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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Black-and-white negatives (3)
CD-Rs[X]
Color negatives[X]
Artists -- Correspondence (2)
Color photographs (2)
Color slides (2)
Feminism and art -- United States (2)
Photographs, Original (2)
Women artists -- United States -- 20th century (2)
A.I.R. Gallery (New York, N.Y.) (1)
Alloway, Lawrence, 1926-1990 (1)
Andre, Carl, 1935- (1)
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Art museum curators (1)
Art, American -- 20th century (1)
Art, Modern -- 20th century (1)
Arte povera (1)
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Beeren, W. A. L. (Willem A. L.) (1)
Beuys, Joseph (1)
Bezzola, Leonardo (1)
Biennale di Venezia (1)
Black-and-white photographs (1)
Black-and-white prints (photographs) (1)
Bode, Arnold, 1900-1977 (1)
Boersma, Pieter (1)
Boltanski, Christian, 1944- (1)
Born digital (1)
Brus, Günter (1)
Buren, Daniel (1)
Burkhard, Balthasar (1)
Byars, James Lee (1)
Cellulose nitrate film (1)
Chicago, Judy, 1939- (1)
Christo, 1935- (1)
Color prints (photographs) (1)
Color slides -- 20th century (1)
Color transparencies (1)
Conceptual Art (1)
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Correspondence (1)
Cotton, Paul, 1939- (1)
Cragg, Tony, 1949- (1)
Darboven, Hanne (1)
De Bretteville, Sheila Levrant (1)
De Domizio Durini, Lucrezia (1)
De Maria, Walter, 1935-2013 (1)
Distel, Herbert (1)
Documenta (Exhibition) (1)
Dräyer, Walter, 1911- (1)
Duchamp, Marcel, 1887-1968 (1)
Earthworks (Art) (1)
Eggmann, Verena (1)
Ensor, James, 1860-1949 (1)
Ephemera (1)
Ephemera -- 20th century (1)
Fellerer, Margarethe, 1886-1961 (1)
Festival internazionale del film di Locarno (1)
Flavin, Dan, 1933-1996 (1)
Gaechter & Clausen (1)
Gelatin silver prints -- 20th century (1)
Geluwe, Johan van, 1929- (1)
Happening (Art) (1)
Heizer, Michael, 1944- (1)
Hellgroth, Brigitte (1)
Installations (Art) (1)
Jarry, Alfred, 1873-1907 (1)
Jeanne-Claude, 1935-2009 (1)
Johns, Jasper, 1930- (1)
Judd, Donald, 1928-1994 (1)
Karras, Maria, 1950- (1)
Kienholz, Edward, 1927-1994 (1)
Klein, Yves, 1928-1962 (1)
Kowalski, Piotr, 1927-2004 (1)
Kunz, Emma, 1892-1963 (1)
Laib, Wolfgang, 1950- (1)
LeWitt, Sol, 1928-2007 (1)
Lijn, Liliane, 1939- (1)
Lischetti, Carlo E., 1946- (1)
Long, Richard, 1945- (1)
Lüscher, Ingeborg, 1936- (1)
Mail art (1)
Martin, Etienne, 1913-1995 (1)
Medalla, David, 1942- (1)
Merola, Andrea (1)
Merz, Mario (1)
Merz, Marisa (1)
Monte Verità (Artists' colony) (1)
Museum curators -- Correspondence (1)
Mühl, Otto (1)
Nauman, Bruce, 1941- (1)
Nitsch, Hermann, 1938- (1)
Oldenburg, Claes, 1929- (1)
Oppenheim, Meret, 1913-1985 (1)
Performance art (1)
Picabia, Francis, 1879-1953 (1)
Polke, Sigmar (1)
Postcards (1)
Posters (1)
Printed ephemera (1)
Rabinowitch, Royden, 1943- (1)
Raven, Arlene (1)
Rhoades, Jason, 1965-2006 (1)
Roth, Dieter, 1930-1998 (1)
Ryman, Robert, 1930-2019 (1)
Rätz, Markus (1)
Rückriem, Ulrich (1)
Sattmann, Didi, 1951- (1)
Schulthess, Armand (1)
Schwitters, Kurt, 1887-1948 (1)
Serra, Richard, 1938- (1)
Shunk, Harry (1)
Sketchbooks -- 20th century (1)
Sleigh, Sylvia (1)
Slides (photographs) (1)
Soho 20 (Gallery) (1)
Sonnier, Keith, 1941- (1)
Soto, Jesús Rafael, 1923-2005 (1)
Spitzer, Serge, 1951-2012 (1)
Spoerri, Daniel, 1930- (1)
Szeemann, Harald (1)
Tinguely, Jean, 1925-1991 (1)
Toroni, Niele, 1937- (1)
Tuttle, Richard, 1941- (1)
Twombly, Cy, 1928-2011 (1)
Vautier, Ben, 1935- (1)
Videotapes (1)
Warhol, Andy, 1928-1987 (1)
Wehrmann, Erhard, 1930-2004 (1)
West, Franz, 1947-2012 (1)
Woman's Building (Los Angeles, Calif.) (1)
Women artists -- Archives (1)
Women artists -- California -- Los Angeles (1)
Wölfli, Adolf, 1864-1930 (1)
1Creator/Collector:  Karras, Maria, 1950-
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 Title:  Maria Karras collection of Woman's Building papers and photographs  
 Dates:  1972-2018, undated 
 Abstract:  The collection presents a record of the historic first years of the Woman's Building in Los Angeles and the women involved with it, including Feminist Studio Workshop founders Judy Chicago, Sheila de Bretteville, and Arlene Raven. Maria Karras's photographs are joined by related ephemera, correspondence, posters, and other documentary materials, together with a selection of original artwork by Karras and her peers. 
 Number:  2018.M.16 
2Creator/Collector:  Szeemann, Harald
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 Title:  Harald Szeemann papers  
 Dates:  1800-2011, bulk 1949-2005 
 Abstract:  Swiss art curator Harald Szeemann (1933-2005) organized more than 150 exhibitions during a career that spanned almost five decades. An advocate of contemporary movements such as conceptualism, land art, happenings, Fluxus and performance, and of artists such as Joseph Beuys, Richard Serra, Cy Twombly and Mario Merz, Szeemann developed a new form of exhibition-making that centered on close collaborative relationships with artists and a sweeping global vision of contemporary visual culture. He organized vast international surveys such as documenta 5; retrospectives of individual artists including Sigmar Polke, Bruce Nauman, Wolfgang Laib, James Ensor, and Eugène Delacroix; and thematic exhibitions on such provocative topics as utopia, disaster, and the "Plateau of Humankind." Szeemann's papers thoroughly document his curatorial practice, including preliminary notes for many projects, written descriptions and proposals for exhibitions, installation sketches, photographic documentation, research files, and extensive correspondence with colleagues, artists and collaborators. 
 Number:  2011.M.30 
3Creator/Collector:  Sleigh, Sylvia
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 Title:  Sylvia Sleigh papers  
 Dates:  1803-2013, undated (bulk 1940-2000) 
 Abstract:  The papers of noted Welsh-born feminist painter Sylvia Sleigh (1916-2010) document her life, career, and the larger context of contemporary feminist art, with the bulk of the collection dating from 1940-2000. Sleigh, a realist painter, moved to the United States in 1961 with her husband, art critic Lawrence Alloway. Sleigh's paintings of nude males in traditional odalisque poses remain her best-known works. She was a central figure in the New York City area feminist art movement of the 1970s. 
 Number:  2004.M.4