ; 16 mm. Print. Can: 12.5 in. dia.; reel: 12.25 in. dia. | |||||||||||
box | item | ||||||||||
130 | V64 | 1 videocassette (VHS) : sd., col. ; 1/2 in., 1987 | |||||||||
Early Abstractions No. 10 1956 | |||||||||||
MP4 video (3:30 min.). | |||||||||||
Heaven and Earth Magic, 1964, 1999/2007 | |||||||||||
See also Series IV, VI, and VII. | |||||||||||
box | item | ||||||||||
101 | F4 | 1 film reel (? min.) : sd., col. ; 16 mm., 1964 | |||||||||
Only one reel of the two reel film Smith made. | |||||||||||
box | item | ||||||||||
130 | V67-70 | 1 videocassette (VHS) : sd., col. ; 1/2 in. 1999 | |||||||||
box | item | ||||||||||
143 | V154 | 1 videodisc (DVD) : sd., col. ; 4 3/4 in., November 2007 | |||||||||
box | item | ||||||||||
102 | F5 | Late Superimpositions, 1964 | |||||||||
1 film reel (? min.) : sd., col. ; 16 mm. | |||||||||||
box | item | ||||||||||
103-105 | F6-F8 | Untitled animation of Seminole patchwork (Film #15), 1966/2001 | |||||||||
3 film reels (? min.) : si., col. ; 16 mm. | |||||||||||
1 film reel : si., col. ; 16 mm. Internegative. 1966 restored 2001 | |||||||||||
Can: 7 1/8 in. dia.; core: 6 in. dia. | |||||||||||
box | item | ||||||||||
107 | F10 | Mirror Animation (extended version), 1979 | |||||||||
1 film reel (? min.) : sd., col. ; 16 mm. | |||||||||||
box | item | ||||||||||
108 | F11 | Film #22, 197? | |||||||||
1 film reel (? min.) : sd., col. ; 16 mm. | |||||||||||
Selected films of Harry Smith | |||||||||||
box | item | ||||||||||
143 | V162 | DVD | |||||||||
Commercially available 2013 transfer of films #1-5, 7 and 10: Early Abstractions; Film 11: Mirror Animations; Film #14: Late Superimpostion; and Film #15: Untitled Animation of Seminole Patchwork: 1 videodisc (DVD) : sd., col. ; 4 3/4 in. | |||||||||||
Note: this DVD is also listed in Series VII. Videos, 1964-2007. | |||||||||||
box | |||||||||||
82 | Cover of DVD | ||||||||||
Series VI.B Mahagonny, 1970-2002, undated 17.83 Linear Feet (17 boxes) | |||||||||||
Materials to do with Smith's creation of Mahagonny and other materials regarding the film's significance and restoration. Includes also the film itself in 35 mm and a dvd version of it. | |||||||||||
Arrangement | |||||||||||
Arranged by media. | |||||||||||
box | |||||||||||
14-16, ff. 1** | Notes and scripts | ||||||||||
Notes, lists of numbers, film elements, and photocopies of the original scripts in scroll form. | |||||||||||
box | |||||||||||
33-35 | Photographs, transparencies, and slides, | ||||||||||
Photographs in black and white of the script scrolls of Mahagonny, views of Smith working with the original scrolls, as well as stills from the film in color prints, transparencies, and slides. | |||||||||||
Sound elements, 1970-2002 | |||||||||||
box | item | ||||||||||
49 | R3-R5 | 3 sound tape reels (? min.): analog, ? ips, ? tracks, stereo?; 5 in. tape. | |||||||||
box | item | ||||||||||
85 | C504-C510 | 7 sound cassettes: digital | |||||||||
Mahagonny, 1970-2002 | |||||||||||
box | item | ||||||||||
113-125 | F16-F23 | Film | |||||||||
17 film reels (?min.) : sd?., col. ; 35 mm. | |||||||||||
box | item | ||||||||||
143 | V160-V161 | DVDs undated | |||||||||
2 videodiscs (DVD) : sd., col. ; 4 3/4 in. Reformatted from 35mm internegative. | |||||||||||
box | |||||||||||
82 | Cover of DVDs | ||||||||||
box | item | ||||||||||
126 | F34 | Simon Lund, Restoring Mahagonny, 2002 | |||||||||
Video, May 8, 2002 | |||||||||||
box | item | ||||||||||
127 | V31-V34 | 4 videocassettes (mini digital) : sd., col. ; 1/4 in., | |||||||||
box | item | ||||||||||
128 | V58 | 1 videocassette (mini digital) : sd., col. ; 1/4 in., undated | |||||||||
Inserts for film. | |||||||||||
Series VI.C Films by others, 1950-2003 4.16 Linear Feet (5 boxes) | |||||||||||
Films about Harry Smith. | |||||||||||
Arrangement | |||||||||||
Arranged in chronological order. | |||||||||||
box | item | ||||||||||
109-112 | F12-15 | Jordan Belson, Autobiography, circa 1950/2001-2003 | |||||||||
4 film reels (? min.) : sd., col. ; 16 mm. | |||||||||||
box | item | ||||||||||
106 | F9 | M. Henry Jones, Harry Smith at the Breslin Hotel, 1985 | |||||||||
1 film reel (? min.) : sd., col. ; 16 mm. |
Series VII. Videos, 1964-2007 9.62 Linear Feet (16 boxes) | |||||||||||
Selected video recordings from Series VII. (Digitized version available on-site
only)
|
|||||||||||
All but the first item in this series was created by Harry Smith Archives after Smith's death. The series consists of Rani Singh's interviews with people who knew Smith (listed names indicate the interviewees), or recordings of performances of Smith's Anthology, with selected video recordings of Smith's films or images. | |||||||||||
Arrangement | |||||||||||
Arranged in chronological order. | |||||||||||
box | item | ||||||||||
127 | V1 | Warhol screen test, 1964 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. Copy from Warhol Foundation of film of Smith making string figures. | |||||||||||
127 | V2-V3 | Nick Cave, Meltdown, July 1999 | |||||||||
2 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V4-V7 | Philip Lamantia, July 31, 2000 | |||||||||
4 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V8-V9 | Lionel Ziprin, September, 2000 | |||||||||
2 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V10 | Bob Arihood, September 26, 2000 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V11 | Robert Haller, September 26, 2000 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V12-V14 | Jonas Mekas, September 26, 2000 | |||||||||
3 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V15-V16 | Gregory Corso, January 7, 2001 | |||||||||
2 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V17 | Ed Sanders, April 20, 2001 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V18-V19 | Bill Holm, July 9, 2001 | |||||||||
2 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V20 | Gordon Tweit, July 10, 2001 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V21-V23 | Anthology film archives event, November, 2001 | |||||||||
3 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V24-V25 | Patrick Hulsey, March 25, 2002 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V26-V27 | M. Henry Jones, March 29, 2002 | |||||||||
2 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V28 | Jonas Mekas, April 1, 2002 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V29 | Stanley Bard at the Chelsea Hotel, April 2, 2002 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V30 | Chelsea Hotel exterior, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
127 | V35-V36 | Jordan Belson, June 3, 2002 | |||||||||
Jordan Belson June 3, 2002 (digitized version available on-site only)
|
|||||||||||
2 videocassettes (mini digital) : sd., col. ; 1/4 in. Videocassettes lack image and were digitized as audio-only. | |||||||||||
127 | V37-V40 | Peter Kubelka, October 4, 2005 | |||||||||
4 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
box | item | ||||||||||
128 | V41-V42 | Chuck Pirtle, February 11, 2006 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V42 | Bill Holm, February 11, 2006 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V43 | Anacortes interviews, Spring 2006 | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V44-V49 | Jordan Belson, undated | |||||||||
Jordan Belson, undated (digitzed version available on-site only)
|
|||||||||||
6 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V50-V52 | Perri Fleishman, undated | |||||||||
3 videocassettes (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V53-V54 | Peter Fleishman, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V55 | GRI video initiative, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V56 | Harry Adam, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V57 | On Mahagonny, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V59 | Smith artwork at Anthology, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
128 | V60 | Untitled, undated | |||||||||
1 videocassette (mini digital) : sd., col. ; 1/4 in. | |||||||||||
box | item | ||||||||||
129 | V61 | Allen Ginsberg, Household Affairs, undated | |||||||||
1 videocassette (video 8) : sd., col. ; 1/2 in. | |||||||||||
129 | V62 | Harry's memorial #1, undated | |||||||||
1 videocassette (video 8) : sd., col. ; 1/2 in. | |||||||||||
129 | V63 | Untitled, undated | |||||||||
1 videocassette (video 8) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
130 | V651 | 33rd Grammy awards, 1991 | |||||||||
1 videocassette (VHS) : sd., col. ; 1/2 in. | |||||||||||
130 | V71 | Harry Smith project promo video, November 20, 2001 | |||||||||
1 videocassette (VHS) : sd., col. ; 1/2 in. | |||||||||||
130 | V72 | Harry Smith: the Avant-Garde in the American Vernacular, 2001 | |||||||||
1 videocassette (VHS) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
131 | V73 | Harry Smith interview with P. Adams Sitney and Andres les Barthes, 1973 | |||||||||
1 videocassette (Beta SP) : sd., col. ; 1/2 in. | |||||||||||
131 | V74 | Patrick Hulsey, Boy am I in trouble, 1999 | |||||||||
1 videocassette (Beta SP) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
132 | V75-V76 | Smith donating Seminole patchwork quilts to Smithsonian, undated | |||||||||
1 videocassette (Beta SP) : sd., col. ; 1/2 in. | |||||||||||
132 | V77 | Ginsberg on Harry Smith, 2001 | |||||||||
1 videocassette (Beta SP) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
133-134, 141 | V78-V88, V149 | Nick Cave, Meltdown, 1999 | |||||||||
3 videocassettes (Digital Betacam) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
134 | V89-V97 | UCLA Harry Smith project, 2001 | |||||||||
1 videocassette (Digital Betacam) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
135-139 | V98-V140 | UCLA concert, April 25, 2001 | |||||||||
43 videocassettes (Digital Betacam) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
1140 | V141-V148 | Harry Smith concert at St. Ann's, undated | |||||||||
8 videocassettes (Digital Betacam) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
142 | V150-V151 | Slenderella system, undated | |||||||||
2 videocassettes (Beta) : sd., col. ; 1/2 in. | |||||||||||
box | item | ||||||||||
143 | V152 | Steve Reinke, Sad Disco Fantasia, 2000 | |||||||||
1 videodisc (DVD) : sd., col. ; 4 3/4 in. | |||||||||||
143 | V158 | The Old Weird America undated | |||||||||
1 videodisc (DVD)(? min.): digital, sd., col.; 4 3/4 in. | |||||||||||
143 | V159 | Harry Smith Project Live Concert Film undated | |||||||||
1 videodisc (DVD)(? min.): digital, sd., col.; 4 3/4 in. | |||||||||||
143 | V160-161 | Mahagonny, parts 1-2 undated | |||||||||
2 videodiscs (DVD) : sd., col. ; 4 3/4 in. Reformatted from 35mm internegative | |||||||||||
143 | V162 | Selected films undated | |||||||||
1 videodisc (DVD) : sd., col. ; 4 3/4 in. | |||||||||||
2013 transfer of films #1-5, 7 and 10: Early Abstractions; Film 10: Mirror Animations; Film #14: Late Superimpostion; and Film #15: Untitled Animation of Seminole Patchwork (silent). | |||||||||||
This DVD is also listed in Series VI. Film projects, 1947-2003. |
Series VIII Collections, circa 1888- circa 1990, undated 138.17 Linear Feet (191 boxes) | |||||||||||
Comprising a selection of the realia that Smith collected over many years, this series consists of ceramics, toys, hand made objects from various cultural communities (folk art), and printed material. The largest group of objects is the paper airplanes. | |||||||||||
Arrangement | |||||||||||
Arranged in alphabetical order. | |||||||||||
box | |||||||||||
144 | Autograph books, 1928-1942 4 items | ||||||||||
box | |||||||||||
145-146 | Canes, undated 2 items | ||||||||||
box | |||||||||||
147-156 | Ceramics, circa 1950-circa 1990 57 items | ||||||||||
Including numerous chopstick rests that incorporate figures such as fish, boats, and fruit, and other figural ceramics in the form of animals, vegetables, and household items. | |||||||||||
box | |||||||||||
157-178 | Commercial toys, circa 1940-circa 1990 54 items | ||||||||||
Including various wind-up toys in metal or plastic, such as a Donald Duck, a Chinese lion dog, a Russian doll, and an Educational Phone House. There are also various kinds of manipulable toys, such as a metal alligator clicker, a plastic tree, plastic cars, a plastic hamburger yo-yo, a plastic pinwheel, and a wooden puzzle. | |||||||||||
box | |||||||||||
179-183 | Eggs, plain/mounted, undated 32 items | ||||||||||
Mounted on cardboard tubes or painted glue bottles. | |||||||||||
Folk Art, undated | |||||||||||
The items classified under the "Folk Art" heading are handmade traditional items from various cultural communities. There is no evidence that Harry Smith himself used this category, but the Harry Smith Archives used it, and the cataloger has continued its usage as a way of distinguishing the handmade from the mass produced items in the Realia collections. | |||||||||||
box | |||||||||||
184-190 | Clay, undated 22 items | ||||||||||
Including doll heads, horses, fish, birds, and other animals in white, black, tan, or red, with or without spots. | |||||||||||
box | |||||||||||
191-192 | Eggs, Ukrainian, undated | ||||||||||
Including items of wood, alabaster, wax, and actual egg, that have been decorated with paint, incised, or set with beads, in a range of designs, from the geometric to the figurative. | |||||||||||
box | |||||||||||
193-204 | Fiber, undated 16 items | ||||||||||
Including items from China, India, Himalaya, Senegal and Russia, such as woven shoes, cloth ornaments, straw ducks, and fabric. | |||||||||||
box | |||||||||||
205 | Glass, undated 4 items | ||||||||||
Including a reindeer, ram, bull and blue bird. | |||||||||||
box | |||||||||||
206 | Jewelry, undated 3 items | ||||||||||
Comprising necklaces made of seed and wood. | |||||||||||
box | |||||||||||
207-220 | Masks, undated 17 items | ||||||||||
Paper mache, from India and China. | |||||||||||
box | |||||||||||
221-222 | Metal, undated 2 items | ||||||||||
A scorpion stand and a balance toy, both from India. | |||||||||||
box | |||||||||||
223 | Paper, 2 items | ||||||||||
Comprising origami peacocks. | |||||||||||
box | |||||||||||
224 | Stone, undated 1 item | ||||||||||
A single object portraying gods from India. | |||||||||||
box | |||||||||||
225-260 | Wood, undated 55 items | ||||||||||
Including Russian mechanical animal toys; bowls or other house ware from Scandinavia or elsewhere in the shape of fish or birds; Russian nesting dolls or icons; and painted shrines or animals from India. | |||||||||||
box | |||||||||||
261 | Glass box, commercial, undated | ||||||||||
box | |||||||||||
262-264 | Gourds, undated 48 items | ||||||||||
box | |||||||||||
265 | Leaves, undated | ||||||||||
box | |||||||||||
266-294 | Paper airplanes, 1961-1990, undated 260 items | ||||||||||
Presumably only a portion of the total number of found paper airplanes Harry Smith collected over his lifetime, this nonetheless representative assortment comprises airplanes of various sizes made from a range of ephemera, including school math homework, Hotel Albert stationary, a religious tract, a Betty Crocker card, a Sisterhood newsletter, and a Manhattan telephone book cover. They bear the dates on which they were found and their locations. This collection was donated to Anthology Film Archives from the Smithsonian Air and Space Museum. | |||||||||||
flatfile | |||||||||||
2**-4** | Posters, circa 1964-1983, undated 3 items | ||||||||||
box | |||||||||||
295-296 | Printed material, bound, 1888-1987 14 items | ||||||||||
Including spiritual guidance books, such as the Cabala, Dewitt's Horoscopes, Dr. Pierce's Books of Fortune, and the Flipbook of Revelations; found high school yearbooks, sales catalogs, and instructional books about gardening, cooking, and sewing. | |||||||||||
box | |||||||||||
297 | String figure, mounted, undated 1 item | ||||||||||
box | |||||||||||
298-316 | Tarot and playing cards, circa 1970-1990 181 items | ||||||||||
Cards decks produced in America, France, and Italy, ranging from divinatory decks to tarot decks with motifs such as the Golden Dawn, the Tree of Life, Cat People, and Wonderland. Playing cards include classics such as Old Maid, Hearts, and Go Fish, as wells as Collectible decks with motifs such as the Iran Contra scandal or Country music. | |||||||||||
box | |||||||||||
317-334 | Varia, undated | ||||||||||
One-of-a-kind items that do not fit into the collection's other categories, including a miniature crate filled with bubblegum oranges, seven assorted buttons, two swim goggles, a pink cloth dice ornament, Harry Smith's fingernail, a stethoscope, a seaman's cap, and a plastic CD organizer. |