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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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1Creator/Collector:  J. Paul Getty Museum. Villa Program Coordination
J. Paul Getty Museum. Public Programs Villa
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 Title:  J. Paul Getty Museum Getty Villa public event recordings  
 Dates:  2006-2018 
 Abstract:  This collection consists of audiovisual recordings and ephemera of public programming events sponsored by the J. Paul Getty Museum that were held at the Getty Villa campus from 2006 to 2018. Events comprise lectures, conversations, panel discussions, symposia, seminars, colloquia, and workshops with curators, scholars, conservators, artists, and museum professionals. They were organized by the Museum's department of Public Programs at the Getty Villa. Recordings include born-digital files stored on CDs, DVDs, and Getty servers. 
 Number:  IA20035 
2Creator/Collector:  J. Paul Getty Museum. Public Programs
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 Title:  J. Paul Getty Museum Getty Center public event recordings  
 Dates:  1998-2018, undated 
 Abstract:  This collection consists of audiovisual recordings of public programming events sponsored by the J. Paul Getty Museum that were held at the Getty Center campus from 1998 to 2018. One event is undated. Events comprise lectures, conversations, panel discussions, symposia, seminars, adult gallery courses, and special programs with curators, scholars, conservators, artists, and museum professionals. They were organized by the Museum's department of Public Programs at the Getty Center. Recordings include analog files stored on cassettes, and born-digital files stored on CDs, DVDs, and Getty servers. 
 Number:  IA20037 
3Creator/Collector:  Getty Research Institute. Scholars Program
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 Title:  Getty Research Institute Scholars Program images and recordings  
 Dates:  1985-2013 
 Abstract:  The collection consists of digitized and analog audio recordings, video recordings, and photographs of the people and events related to the Scholars Program at the Getty Research Institute. The materials date 1985-2013 and include recordings and photographs of lectures, panel discussions, conferences, and other events hosted by the Getty Research Institute and given by Getty Scholars, staff, and invited speakers. The collection also includes portraits of the program scholars and photo releases signed by scholars. 
 Number:  IA20026 
4Creator/Collector:  Getty Research Institute
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 Title:  Getty Research Institute public event records and recordings  
 Dates:  1998-2020 
 Abstract:  The materials consist of audio recordings, video recordings, images, planning materials and ephemera that document public events sponsored by the Getty Research Institute from 1998 to 2020. The materials include audiocassettes and born-digital files. The events include lectures, discussions, film and video screenings, and collaborative symposia with other arts institutions. The events focus on topics related to art history, performance art, provenance, digital humanities, architecture and the contemporary arts. 
 Number:  IA40002 
5Creator/Collector:  Kandinsky, Wassily, 1866-1944
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 Title:  Wassily Kandinsky papers  
 Dates:  1911-1940 (bulk 1921-1937) 
 Abstract:  Russian-born artist considered to be one of the creators of abstract painting. Papers document Kandinsky's teachings at the Bauhaus, his writings, his involvement with the Russian Academy of Artistic Sciences (RAKhN) in Moscow, and his professional contacts with art dealers, artists, collectors, and publishers. 
 Number:  850910 
6Creator/Collector:  Renger-Patzsch, Albert
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 Title:  Albert Renger-Patzsch papers  
 Dates:  1890-1980 (bulk 1924-1966) 
 Abstract:  German photographer associated with the art movement Neue Sachlichkeit (New Objectivity). The archive documents Renger-Patzsch's professional life, especially his work on book projects and commissions for industrial firms. It also includes technical details of his photographic workshop, and provides insight into his artistic views on photography as an independent art form, and on the aesthetic trends in photography in economically prosperous postwar Germany. 
 Number:  861187