Subject | • | Bengston, Billy Al | [X] | | • | Photographs, Original | [X] | | • | Art -- Collectors and collecting -- United States |
(1)
| | • | Art dealers -- United States -- 20th century |
(1)
| | • | Art dealers -- United States -- Correspondence |
(1)
| | • | Art galleries, Commercial -- California -- Los Angeles |
(1)
| | • | Art museums -- California -- Los Angeles |
(1)
| | • | Artists -- 20th century -- Correspondence |
(1)
| | • | Asher, Betty |
(1)
| | • | Asher, Michael |
(1)
| | • | Black-and-white negatives |
(1)
| | • | Black-and-white prints (photographs) |
(1)
| | • | Blum, Irving |
(1)
| | • | Cartes-de-visite |
(1)
| | • | Celmins, Vija |
(1)
| | • | Clippings (information artifacts) |
(1)
| | • | Color photographs |
(1)
| | • | Color slides -- 20th century |
(1)
| | • | Conceptual Art |
(1)
| | • | Conner, Bruce |
(1)
| | • | Copley, William Nelson |
(1)
| | • | Correspondence -- 20th century |
(1)
| | • | Ferus Gallery (Los Angeles, Calif.) |
(1)
| | • | Flavin, Dan |
(1)
| | • | Gallery 669 |
(1)
| | • | Goode, Joe |
(1)
| | • | Herms, George |
(1)
| | • | Irving Blum Gallery (Los Angeles, Calif.) |
(1)
| | • | Kienholz, Edward, 1927-1994 |
(1)
| | • | Mail art |
(1)
| | • | Miller, Henry |
(1)
| | • | Mizuno Gallery |
(1)
| | • | Mizuno, Riko |
(1)
| | • | Photographic prints -- 20th century |
(1)
| | • | Pop art |
(1)
| | • | Postcards -- 19th century |
(1)
| | • | Postcards -- 20th century |
(1)
| | • | Posters -- 20th century |
(1)
| | • | Printed ephemera |
(1)
| | • | Ruscha, Edward |
(1)
| | • | Shulman, Julius |
(1)
| | • | Slides (photographs) -- 20th century |
(1)
| | • | Videocassettes |
(1)
| | • | Warhol, Andy |
(1)
| | • | Watts, Robert |
(1)
| | • | Woelffer, Emerson |
(1)
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| | 1 | Creator/Collector: | Mizuno Gallery
| Requires cookie* | | | Title: | Mizuno Gallery records  | | | | Dates: | 1955-2005 (bulk 1966-1988) | | | | Abstract: | The Mizuno Gallery occupies an important place in the history of postwar art in Los Angeles as a venue for contemporary art from 1967 to 1984. The archive includes gallery ephemera, postcards, letters, installation shots and other photographs documenting gallerist Riko Mizuno's close relationship with the artists she exhibited, and with collectors and other art world personalities. The most extensively represented artists are Vija Celmins, Billy Al Bengston, and Henry Miller. | | | | Number: | 2010.M.84 | |
| 2 | Creator/Collector: | Asher, Betty
| Requires cookie* | | | Title: | Betty Asher papers | | | | Dates: | 1860-1999 | | | | Abstract: | The papers of art collector and dealer Betty Asher document the Los Angeles art scene from circa 1960 to 1990, though most comprehensively in the 1970s, through photographs, artist files, and more than three hundred posters. Correspondence, photographs and other documents provide information about Asher's family history and the process by which she built her art collection. Included in the papers are her collections of postcards and other ephemera. | | | | Number: | 2009.M.30 | |
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