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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Photographs, Original[X]
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Photographic prints (9)
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Moore, Peter, 1932-1993 (3)
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Brown, Trisha, 1936-2017 (2)
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Allyn, Jerri, 1952- (1)
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Fahlström, Öyvind, 1928-1976 (1)
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France. Armée. Méharistes (1)
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Fund raising -- United States (1)
Furnival, John, 1933- (1)
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Gelatin silver prints (1)
Germany -- Colonies -- Africa. (1)
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Gosewitz, Ludwig, 1936- (1)
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Guston, Philip, 1913-1980 (1)
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Hansa Gallery (New York, N.Y.) (1)
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Higgins, Dick, 1938-1998 (1)
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Hofmann, Hans, 1880-1966 (1)
Horovitz, Michael, 1935- (1)
Howe , Irving (1)
Hultén, Pontus, 1924-2006 (1)
Ifrani, Jacques (1)
Illustrated menus (1)
Imagerie Pellerin (Épinal, France) (1)
Indigenous peoples -- Africa -- Social life and customs. (1)
Interviews (1)
Irriera, Roger (1)
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Jenkins, Paul, 1923-2012 (1)
Jomone (1)
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Minujin, Marta, 1943- (1)
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Mitchell, Joan, 1925-1992 (1)
Modern Dance -- United States (1)
Mon, Franz (1)
Mondrian, Piet, 1872-1944 (1)
Monnot, Marguerite (1)
Morris, Robert, 1931-2018 (1)
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Mutara III Charles Rudahigwa, Mwami of Rwanda (1)
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Nation (New York, N.Y. : 1865) (1)
National Endowment for the Arts (1)
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New York School of Art (1)
New Yorker (New York, N.Y. : 1925) (1)
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Nezière, R. de (1)
Niikuni, Seiichi, 1925-1977 (1)
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Notebook covers (1)
Nouen, Guy (1)
Noury, Pierre (1)
Nuclear disarmament--Citizen participation (1)
Office algérien d'action economique et touristique (1)
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Oldenburg, Claes, 1929- (1)
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Paik, Nam June, 1932-2006 (1)
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1Creator/Collector:  Experiments in Art and Technology Los Angeles (Organization)
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 Title:  Experiments in Art and Technology Los Angeles records  
 Dates:  1969-1975 
 Abstract:  Collection of materials documenting Experiments in Art and Technology Los Angeles, a non-profit organization fostering collaborations between artists and scientists that generally operated independently of the original New York-based E.A.T. The collection offers a survey of proposed and completed projects by the Los Angeles E.A.T. organization. 
 Number:  2003.M.12 
2Creator/Collector:  Sisters of Survival
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 Title:  Sisters of Survival records  
 Dates:  1954-2015, undated 
 Abstract:  Sisters of Survival (S.O.S.) was an anti-nuclear performance group founded in 1981 by Cheri Gaulke, Jerri Allyn, Nancy Angelo, Anne Gauldin, and Sue Maberry. The archive consists primarily of project files documenting performances, exhibitions, and publications from Sisters of Survival's main period of activity from 1982 to 1985 and some later projects, and includes photographic materials, planning documents, ephemera, digital files, audiovisual materials, and exhibition materials. The archive also contains press clippings and promotional images, administrative files, and a small amount of materials by other anti-nuclear artists and activists. 
 Number:  2017.M.47 
3Creator/Collector:  Feminist Art Workers
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 Title:  Feminist Art Workers records  
 Dates:  1976-2013, undated 
 Abstract:  The archive consists of papers, photographs, audiovisual and born digital material documenting the performances, exhibitions, and administrative activities of the Feminist Art Workers. 
 Number:  2017.M.48 
4Creator/Collector:  Karras, Maria, 1950-
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 Title:  Maria Karras collection of Woman's Building papers and photographs  
 Dates:  1972-2018, undated 
 Abstract:  The collection presents a record of the historic first years of the Woman's Building in Los Angeles and the women involved with it, including Feminist Studio Workshop founders Judy Chicago, Sheila de Bretteville, and Arlene Raven. Maria Karras's photographs are joined by related ephemera, correspondence, posters, and other documentary materials, together with a selection of original artwork by Karras and her peers. 
 Number:  2018.M.16 
5Creator/Collector:  Rosenberg, Harold
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 Title:  Harold Rosenberg papers  
 Dates:  1923-1984 
 Abstract:  American art critic who developed the concept of "action painting" to describe the work of New York School painters such as De Kooning and Pollock. In 1967 Rosenberg became the regular art reviewer for The New Yorker. The papers offer a comprehensive view of his professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and 1970s. 
 Number:  980048 
6Creator/Collector:  Coracle Press
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 Title:  Coracle Press records  
 Dates:  1953-2013, bulk 1975-2008 
 Abstract:  Coracle Press records from 1953 to 2013 document the press's production of books, printed matter and exhibitions under the direction of Simon Cutts. 
 Number:  880024 
7Creator/Collector:  Sandler, Irving, 1925-2018
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 Title:  Irving Sandler papers  
 Dates:  circa 1914-2001, bulk 1950-2000 
 Abstract:  Papers of the American art critic Irving Sandler, including five decades of notes, transcripts and audiotapes of interviews with artists and art professionals, materials documenting art organizations and associations, and correspondence regarding publications, lectures, and academic appointments. 
 Number:  2000.M.43 
8Creator/Collector:  Kaprow, Allan
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 Title:  Allan Kaprow papers  
 Dates:  1940-1997 
 Abstract:  The Allan Kaprow Papers offer comprehensive documentation of an artistic career that spanned the latter half of the 20th century and continues into the 21st. Arranged chronologically so as to demonstrate the artist's passage from student of art and art history to practicing artist, art theorist and art educator, the collection contains drawings, term papers and notebooks from Kaprow's student days, followed by ca. 250 Project Files, comprising the complete extant documentation of Kaprow's Environments, Happenings, and Activities. 
 Number:  980063 
9Creator/Collector:  Rainer, Yvonne, 1934-
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 Title:  Yvonne Rainer papers  
 Dates:  1871-2013 (bulk 1959-2013) 
 Abstract:  Yvonne Rainer is an avant-garde American dancer, choreographer, filmmaker and writer. Her papers document her life as an artist from the late 1950s through 2013, and include photographic material dated as early as 1933. Materials include dance scores; programs and posters; photographic and audiovisual documentation of performances, rehearsals, and films; correspondence; writings, including Rainer's feature-length film scripts; and critical response to her work. 
 Number:  2006.M.24 
10Creator/Collector:  Experiments in Art and Technology (Organization)
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 Title:  Experiments in Art and Technology records  
 Dates:  1966-1993 (bulk 1966-1973) 
 Abstract:  Records of the organization Experiments in Art and Technology, generated and collected by its president, Billy Klüver, and other staff members, the bulk from 1966-1973. Materials include project files, correspondence, proposals, reports, photographs, posters, audiovisual materials, minutes, clippings, printed matter, and other items. 
 Number:  940003 
11Creator/Collector:  Reichardt, Jasia
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 Title:  Jasia Reichardt archive of concrete and sound poetry  
 Dates:  1958-1975 
 Abstract:  British art critic, editor, and curator born in Poland. The collection consists of poetry in a variety of media: manuscripts and typescripts, screenprints and posters, collages and original graphics, sound recordings, photoprints, and objects. Artists include Ronaldo Azedredo, Stephen Bann, Derek Boshier, Eugenio Carmi, Henri Chopin, Bob Cobbing, Kenelm Cox, Robert Filliou, Ian Hamilton Finlay, John Furnival, Ludwig Gosewitz, Brian Hindmarch, Michael Horovitz, D.S. Houedard, Ferdinand Kriwet, John Latham, Christopher Logue, Edward Lucie-Smith, Hansjörg Mayer, Franz Mon, Seiichi Niikuni (and the Tokyo Assn. for the Study of Arts [ASA]), Tom Phillips, John Sharkey, Gianni-Emilio Simonetti, Mary Ellen Solt, Edgardo Antonio Vigo, and Wolf Vostell. 
 Number:  890143B 
12Creator/Collector:  Association Connaissance de l'histoire de l'Afrique contemporaine
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 Title:  ACHAC collection  
 Dates:  1880-ca. 1975 
 Abstract:  A consortium of scholars and researchers devoted to exploring and promoting discussion of race, iconography, and the colonial and post-colonial periods of Africa and Europe. The ACHAC collection documents the influence of French colonialism, both on Africa and on France itself, as represented in images produced and distributed through the media of French popular culture as well as in the personal photographs of European residents of the African colonies. Some materials concern Belgian and German colonies. 
 Number:  970031