Subject | • | Abstract expressionism | [X] | | • | Photographic prints | [X] | | • | Photographs, Original |
(5)
| | • | Audiotapes |
(4)
| | • | Diaries |
(3)
| | • | Conceptual Art |
(2)
| | • | Kaprow, Allan |
(2)
| | • | Motherwell, Robert |
(2)
| | • | Pop art |
(2)
| | • | Posters |
(2)
| | • | Rothko, Mark |
(2)
| | • | Videotapes |
(2)
| | • | Acconci, Vito, 1940-2017 |
(1)
| | • | Alloway, Lawrence, 1926-1990 |
(1)
| | • | Anderson, Laurie, 1947- |
(1)
| | • | Andre, Carl |
(1)
| | • | Architectural drawings (visual works) |
(1)
| | • | Art -- American -- 20th century |
(1)
| | • | Art -- Collectors and collecting |
(1)
| | • | Art -- Private collections -- Italy |
(1)
| | • | Art criticism |
(1)
| | • | Art criticism -- History -- 20th century -- United States |
(1)
| | • | Art critics -- United States |
(1)
| | • | Art critics -- United States -- Correspondence |
(1)
| | • | Art patrons -- Italy |
(1)
| | • | Art, Abstract -- United States |
(1)
| | • | Art, American -- 20th century |
(1)
| | • | Art, Modern -- 20th century |
(1)
| | • | Artists -- United States -- Biography |
(1)
| | • | Artists Space (Gallery) |
(1)
| | • | Artists' Club (New York, N.Y.) |
(1)
| | • | Barry, Robert |
(1)
| | • | Barthelme, Donald |
(1)
| | • | Beauvoir, Simone de |
(1)
| | • | Bell, Larry |
(1)
| | • | Bellow, Saul |
(1)
| | • | Burke, Kenneth |
(1)
| | • | Bush, Jack, 1909-1977 |
(1)
| | • | Cane, Louis |
(1)
| | • | Celant, Germano |
(1)
| | • | Charlton, Alan |
(1)
| | • | Commentary (New York, N.Y. : 1945) |
(1)
| | • | Darboven, Hanne |
(1)
| | • | Davis, Douglas |
(1)
| | • | De Kooning, Willem |
(1)
| | • | De Kooning, Willem, 1904-1997 |
(1)
| | • | De Maria, Walter |
(1)
| | • | Dibbets, Jan |
(1)
| | • | Dissent (New York, N.Y. : 1954) |
(1)
| | • | Dostoyevsky, Fyodor |
(1)
| | • | Drawings -- United States -- 20th century |
(1)
| | • | Dubuffet, Jean, 1901-1985 |
(1)
| | • | Earthworks (Art) |
(1)
| | • | Ephemera |
(1)
| | • | Existentialism |
(1)
| | • | Fautrier, Jean |
(1)
| | • | Feminism and art |
(1)
| | • | Flack, Audrey |
(1)
| | • | Flavin, Dan |
(1)
| | • | Frankenthaler, Helen, 1928-2011 |
(1)
| | • | Fulton, Hamish |
(1)
| | • | Goldin, Nan, 1953- |
(1)
| | • | Gorky, Arshile |
(1)
| | • | Greenberg, Clement, 1909-1994 |
(1)
| | • | Guston, Philip |
(1)
| | • | Guston, Philip, 1913-1980 |
(1)
| | • | Held, Alex |
(1)
| | • | Hess, Thomas B. |
(1)
| | • | Howe , Irving |
(1)
| | • | Interviews |
(1)
| | • | Irwin, Robert, 1928- |
(1)
| | • | Jenkins, Paul, 1923-2012 |
(1)
| | • | Johnson, Ray, 1927-1995 |
(1)
| | • | Joseph, Peter |
(1)
| | • | Judd, Donald |
(1)
| | • | Katz, Alex, 1927- |
(1)
| | • | Kline, Franz |
(1)
| | • | Kosuth, Joseph |
(1)
| | • | Kristol, Irving |
(1)
| | • | Kruger, Barbara, 1945- |
(1)
| | • | Law, Bob |
(1)
| | • | Lazarus, Harold, 1909-1983 |
(1)
| | • | LeWitt, Sol |
(1)
| | • | Lewitin, Landes |
(1)
| | • | Lichtenstein, Roy |
(1)
| | • | Light in art |
(1)
| | • | Location (New York, N.Y. : Longview Foundation, Inc., 1963) |
(1)
| | • | Long, Richard |
(1)
| | • | Louis, Morris, 1912-1962 |
(1)
| | • | Mangold, Robert |
(1)
| | • | Marden, Brice |
(1)
| | • | Marie Walsh Sharpe Art Foundation |
(1)
| | • | Mayer, Rosemary, 1943-2014 |
(1)
| | • | McNeil, George, 1908-1995 |
(1)
| | • | Meloni, Gino |
(1)
| | • | Merleau-Ponty, Maurice |
(1)
| | • | Minimal art |
(1)
| | • | Mitchell, Joan, 1925-1992 |
(1)
| | • | Morris, Robert |
(1)
| | • | Motion pictures (visual works) |
(1)
| | • | Museum of Contemporary Art (Los Angeles, Calif.) |
(1)
| | • | Nation |
(1)
| | • | Nation (New York, N.Y. : 1865) |
(1)
| | • | National Endowment for the Arts |
(1)
| | • | Nauman, Bruce |
(1)
| | • | New York School of Art |
(1)
| | • | New Yorker (New York, N.Y. : 1925) |
(1)
| | • | Newman, Barnett |
(1)
| | • | Newman, Barnett, 1905-1970 |
(1)
| | • | Noland, Kenneth, 1924-2010 |
(1)
| | • | Nonas, Richard |
(1)
| | • | Nordman, Maria |
(1)
| | • | Oldenburg, Claes |
(1)
| | • | Panza, Giuseppe |
(1)
| | • | Parsons, Betty |
(1)
| | • | Partisan Review |
(1)
| | • | Partisan review (New York, N.Y. : 1936) |
(1)
| | • | Pearlstein, Philip, 1924- |
(1)
| | • | Pfaff, Judy, 1946- |
(1)
| | • | Phillips, William |
(1)
| | • | Podhoretz, Norman |
(1)
| | • | Pollock, Jackson |
(1)
| | • | Pollock, Jackson, 1912-1956 |
(1)
| | • | Raeburn, Ben |
(1)
| | • | Rauschenberg, Robert |
(1)
| | • | Reinhardt, Ad |
(1)
| | • | Resnick, Milton, 1917-2004 |
(1)
| | • | Restany, Pierre |
(1)
| | • | Rosenberg, Harold |
(1)
| | • | Rosenquist, James |
(1)
| | • | Russell, John, 1919-2008 |
(1)
| | • | Russell, Vera |
(1)
| | • | Ryman, Robert |
(1)
| | • | Sander, Ludwig, 1906- |
(1)
| | • | Sandler, Irving, 1925-2018 |
(1)
| | • | Scores |
(1)
| | • | Serra, Richard |
(1)
| | • | Shapey, Ralph |
(1)
| | • | Sherman, Cindy |
(1)
| | • | Sleigh, Sylvia |
(1)
| | • | Smith, David, 1906-1965 |
(1)
| | • | Smithson, Robert |
(1)
| | • | Steinberg, Saul |
(1)
| | • | Surrealism |
(1)
| | • | Tabak, May Natalie |
(1)
| | • | Tremlett, David |
(1)
| | • | Turrell, James |
(1)
| | • | Tàpies, Antoni |
(1)
| | • | United States. Office of War Information |
(1)
| | • | United States. Works Progress Administration |
(1)
| | • | Vedova, Emilio |
(1)
| | • | Videocassettes |
(1)
| | • | Weiner, Lawrence |
(1)
| | • | Wheeler, Doug |
(1)
| | • | Wilson, Ian |
(1)
| | • | Women artists |
(1)
| | • | World War, 1939-1945 -- Art and the war |
(1)
|
| | 1 | Creator/Collector: | Greenberg, Clement,
1909-1994
| Requires cookie* | | | Title: | Clement Greenberg papers  | | | | Dates: | 1928-1995 | | | | Abstract: | The Clement Greenberg Papers document the professional and personal life of the art critic known for championing American Abstract Expressionist painters. | | | | Number: | 950085 | |
| 2 | Creator/Collector: | Alloway, Lawrence,
1926-1990
| Requires cookie* | | | Title: | Lawrence Alloway papers | | | | Dates: | 1891-2003, undated | | | | Abstract: | Lawrence Alloway was a British born art critic active in the New York art scene from 1960 until his death in 1990. An early champion of post-war American art, he coined the term "Pop Art." The archive consists of correspondence with his wife, the artist Sylvia Sleigh, work files, manuscripts and clippings, personal documents, and many photographs and slides of contemporary art. | | | | Number: | 2003.M.46 | |
| 3 | Creator/Collector: | Sandler, Irving,
1925-2018
| Requires cookie* | | | Title: | Irving Sandler papers | | | | Dates: | 1909-2007, bulk 1950-2000 | | | | Abstract: | Papers of the American art critic Irving Sandler, including five decades of notes, transcripts and audiotapes of interviews with artists and art professionals, materials documenting art organizations and associations, and correspondence regarding publications, lectures, and academic appointments. | | | | Number: | 2000.M.43 | |
| 4 | Creator/Collector: | Panza,
Giuseppe
| Requires cookie* | | | Title: | Giuseppe Panza papers | | | | Dates: | 1956-1990 | | | | Abstract: | Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs. | | | | Number: | 940004 | |
| 5 | Creator/Collector: | Rosenberg, Harold
| Requires cookie* | | | Title: | Harold Rosenberg papers | | | | Dates: | 1923-1984 | | | | Abstract: | American art critic who developed the concept of "action painting" to describe the work of New York School painters such as De Kooning and Pollock. In 1967 Rosenberg became the regular art reviewer for The New Yorker. The papers offer a comprehensive view of his professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and 1970s. | | | | Number: | 980048 | |
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