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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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1Creator/Collector:  Liberman, Alexander
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 Title:  Alexander Liberman photography archive  
 Dates:  1911-1998 
 Abstract:  The archive contains photographs by Alexander Liberman, Russian-born photographer, art director of Vogue magazine, and editorial director of Condé Nast publications. Included in the collection are approximately 8,000 photographic prints, 50,000 transparencies, 90,000 negatives, 38 books of contact prints, and prints mounted for exhibition. The predominant subjects are artists and other cultural figures, and European historical sites. Also included are personal photographs of family and friends. 
 Number:  2000.R.19 
2Creator/Collector:  Rose, Barbara
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 Title:  Barbara Rose papers  
 Dates:  1940-1993 (bulk 1960-1985) 
 Abstract:  The Barbara Rose papers represent a selection from her archive and document her research in post-war and contemporary American art. The bulk of the papers date from 1960 through 1985. Included are sound recordings and videos, most of which are interviews by Rose of American artists active in the 1960s. 
 Number:  930100 
3Creator/Collector:  Panza, Giuseppe
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 Title:  Giuseppe Panza papers  
 Dates:  1956-1990 
 Abstract:  Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs. 
 Number:  940004