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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Conceptual Art[X]
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Dahn, Walter, 1954- (1)
David Lamelas: fifteen years: October 1978, Center of Art and Communication. (1)
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Prospect 69 (1969 : Düsseldorf, Germany) (1)
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1Creator/Collector:  Galerie Paul Maenz (Cologne, Germany)
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 Title:  Galerie Paul Maenz Köln records  
 Dates:  1956-1991 (bulk 1970-1990) 
 Abstract:  German gallery in Cologne, dealing in contemporary art. Maenz exhibited, loaned, and sold works by conceptual artists and the German neo-Expressionist painters. Correspondence, financial files, artists' biographies, press clippings, printed matter, and photographs cover virtually every facet of the gallery's operations, 1970-1990. The photograph files comprise approximately half of the archive and document works by artists and most of the gallery's exhibitions. 
 Number:  910066 
2Creator/Collector:  Unidentified
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 Title:  Minimal and Conceptual Art Documents  
 Dates:  1969-1989 
 Abstract:  An assembled collection of visual and written documentation, including correspondence and artists' statements, and photographs and drawings relating to gallery installations, sculptural pieces, conceptual pieces, land art, and performances. Includes artists' letters to German critic and editor Werner Lippert and Galleria Toselli in Milan, and materials pertaining to the exhibition Prospect 69 (Dusseldorf, 1969). Includes letters from artists and gallery owners to Konrad Fischer, and some Fluxus printed ephemera. 
 Number:  920025 
3Creator/Collector:  Kaprow, Allan
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 Title:  Allan Kaprow papers  
 Dates:  1940-1997 
 Abstract:  The Allan Kaprow Papers offer comprehensive documentation of an artistic career that spanned the latter half of the 20th century and continues into the 21st. Arranged chronologically so as to demonstrate the artist's passage from student of art and art history to practicing artist, art theorist and art educator, the collection contains drawings, term papers and notebooks from Kaprow's student days, followed by ca. 250 Project Files, comprising the complete extant documentation of Kaprow's Environments, Happenings, and Activities. 
 Number:  980063 
4Creator/Collector:  Panza, Giuseppe
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 Title:  Giuseppe Panza papers  
 Dates:  1956-1990 
 Abstract:  Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs. 
 Number:  940004 
5Creator/Collector:  Lamelas, David, 1946-
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 Title:  David Lamelas papers  
 Dates:  1964-1997 
 Abstract:  The personal and professional papers of Argentinean sculptor and filmmaker David Lamelas provide an overview of Lamelas's artistic practices and the development of his work from sculpture to architecture, film, and conceptual installations. Drawings, sketches, notes, plans, photographs, correspondence, sketchbooks, and other papers produced or collected by Lamelas document selected work from his early period in Buenos Aires, through his projects in Europe and North America and his latest work in the 1990s. 
 Number:  2005.M.12 
6Creator/Collector:  Alloway, Lawrence, 1926-1990
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 Title:  Lawrence Alloway papers  
 Dates:  1891-2003, undated 
 Abstract:  Lawrence Alloway was a British born art critic active in the New York art scene from 1960 until his death in 1990. An early champion of post-war American art, he coined the term "Pop Art." The archive consists of correspondence with his wife, the artist Sylvia Sleigh, work files, manuscripts and clippings, personal documents, and many photographs and slides of contemporary art. 
 Number:  2003.M.46 
7Creator/Collector:  Coracle Press
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 Title:  Coracle Press records  
 Dates:  1953-2013, bulk 1975-2008 
 Abstract:  Coracle Press records from 1953 to 2013 document the press's production of books, printed matter and exhibitions under the direction of Simon Cutts. 
 Number:  880024