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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Photographs, Original (7)
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Allyn, Jerri, 1952- (1)
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Asher, Betty (1)
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Black-and-white prints (photographs) -- United States -- Los Angeles -- 20th century (1)
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Chromogenic color prints -- United States -- Los Angeles -- 20th century (1)
City Front Plaza (Chicago, Ill.) (1)
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Clark, Kenneth, 1903-1983 (1)
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Duke, Lani (Leilani Lattin) (1)
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Fahy, Everett (1)
Faure, Patricia, 1928-2008 (1)
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Feminism in art -- United States -- 20th century (1)
Feminist Studio Workshop (1)
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Foulkes, Llyn, 1934- (1)
Friedman, Yona (1)
Gauldin, Anne (1)
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Gelatin silver prints -- United States -- Los Angeles -- 20th century (1)
Getty Center (Los Angeles, Calif.) (1)
Getty Center for Education in the Arts (1)
Getty Education Institute for the Arts. Slide Library (1)
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Heizer, Michael, 1944- (1)
Hoefer, Wade, 1948- (1)
Irwin, Robert, 1928- (1)
Karras, Maria, 1950- (1)
Kauffman, Craig, 1932-2010 (1)
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Martin, Agnes, 1912-2004 (1)
Mary, Queen, consort of George V, King of Great Britain, 1867-1953 (1)
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Metropolitan Museum of Art (New York, N.Y.) (1)
Miami International Airport (1)
Morris, Robert, 1931-2018 (1)
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Neptune and Thomas Associates (1)
New York University. Institute of Fine Arts (1)
Newton, Gordon, 1948- (1)
Nielsen, Margaret, 1948- (1)
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Okulick, John (1)
Old Post Office and Clock Tower (Washington, D.C.) (1)
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Otis College of Art and Design (1)
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Pope-Hennessy, James (1)
Pope-Hennessy, John Wyndham, Sir, 1913-1994 (1)
Pope-Hennessy, John, Sir, 1834-1891 (1)
Pope-Hennessy, Ladislas Herbert Richard, 1875-1942 (1)
Pope-Hennessy, Una, 1876-1949 (1)
Porter, Andrew, 1928-2015 (1)
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Richard Meier & Associates (1)
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Schaur, Eda, 1945- (1)
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Sex discrimination against women (1)
Shapiro, Joel (1)
Silver -- United States -- Collectors and collecting (1)
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Smith, Logan Pearsall, 1865-1946 (1)
Smith, Patti (1)
Smith, Tony, 1912-1980 (1)
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Victoria and Albert Museum (1)
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Wadsworth Atheneum (1)
Wagstaff, Samuel J., Jr., 1921-1987 (1)
Waitresses (Group of artists) (1)
Westermann, H. C. (Horace Clifford), 1922-1981 (1)
Women's Graphic Center (Los Angeles, Calif.) (1)
World's Columbian Exposition (1893 : Chicago, Ill.) (1)
1Creator/Collector:  Irwin, Robert, 1928-
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 Title:  Robert Irwin papers  
 Dates:  circa 1940-2011, bulk 1970-2011 
 Abstract:  Robert Irwin is a California artist associated with the Light and Space movement. His papers document many of Irwin's site-specific, primarily public artworks from the 1980s with correspondence, writings, clippings, drawings, photographs, models, and sound and video recordings. Additions (1999-2011) to the archive include papers, photographs, and drawings relating to the Getty central garden and other projects (ca. 1992-2011). 
 Number:  940081 
2Creator/Collector:  Getty Center for the History of Art and the Humanities
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 Title:  Records of facilities at 401 Wilshire  
 Dates:  1980-1994, undated 
 Abstract:  The collection comprises architectural records, photographs, and ephemera documenting the development of the facilities and activities of the Center for the History of Art and the Humanities (GCHAH) of the J. Paul Getty Trust at 401 Wilshire Boulevard in Santa Monica, California from 1980 to 1994. The architectural records consist of blueline prints, blueprints, drawings, architectural models, reports, photographs, slides and negatives, for and of 401 Wilshire Boulevard. The photographs and ephemera document the interior spaces of 401 Wilshire Boulevard and the various activities of the GCHAH. 
 Number:  IA20015 
3Creator/Collector:  Karras, Maria, 1950-
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 Title:  Maria Karras collection of Woman's Building papers and photographs  
 Dates:  1972-2018, undated 
 Abstract:  The collection presents a record of the historic first years of the Woman's Building in Los Angeles and the women involved with it, including Feminist Studio Workshop founders Judy Chicago, Sheila de Bretteville, and Arlene Raven. Maria Karras's photographs are joined by related ephemera, correspondence, posters, and other documentary materials, together with a selection of original artwork by Karras and her peers. 
 Number:  2018.M.16 
4Creator/Collector:  Patricia Faure Gallery
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 Title:  Patricia Faure Gallery records  
 Dates:  1952-2006 (bulk 1970-2006) 
 Abstract:  The Patricia Faure Gallery in Los Angeles, which began as Asher/Faure, exhibited internationally recognized artists such as Richard Artschwager, Philip Guston and Morris Louis along with less-known local artists such as Gwynn Murrill, Craig Kauffman and Jack Goldstein. The archive documents the period when the gallery was known as Asher/Faure between 1979 and 1994 and when it was under Faure's own name between 1994 and 2008. The bulk of the records comprises exhibition announcements and photographic documentation of artists' works in the form of prints, transparencies, slides and negatives. Also included are business papers such as sales and inventory lists, correspondence, financial statements and clippings. 
 Number:  2010.M.13 
5Creator/Collector:  Getty Education Institute for the Arts
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 Title:  Event and publication images  
 Dates:  1985-1997 
 Abstract:  Records consist of black-and-white and color photographs, color slides, black-and-white and color negatives, forms, and letters, 1985-1997, created for and used by the Getty Education Institute (GEI), and housed in the Slide Library. The images depict conferences and seminars organized and hosted by the GEI; art appreciation instruction in elementary school classrooms; adults attending lectures and museums; and publication artwork. 
 Number:  IA20018 
6Creator/Collector:  Wagstaff, Samuel J., Jr., 1921-1987
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 Title:  Samuel Wagstaff papers  
 Dates:  1796-1987 (bulk 1952-1986) 
 Abstract:  The papers document Sam Wagstaff's activities as curator and collector, with a focus on his collections and collecting processes. The papers are rich in correspondence and include letters from artists, photographers and cultural institutions. Original photographs and non-photographic original artworks are included, as well as slides, negatives, postcards, film reels, prints and drawings. 
 Number:  2005.M.46 
7Creator/Collector:  Pope-Hennessy, John Wyndham, Sir, 1913-1994
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 Title:  John Pope-Hennessy papers  
 Dates:  1617-1995, bulk 1930-1995 
 Abstract:  The papers document John Pope-Hennessy's professional activities as a historian of Italian Renaissance art, museum director, curator, and teacher. The archive contains museum files, correspondence, study photographs, and manuscripts of his scholarly work. Also included are papers from his family, namely his parents, Ladislas and Una Pope-Hennessy and his brother, James Pope-Hennessy. The family papers include letters, clippings, and manuscripts of published and unpublished works. 
 Number:  990023 
8Creator/Collector:  Sleigh, Sylvia
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 Title:  Sylvia Sleigh papers  
 Dates:  1803-2013, undated (bulk 1940-2000) 
 Abstract:  The papers of noted Welsh-born feminist painter Sylvia Sleigh (1916-2010) document her life, career, and the larger context of contemporary feminist art, with the bulk of the collection dating from 1940-2000. Sleigh, a realist painter, moved to the United States in 1961 with her husband, art critic Lawrence Alloway. Sleigh's paintings of nude males in traditional odalisque poses remain her best-known works. She was a central figure in the New York City area feminist art movement of the 1970s. 
 Number:  2004.M.4 
9Creator/Collector:  Friedman, Yona
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 Title:  Yona Friedman papers  
 Dates:  1956-2006 
 Abstract:  The Yona Friedman papers contain manuscripts, sketches and drawings, and photographs and slides documenting the broad intellectual activity of this visionary architect and planner. In his primary role as a theoretician, Friedman was a key participant in many of the defining architectural discussions of the second half of the twentieth century, including topics such as megastructures, prefabrication and modular construction, adaptability and participatory design. 
 Number:  2008.M.51 
10Creator/Collector:  Waitresses (Group of artists)
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 Title:  The Waitresses records  
 Dates:  1971-2015, undated 
 Abstract:  The Waitresses was one of the first performance art groups to emerge from the Los Angeles Woman's Building. Founded in 1977 by Jerri Allyn and Anne Gauldin, the group used their collective experiences working as waitresses to explore feminist issues such as sex discrimination and wage inequality in the food service industry. Materials in the collection document the performances produced by the group from 1976 to 1985, as well as American Dining: A Working Woman's Movement, a performance produced by Jerri Allyn from 1986 to 1989. Materials also relate to a 25th anniversary re-staging of five performances in 2007, as well as other exhibitions and publications about The Waitresses after 1985. The collection consists of performance notes, scripts, costumes, photographs, press clippings, props and ephemera, research files related to social issues in the food service industry, and audiovisual recordings related to various performances and exhibitions. 
 Number:  2017.M.45 
11Creator/Collector:  Woman's Building (Los Angeles, Calif.)
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 Title:  Woman's Building records  
 Dates:  1960-2016, undated 
 Abstract:  The Los Angeles Woman's Building was established in 1973 by artist Judy Chicago, designer Sheila Levrant de Bretteville, and art historian Arlene Raven. The Woman's Building was a center for women's art education and a facility for women's groups and organizations. During its time, the Woman's Building played a key role in the field of feminist art and arts education. Materials in the collection offer a comprehensive overview of the activities of the Woman's Building from 1973 to 1991, and document the organization's post-1991 projects. Materials were collected by Sue Maberry during her time as an artist and administrator of the Woman's Building and later as Director of Library and Instructional Technologies at Otis College of Art and Design. Materials consist of printed ephemera and photographic material related to educational programs, exhibitions, performances, events, and various collaborative projects. Included are administrative files, artist files, publications, correspondence, project files, audio and video recordings, and digital files produced for various projects. The collection also contains material documenting the Doin' It In Public: Feminism and Art at the Woman's Building exhibition held at Otis College of Art and Design in 2011-2012. 
 Number:  2017.M.43