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George Herms papers, 1890-2009

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Herms (George) Papers
Series XI. Clippings and biography files, 1967-2000, undated 1.25 Linear Feet (3 boxes)
Series XI.B. Clippings, 1967-2000, undated 1.1 Linear Feet (3 boxes)
Contains clippings from newspapers and journals featuring Herms and his works.
Arrangement
Arranged chronologically with undated materials at the end.
box folder
193 10 1967
193 11 1969
193 12 1970
193 13 1972
Includes an article featuring Herms and Effluvia.
193 14 1973
193 15-16 1975
Includes Environment and The New Art: 1960-1975 that described Herms "Alive Box" commissioned by Bill Hillman.
193 17 1976-1977
193 18-19 1978
box folder
194 1 1979
194 2-3 1981
Includes three copies of Artists News, Vol.4 No.4, with Love Press logo on the cover, an article on Herms' "Scores" installation at the University of Denver and reviews of Collage and Assemblage at the Mississippi Museum of Art.
194 3 1982-1983
194 4 1984
Includes several articles on MacArthur Park.
194 5 1985-1986
194 6 1987
194 7 1988
194 8-9 1989
Includes a California Artists Calendar featuring Herms' "Song for Hope," mixed media, 1987 and several articles on "Moon Dial."
194 10 1990
194 11 1991
box folder
195 1 1992
Includes "Metaphors for the human spirit" from the San Francisco Examiner, "Sixty-six Things About the California Assemblage Movement" by Michael McClure from Artweek and "George Herms: The Secret Archives," by Peter Frank from LA Weekly.
195 2 1993-1994
Includes "Love and Rubbish," by Ken Johnson from Art in America, "George Herms; The Secret Handwriting of Eternity," by Rosetta Brooks from ArtSpace.
195 3 1995
Includes a review of Shooter, 1980 and Worlds in a Box exhibition.
195 4 1996
Includes review for Balcony, 1994 and "The Beats at The Whitney" by John Grady.
195 5 1997
Includes several reviews of Sunshine Noir: Art in L.A., 1960-1975.
195 6 1998-2000
195 7 Undated


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