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Series VI. Notes and writings, ca. 1958-2000
1 Linear
Feet
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Series VI comprises notes and writings not in Series I or II. Panels in this series (as
opposed to Series V) are not those Sandler organized but those he attended. Writings
consist of a random compilation of reviews, brief lectures or introductions, and catalog
essays.
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Notes on panels, ca. 1960-2000 |
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1960s |
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Notes on seven panels, including one typewritten transcript of a Philadelphia panel
with Rosenberg, Guston, Motherwell, Reinhardt and Tworkov.
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2 |
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1970s |
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Notes on eight panels. |
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3 |
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1980-1982 |
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Notes on eleven panels. |
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4 |
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1983-1986 |
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Notes on nine panels. |
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1987-1989 |
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Notes on twelve panels. |
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6 |
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1990-1994 |
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Notes on twenty panels. |
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1995-1999 |
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Notes on sixteen panels. |
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2000 |
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Notes on six panels. |
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n.d. |
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Notes on nineteen panels without dates. |
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Writings, , 1958-1997 n.d. |
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Provincetown Arts Festival, 1958 |
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Typescript of review of the festival. |
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New Images of the Humanist Critic, 1959 |
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Typescript of lecture given at the Club. |
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3 |
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Casper Citron Radio Show interviews, 1950s |
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Thick file of handwritten questions Sandler asked his various art world guests on
the show.
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4 |
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Black, White and Grey, 1961 |
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Typescript of review of show at Wadsworth Atheneum. |
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5 |
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French Painting from Delacroix to Picasso, 1961 |
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Typescript of review of show organized by Volkswagen Company. |
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The New York School of Painters and Sculptors, 1967 |
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Typescript of Sandler's dissertation proposal. |
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In the Galleries; New York Letter, 1960s |
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Fifteen typescripts of reviews that appeared in Sandler's columns in the New
York Post and Art International.
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20 |
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Speech on Public Art, 1978 |
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Introduction to panel about public sculpture featuring the following sculptors:
Eloul, Meadmore, Rosenthal, Hadzi at the Ninth National/International Sculpture
Conference, March 31-April 3, 1976, New Orleans.
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8 |
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Pluralism, 1979 |
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Typescript of short lecture given at Parsons. |
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NEH applications, 1979-1999 |
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Applications to the National Endowment for the Humanities for grants for various
projects.
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Constructivism, 1980 |
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Typescript of introduction to the fourth Yaseen lecture on Constructivism at SUNY
Purchase.
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American Art of the 1960s, 1986 |
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Research and drafts of "The Art-World Consensus" chapter of Sandler's book. |
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The Atelier Project, ca. 1987 |
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Typescript of essay about a project for involving American artists and art in the
SUNY program.
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The New Minimalism, 198? |
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Introduction to and notes on a panel Sandler was on with new minimalists, such as
Margaret Honda.
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Philip Pearlstein, 1994 |
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Photocopy of article by Sandler translated into Italian and published in
Tema Celeste.
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The Irascible Weldon Kees, 1998 |
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Typescript of essay on Kees. |
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Essays for the Israel Museum, Jerusalem, 1998 |
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Catalog essays on paintings by Hans Hofmann and Sam Francis. |
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Sotheby Auction, n.d. |
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Typescript of essay on a major auction of contemporary art. |
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The Museum of Modern Art and the American Avant-Garde, n.d. |
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Typescript. |
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Modernist American Drawing, 1979 |
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Galley(?) of article published in Great Drawings of All
Time: The Twentieth Century, Vol. 2, (Chapter VIII), edited by Victoria
Thorson. Redding, CT: Talisman Books, 1979. Includes introductory essay, "Modernist
American Drawing" and critical discussions by Judith Rosenthal in collaboration with
Irving Sandler.
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Notes, n.d. |
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Reading notes from Dyn, Editor and Publisher.
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Quotes, n.d. |
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Quotes from Sandler interview to be used in book on Newman. |
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Miscellaneous, n.d. |
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Fragmentary or unidentified notes, drafts, and interview questions. |
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Miscellaneous, n.d. |
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Notes taken on small pieces of paper about Steinberg and Rosenberg. |