| Title: | Myra Dickman Orth research papers |
| Dates: | 1952-2003 |
| Number: | 2004.M.10 |
| Creator/Collector: | Orth, Myra Dickman |
| Extent: | 34.6 Linear Feet (83 boxes) |
| Abstract: | The research papers of Myra Dickman Orth consist of manuscript notes, correspondence, drawings, publications, slides, offprints, photographs, and index cards. An American art historian and a leading specialist on French Renaissance manuscripts, Orth conducted research and published on books of hours, printers, women patrons, royal patronage and intellectual life in Renaissance France. |
| Request Materials: | Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy. |
| Language: | Collection is in English and French. |
| Repository: | The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 reference@getty.edu URL: http://hdl.handle.net/10020/askref (310) 440-7390 |
| Author: | Marion Bernard |
American art historian Myra Orth (1934-2002) was a leading specialist on French Renaissance manuscripts. She studied art history at Cornell University (BA, 1956) and at the Institute of Fine Arts, New York University, where she received both her MA (1964) and PhD (1976) under the direction of Colin Eisler. Her research focused at first on French Renaissance books of hours in connection with the printer Geofroy Tory and the artist known as Godefroy le Batave and the 1520s Hours Workshop. Orth's academic path was quite atypical in that she completed her advanced degrees by correspondence while raising two children and living in several countries, including Belgium, Australia, Japan, England and France. She wrote her PhD dissertation in London, while also attending seminars at the Warburg and Courtauld Institutes.
She began her university career in Paris in 1976, teaching art history at the American College, where she also served as Head of the Humanities Division from 1980 to 1982. In 1982, she moved back to the United States where she taught Renaissance art history courses at the University of Virginia until the fall of 1983. In 1985, she accepted a position as Section Head of Northern Paintings for the Photo Archive at the Getty Center for the History of Art and the Humanities, and shortly thereafter began a two-year tenure as Acting Head of the Photo Archive. Orth spearheaded the effort to photograph and microfilm manuscripts in the National Library and Academy of Sciences in St. Petersburg and in the National Museum and the Museum of Decorative Arts in Prague in collaboration with the Institut de recherche et d'histoire des textes (CNRS) in Paris. She also curated an exhibition on the archive of British art historian Ellis Waterhouse acquired by the Getty in 1986. After her retirement in July 1995, Orth continued to serve in an advisory capacity at the Getty.
With the exception of an essay on architecture in Australia, Orth's prolific research focused on the production of French Renaissance manuscripts, specifically books of hours of the first half of the sixteenth century. She continued her research on Godefroy le Batave, the 1520s Hours Workshop and other artists such as the Master of Claude de France and the Master of François de Rohan. She conducted research on printed devotional books, printers and printing production, and explored the artistic relationship between manuscripts and printed books. She examined the influence of Flemish and Italian art on the development of French art during the Renaissance. Women patrons and artists became one of her main fields of interest, and she researched female figures such as Marguerite de Navarre and Louise of Savoy. More generally, she was not only interested in artistic production but in all aspects of intellectual life during the Renaissance, including the Evangelical reform, which explains her prolonged work on humanists and scholars's writings in connection with artistic production. An industrious scholar, she was still working, months before her death in 2002, on her ambitious publication on sixteenth-century French manuscripts Renaissance Manuscripts. The Sixteenth Century: A Survey of Manuscripts Illuminated in France.
The Myra Dickman Orth research papers document Orth's education and research from her student years until the last months before her death in November 2002. They are a testament to the extent of Orth's research interests and her prominent role in French Renaissance studies, and reveal a scholar's working methods before the widespread use of the Internet and digitization. Very few documents are related to Orth's personal life.
The archive is arranged in four series. Series I relates to Orth's education and consists of her art history course notebooks dating from her Cornell and Institute of Fine Arts periods, and copies of her theses for the MA and the PhD.
Series II forms the bulk of the archive and consists of notes, drawings, bibliography, publications and documentation that reflect Orth's working methods, her interests and research topics. This portion of the archive documents her research on French Renaissance manuscripts, printed books, humanism and other topics. Included are files related to Orth's publications, lectures, and research tools, such as slides, offprints, photographs, negatives, index cards and microfilms.
Series III consists of teaching materials, including Orth's preparation notes for courses taught at the American College in Paris, the University of Virginia and UCLA. Series IV consists of Orth's correspondence with scholars and researchers, including François Avril, Colin Eisler, and Patricia Stirnemann.
Arranged in four series:
Series I.
Education, 1952-1995;
Series II. Publications and research,
1970-2003;
Series III.
Teaching files, 1963-2002;
Series IV. Correspondence, 1966-2002.
Open for use by qualified researchers, except for student records in Series III that are SEALED per Family Educational Rights and Privacy Act (FERPA) legislation and institutional policy until 2057/2069.
Contact Library Reproductions and Permissions.
For working files and research conducted as part of Myra Orth's work for the Getty, please contact the Getty Institutional Archives archives@getty.edu.
Myra Dickman Orth research papers, 1952-2003, The Getty Research Institute, Los Angeles, Accession no. 2004.M.10.
http://hdl.handle.net/10020/cifa2004m10
Acquired in 2004.
Marion Bernard rehoused the archive and prepared this finding aid in March 2013 with the guidance of Karen Meyer-Roux.
| Series I. Education, 1952-1995 2.5 Linear Feet (6 boxes) | |||||||||||
| Series I documents Myra Orth's education at Cornell University, The New School for Social Research, The Institute of Fine Arts in New York, and seminars attended at the Warburg and Courtauld Institutes. Included are small notebooks in which Orth took notes during courses and seminars, and copies of her theses for the MA and PhD degrees at The Institute of Fine Arts. | |||||||||||
| Arrangement | |||||||||||
| Arranged in two subseries: Series I.A. Course notebooks; Series I.B. MA and PhD. | |||||||||||
| Subseries I.A. Course notebooks, 1954-1995 1.7 Linear Feet (4 boxes) | |||||||||||
| Myra Orth kept extensive documentation in the form of small notebooks on the courses and seminars attended at Cornell University, The New School for Social Research, New York University, the Courtauld and the Warburg Institutes. Included are notebooks documenting seminars given by Colin Eisler, Charles Sterling, and Craig H. Smyth. Years after Orth completed her studies, her notebooks proved to be one of the most detailed records of lectures given by Vladimir Nabokov at Cornell University and were used in the publication of these lectures. Correspondence related to Nabokov's lectures, which was filed with Orth's notebooks, was left in situ in this series. | |||||||||||
| Arrangement | |||||||||||
| Arranged in four sections: Cornell University; The New School for Social Research; The New York University, Institute of Fine Arts; other notebooks and documentation. | |||||||||||
| Cornell University, 1952-1956 | |||||||||||
| box | folder | ||||||||||
| 1 | 1 | Fine Arts 101-102: Introduction to Fine Arts, 1952-1953 | |||||||||
| 1 | 2 | Fine Arts 505: Italian Renaissance Art, 1953-1954 | |||||||||
| 1 | 2 | Fine Arts 111-112: History of Architecture, 1954-1955 | |||||||||
| 1 | 3 | Fine Arts 424-425: History of American Architecture, 1954-1955 | |||||||||
| 1 | 3 | Fine Arts 309: English Renaissance Literature, 1954 | |||||||||
| 1 | 3 | Fine Arts 944: Baroque Painting Seminar, 1956 | |||||||||
| The New School for Social Research, 1961, undated | |||||||||||
| box | folder | ||||||||||
| 1 | 4 | Modern Art, 1961 | |||||||||
| 1 | 4 | Music, undated | |||||||||
| 1 | 4 | French, undated | |||||||||
| The New York University, Institute of Fine Arts, 1962-1995 | |||||||||||
| box | folder | ||||||||||
| 2 | 1 | Colin Eisler: French Renaissance Art, 1962 | |||||||||
| 2 | 1 | José Lopez-Rey: Spanish Baroque, 1962 | |||||||||
| 2 | 1 | Charles Sterling: French 15th Century Art, 1962 | |||||||||
| 2 | 1 | Wolfgang Lotz: Italian Villa, 1962 | |||||||||
| 2 | 2 | Charles Sterling: French Court Painting, 1962 | |||||||||
| 2 | 3 | Harry Bober: Medieval Art, 1962-1963 | |||||||||
| 2 | 4 | Colin Eisler, Charles Sterling and Craig H. Smyth Seminars, 1962-1970 | |||||||||
| 2 | 4 | Henry Russell Hitchcock: XIXth Century Architecture, 1970 | |||||||||
| 2 | 5 | Press cuttings : Professor Ernst Gombrich and Institute of Fine Arts (NYU), 1959-1975 | |||||||||
| box | folder | ||||||||||
| 3 | 1 | Robert Goldwater: Symbolism, 1971 | |||||||||
| 3 | 1 | Colin Eisler: North Italian Painting, 1971 | |||||||||
| 3 | 1 | Katherine Weill-Garris Posner: Renaissance Patronage, 1971 | |||||||||
| 3 | 1 | Colin Eisler: Transformations, 1971 | |||||||||
| 3 | 2 | Henry Russell Hitchcock: Northern Architecture, 1973 | |||||||||
| 3 | 2 | Irving Lavin: XVIIth Century Sculpture, 1973 | |||||||||
| 3 | 3 | Donald Posner: Caravaggio, 1973 | |||||||||
| 3 | 3 | Bibliography Seminar, 1973 | |||||||||
| 3 | 3-4 | Course listings, 1961-1995 | |||||||||
| Other notebooks and documentation, 1971-1992 | |||||||||||
| box | folder | ||||||||||
| 4 | 1-3 | Notebooks and papers, 1971-1982 | |||||||||
| Included are notebooks for seminars attended at The Warburg Institute, The Courtauld Institute, the Collège de France, and brochures and annual reports of the Warburg Institute. | |||||||||||
| 4 | 4 | Correspondence related to Vladimir Nabokov lectures, 1979-1992 | |||||||||
| Subseries I.B. MA and PhD, 1952-1976 0.8 Linear Feet (2 boxes) | |||||||||||
| Orth's MA thesis was titled Geofroy Tory: The Illustrations and Decorations in his Printed Books of Hours (February 1964) and her PhD Progressive Tendencies in French Manuscript Illuminations (1515-1530): Godefroy le Batave and the 1520s Hours Workshop (February, 1976). Both were submitted to the New York University and prepared under the direction of Colin Eisler. The series includes copies of both theses, corrections, manuscript notes, and correspondence related to further research on the topics. | |||||||||||
| Arrangement | |||||||||||
| Arranged in two sections: MA thesis; PhD dissertation. | |||||||||||
| MA thesis, 1952-1971 | |||||||||||
| box | folder | ||||||||||
| 5 | 1-2 | Copy, undated | |||||||||
| 5 | 3-5 | Correspondence, 1952-1971 | |||||||||
| PhD dissertation, 1976 | |||||||||||
| box | folder | ||||||||||
| 5 | 6 | Corrections, manuscripts notes and documentation, 1976 | |||||||||
| 6 | 1-8 | Copy, undated | |||||||||
| Series II. Publications and research, 1970-2003 27.2 Linear Feet (65 boxes) | |||||||||||
| Series II forms the bulk of the archive and consists of publications, notes, drawings, and bibliographies that reflect Orth's research interests and topics, and working methods. It documents her research on French Renaissance manuscripts, printed books, and other topics. Included are files related to Orth's publications, lectures, and research tools, such as index cards, slides, and microfilms. | |||||||||||
| Arrangement | |||||||||||
| Arranged in four subseries: II.A. Publications; II.B. Lectures; II.C. Topical research files; II.D. Research tools. | |||||||||||
| Series II.A. Publications, 1970-2003 1.7 Linear Feet (4 boxes) | |||||||||||
| The subseries provides a comprehensive overview of Orth's publications, comprised of articles, exhibition catalogs, encyclopedia entries, and commentaries for editions. It primarily consists of typescripts, but also draft notes and related documentation and correspondence. | |||||||||||
| Arrangement | |||||||||||
| Arranged in three sections: articles; exhibitions catalogs; editorial projects. | |||||||||||
| Articles, 1970-2003 | |||||||||||
| box | folder | ||||||||||
| 7 | 1 | "Alexander and Apelles," 1970 | |||||||||
| 7 | 1 | "Printed Books and Manuscripts in the Netherlands (1470-1515)," 1971 | |||||||||
| 7 | 1 | "Attitudes towards Space in XVIth Century French Graphics before the School of Fontainebleau," 1973 | |||||||||
| 7 | 1 | "François Ier as a Subject in French History Painting," 1975 | |||||||||
| 7 | 1 | "A French Illuminated Treaty of 1527," 1978 | |||||||||
| 7 | 1 | "A Portrait Enamel of the French Renaissance," 1979 | |||||||||
| 7 | 2 | "Geoffroy Tory and French Manuscript Illuminations" in Revue de l'art, 1979 | |||||||||
| 7 | 2 | "Geoffroy Tory and French Manuscript Illuminations" in Revue de l'art, 1981 | |||||||||
| 7 | 2 | "Two Books of Hours for Jean Lallement le jeune," 1980 | |||||||||
| 7 | 2 | "The Magdalen Shrine of la Sainte-Baume in 1516," 1981 | |||||||||
| 7 | 2 | "François du Moulin and the Journal of Louise de Savoie," 1981 | |||||||||
| 7 | 3 | "Godefroy le Batave, miniaturiste à la cour de François Ier : les Triomphes de Pétrarque," 1982 | |||||||||
| 7 | 3 | "Godefroy le Batave, Illuminator of the French Royal Family (1516-1526)," 1982 | |||||||||
| 7 | 3 | "The Prison of Love: Medieval Romance in French Renaissance and its Illustrations," 1983 | |||||||||
| 7 | 3 | "The Triumphs of Petrarch illuminated by Godefroy le Batave," 1984 | |||||||||
| 7 | 4 | "From Imitation to Reformation in France: The Carrying of the Cross and Devotional Texts in Angoulême family," 1984-1985 | |||||||||
| 7 | 5 | "Antwerp Mannerist Models of Drawings in French Renaissance Books of Hours: A Case Study of the 1520s Hours Workshop," 1984-1990 | |||||||||
| Includes 1 computer disc (floppy disk) : 5 1/4 in. | |||||||||||
| 7 | 6 | 'Madame sainte Anne: the Holy Kinship, the Royal Trinity and Louise of Savoy," 1987-1991 | |||||||||
| 7 | 7 | Book reviews, 1988-1991 | |||||||||
| box | folder | ||||||||||
| 8 | 1-4 | "The Master of François de Rohan: A Familiar French Renaissance Miniaturist with a New Name," 1989-1994 | |||||||||
| 8 | 5-8 | "Jean du Tillet and the Illustrations of the Grand recueil des roys for Charles IX (1566)," 1992-2000 | |||||||||
| Article in collaboration with Elizabeth A.R. Brown. | |||||||||||
| 8 | 9 | "Marguerite et la tradition du manuscrit à la Renaissance en France," 1995 | |||||||||
| 8 | 9 | "Hours of Henri II," 1995 | |||||||||
| 8 | 9 | "What Goes Around: Borders and Frames in French Manuscripts," 1996 | |||||||||
| 8 | 9 | Book reviews, 1996-1997 | |||||||||
| 8 | 10 | "Dedicating Women, Manuscript Culture in the French Renaissance: The Case of Anne de Graville and Catherine d'Amboise," 1997 | |||||||||
| box | folder | ||||||||||
| 9 | 1 | "Louise de Savoie et le pouvoir du livre," 1997 | |||||||||
| 9 | 2 | "L'enluminure au temps de Henri II," 1997-2001 | |||||||||
| 9 | 3 | "Family Values: Manuscripts as Gifts and Legacies among French Renaissance Women," 1999-2001 | |||||||||
| 9 | 4 | "Reconsidering Radical Beauty: Marguerite de Navarre's Illuminated Evangelical Catechism and Confession (Arsenal, ms. 5096)," 1999-2001 | |||||||||
| Revision of an article issued in 1993. | |||||||||||
| 9 | 5 | Contribution for the Festschrift in honor of James Marrow, 2000-2002 | |||||||||
| 9 | 6 | Books reviews, 2000 | |||||||||
| 9 | 7 | "The English Great Bible of 1539 and the French Connection," 2000-2001 | |||||||||
| 9 | 8-9 | "Lyon et Rome à l'antique : les illustrations dans les Antiquités romaines de Guillaume du Choul," 2000-2003 | |||||||||
| 9 | 10 | List of offprints, 1981-2001 | |||||||||
| 9 | 11 | "Godefroy le Batave: His Miniatures in their Manuscript Setting," undated | |||||||||
| 9 | 12 | "A Manuscript Leaf from the French Renaissance: A Celestial Assembly of Virgins and Martyrs (Ecouen, Musée de la Renaissance, EC 287)," undated | |||||||||
| Exhibition catalogs, 1999-2002 | |||||||||||
| This section includes typescripts, proofs, documentation and correspondence related to exhibition catalog entries and an introduction to an exhibition catalog. | |||||||||||
| box | folder | ||||||||||
| 10 | 1 | Leaves of Gold: Treasures of Manuscript Illumination from Philadelphia Collections, 1999-2000 | |||||||||
| 10 | 2-3 | L'art du manuscrit de la Renaissance en France, Musée Condé-Château de Chantilly, 2001 | |||||||||
| 10 | 4 | From Medieval to Modern Times: 700 years of French Art from the Fitzwilliam, The Fitzwilliam Museum, 2001-2002 | |||||||||
| 10 | 5 | Introduction to catalog for an exhibition of manuscripts, Château d'Ecouen-Musée national de la Renaissance, undated | |||||||||
| Other projects, 1988-2002 | |||||||||||
| Typescripts, correspondence and related notes document other editorial projects undertaken by Orth. | |||||||||||
| box | folder | ||||||||||
| 10 | 6 | Entries in the Dictionary of Art related to Godefroy le Batave, the 1520s Hours Workshop and the production and trade of manuscripts in the Renaissance, 1988-1993 | |||||||||
| 10 | 7-8 | Renaissance Manuscripts. The Sixteenth Century: A Survey of Manuscripts Illuminated in France, 1992-2002 | |||||||||
| Includes correspondence with Harvey Miller Publishers. | |||||||||||
| 10 | 9-10 | Commentary for an edition of Les petites prières de Renée de France, 1994-1999 | |||||||||
| Subseries II.B. Lectures, 1962-2002 1.3 Linear Feet (3 boxes) | |||||||||||
| The subseries documents lectures and papers that Orth gave at colloquia, conferences, and seminars. It primarily consists of typescripts of the lectures and papers, with related documentation, including abstracts, notes, and correspondence. There are files related to conference sessions chaired by Orth and notes of lectures attended at conferences where Orth gave papers. | |||||||||||
| Arrangement | |||||||||||
| Arrangement is chronological, with undated typescripts and two files related to lectures attended at conferences filed at the end of the subseries. | |||||||||||
| box | folder | ||||||||||
| 11 | 1 | "Morgan Library," The New York University, 1962 | |||||||||
| Paper given in Charles Sterling seminar on French Court Painting. | |||||||||||
| 11 | 1 | "Geoffroy Tory" (Warburg Institute), 1974 | |||||||||
| 11 | 1 | "François du Moulin" (Warburg Institute, Ernst Gombrich seminar), 1975 | |||||||||
| 11 | 1 | "Three Devotional Manuscripts of the French Renaissance" (Central Renaissance conference), 1979 | |||||||||
| 11 | 1 | "Francis I, Caesar, and the Empire in a Manuscript: Commentary on the Gallic Wars" (Johns Hopkins University), 1979 | |||||||||
| 11 | 1 | "The Manuscripts of Godefroy le Batave" (Warburg Institute, colloquium Manuscripts After the Invention of Printing), 1982 | |||||||||
| 11 | 1 | "The French Sixteenth Century Printed Books" (Tafts), 1982 | |||||||||
| 11 | 1 | "The Way of the Cross in Late Fifteenth Century French Art" (International Congress on Medieval Studies, Kalamazoo), 1983 | |||||||||
| 11 | 1 | "A Rediscovered Series of Illuminations to Jacques le Lieur's Poem on the Passion (International Congress on Medieval Studies, Kalamazoo), 1987 | |||||||||
| 11 | 2-7 | Chair of the session "Approaches to the Figural Arts" (College of American Art, 77th Annual Meeting, San Francisco), 1987-1989 | |||||||||
| Includes documentation related to the session's preparation, coordination and closing. | |||||||||||
| 11 | 8 | "Madame Sainte Anne: the Holy Kinship, the Royal Trinity and Louise of Savoy" (23rd International Congress on Medieval Studies, Kalamazoo), 1988 | |||||||||
| 11 | 8 | "A Royal Funeral in Paris in 1531: The Epitaphia and the Heart Monument for Louise of Savoy (National Conference of the Renaissance Society of America, New York)," 1988 | |||||||||
| 11 | 9 | "The Eloquent King: Patronage and Humanism at the Court of Francis I" (The Arizona Center for Medieval and Renaissance Studies and The School of Art), 1988-1989 | |||||||||
| box | folder | ||||||||||
| 12 | 1 | "Antwerp Mannerist Model Drawings in French Renaissance Manuscripts" (The Historians of Netherlandish Art Conference, Cleveland), 1989 | |||||||||
| 12 | 2 | "Myth in Action: Shifting Allegiances at the Court of Francis I" (Barnard Medieval and Renaissance Conference, New York), 1989-1992 | |||||||||
| 12 | 3 | "The Manuscript Tradition in the French Renaissance" (Freie Universität, Berlin, and Getty Museum, Los Angeles), 1991 | |||||||||
| 12 | 4 | "Marguerite et la tradition du manuscrit à la Renaissance en France" (Colloquium of Pau), 1991-1996 | |||||||||
| Includes also photograph orders for the article "Radical beauty : Marguerite de Navarre's Illuminated Protestant Catechism and Confession." | |||||||||||
| 12 | 5 | "All the King's Men: Henri II and French Renaissance Manuscripts" (College of American Art, Seattle, and Oxford), 1993 | |||||||||
| 12 | 5 | "Jean du Tillet and the Illustration of the Grand recueil des roys for Charles IX" (The Robert Branner Forum, Columbia University), 1993 | |||||||||
| Talk with Elizabeth A. R. Brown. | |||||||||||
| 12 | 5 | "Manuscripts to Exhort King and Court in the French Renaissance" (Princeton), 1993 | |||||||||
| 12 | 5 | "Author as Entrepreneur" (International Congress on Medieval Studies, Kalamazoo), 1993 | |||||||||
| 12 | 5 | "Marguerite de Navarre as a Book Collector" (Colloquium in Washington), 1994 | |||||||||
| 12 | 6 | "A Parisian Book Artist: The Master of François de Rohan, Manuscripts and Woodcuts" (Sixteenth Century Studies Conference, San Francisco), 1995 | |||||||||
| 12 | 7 | "What Goes Around: Bordures and Frames in French Renaissance Manuscripts" (Walters Art Gallery), 1995 | |||||||||
| 12 | 7 | "Power of Books and Power of Women in French Renaissance" (Colby College), 1995 | |||||||||
| 12 | 8 | "Louise de Savoie et le livre" (Colloquium of Blois), 1995-1998 | |||||||||
| 12 | 9 | "Portraits and Presentation Miniatures: François I and His Royal Secretaries" (Sixteenth Century Studies Conference, St. Louis), 1996 | |||||||||
| 12 | 9 | "Dedicating Women, Manuscript Culture in the French Renaissance: The Cases of Anne de Graville and Catherine d'Amboise" (Renaissance Society of America conference, Vancouver, and Pennsylvania State University), 1997 | |||||||||
| 12 | 9 | "L'enluminure au temps de Henri II" (École du Louvre et Musée National de la Renaissance), 1997 | |||||||||
| 12 | 9 | "Circles of Maternal Devotion: Manuscripts for Francis I and Louise of Savoy" (University of Pittsburgh), 1998 | |||||||||
| 12 | 9 | "Surveying French Renaissance Manuscript: Why and How" (Renaissance Society of America annual meeting, MD), 1998 | |||||||||
| 12 | 9 | "Complaints at the Court: The Illumination of Marguerite de Navarre's La Coche" (University of British Columbia medieval workshop), 1998 | |||||||||
| box | folder | ||||||||||
| 13 | 1 | "Les puys en image : l'illustration des palinods de Rouen dans les manuscrits de la Bibliothèque nationale de France (ms. fr. 379 et 1537)" (Colloquium in Rouen), 1998-1999 | |||||||||
| 13 | 2 | "The Primacy of the Word in French Renaissance Psalms Manuscripts" (University of Bamberg), 1998-2000 | |||||||||
| 13 | 3 | "French Renaissance Books of Hours" (Cleveland Museum of Art), 1999-2001 | |||||||||
| 13 | 4 | "French Renaissance Manuscripts, Elegant Survivors" (University of California, Los Angeles, and Manuscript Study Group, Cambridge, MA), 1999-2001 | |||||||||
| 13 | 5 | "Reconsidering Radical Beauty: Marguerite de Navarre's Illuminated Evangelical Catechism and Confession (Arsenal, ms. 5096)" (Canadian Society of Renaissance Studies, Sherbrooke/Lennoxville), 1999 | |||||||||
| 13 | 5 | "The Blossoming of the Last Flowering: Exhibitions of French Late Medieval and Renaissance Manuscripts, 1982-1993" (College Art Association, 88th annual conference, New York), 1999-2000 | |||||||||
| 13 | 5 | "Guillaume du Choul's Antiquities of Rome" (Sixteenth Century Studies conference, Cleveland), 2000 | |||||||||
| 13 | 5 | "Lyon et Rome à l'antique : les illustrations dans les Antiquités romaines de Guillaume du Choul" (Colloquium of Lyon), 2000 | |||||||||
| 13 | 6 | "Family Values: Manuscripts as Gifts and Legacies among French Renaissance Women" (Colloquium of La Bretesche), 2000 | |||||||||
| Includes typescript of the paper given by Orth and typescripts of lectures attended. | |||||||||||
| 13 | 7 | "Simon Bourgouyn" (The Sixth Cardiff Conference, Santiago de Compostelle), 2001 | |||||||||
| 13 | 8 | "La splendeur renouvelée du manuscrit au temps de la Renaissance" (Sotheby's France, Paris), 2001 | |||||||||
| 13 | 9 | "Manuscript Illumination in Renaissance Paris: Something Old, Something New" (Medieval Academy Meeting, New York), 2001-2002 | |||||||||
| 13 | 10 | Attendance to the Historians of Netherlandish Art Conference (Antwerp, March 2002), 2002 | |||||||||
| Includes programs, tickets, and brochures. | |||||||||||
| 13 | 11 | Attendance to Medieval Manuscript Society Meeting (Baltimore, October 2002), 2002 | |||||||||
| Includes an expense report and correspondence. | |||||||||||
| 13 | 12 | "An Illuminated Protestant Catechism for Marguerite of Navarre: L'Initiatoire instruction en la religion chrestienne pour les enffans", undated | |||||||||
| 13 | 12 | "French Renaissance Manuscripts: An Introduction" (University of Michigan), undated | |||||||||
| Subseries II.C. Topical research files, 1959-2002 11.3 Linear Feet (27 boxes) | |||||||||||
| As a leading specialist of illuminated manuscripts and books printed during the reigns of Francis I and Henry II of France, Orth gathered extensive research on these topics. The subseries reveals, however, the full range of Orth's research interests, including royal patronage, women writers and patrons, libraries, humanism, and the Evangelical reform. | |||||||||||
| Arrangement | |||||||||||
| The topical research files are arranged in six sections: artistic influences during the Renaissance; intellectural life in Renaissance France; libraries, bibliophiles and collections; manuscripts; printers, printing, and printed books; stain glass and painters-glassblowers. | |||||||||||
| Artistic influences in the fifteenth and sixteenth centuries: France, Italy, Northern Europe, 1973-2001 | |||||||||||
| box | folder | ||||||||||
| 14 | 1-4 | Fifteenth century visual arts in France, Burgundy, Flanders and Italy, 1965-1995 | |||||||||
| 14 | 5-6 | Flemish drawings, paintings and miniatures, undated | |||||||||
| 14 | 7 | The School of Fontainebleau and its influence on Parisian artists, 1994-2001 | |||||||||
| 14 | 8-11 | Northern and Italian Renaissance, 1973 | |||||||||
| Intellectual life in French Renaissance, 1961-2002 | |||||||||||
| Bibles, 1991-1997, undated | |||||||||||
| box | folder | ||||||||||
| 15 | 1 | Printed bibles, bibles in vernacular language, illustrations, 1997 | |||||||||
| 15 | 2 | Iconography, 1991 | |||||||||
| 15 | 3 | Bernard Salomon's Illustrations pour l'Ancien Testament, undated | |||||||||
| 15 | 4-8 | Bourgouyn, Simon, 1997-2002 | |||||||||
| The files mostly consists of correspondence with James Carley and documentation on Bourgouyn's work. | |||||||||||
| 15 | 9 | Dante, undated | |||||||||
| The file concerns translations of Dante's works in French and their illustrations. | |||||||||||
| Desmoulins, François, 1978-2001 | |||||||||||
| box | folder | ||||||||||
| 16 | 1-2 | Commentaires de la guerre gallique, 1978-2001 | |||||||||
| 16 | 3 | Other works and life, 1992-1995 | |||||||||
| Evangelical reform, 1999, undated | |||||||||||
| box | folder | ||||||||||
| 16 | 4-10 | Protestant writings and ideas, 1999, undated | |||||||||
| box | folder | ||||||||||
| 17 | 1-4 | Psalms texts, 1999 | |||||||||
| Humanism, 1991-1997, undated | |||||||||||
| box | folder | ||||||||||
| 17 | 5 | Clériande Macé de Villebresme, Lefèvre d'Etaples, Erasmus, 1997 | |||||||||
| 17 | 6 | Guillaume Budé, 1991 | |||||||||
| 17 | 7 | Reign of Francis I, undated | |||||||||
| 17 | 8-9 | Le Lieur, Jacques, 1997 | |||||||||
| The file consists mostly of documentation of Le Lieur's works, in particular La Passion de notre seigneur Jésus-Christ. | |||||||||||
| box | folder | ||||||||||
| 18 | 1 | Mallart (or Mallard), Jean, 1999-2000 | |||||||||
| Marot, Clément, 1980-2000 | |||||||||||
| box | folder | ||||||||||
| 18 | 2-3 | Thirty Psalms of David, 1980-2000 | |||||||||
| 18 | 4 | Translations after Ovid, 1997-1998 | |||||||||
| 18 | 5-7 | Other works, 1996-1998 | |||||||||
| 18 | 8 | Marot, Jean, 2001 | |||||||||
| Mythology, undated | |||||||||||
| box | folder | ||||||||||
| 18 | 9 | Ovid, undated | |||||||||
| 18 | 10-11 | Mythological figures in Antiquity, undated | |||||||||
| The file includes documentation on figure of Hercules. | |||||||||||
| Patronage, 1969-2001 | |||||||||||
| Royal patronage, 1980-1997, undated | |||||||||||
| box | folder | ||||||||||
| 19 | 1-2 | Francis I and Louise of Savoy, 1980 | |||||||||
| 19 | 3 | Henri II, 1997 | |||||||||
| 19 | 4 | Catherine de' Medici, undated | |||||||||
| 19 | 5 | Royal residences and institutions, undated | |||||||||
| Noble families and court officers patronage, 1994-2001 | |||||||||||
| box | folder | ||||||||||
| 19 | 6 | Armagnac and Rohan families and Claude d'Urfé, 1996-1997 | |||||||||
| 19 | 7-8 | Guise family, 1994-2001 | |||||||||
| 19 | 9 | François de Tournon, Florimond Robertet, Galiot de Genouillac, undated | |||||||||
| box | folder | ||||||||||
| 20 | 1 | Amboise Family, Castle of Gaillon, undated | |||||||||
| 20 | 2 | European courts: King Ferdinand the Catholic, Eleonora Gonzaga, Alessandro Farnese, undated | |||||||||
| 20 | 3 | Ancient Greece : Alexander and Apelles, 1969-1980 | |||||||||
| 20 | 4 | Romances : Carcel de amor, 1981-2001 | |||||||||
| Includes photographs and documents related to Godefroy le Batave. | |||||||||||
| 20 | 5 | Sala, Pierre, 1961-1998 | |||||||||
| 20 | 6-7 | Thénaud, Jean, 1986-2001 | |||||||||
| box | folder | ||||||||||
| 21 | 1-10 | Translators and translations from Latin and Greek, 1991-2002 | |||||||||
| Women, 1969-2001 | |||||||||||
| Marguerite de Navarre, 1978-1998 | |||||||||||
| box | folder | ||||||||||
| 22 | 1-2 | Initiatoire instruction chrestienne, 1978-1998 | |||||||||
| 22 | 3 | La Coche, undated | |||||||||
| 22 | 4-6 | Other works and patronage, 1992 | |||||||||
| 22 | 7 | Marguerite de Savoie, 2001 | |||||||||
| 22 | 8 | Anne de France, duchess of Beaujeu, 1995 | |||||||||
| 22 | 9 | Anne de Graville, 1997-1998 | |||||||||
| 22 | 10 | Louise de Savoie, 1996-2000 | |||||||||
| 22 | 11 | Others, 1969-2000 | |||||||||
| Includes documentation on humanism and translations. | |||||||||||
| box | folder | ||||||||||
| 23 | 1-2 | Miscellaneous, 1969-2000 | |||||||||
| Libraries, bibliophiles and collections, 1985-2000 | |||||||||||
| box | folder | ||||||||||
| 23 | 3 | Duprat collection, De Thou collection, Paulmy collection, books of Diane de Poitiers, Harvard Libraries and John Ryland University Library of Manchester, 1994 | |||||||||
| 23 | 4 | "Museo di Vanves", Gaston Olivier collection, 1987-1996 | |||||||||
| 23 | 5 | Ambroise Firmin-Didot collection, Glasgow University Library, books of the Granvelle family, undated | |||||||||
| 23 | 6 | Hamilton collection, Beckford collection and Estelle Doheny collection, 2000 | |||||||||
| 23 | 7 | Huntington Library and Hague Royal Library, 1985-1989 | |||||||||
| 23 | 8 | Meermano Museum, Rosenwals collection, Royal library of the castle of Blois, 1991-1999 | |||||||||
| 23 | 9 | Dutuit collection, Yemeniz collection, Pichon collection, Ruggieri collection and Sauvageot collection, undated | |||||||||
| box | folder | ||||||||||
| 24 | 1-9 | Others, 1981-2001 | |||||||||
| The file includes documentation on the history of reading, book production and trade. Also see related files on printers and printing (Boxes 37-39). | |||||||||||
| Manuscripts, 1959-2002 | |||||||||||
| Books of hours and prayer books, 1985-2002 | |||||||||||
| box | folder | ||||||||||
| 25 | 1-10 | Henri II Hours, Dinteville Hours and Montmorency Hours, 1985-2000 | |||||||||
| box | folder | ||||||||||
| 26 | 1 | Catherine de' Medici Hours, 1997-1999 | |||||||||
| 26 | 2-6 | Others, 1993-2002 | |||||||||
| 26 | 7 | Cailleau, Hubert, undated | |||||||||
| 26 | 8 | Clouet family, 2001 | |||||||||
| Includes also documents related to the Du Cerceau family. | |||||||||||
| 26 | 9 | Collault, Étienne, 2000 | |||||||||
| Includes a copy of the DEA dissertation by Marie-Blanche Cousseau. | |||||||||||
| 26 | 10-11 | Cuttings and leaves, 1998-2001 | |||||||||
| box | folder | ||||||||||
| 27 | 1-5 | Godefroy le Batave, 1971-1998 | |||||||||
| 27 | 6-8 | Gouffier manuscripts, 1995-1999 | |||||||||
| box | folder | ||||||||||
| 28 | 1-5 | Heraldry, emblems, mottos, symbols, 1959-1988 | |||||||||
| 28 | 6-8 | "Histoires prodigieuses" manuscripts, 1996-2001 | |||||||||
| The file consists mostly of correspondence with Stephen Bamforth. | |||||||||||
| 28 | 9-10 | Lallemant manuscripts, 1979-2000 | |||||||||
| box | folder | ||||||||||
| 29 | 1-4 | Master of Claude de France, 1997-1999 | |||||||||
| 29 | 5-8 | Mirepoix manuscripts, 1996-2001 | |||||||||
| Includes documentation related to the art of illumination in Toulouse. | |||||||||||
| Miscellaneous, 1962-2002 | |||||||||||
| box | folder | ||||||||||
| 30 | 1-2 | Attribution, 1999-2001 | |||||||||
| Correspondence with Guy-Michel Leproux. | |||||||||||
| 30 | 3 | Bibliography, undated | |||||||||
| 30 | 4 | Bibliothèque nationale de France, ms. fr. 5109 and fr. 145, undated | |||||||||
| 30 | 5 | Bodleian Library manuscripts, 1998-1999 | |||||||||
| 30 | 6-7 | Chantilly manuscripts, 1996 | |||||||||
| 30 | 8 | University of Liège library manuscripts from the Wittert's collection, 1997-1999 | |||||||||
| box | folder | ||||||||||
| 31 | 1-10 | Others, 1962-2002 | |||||||||
| box | folder | ||||||||||
| 32 | 1-4 | Parisian masters, 1995-2001 | |||||||||
| 32 | 5-9 | Passio, Carrying of Cross and Imitatio Christi, 1982-1983 | |||||||||
| box | folder | ||||||||||
| 33 | 1 | Perréal, Jean, undated | |||||||||
| 33 | 2 | Poyet, Jean, undated | |||||||||
| 33 | 3-10 | Royal ceremonies, 1987-1991 | |||||||||
| Documentation on entries, funerals and other feasts. | |||||||||||
| box | folder | ||||||||||
| 34 | 1 | Saint Anne, 1976-1988 | |||||||||
| 34 | 2-3 | Saint Mary Magdalene, 1995-1996 | |||||||||
| 34 | 4-5 | Saint Michael's order statutes manuscripts, 1993-2000 | |||||||||
| 34 | 6 | Savoy, Dukes and Counts of, library, 1995-2001 | |||||||||
| School of Rouen, 1984-1998 | |||||||||||
| box | folder | ||||||||||
| 34 | 7-9 | Master of Ango's Hours, 1998, undated | |||||||||
| box | folder | ||||||||||
| 35 | 1 | Master of Girard Acarie, undated | |||||||||
| 35 | 2-3 | Patronage of Georges d'Amboise, 1984-1997 | |||||||||
| 35 | 4 | Others, undated | |||||||||
| 35 | 5-7 | Triumphs of Petrarch, 1982-1999 | |||||||||
| 35 | 8 | Vie de saint Jérôme manuscripts, 1996-2001 | |||||||||
| box | folder | ||||||||||
| 36 | 1-8 | 1520s Hours Workshop, 1975-2000 | |||||||||
| Miscellaneous, 1987-2001 | |||||||||||
| box | folder | ||||||||||
| 37 | 1-2 | Architecture and decorative arts in sixteenth-century France, 1987-1991 | |||||||||
| 37 | 3 | French Renaissance historiography, 1996-2001 | |||||||||
| Printers, printings and printed books, 1962-2002 | |||||||||||
| Du Choul, Guillaume, 1993-2002 | |||||||||||
| box | folder | ||||||||||
| 37 | 4 | Des antiquités romaines, vol. 1, undated | |||||||||
| 37 | 5-7 | Correspondence with Jean Guillemain, 2002 | |||||||||
| box | folder | ||||||||||
| 38 | 1-5 | Work and life, 1993-2001 | |||||||||
| 38 | 6 | Illuminators and printers in Renaissance Lyon, 1998-2001 | |||||||||
| 38 | 7 | Parisian printing, undated | |||||||||
| 38 | 8-10 | Printed books : general points, 1998-2001 | |||||||||
| Tory, Geoffroy 1962-2002 | |||||||||||
| box | folder | ||||||||||
| 39 | 1 | Prayers Obsecro te and Intemerata in Tory's books of hours, 1973-2002 | |||||||||
| 39 | 2-8 | Others, 1962-1995 | |||||||||
| box | folder | ||||||||||
| 40 | 1-5 | Stained-glass and painters-glassblowers, 1970-1985 | |||||||||
| Includes documentation and research on a Corning Museum glass panel from Llanrhaeadr, Wales. | |||||||||||
| Subseries II.D. Research tools, 1957-2003 12.9 Linear Feet (31 boxes) | |||||||||||
| The series includes microfilms, index cards, offprints, photocopies, photographs and slides, and administrative files such as bills for orders of photographs and slides. | |||||||||||
| Arrangement | |||||||||||
| Arrangement is by type of material. | |||||||||||
| Administrative files, 1962-2003 | |||||||||||
| box | folder | ||||||||||
| 41 | 1 | Calls for papers, 1998-2003 | |||||||||
| Consultation requests for manuscripts, 1985-2001 | |||||||||||
| box | folder | ||||||||||
| 41 | 2 | Cambridge University Library, 2001 | |||||||||
| 41 | 3 | Houghton Library, Harvard University, 1985-1998 | |||||||||
| 41 | 4 | Loan of slides from the Isabella Stewart Gardner Museum, 2002 | |||||||||
| 41 | 5-6 | Bills for orders of slides, negatives and photographs, 1962-1986 | |||||||||
| 41 | 7 | Library reproduction rates, undated | |||||||||
| box | |||||||||||
| 42 | Microfilms, circa 1962 3 items | ||||||||||
| box | |||||||||||
| 43-52 | Index cards, undated | ||||||||||
| Index cards for a variety of topics, including Epistles, Passion and Cross, Bindings, Morgan 438, Apelles/Alexander, and Caesar. | |||||||||||
| Publications, 1967-2002 | |||||||||||
| Included are offprints, reprints, journal issues, and clippings. | |||||||||||
| Journals, 1972-1998 | |||||||||||
| box | folder | ||||||||||
| 53 | 1-7 | Orth publications, 1975-1997 | |||||||||
| Includes offprints and photocopies of other publications. | |||||||||||
| box | folder | ||||||||||
| 54 | 1 | 1972-1974 | |||||||||
| 54 | 2 | 1981-1983 | |||||||||
| 54 | 3 | 1984-1985 | |||||||||
| 54 | 4 | 1987 | |||||||||
| 54 | 5 | 1988-1990 | |||||||||
| 54 | 6 | 1991-1993 | |||||||||
| 54 | 7 | 1993-1995 | |||||||||
| 54 | 8 | 1995-1996 | |||||||||
| box | folder | ||||||||||
| 55 | 1 | 1996-1997 | |||||||||
| 55 | 2 | 1997-1998 | |||||||||
| 55 | 3 | 1998 | |||||||||
| Articles, 1967-2002 | |||||||||||
| box | folder | ||||||||||
| 55 | 4 | Albis-Audebrand, 1990-2001 | |||||||||
| 55 | 5 | Backouse-Barolsky, 1967-1998 | |||||||||
| 55 | 6 | Bartz-Brisoon, 1988-1998 | |||||||||
| box | folder | ||||||||||
| 56 | 1 | Brown, 1981-2000 | |||||||||
| 56 | 2 | Buettner-Büttner, 1978-1996 | |||||||||
| 56 | 3 | Camille-Cuttler, 1985-1999 | |||||||||
| 56 | 4 | Dacos-DuBon, 1983-1999 | |||||||||
| 56 | 5 | Edmunds-Friedman, 1986-2002 | |||||||||
| box | folder | ||||||||||
| 57 | 1 | Gatouillat-Griffiths, 1978-1998 | |||||||||
| 57 | 2 | Hamel-Hindman, 1972-2000 | |||||||||
| 57 | 3 | Ives-Jenny, 1991-1996 | |||||||||
| 57 | 4 | Katzenstein-Kren, 1988-2000 | |||||||||
| 57 | 5 | Lacaze-Lyons, 1981-1994 | |||||||||
| 57 | 6 | Marks-Murphy, 1978-2001 | |||||||||
| box | folder | ||||||||||
| 58 | 1 | Ouy - Polleross, 1975-1999 | |||||||||
| 58 | 2 | Randall-Rudy, 1981-2000 | |||||||||
| 58 | 3 | Scallierez-Szabo, 1973-1999 | |||||||||
| 58 | 4 | Tanaka-Truhn, 1988-2001 | |||||||||
| 58 | 5 | Van Buren-Vrochtka, 1989-1998 | |||||||||
| 58 | 6 | Wanklyn-Wissman, 1979-1998 | |||||||||
| 58 | 7 | Yates, undated | |||||||||
| 58 | 8 | Unidentified, 1966-1996 | |||||||||
| box | |||||||||||
| 59-61 | Photographs, 1959-1999 | ||||||||||
| Includes photographs of the ms. fr. 25558, Bibliothèque nationale, Paris. | |||||||||||
| box | |||||||||||
| 62-70 | Slides and negatives, 1957-2001 | ||||||||||
| Series III. Teaching files, 1963-2002 3.3 Linear Feet (8 boxes) | |||||||||||
| Series III consists primarily of Orth's teaching materials, including her preparation notes for courses taught at the American College in Paris, the University of Virginia, UCLA Extension and UC Santa Barbara, where she taught as visiting faculty while whe worked at the Getty. Student records are SEALED until 2057/2069 per Family Educational Rights and Privacy Act (FERPA) legislation and institutional policy. | |||||||||||
| Arrangement | |||||||||||
| The subseries is arranged in three sections: letters of reference; job applications; course notes. For sealed materials, see Box 83. | |||||||||||
| box | folder | ||||||||||
| 71 | 1-3 | Letters of reference, 1990-2002 | |||||||||
| 71 | 4 | Job applications, 1987-1991 | |||||||||
| Course notes, 1963-1994 | |||||||||||
| The preparation notes for courses taught by Orth are arranged by institutions where Orth was a faculty member but are also filed by topic, therefore they span large periods and only loosely relate to specific courses. | |||||||||||
| American College, Paris, 1963-1994 | |||||||||||
| box | folder | ||||||||||
| 71 | 5-8 | Sixteenth century Italian art history, 1973-1982 | |||||||||
| box | folder | ||||||||||
| 72 | 1-8 | Sixteenth century Northern art history, 1979-1994 | |||||||||
| Box 72, Folder 8: SEALED until 2069. | |||||||||||
| box | folder | ||||||||||
| 73 | 1-5 | Seventeenth century French and Italian art history, 1975-1981 | |||||||||
| 73 | 6-7 | Seventeenth century Flemish and Dutch art history, 1977-1982 | |||||||||
| 73 | 8-9 | Seventeenth century Spanish art history, 1978 | |||||||||
| box | folder | ||||||||||
| 74 | 1-5 | Eighteenth century French and English history of art and architecture, 1973-1982 | |||||||||
| 74 | 6-9 | Nineteenth century French history and art history, 1963-1980 | |||||||||
| box | folder | ||||||||||
| 75 | 1 | Graphic arts, 1980-1983 | |||||||||
| SEALED until 2058. | |||||||||||
| 75 | 2 | Renaissance history, 1980-1982 | |||||||||
| SEALED until 2057. | |||||||||||
| 75 | 3-5 | Course outlines and topics for exams, 1977-1983 | |||||||||
| Box 75, Folder 3: SEALED until 2058. | |||||||||||
| University of Virginia, 1976-1994 | |||||||||||
| box | folder | ||||||||||
| 75 | 6-11 | Fifteenth century Northern art history (Burgundy and France included), 1982-1994 | |||||||||
| Box 75, Folders 6, 8, 10: SEALED until 2056/2069. | |||||||||||
| box | folder | ||||||||||
| 76 | 1-4 | Sixteenth century French and Italian art history, 1976-1994 | |||||||||
| Folder 2 is SEALED until 2069. | |||||||||||
| University of California Los Angeles (UCLA) : history of Paris, 1989-1992 | |||||||||||
| Include documents related to courses taught at University of California, Santa Barbara. | |||||||||||
| box | folder | ||||||||||
| 76 | 5-9 | 1989 | |||||||||
| box | folder | ||||||||||
| 77 | 1-3 | 1989-1992 | |||||||||
| Series IV. Correspondence, 1966-2002 1.7 Linear Feet (4 boxes) | |||||||||||
| Series IV consists of Orth's correspondence in the form of e-mails, hand-written and typed letters with scholars and colleagues, including François Avril, Colin Eisler, Patricia Stirnemann, and Charles Sterling, for whom Orth worked as a secretary while she studied at NYU. The correspondence illustrates Orth's prominent place in the field of art history, her wide-spread relationships with other scholars, and her significant capacity for hard work. | |||||||||||
| Arrangement | |||||||||||
| Arranged in two categories: individuals; institutions. Also see Series I-III, as correspondence in these series has been left in situ. | |||||||||||
| Individuals, 1966-2002 | |||||||||||
| box | folder | ||||||||||
| 78 | 1 | Alexander, Jonathan | |||||||||
| 78 | 1 | Arsmtrong, Lilian | |||||||||
| 78 | 1 | Avril, François | |||||||||
| 78 | 1 | A | |||||||||
| 78 | 3-4 | Backhouse, Janet | |||||||||
| 78 | 2 | Barnet, Peter | |||||||||
| 78 | 2 | Barolsky, Paul | |||||||||
| 78 | 2 | Baron, Robert A. | |||||||||
| 78 | 2 | Bayle, Jeanne | |||||||||
| 78 | 2 | Béguin, Sylvie | |||||||||
| 78 | 2 | Belkin, Kristin | |||||||||
| 78 | 2 | Bloem, Hélène | |||||||||
| 78 | 2 | Brown, Cynthia | |||||||||
| 78 | 5-8 | Brown, Elizabeth Peggy | |||||||||
| 78 | 2 | Brunel-Lobrichon, Geneviève | |||||||||
| 78 | 2 | B | |||||||||
| box | folder | ||||||||||
| 79 | 1 | Calkins, Robert G. | |||||||||
| 79 | 1 | Catanzarik, Christina | |||||||||
| 79 | 1 | Chapman, Perry | |||||||||
| 79 | 1 | Clark, Gregory | |||||||||
| 79 | 1 | Cooper, Richard | |||||||||
| 79 | 1 | Crépin-Leblond, Thierry | |||||||||
| 79 | 1 | Cuttler, Charles | |||||||||
| 79 | 1 | C | |||||||||
| 79 | 2 | Day, Richard | |||||||||
| 79 | 2 | De Kesel, Roger | |||||||||
| 79 | 2 | Desrosiers-Bonin, Diane | |||||||||
| 79 | 2 | Driver, Martha | |||||||||
| 79 | 2 | Dunbar, Burton | |||||||||
| 79 | 2 | D | |||||||||
| 79 | 3 | Edelstein, Mel | |||||||||
| 79 | 3 | Edom, Jean | |||||||||
| 79 | 3 | Eichberger, Dagmar | |||||||||
| 79 | 3 | Eisler, Colin | |||||||||
| 79 | 3 | E | |||||||||
| 79 | 4 | Fogg, Sam | |||||||||
| 79 | 4 | Ffolliott, Sheila | |||||||||
| 79 | 4 | F | |||||||||
| 79 | 5 | Gauthier, David | |||||||||
| 79 | 5 | Griffiths, Jeremy | |||||||||
| 79 | 5 | G | |||||||||
| 79 | 6 | Hackenbroch, Yvonne | |||||||||
| 79 | 6 | Hand, John | |||||||||
| 79 | 6 | Heckscher, William S. | |||||||||
| 79 | 6 | Higman, Francis | |||||||||
| 79 | 6 | Hindman, Sandra | |||||||||
| 79 | 6 | H | |||||||||
| 79 | 7 | Johnston, Barbara | |||||||||
| 79 | 7 | I-J | |||||||||
| 79 | 8 | Kemp, William | |||||||||
| 79 | 8 | K | |||||||||
| 79 | 9 | Lecoq, Anne-Marie | |||||||||
| 79 | 9 | Liou, Elaine | |||||||||
| box | folder | ||||||||||
| 80 | 1 | L, Diverse | |||||||||
| 80 | 1 | Marrow, James H. | |||||||||
| 80 | 1 | Massing, Jean-Michel | |||||||||
| 80 | 1 | M | |||||||||
| 80 | 2 | N-O | |||||||||
| 80 | 3 | Pearson, Andrea | |||||||||
| 80 | 3 | Persels, Jeff | |||||||||
| 80 | 3 | Plesch, Véronique | |||||||||
| 80 | 3 | P | |||||||||
| 80 | 4 | Rice, Eugene F. | |||||||||
| 80 | 4 | Rouse, Mary | |||||||||
| 80 | 4 | Russell, Daniel | |||||||||
| 80 | 4 | R | |||||||||
| 80 | 5 | Scaillierez, Cécile | |||||||||
| 80 | 5 | Schaeffer, Claude | |||||||||
| 80 | 5 | Scheller, R. W. | |||||||||
| 80 | 5 | Sider, Sandra | |||||||||
| 80 | 5 | Steenbock, Frauke | |||||||||
| 80 | 6 | Sterling, Charles | |||||||||
| 80 | 6 | Stirnemann, Patricia | |||||||||
| 80 | 6 | Sutton, Kay | |||||||||
| 80 | 6 | S | |||||||||
| 80 | 7 | Tenschert, Heribert | |||||||||
| 80 | 7 | Tesnière, Marie-Hélène | |||||||||
| 80 | 7 | Testa, Judith | |||||||||
| 80 | 7 | Thompson, Glenda G. | |||||||||
| 80 | 7 | T | |||||||||
| 80 | 8 | Unger, Dick | |||||||||
| 80 | 9 | Van Buren, Anne | |||||||||
| 80 | 9 | V | |||||||||
| box | folder | ||||||||||
| 81 | 1 | Winn, Mary Beth | |||||||||
| 81 | 1 | W | |||||||||
| 81 | 2 | Z | |||||||||
| 81 | 3 | Unidentified | |||||||||
| Institutions, 1971-2000 | |||||||||||
| box | folder | ||||||||||
| 81 | 4 | American College, Paris | |||||||||
| 81 | 4 | Arsenal, Bibliothèque de l' | |||||||||
| 81 | 4 | Art Resource | |||||||||
| 81 | 5 | Bourges | |||||||||
| 81 | 5 | Burlington Magazine | |||||||||
| 81 | 6 | Cambridge University | |||||||||
| 81 | 6 | Central Renaissance Conference | |||||||||
| 81 | 6 | Chantilly | |||||||||
| 81 | 6 | Christie's | |||||||||
| 81 | 6 | Columbia University | |||||||||
| 81 | 7 | Doheny Library | |||||||||
| 81 | 7 | Droz | |||||||||
| 81 | 7 | Duke University | |||||||||
| 81 | 8 | Early Book Society | |||||||||
| No Subnote Content | |||||||||||
| 81 | 9 | École du Louvre | |||||||||
| 81 | 10-11 | Écouen | |||||||||
| 81 | 12 | Faksimile Verlag Luzern | |||||||||
| 81 | 12 | Fitzwilliam Museum | |||||||||
| box | folder | ||||||||||
| 82 | 1 | Garland Press | |||||||||
| 82 | 1 | Gazette des Beaux-Arts | |||||||||
| 82 | 1 | Getty Center | |||||||||
| 82 | 1 | Grolier Club | |||||||||
| 82 | 2 | Houghton Library | |||||||||
| 82 | 2 | Huntington Library | |||||||||
| 82 | 3 | Jones University | |||||||||
| 82 | 4 | Lyon | |||||||||
| 82 | 4 | Maggs Bros. | |||||||||
| 82 | 5 | Pierpont Morgan Library | |||||||||
| 82 | 6 | Renaissance Quarterly | |||||||||
| 82 | 6 | Revue de l'Art | |||||||||
| 82 | 7 | Saint-Germain-en-Laye | |||||||||
| 82 | 7 | The Sixteenth Century Journal and Conference | |||||||||
| 82 | 7 | Smith College | |||||||||
| 82 | 7 | Society of architectural historians | |||||||||
| 82 | 7 | Society for the Study of Women in the Renaissance | |||||||||
| 82 | 8 | Sotheby's | |||||||||
| 82 | 7 | Staatliche Museen | |||||||||
| 82 | 9 | Van Ghemmert | |||||||||
| 82 | 9 | Victoria and Albert Museum | |||||||||
| 82 | 9 | Vieilles maisons françaises | |||||||||
| 82 | 10 | Walters Art Gallery | |||||||||
| box | folder | ||||||||||
| 87 | 11 | Warburg Institute | |||||||||
| box | folder | ||||||||||
| 82 | 12 | Address book, undated | |||||||||
| box | |||||||||||
| 83 | Sealed materials | ||||||||||