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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Art, American -- California -- 20th century (3)
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1Creator/Collector:  Sisters of Survival
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 Title:  Sisters of Survival records  
 Dates:  1954-2015, undated 
 Abstract:  Sisters of Survival (S.O.S.) was an anti-nuclear performance group founded in 1981 by Cheri Gaulke, Jerri Allyn, Nancy Angelo, Anne Gauldin, and Sue Maberry. The archive consists primarily of project files documenting performances, exhibitions, and publications from Sisters of Survival's main period of activity from 1982 to 1985 and some later projects, and includes photographic materials, planning documents, ephemera, digital files, audiovisual materials, and exhibition materials. The archive also contains press clippings and promotional images, administrative files, and a small amount of materials by other anti-nuclear artists and activists. 
 Number:  2017.M.47 
2Creator/Collector:  Feminist Art Workers
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 Title:  Feminist Art Workers records  
 Dates:  1976-2013, undated 
 Abstract:  The archive consists of papers, photographs, audiovisual and born digital material documenting the performances, exhibitions, and administrative activities of the Feminist Art Workers. 
 Number:  2017.M.48 
3Creator/Collector:  Waitresses (Group of artists)
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 Title:  The Waitresses records  
 Dates:  1971-2015, undated 
 Abstract:  The Waitresses was one of the first performance art groups to emerge from the Los Angeles Woman's Building. Founded in 1977 by Jerri Allyn and Anne Gauldin, the group used their collective experiences working as waitresses to explore feminist issues such as sex discrimination and wage inequality in the food service industry. Materials in the collection document the performances produced by the group from 1976 to 1985, as well as American Dining: A Working Woman's Movement, a performance produced by Jerri Allyn from 1986 to 1989. Materials also relate to a 25th anniversary re-staging of five performances in 2007, as well as other exhibitions and publications about The Waitresses after 1985. The collection consists of performance notes, scripts, costumes, photographs, press clippings, props and ephemera, research files related to social issues in the food service industry, and audiovisual recordings related to various performances and exhibitions. 
 Number:  2017.M.45