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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Artists -- Correspondence[X]
Color photographs (3)
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Morris, Robert, 1931-2018 (2)
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Gitlin, Michael, 1943- (1)
Haacke, Hans, 1936- (1)
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Indiana, Robert, 1928-2018 (1)
Jansen, Bernd, 1945- (1)
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Mack, Heinz, 1931- (1)
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Matta-Clark, Gordon, 1943-1978 (1)
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Newton, Gordon, 1948- (1)
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Pichler, Walter, 1936-2012 (1)
Piene, Otto, 1928-2014 (1)
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Schmela, Alfred, 1918-1980 (1)
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Soto, Jesús Rafael, 1923-2005 (1)
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Strelow, Liselotte, 1908-1981 (1)
Tinguely, Jean, 1925-1991 (1)
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Tuttle, Richard, 1941- (1)
Uecker, Günther, 1930- (1)
Verein Progressiver Deutscher Kunsthändler (1)
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Vogel, Walter, 1932- (1)
Wadsworth Atheneum (1)
Wagstaff, Samuel J., Jr., 1921-1987 (1)
Westermann, H. C. (Horace Clifford), 1922-1981 (1)
Wilp, Charles (1)
Women artists -- United States -- 20th century (1)
1Creator/Collector:  Sleigh, Sylvia
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 Title:  Sylvia Sleigh papers  
 Dates:  1803-2013, undated (bulk 1940-2000) 
 Abstract:  The papers of noted Welsh-born feminist painter Sylvia Sleigh (1916-2010) document her life, career, and the larger context of contemporary feminist art, with the bulk of the collection dating from 1940-2000. Sleigh, a realist painter, moved to the United States in 1961 with her husband, art critic Lawrence Alloway. Sleigh's paintings of nude males in traditional odalisque poses remain her best-known works. She was a central figure in the New York City area feminist art movement of the 1970s. 
 Number:  2004.M.4 
2Creator/Collector:  Wagstaff, Samuel J., Jr., 1921-1987
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 Title:  Samuel Wagstaff papers  
 Dates:  1796-1987 (bulk 1952-1986) 
 Abstract:  The papers document Sam Wagstaff's activities as curator and collector, with a focus on his collections and collecting processes. The papers are rich in correspondence and include letters from artists, photographers and cultural institutions. Original photographs and non-photographic original artworks are included, as well as slides, negatives, postcards, film reels, prints and drawings. 
 Number:  2005.M.46 
3Creator/Collector:  Alfred Schmela Galerie
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 Title:  Galerie Schmela records  
 Dates:  1923-2006, bulk 1957-1992 
 Abstract:  Galerie Schmela was one of the most important art galleries in Germany in the postwar period. Through a prescient program of exhibitions, founder Alfred Schmela introduced and promoted innovative European and American artists, such as Joseph Beuys, Arman, Gerhard Richter, the group ZERO (Otto Piene, Günther Uecker, Heinz Mack), Hans Haacke, Christo, Lucio Fontana, Robert Indiana, Yves Klein, Gordon Matta-Clark, Jean Tinguely, Richard Tuttle, and numerous others. Mainly concentrated on the 1950s through the 1970s, the Galerie Schmela records include: correspondence with artists and clients; gallery financial records; vintage photographic documentation of installations, gallery openings, and artworks; and extensive files of printed ephemera, posters, and press clippings. 
 Number:  2007.M.17