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Israel Stollman Collection of Stereographs, 1850-1979, undated

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Title: Israel Stollman Collection of Stereographs
Dates: 1850-1979, undated
Number: 2005.R.11
Creator/Collector: Stollman, Israel
Extent: 61.4 Linear Feet (84 boxes, 2 flatfile folders, 1 roll)
Abstract: Comprising over 9,100 items, the majority of which are card stereographs (mounted photographic prints), the fthe Israel Stollman collection of stereographs focuses on views of cities and urban areas, especially in the United States. As such the collection is not only a significant resource on the development of modern urban sites, it also encapsulates the production of stereographs, which flourished from the 1850s through the 1930s. The collection also contains a small number of transparencies and images printed on glass in the form of stereographs and lantern slides, a collection of stereo viewers, and small amount of related ephemera.
Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy.
Language: Collection material is in English with some French and German.
Repository: The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Author: Beth Ann Guynn

Biographical/Historical Note

Israel Stollman, FAICP, was a renowned American urban planner. He was born in 1923 on the Lower East Side of New York, the son of Russian Jewish immigrants. Stollman completed a B.S. in social science with an independent major in housing and planning from City College of New York in 1947 after taking two-and-one-half years off during World War II to serve in the Army Air Corps. The following year he received a master's degree in city planning from the Massachusetts Institute of Technology.

Stollman was then hired by the Cleveland Planning Commission as a junior planner and he also taught at Western Reserve University. In 1951 he became assistant planning director for the city of Youngstown, Ohio and rose to the position of planning director before joining the faculty of Ohio State University in 1957, where he was instrumental in establishing its graduate program in city and regional planning. He directed that program for the next decade.

Upon the death of Dennis O'Harrow in 1968 Stollman became the executive director of the American Society of Planning Officials (ASPO) in Chicago. During the 1970s Stollman concentrated his tenure on recruiting African-American members to the board of the ASPO, opening the planning field to minorities and preparing the merger of the ASPO with the American Institute of Planners (AIP), which resulted in the formation of the American Planning Association (APA) in 1978. Stollman served as executive director of the APA until his retirement in 1994, after which he remained active in the organization. In 1999 he became a charter member of the American Institute of Certified Planners (AICP) College of Fellows. He also continued his teaching career at the University of Virginia Northern Virginia Center at Falls Church. Stollman died in Christchurch, New Zealand in 2005 while he and his wife Mary were visiting one of their three daughters.


Scope and Content of Collection

Israel Stollman began building the present collection in 1957 when he was hired by Ohio State University, charged with establishing a new graduate program in city and regional planning. He intended the collection to be used as a teaching and study tool in the broadest sense of the word and continued to add to it throughout his career. In addition to using the collection for teaching urban planning, Stollman often used the perspectival qualities of stereographs to convince his private clients of particular design solutions.

Comprising over 9,100 items, the majority of which are card stereographs (mounted photographic prints), the focus of the collection is views of cities and urban areas, especially of the United States. As such, the collection is not only a significant resource on the development of modern urban sites, it also encapsulates the production of stereographs which flourished from the 1850s through the 1930s. Disseminated widely for both personal entertainment and as teaching aids, stereographs were influential conveyors of information that helped form popular perceptions about a region, an object, or another culture. Their images were often reinforced by the texts printed on their versos which usually conveyed a specific cultural bias.

The individual photographs in Series I form the core of the collection. Stollman collected these stereographs individually or in small groups. Stereographs of North America form almost half of this series. The cities of New York, Chicago and Washington D.C. are prominently represented. Major European cities and sites, especially those of France, Germany, Great Britain and Italy are also well-represented. Broadly speaking, over 95% of the stereographs deal with urban themes. Other subjects including landscapes and rural views, ancient sites, famous personalities, interiors, railroads, views of monuments and works of art, views of significant events and genre scenes and representations of local peoples can be found within the individual countries represented in the collection.

Views of national and international expositions ranging from the Crystal Palace (London, 1851) to the Century of Progress Exposition (Chicago, 1933 to 1934) are also present. These stereographs help to reinforce the relationship of the design of world's fairs and the development of urban planning as a profession.

Nearly every major publisher of stereographs is represented in this series including the American Stereoscopic Company; B.W. Kilburn Company (Kilburn Brothers); Breveté; E. & H.T. Anthony; Ferrier et Soulier; H.C. White Co.; Griffith & Griffith; Keystone View Company; Léon et Lévy; London Stereoscopic Company; Stereo-Travel co.; Underwood & Underwood; Universal Photo Art Company; and the Universal Stereoscopic View Company.

Photographers of note include Charles Bierstadt; Adolphe Braun; Abel Briquet; Giacomo Brogi; Francis Frith; Frank Mason Good; B.W. Kilburn; Eadweard Muybridge; Alfredo Noack; Robert Rive; Giorgio Sommer; James Valentine (Valentine & Sons); and George Washington Wilson. Approximately ten percent of the views are unique, that is taken by amateur or little-known photographers. These include early European views and American views by small- town photographers.

Series II is comprised of boxed sets, that is stereographs purchased as sets and usually sold housed in special boxes. In addition to a Keystone View Company, Tour of the World set, there are sets for individual countries, a set of stereographs documenting medical conditions, small format sets and sets of film positive stereographs.

Small groups of glass format stereographs and lantern slides representing a variety of countries are found in Series III. Most of these items are unsigned, but stereograph makers include Ferrier & Soulier and Brevité. A number of the glass lantern slides are hand-colored. Stollman collected a variety of stereoviewers ranging from free-standing pedestal viewers to handheld viewers to compact collapsible viewers; these objects are found in Series IV. Some of the viewers were made to accompany the stereoscopes produced by a specific publisher and are of a more mass-produced nature, while others, especially the nineteenth-century models made by opticians and cabinet makers as parlor pieces, exhibit the qualities of small pieces of finished cabinetry.

Finally, Series V comprises various materials loosely related to stereographs such as a printed sheet of stereoviews, price lists, and steorograph club literature.

Arrangement

Organized in five series:
Series I: Individual stereographs, 1850-1960;
Series II: Boxed sets, 1890-1970s;
Series III: Glass stereographs and lantern slides, 1860-1930;
Series IV: Stereoviewers, 1860-1979;
Series V: Prints, objects and ephemera, 1893-1977, undated.


Restrictions

Access

Open for use by qualified researchers.

Publication Rights

Contact Library Reproductions and Permissions.


Indexing Terms

Subjects - Names

Bierstadt, Charles
Braun, Adolphe
Briquet, Abel
Brogi, Giacomo
Frith, Francis
Good, Frank Mason
Kilburn, B.W. (Benjamin West)
Noack, Alfredo
Rive, Robert
Sommer, Giorgio
Valentine, James
Wilson, G. W., 1823-1893 (George Washington)

Subjects - Corporate Bodies

American Stereoscopic Company
B.W. Kilburn Company
Breveté
Californina Midwinter International Exposition--(1894 : San francisco, Calif.)
Centennial Exhibition--(1876 : Philadelphia, Pa.)
Century of Progress International Exposition--(1933-1934 : Chicago, Ill.)
E. & H.T. Anthony (Firm)
Exposition universelle internationale de 1900 (Paris, France)
Exposition universelle de 1867 à Paris
Exposition universelle de Paris en 1855
Ferrier et Soulier
Great Exhibition--(1851 : London, England)
Griffith & Griffith
H.C. White Co
Interstate Industrial Exhibition--(1873 : Chicago, Ill.)
Keystone View Company
London Stereoscopic Company
Louisiana Purchase Exposition--(1904 : Saint Louis, Mo.)
Léon et Lévy
Pan-American Exposition--(1901 : Buffalo, N.Y.)
Stereo-Travel Co
Universal Photo Art Co
Universal Stereoscopic View Co
World's Columbian Exposition--(1893 : Chicago, Ill.)
World's Industrial and Cotton Centennial Exposition--(1884-1885 : New Orleans, La.)

Subjects - Topics

Exhibitions

Subjects - Places

Africa -- Description and travel
Algeria -- Description and travel
Argentina -- Description and travel
Asia -- Description and travel
Australia -- Description and travel
Austria -- Description and travel
Belgium -- Description and travel
Bermuda -- Description and travel
Bolivia -- Description and travel
Bosnia -- Description and travel
Brazil -- Description and travel
Bulgaria -- Description and travel
Canada -- Description and travel
Chile -- Description and travel
China -- Description and travel
Colombia -- Description and travel
Congo -- Description and travel
Cuba -- Description and travel
Czechoslovakia -- Description and travel
Denmark -- Description and travel
Djibuti -- Description and travel
Dominica -- Description and travel
Ecuador -- Description and travel
Egypt -- Description and travel
El Salvador -- Description and travel
England -- Description and travel
Finland -- Description and travel
France -- Description and travel
Georgia (Republic) -- Description and travel
Gibraltar -- Description and travel
Greece -- Description and travel
Greenland -- Description and travel
Grenada -- Description and travel
Hungary -- Description and travel
Iceland -- Description and travel
India -- Description and travel
Indonesia -- Description and travel
Iran -- Description and travel
Ireland -- Description and travel
Israel -- Description and travel
Italy -- Description and travel
Jamaica -- Description and travel
Japan -- Description and travel
Jersey -- Description and travel
Jordan -- Description and travel
Korea -- Description and travel
Lebanon -- Description and travel
Malaysia -- Description and travel
Malta -- Description and travel
Martinique -- Description and travel
Mexico -- Description and travel
Middle East -- Description and travel
Monaco -- Description and travel
Morocco -- Description and travel
Netherlands -- Description and travel
Nicaragua -- Description and travel
North American -- Description and travel
Norway -- Description and travel
Oceania -- Description and travel
Outer space -- Description and travel
Pakistan -- Description and travel
Palestine -- Description and travel
Panama -- Description and travel
Peru -- Description and travel
Philippines -- Description and travel
Poland -- Description and travel
Portugal -- Description and travel
Puerto Rico -- Description and travel
Russia -- Description and travel
Saint Vincent and the Grenadines -- Description and travel
Scotland -- Description and travel
Singapore -- Description and travel
South Africa -- Description and travel
Spain -- Description and travel
Sri Lanka -- Description and travel
Sudan -- Description and travel
Sweden -- Description and travel
Switzerland -- Description and travel
Syria -- Description and travel
Turkey -- Description and travel
Ukraine -- Description and travel
United States -- Description and travel
Uruguay -- Description and travel
Venezuela -- Description and travel
Wales -- Description and travel
Yugoslavia -- Description and travel

Genres and Forms of Material

Albumen prints -- 19th century
Collotypes -- 19th century
Collotypes -- 20th century
Gelatin silver prints -- 19th century
Gelatin silver prints -- 20th century
Hand-colored photographic prints -- 19th century
Lantern slides -- 19th century
Lantern slides -- 20th century
Photographic transparencies -- 20th century
Photographs, Original
Photomechanical prints -- 19th century
Photomechanical prints -- 20th century
Relief halftones -- 19th century
Stereographs -- 19th century
Stereographs -- 20th century
Stereoscopes -- 19th century
Stereoscopes -- 20th century
Tissue stereographs -- 19th century

Contributors

Stollman, Israel

Related Material

The Getty Research library also holds another smaller collection of materials assembled by Israel Stollman, accession number 2009.R.18, Israel Stollman Collection of Stereographs and Postcards, 1860-1930, containing approximately 398 stereographs and one postcard album of approximately 383 postcards. Additional large stereograph collections assembled by the repository include accession numbers ZS 1, Expositions Stereograph Collection; ZS 2 Cities and Sites Stereograph collection; ZSG 2 Cities and Sites Glass Stereograph Collection and ZS 1 Expositions Stereograph Collection.


Administrative Information

Preferred Citation

The Israel Stollman collection of stereographs, 1850-1939, The Getty Research Institute, Los Angeles, Accession no. 2005.R.11.

http://hdl.handle.net/10020/cifa2005r11

Acquisition Information

From the stereo collection of Israel Stollman. Acquired in 2005.

Processing History

The collection was processed by Beth Guynn, Lily Tsukahira, Linda Kleiger and Jan Bender in 2009 and 2014.


Container List

Series I. Individual stereographs, 1850-1960 31.65 Linear Feet (49 boxes)
Stollman collected these stereographs individually or in small groups. Stereographs of North America form almost half of this series, contained in twenty-two boxes. The cities of New York, Chicago and Washington D.C. are prominently represented. Major European cities and sites, especially those of France, Germany, Great Britain and Italy are also well-represented. Broadly speaking, over 95% of the stereographs deal with urban themes. Other images of more general subjects including landscapes and rural views, ancient sites, famous personalities, interiors, railroads, views of monuments and works of art, genre scenes and representations of local peoples can be found within the individual countries represented in the collection. Significant events such as the eruption of Mount Vesuvius in December 1861 and the coronation of Nicholas II in 1896 are also documented in the collection.
The series also contains views of national and international expositions ranging from the Crystal Palace (London, 1851) to the Century of Progress Exposition (Chicago 1933 to 1934). These stereographs help to reinforce the relationship of the design of world's fairs and the development of urban planning as a profession.
Nearly every major publisher of stereographs is represented in this series including the American Stereoscopic Company; B.W. Kilburn Company (Kilburn Brothers); Breveté; E. & H.T. Anthony; Ferrier et Soulier; H.C. White Co.; Griffith & Griffith; Keystone View Company; Keystone View Company; Léon et Lévy; London Stereoscopic Company; Stereo-Travel Co.; Underwood & Underwood; Universal Photo Art Company; and the Universal Stereoscopic View Company.
Photographers of note include Charles Bierstadt; Adolphe Braun; Abel Briquet; Giacomo Brogi; Francis Frith; Frank Mason Good; B.W. Kilburn; Eadweard Muybridge; Alfredo Noack; Robert Rive; Giorgio Sommer; James Valentine (Valentine & Sons); and George Washington Wilson. Approximately ten percent of the views are unique, that is taken by amateur or little-known photgraphers. These include early European views and American views by small town photographers.
Arrangement
Arranged alphabetically by continent or geographical region (with a Roman numeral assigned to each box within the continent/region); then by country; and then by city, when appropriate. Continents/geographical regions include: Africa, Asia, Australia, Europe, Middle East, North America, Oceania. Stereographs featuring people are found at the end of each country. The United States stereographs are arranged by state and then city when appropriate. Outer Space and Expositions are the final categories.
Africa
box
1 I (Algeria-Egypt I)
box
2 II (Egypt II-Tunisia)
Asia
box
3 I (China)
box
4 II (Georgia-Indonesia)
box folder
5 1 III (Japan-Thailand)
5 2 Australia
Europe
box
6 I (Austria-Denmark)
box
7 II (Finland-France I)
Cities are alphabetically arranged through Nîmes.
box
8 III (France II: Paris I)
box
10 IV (France III: Paris II)
10 V (France IV: Paris III-France end)
After the end of Paris the box continues alphabetically by city.
box
11 VI (Germany I)
box
12 VII (Germany II-Great Britain I)
England stereographs go through London I.
box
13 VIII (Great Britain II: England II-Scotland I)
England stereographs begin with London II. Scotland stereographs go through Edinburgh I.
box
14 IX (Great Britain III: Scotland II-Wales; Hungary)
Scotland stereographs begin at Edinburgh II.
box
15 X (Iceland-Italy I: A-G)
box
16 XI (Italy II: H-R)
box
17 XII (Italy III: Rome)
box
18 XIII (Italy IV: S-Z)
box
19 XIV (Jersey-Norway)
box
20 XV (Poland-Russia I: A-P)
box
21 XVI (Russia II: S-Z; Spain I: A-Seg)
box
22 XVII (Spain II: Sev-Z; Switzerland)
box folder
23 1 XVIII (Sweden-Yugoslavia)
Middle East
box folder
23 2 I (through Israel)
box folder
24 1 II (Israel II-Turkey)
North America
box folder
24 2 I (Canada)
box
25 II (Canada II-Mexico I)
box
26 III (Mexico II-US: AL-California I)
box
27 IV (US: California II)
box
28 V (US: Colorado-Georgia)
box
29 VI (US: Hawaii-Illinois I [Chicago I])
box
30 VII (US: Illinois II [Chicago II])
box
31 VIII (US: Illinois III [Chicago III]-Maryland)
box
32 IX (US: Massachusetts I)
box
33 X (US: Massachusetts II-Montana)
box
34 XI (US: Nebraska-New York I [through NYC I])
box
35 XII (US: New York II [NYC II])
box
36 XIII (US: New York III [NYC III])
box
37 XIV (US: New York IV [NYC IV])
box
38 XV (US: New York V [NYC V])
box
39 XVI (US: New York V [NYC VI])
box
40 XVII (US: New York VII [Niagara-end]; Ohio I)
box
41 XVIII (Ohio II-Pennsylvania)
box
42 XIX (Rhode Island-Washington, D.C. I)
box
43 XX (Washington, D.C. II)
box
44 XXI (Washington, D.C. III)
box
45 XXII (Washington, D.C. IV; Washington State-Wyoming; US various subjects)
box folder
45A 1 XXIII (US unidentified)
45A 2 Oceania
45A 3 South America
box folder
46 1 Outer space
Expositions
box folder
46 2 I
Contains expositions dated 1851 (Crystal Palace, London) to 1893 I (World's Columbian Exposition, Chicago).
box
47 II
Contains expositions dated 1893 II (World's Columbian Exposition, Chicago) to 1904 (Louisiana Purchase Exposition, St. Louis).
box
48 III
Contains expositions dated 1904 (Louisiana Purchase Exposition, St. Louis) to 1933 (Century of Progress International Exposition, Chicago).
Series II. Boxed sets, 1890-1970s? 12 Linear Feet (22 boxes)
The series comprises boxed sets, that is stereographs purchased as sets and usually sold housed in special boxes. In addition to the Keystone View Company, Tour of the World set, there are sets for individual countries, a set of stereographs documenting medical conditions, small-format sets and sets of film positive stereographs. Included among the small sets is a set of ten homemade stereographs of local Cincinnati exterior and interior views by an unknown amateur photographer pasted onto cards whose versos contain endorsements for political candidates running in the 1895 Cincinnati election.
Arrangement
After the Tour of the World set the boxed sets are arranged alphabetically by country.
Keystone View Company, Tour of the World, between 1892 and 1933
box
49 Vol. I-II
box
50 Vol. III-IV
box
51 Vol. V-VI
box
52 Vol. VII-VIII
box
53 Vol. I
box
64 Original boxes
box
54 Underwood & Underwood, China, 1900-1901
box folder
55 1 Underwood & Underwood, Belgium, 1901
55 2 H.C. White Co., France, 1901
box
56 Underwood & Underwood, Egypt, 1905
Accompanied by James Henry Brested, Egypt through the Stereoscope, Underwood & Underwood, 1905.
box
57 Underwood & Underwood, England, approximately 1900
box
58 Underwood & Underwood, India, approximately 1900
box
59 Underwood & Underwood, Italy, 1901
box folder
60 1 Underwood & Underwood, Jerusalem, approximately 1900
60 2 H.C. White Co., Perfec-Stereographs, 1901
Original boxes, 1900-1905
Includes original boxes for the boxed sets housed in boxes 54-60.
Dr. S.I. Rainforth, Medical Conditions, 1910
box
61 I
box
62 II
Small sets 1890-1939
box folder
63 1 Keystone View Company, Universal Unit X-2, 1930s
Five 2 1/2 x 4 3/4 inch gelatin silver stereographs (assorted views) with printed set description and original cellophane wrapper bearing a Marshall Field and Company gummed label.
63 2 # 107 Tour of the Big Cities of America, 1890-1900?
Twenty-three color letterpress halftone stereographs from a set of 25 by an unknown maker. Includes original box.
63 3 Rellev, Views of Morroco and Spain, 1933-1934
Seventy-seven 2 1/4 x 5 inch gelatin silver stereographs from various Rellev series.
63 4 World Views proofs approximately 1900
Twenty-three 4 1/2 x 7 inch gelatin silver sterographic proof prints. Some numbered in the negative; all numbered in pencil on verso and stamped either "Good" or "Medium."
63 5 Cincinnati Election Views, 1895
Ten homemade collodion [?] stereographs of local exterior and interior views by an unknown amateur photographer. Prints 1 1/2 x 2 inches on cards 2 5/8 x 4 1/8 inches. Versos of cards printed by Allied Printing, Cincinnati, each containing an endorsement for a political candidate running in the 5 November 1895 Cincinnati [?] election. Texts are in English and German.
63 6 American Stereoscopic Views, San Francisco and Environs, circa 1930s
Seven sets of gelatin silver stereographs, 3 5/16 x 4 7/16 inches, with original printed envelopes: San Francisco I (11); San Francisco II (10); Golden Gate Park, San Francisco (10); Oakland (10); Lake Merritt, Oakland (10); Marin County (10); Round San Francisco Bay (9). Left image with Series name and number in negative; right image with title in image. Distributed by Oliver Enders.
63 7 Universal Photo Art Co., Stereograph Gems, vol. 1 1900-1904
Thirty-six platino print stereographs (world views and genre scenes) bound in a leather book for use with an Ideal Stereoscope viewer. Published by G. H. Graves, Philadelphia. Descriptions are printed on the verso of the succeeding stereograph so that they can be read while the image is being viewed.
box
65 Film positives, 1930s?
Stereographs on reversal film, i.e. photographic transparencies.
65 1 Russia (Hermitage), 1960s-1970s?
Twenty chromogenic color or tinted stereographs with one sheet of description; mounts 1 7/8 x 4 inches.
Stéréofilms Bruguière, 1950s?
Black-and-white stereopositives; 1 3/4 x 4 1/8 inches. Views of France and Italy (Rome) in sets of twelve. Some sets are incomplete. Titled and numbered on the film in the space between the images. For the stereoviewer that accompanies the set see box 74.
Bruxelles
box folder
65 2 I
Nine stereographs.
65 3 II
65 4 L'Alsace I
Eleven stereographs.
Cité de Carcassone
box folder
65 5 Stereopositives
Eleven stereographs.
65 6 Glass slides
Eleven brown-tinted stereographs; numbered on glass between images.
65 7 Château de Fontainebleau
65 8 Lisieux
65 9 Lourdes
65 10 Nice
65 11 Nîmes
65 12 Paris
Set is randomly numbered and contains a variety of views.
65 13 Les Invalides
Set is randomly numbered.
65 14 Paris IX: Montmarte
Musée du Louvre
box folder
65 15 I
Two stereographs are from the Paris: II. Monuments series.
65 16 II
Eleven stereographs.
65 17 Château de Versailles
65 17 I
65 18 II
65 data_value_missing_fae865ce78394a17829c7b14f4697170 Le Calvaire
65 20 Rome
65 21 Musei gallerie Pontificie
box
66 Original boxes
Series III. Glass stereographs and lantern slides, 1860-1930 2.5 Linear Feet (7 boxes)
Small groups of glass format stereographs and lantern slides representing a variety of countries are found in this series. Most items are unsigned, but stereograph makers include Ferrier & Soulier and Brevité. A number of the glass lantern slides are hand-colored.
Arrangement
Arranged by format and then size.
box
67-68 Standard size glass stereographs, between 1860 and 1900
Fifty assorted stereographs. Countries represented include: Czechoslovakia; England; France; Germany; Italy; Netherlands; Spain; Sweden; Switzerland and Israel. Most stereographs are unsigned, but makers include Ferrier & Soulier and Brevité.
box
69-70 2 1/4 x 5 inch glass stereographs, 1930s
Fifty-one stereographs; all without cover glass. Mostly Canada (Quebec, Montreal and British Columbia) with a few images of France and Italy.
box
71-73 Glass lantern slides, between 1880 and 1920
Seventy-nine glass lantern slides, many are hand-colored. Countries represented include: Egypt; Burma; China; India; Austria; France; Germany; Great Britain (England); Italy; Netherlands; Poland; Russia; Spain; United States; and Brazil. Makers include Keystone, Chicago Transparency Co., T.H. McAllister, Joseph Hawkes and Edward van Alten.
Series IV. Stereoviewers, 1860-1979 6.7 Linear Feet (7 boxes)
Stollman collected a variety of stereoviewers ranging from free-standing pedestal viewers to handheld viewers to compact collapsible viewers. Some of the viewers were made to accompany the stereoscopes produced by a specific publisher and are of more of a mass-produced nature, while others, especially the nineteenth-century models made by opticians and cabinet makers as parlor pieces, exhibit the qualities of small pieces of finished cabinetry.
Arrangement
Arranged as found in collection.
box
74 Stéréofilms Bruguière Stéreoscope, 1950s?
Black leatherette cardboard and plastic box viewer with original cardboard box (lid detached); lenses detached (lacking one lens). Printed on box: Stéréofilms Bruguière / Stéreoscope / pour / positifs 45-107.
box
75 Keystone televiewer, approximately 1931
Blue plastic viewer with grey rattail neck cord (not original); missing stereoholder, lightbulb attachment, and handle. Patented in 1931 (patent number 160196) and in production until approximately 1948.
box item
76 1 Keystone expandable viewer, 1933?
Burgundy and black metal viewer for 4 3/8 in. glass [?] stereographs. Possibly a viewer from Keystone's Chicago 1933 World's Fair set.
76 2 Soviet SKF-1 viewer, 1970s?
Yellow and black plastic viewer.
box item
77 1 Coronet 3-D viewer, approximately 1954
Black plastic folding stereoviewer for black-and-white stereo prints or film transparencies with original paper wrapper. Made in Birmingham, England.
77 2 Solsona expandable viewer, 1930s
Black metal viewer for 7.5 cm glass [?] stereographs. Printed on face: Solsona / Galletas / Chocolates / Madrid / Barcelona.
box
78** Pedestal stereoviewer, between 1860 and 1910
box
79** Tabletop stereographoscope, between 1860 and 1910
Rosewood [?] stereographoscope of nineteenth century French or English origin with a large attached magnifying glass for viewing cabinet cards. The stereograph holder is lacking the smoked or frosted glass backing necessary for backlighting tissue stereographs.
box
80** Handheld viewer, between 1860 and 1910
Burlwood or bird's-eye maple case with brass and glass fittings.
Series V Prints, objects and ephemera, 1893-1977, undated 8.6 Linear Feet (2 boxes, 2 flatfiles and 1 roll)
The series is comprised of various materials loosely related to stereographs such as a printed sheet of stereoviews, price lists, and sterograph club literature.
Arrangement
Arrannged as found in collection.
box
81 The Ferris Wheel, World's Fair 1893, 1893
Sepia-toned photograph in a silver plated seashell frame.
box folder
82 1 Ephemera, 1974-1977
Includes a National Stereoscope Association brochure entitled "The World Isn't Flat, So Why Are Your Pictures?" and a catalog and price list for reproductions of the original stereographs of H.H. (Henry Hamilton) Bennett.
82 2 Map of a Chinese city, undated
Large printed map bound in silk and folded of an ancient Chinese city or site.
flatfile
1** Sheet of stereoviews, undated
Untitled photomechanical print with 48 stereo images, circa 111.5 x 74.5 cm.
flatfile
2** Bird's-eye view of the World's Columbian Exposition, Chicago, 1893
One photomechanical print, circa 75.5 x 100 cm.
roll
1** Pennsylvania Station, New York City..., approximately 1910
Caption continues: Seventh Avenue and Thirty-Second Street; looking toward Long Island. Photomechanical print on fabric backing circa 85.5 x 146.5 cm.