|
|
|
|
|
|
|
|
|
|
|
|
Series III. Correspondence, 1960-1988
1.5 Linear
Feet
|
|
Series IIIA. Professional correspondence, 1960-1988
1 Linear
Feet
|
|
Letters from dealers, curators, collectors, and publishers, with a copy of Watts'
replies occasionally included.
|
box |
folder |
8 |
1 |
|
Price list for Grand Central show, 1960-1961
5
page(s)
|
|
|
|
[L-6#64] |
8 |
2 |
|
Yam festival materials, 1962-1963
38
page(s)
|
|
|
|
Photocopies of letters, diagrams, programs, supply lists, and various other
materials about Yam Lecture, Oakland, California. [L-6#71]
|
8 |
3 |
|
Bianchini Supermarket Show, 1963 |
|
|
|
Price list. |
8 |
4 |
|
Lawrence Alloway, 1963-1964
4
page(s)
|
|
|
|
Alloway, then curator of the Guggenheim, inviting Watts and Brecht to create
recital-entertainment. [L-6#76]
|
8 |
5 |
|
Loan agreements, 1963-1970
10
page(s)
|
|
|
|
Loan forms, moving receipts, price notes. [ L-6#119] |
8 |
6 |
|
Phillip Bruno, 1964 |
8 |
7 |
|
Francesco Conz, 1964-1979 circa 30 pages |
|
|
|
Drawings and photocopies of drawings in Series IV. Work files. [L-6#38\ |
8 |
8 |
|
Sale of stamps, 1964-1986 11 pages, 1 blank
booklet
|
|
|
|
Letters requesting purchase of Watts' stamps. [ L-6#113] |
8 |
9 |
|
Ken Friedman, 1967
1
page(s)
|
|
|
|
[L-6#76] |
8 |
10 |
|
New York City Police Department, 1967
1
page(s)
|
|
|
|
Letter from NYPD, responding to Watts' protest over indecency charges brought
against Fluxus performers. [L-6#76]
|
8 |
11 |
|
Rolfe Ricke, 1970-1973
44
page(s)
|
|
|
|
Letters from Gallerist Rolfe Ricke and Watts' lawyer, Harry Ostrov, regarding
Watts' lawsuit to retrieve payment due him. [M-3#1]
|
8 |
12 |
|
Loan agreements, 1970-1975 circa 30 pages |
|
|
|
[L-6#119] |
8 |
13 |
|
archiv sohm, 1970-1984
7
page(s)
|
|
|
|
L-7#76 |
8 |
14 |
|
Electric Gallery, 1971-1979 circa 31 items |
|
|
|
Correspondence with dealer Sam Markle, receipts, price lists, gallery brochure,
other printed matter. [L-6#56]
|
8 |
15 |
|
National Committee for John Lennon and Yoko Ono, 1972
12
page(s)
|
|
|
|
Letters protesting the deportation of John Lennon and Yoko Ono. [L-7#76] |
8 |
16 |
|
David Mayor, 1972-1973
5
page(s)
|
|
|
|
Letters from the Associate Director of Fluxshoe. [L-7#76] |
8 |
17 |
|
Galerie Baecker, 1972-1977
6
page(s)
|
|
|
|
[M-3#2] |
8 |
18 |
|
Werner Gallery, 1974
12
page(s)
|
|
|
|
Watts' proposal for a flammable book. [L-6#118] |
8 |
19 |
|
Werner Gallery, 1974
25
items
|
|
|
|
One drawing and 24 photographs sent to accompany the book proposal. [L-6#118] |
8 |
20 |
|
Werner Gallery, 1974
20
items
|
|
|
|
Photographs (copy prints) to accompany book proposal. [L-6#118] |
8 |
21 |
|
Multhipla, 1974-1987
20
items
|
|
|
|
Letters, drawings, scores, price lists. [L-6#97] |
8 |
22 |
|
MERC studio application, 1975
5
page(s)
|
|
|
|
[L-6#92] |
8 |
23 |
|
Philadelphia Museum of Art, 1975
4
page(s)
|
|
|
|
[L-6#121] |
8 |
24 |
|
Electronic Arts Intermix, 1975
1
page(s)
|
8 |
25 |
|
Language and Structure, 1975
1
page(s)
|
8 |
26 |
|
Cyril Clemins, 1975
1
page(s)
|
8 |
27 |
|
Jean Brown, 1975-1986
5
page(s)
|
|
|
|
Letters about Watts material in the collection. See also Box 61, f. 6 [L-6#121] |
8 |
28 |
|
How We Met, 1975
5
page(s)
|
|
|
|
Letters regarding Watts' submission to the journal. [L-6#121] |
8 |
29 |
|
Lia Rumma, 1975-1976
5
page(s)
|
|
|
|
Regarding Watts exhibition for Studio d'Arte. |
8 |
30 |
|
University of California, Berkeley, 1976
2
page(s)
|
8 |
31 |
|
ZBS Foundation, 1976 |
|
|
|
[L-6#121] |
8 |
32 |
|
Art Metropole, 1976
1
page(s)
|
8 |
33 |
|
Carl Solway, 1976
2
page(s)
|
8 |
34 |
|
Germano Celant, 1976 |
8 |
35 |
|
Franklin Furnace, 1976-1987 |
8 |
36 |
|
Committee on Film and T.V., 1976 |
|
|
|
[L-6#121] |
8 |
37 |
|
Oakland Museum, 1976
1
page(s)
|
|
|
|
[L-6#121] |
8 |
38 |
|
Heiner Friedrich, 1976
1
page(s)
|
8 |
39 |
|
Rene Block Gallery, 1976
7
page(s)
|
|
|
|
Press release for New light on Africa. [L-6#100] |
8 |
40 |
|
E. S. Marvin, 1976
1
item
|
box |
folder |
9 |
1 |
|
Los Angeles County Museum of Art, 1976-1977 |
|
|
|
Letters from Maurice Tuchman regarding Watts' inclusion in an exhibition.
[L-6#121]
|
9 |
2 |
|
Backworks, 1976-1978
6
page(s)
|
|
|
|
Letters from Barbara Moore regarding early work by Watts. [M-3#5] |
9 |
3 |
|
Harry Ruhé, 1976-1980
4
page(s)
|
|
|
|
Correspondence regarding a Fluxus book. [L-6#121] |
9 |
4 |
|
Loan Agreements, 1976-1981 circa 30 pages |
|
|
|
[L-6#119] |
9 |
5 |
|
Studio Morra, 1976-1983
29
page(s)
|
|
|
|
Correspondence arranging performances and exhibitions, including scores and
drawings. [L-6#94] See also Work Files.
|
9 |
6 |
|
Rudi Stern, 1977
1
page(s)
|
9 |
7 |
|
Improbable Furniture, 1977
3
page(s)
|
|
|
|
[L-6#121] |
9 |
8 |
|
Artists' Stamps, 1977
3
page(s)
|
|
|
|
Letters from Al Souza. [L-6#121] |
9 |
9 |
|
Reinhard Pods, 1977
3
page(s)
|
|
|
|
Letters regarding Pod's possible visiting faculty appointment at Rutgers.
[L-6#121]
|
9 |
10 |
|
Running dog press, 1977
2
page(s)
|
|
|
|
[L-6#121] |
9 |
11 |
|
Hermann Braun, 1977
3
page(s)
|
|
|
|
[L-6#121] |
9 |
12 |
|
Unidentified, 1977
1
page(s)
|
9 |
13 |
|
Fellus gallery, 1977-1978
22
page(s)
|
|
|
|
Letters, drawings, silver paper, gallery ephemera. [M-3#4] |
9 |
14 |
|
Walker Art Center, 1978
1
page(s)
|
9 |
15 |
|
Out-Off, 1978
1
page(s)
|
|
|
|
[L-6#121] |
9 |
16 |
|
Carlo Bertocci, 1978
1
page(s)
|
|
|
|
[L-6#1210] |
9 |
17 |
|
Pari-Dispari, 1978-1981
25
page(s)
|
|
|
|
Letters, writings, postcards. [L-6#104] |
9 |
18 |
|
Den danske Radeerforening, 1979
1
page(s)
|
|
|
|
[L-6#121] |
9 |
19 |
|
Galerie La Gravure, 1979
2
page(s)
|
|
|
|
Letters regarding group show. [L-6#121] |
9 |
20 |
|
Collectors, 1979-1980
4
page(s)
|
|
|
|
[L-6 #121] |
9 |
21 |
|
Lightworks, 1979
3
page(s)
|
|
|
|
Regarding fluxus issue of the serial. [L-6#121] |
9 |
22 |
|
LAICA, 1979
2
page(s)
|
|
|
|
Regarding Watt's clothing pieces. |
9 |
23 |
|
John Armleder, 1979-1980
4
page(s)
|
9 |
24 |
|
Academie der Kunst, 1979-1980
3
page(s)
|
|
|
|
[M-3#3] |
9 |
25 |
|
Musée d'Art Moderne, 1980
1
page(s)
|
9 |
26 |
|
University of California, Santa Cruz, 1980
1
page(s)
|
|
|
|
[L-6#121] |
9 |
27 |
|
Richard Kostelanetz, 1980
1
page(s)
|
|
|
|
[L-6#121] |
9 |
28 |
|
Interart, 1980
3
page(s)
|
|
|
|
Arrangements for Fluxus Buffet des Chefs |
9 |
29 |
|
TLF, 1980
1
page(s)
|
|
|
|
[L-6#121] |
9 |
30 |
|
Unidentified, 1980
1
page(s)
|
|
|
|
[L-6#121] |
9 |
31 |
|
Harborfront, 1980-1981
20
page(s)
|
|
|
|
L-6#121 |
9 |
32 |
|
RoseLee Goldberg's CV, circa 1980
2
page(s)
|
|
|
|
[L-6#14] |
9 |
33 |
|
Factotum-Art, 1980-1981
6
page(s)
|
|
|
|
[L-6#112] |
9 |
34 |
|
Archive Small Press and Communication, 1981
1
page(s)
|
|
|
|
[L-6#121] |
9 |
35 |
|
Chair Foundation, 1981
1
page(s)
|
|
|
|
[L-6#121] |
9 |
36 |
|
Boston Performance Artists, 1981 |
|
|
|
[L-6#121] |
9 |
37 |
|
Soundings, 1981
1
page(s)
|
9 |
38 |
|
Muhlenberg College, 1981
2
page(s)
|
9 |
39 |
|
Betsy Magnuson Lee, 1981
2
page(s)
|
|
|
|
[L-6#121] |
9 |
40 |
|
Michael Oren, 1982
1
page(s)
|
|
|
|
[L-6#121] |
9 |
41 |
|
Holtzman & Silverman, 1982
32
page(s)
|
|
|
|
Price lists and correspondence regarding purchase of Watts pieces. [L-6#66] |
9 |
42 |
|
Art-Hats, 1982-1983
11
page(s)
|
|
|
|
Correspondence regarding Watts' submission to the exhibition, a hat cake. |
9 |
43 |
|
Francesco Conz, 1982-1987
5
page(s)
|
|
|
|
Notes, sketches and pieces. [L-6 #41] |
9 |
44 |
|
Francesco Conz, 1982-1988
20
page(s)
|
|
|
|
Correspondence about editions of Watts' work that Conz is producing. [L-6#36] |
9 |
45 |
|
Holtzman & Silverman, 1983
12 pages, 1
photo
|
|
|
|
Price lists and correspondence regarding purchase of Watts pieces. |
9 |
46 |
|
Holtzman & Silverman, 1984
2
page(s)
|
|
|
|
[L-6#66] |
9 |
47 |
|
National Endowment for the Arts, 1984
1
page(s)
|
|
|
|
[L-6#121] |
9 |
48 |
|
Lloyd Landa, 1984
1
page(s)
|
9 |
49 |
|
Whitney Museum, 1984-1985
9
page(s)
|
|
|
|
Letters regarding the Blam! exhibition. [L-6#121]
|
9 |
50 |
|
René Block, 1984
1
page(s)
|
|
|
|
[L-6#25] |
9 |
51 |
|
Francesco Conz, 1984-1987
15
page(s)
|
|
|
|
Letters, drawings, price lists. See also Work files. [L6#40]; [L-6#35 ] |
9 |
52 |
|
Sid Sachs, 1984-1988
2
page(s)
|
9 |
53 |
|
Marianne Beck, 1985
1
page(s)
|
|
|
|
[L-6#121] |
9 |
54 |
|
Frankfurter Kunsthalle, 1985
1
page(s)
|
|
|
|
[L-6#121] |
9 |
55 |
|
Jon Hendricks, 1985
3
page(s)
|
|
|
|
[L-6#121] |
9 |
56 |
|
Artstamps, 1986
3
page(s)
|
|
|
|
[L-6#19] |
9 |
57 |
|
Iowa Arts Council, 1986 circa 30 pages |
|
|
|
Correspondence, loan agreement, receipts. [L-6#83] |
9 |
58 |
|
ICA Boston, 1986
10
page(s)
|
|
|
|
Letter and loan agreements. |
9 |
59 |
|
Hermann Braun, 1986
5
page(s)
|
9 |
60 |
|
Francesco Conz, 1986
5
page(s)
|
|
|
|
[L-6#39] |
9 |
61 |
|
Danae, 1986-1987
3 pages and
1 catalog
|
9 |
62 |
|
Museum Ludwig, 1987
2
page(s)
|
|
|
|
L-6#121 |
9 |
63 |
|
New York Art Review, 1987
2
items
|
|
|
|
[L-6#121] |
9 |
64 |
|
Allan Kaprow, 1987
2
page(s)
|
|
|
|
[L-6#19] |
9 |
65 |
|
Tone Deaf Music, 1987
1
page(s)
|
9 |
66 |
|
Artpool, 1987
1
page(s)
|
|
|
|
[L-6#121] |
9 |
67 |
|
Museum Weddell, 1987
5
page(s)
|
|
|
|
[L-6#121] |
9 |
68 |
|
White Walls, 1987
1
page(s)
|
9 |
69 |
|
Michael Conz, 1987
3
page(s)
|
|
|
|
Letters regarding Watts book. [L-6#37] |
9 |
70 |
|
Rutgers Exhibition request, 1988
3
page(s)
|
|
|
|
[L-6#18] |
9 |
71 |
|
Custom Frame Design, 1988
3
page(s)
|
|
|
|
[L-6#19] |
9 |
72 |
|
Harlekin Art, 1988 |
|
|
|
[M-3#8] |
9 |
73 |
|
Emily Harvey Gallery, 1988
1
item
|
|
|
|
[L-6#121] |