Subject | • | Audiocassettes | [X] | | • | Black-and-white prints (photographs) | [X] | | • | Born digital |
(4)
| | • | Color slides |
(4)
| | • | DVDs |
(4)
| | • | Printed ephemera |
(4)
| | • | Color negatives |
(3)
| | • | Correspondence |
(3)
| | • | Floppy disks |
(3)
| | • | Video recordings |
(3)
| | • | Art, American -- California -- 20th century |
(2)
| | • | Black-and-white negatives |
(2)
| | • | Color photographs |
(2)
| | • | Color transparencies |
(2)
| | • | Feminism in art -- United States -- 20th century |
(2)
| | • | Photographs, Original |
(2)
| | • | Photographs, Original. |
(2)
| | • | Videocassettes |
(2)
| | • | Woman's Building (Los Angeles, Calif.) |
(2)
| | • | Women artists -- Archives |
(2)
| | • | Women artists -- California -- Los Angeles |
(2)
| | • | Women artists -- United States -- 20th century |
(2)
| | • | Ackling, Roger |
(1)
| | • | Administrative records |
(1)
| | • | Art -- Collectors and collecting |
(1)
| | • | Art -- Germany -- Munich -- Marketing |
(1)
| | • | Art -- Political aspects -- United States -- 20th century |
(1)
| | • | Art dealers |
(1)
| | • | Art dealers -- Archives |
(1)
| | • | Art dealers -- California -- Los Angeles |
(1)
| | • | Art dealers -- Germany -- Munich |
(1)
| | • | Art galleries, Commercial |
(1)
| | • | Art objects |
(1)
| | • | Art teachers--Training of |
(1)
| | • | Art, Modern -- Collectors and collecting |
(1)
| | • | Art--Study and teaching |
(1)
| | • | Artists' books |
(1)
| | • | Black-and-white glass slides |
(1)
| | • | Book design -- England -- 20th century |
(1)
| | • | CD-ROMs |
(1)
| | • | CDS Gallery |
(1)
| | • | Cherniavsky, Mark, 1937-2017 -- Correspondence |
(1)
| | • | Chicago, Judy, 1939- |
(1)
| | • | Child, Julia -- Correspondence |
(1)
| | • | Chromogenic color prints |
(1)
| | • | Clark, Thomas A. |
(1)
| | • | Clippings (information artifacts) |
(1)
| | • | Clippings (information artifacts). |
(1)
| | • | Conceptual Art |
(1)
| | • | Concrete poetry -- England -- Exhibitions |
(1)
| | • | Congresses and conventions |
(1)
| | • | Cooking schools |
(1)
| | • | Cooks -- Archives |
(1)
| | • | Coracle Press |
(1)
| | • | Cragg, Tony |
(1)
| | • | Cutts, Simon |
(1)
| | • | De Bretteville, Sheila Levrant |
(1)
| | • | Diament Sujo, Clara |
(1)
| | • | Drawings (visual works) |
(1)
| | • | Drury, Chris |
(1)
| | • | Duke, Lani (Leilani Lattin) |
(1)
| | • | Dummies (printed matter) |
(1)
| | • | Duncalf, Stephen |
(1)
| | • | Exhibitions -- New York (State) -- New York |
(1)
| | • | Feminist Studio Workshop |
(1)
| | • | Financial records |
(1)
| | • | Finlay, Ian Hamilton |
(1)
| | • | Forms (documents) |
(1)
| | • | Fulton, Hamish |
(1)
| | • | Gastronomy |
(1)
| | • | Gelatin silver prints |
(1)
| | • | Getty Center for Education in the Arts |
(1)
| | • | Getty Education Institute for the Arts. Slide Library |
(1)
| | • | Goldsworthy, Andy |
(1)
| | • | Illustrated menus |
(1)
| | • | Inkjet prints |
(1)
| | • | Installations (Art) |
(1)
| | • | Interviews |
(1)
| | • | J. Paul Getty Trust |
(1)
| | • | Kosuth, Joseph |
(1)
| | • | Krall, Deborah |
(1)
| | • | Laemmle Gallery |
(1)
| | • | Laemmle, Siegfried |
(1)
| | • | Laemmle, Walter |
(1)
| | • | Lassus, Bernard |
(1)
| | • | Letters (correspondence) |
(1)
| | • | Long, Richard |
(1)
| | • | Maberry, Sue |
(1)
| | • | Mail art |
(1)
| | • | Mail art -- 20th century |
(1)
| | • | Manuscripts |
(1)
| | • | Mechanicals (camera-ready copy) |
(1)
| | • | Mills, Stuart |
(1)
| | • | Mother Art |
(1)
| | • | Motherhood and the arts |
(1)
| | • | Nannucci, Maurizio |
(1)
| | • | Nonprofit organizations -- California -- Los Angeles |
(1)
| | • | Oral histories (document genres) |
(1)
| | • | Otis College of Art and Design |
(1)
| | • | Painting, Modern -- 20th century |
(1)
| | • | Performance art -- California -- Los Angeles |
(1)
| | • | Photographic prints |
(1)
| | • | Poetry, Modern -- 20th century |
(1)
| | • | Posters |
(1)
| | • | Prints |
(1)
| | • | Prints -- Collectors and collecting |
(1)
| | • | Raven, Arlene |
(1)
| | • | Recipes |
(1)
| | • | Riemenschneider, Tilman |
(1)
| | • | Romero Brest, Jorge |
(1)
| | • | Sculpture, Medieval |
(1)
| | • | Sculpture, Renaissance |
(1)
| | • | Siegel, Suzanne |
(1)
| | • | Silagi, Laura |
(1)
| | • | Small presses -- England -- 20th century |
(1)
| | • | Sound recordings |
(1)
| | • | Tarasque Press |
(1)
| | • | Terauchi, Yoko |
(1)
| | • | Tuttle, Richard |
(1)
| | • | Van Horn, Erica |
(1)
| | • | Victoria Miro Gallery |
(1)
| | • | Videotapes |
(1)
| | • | Visual poetry |
(1)
| | • | Willan, Anne |
(1)
| | • | Willan, Anne -- Correspondence |
(1)
| | • | Willets, David |
(1)
| | • | Williams, Jonathan |
(1)
| | • | Wilson, Richard |
(1)
| | • | Women's Graphic Center (Los Angeles, Calif.) |
(1)
| | • | World's Columbian Exposition (1893 : Chicago, Ill.) |
(1)
| | • | workfortheeyetodo |
(1)
| | • | École de cuisine La Varenne |
(1)
|
| | 1 | Creator/Collector: | Diament Sujo, Clara
| Requires cookie* | | | Title: | Clara Diament Sujo papers  | | | | Dates: | 1944-2014 (bulk 1981-2008) | | | | Abstract: | The papers of Clara Diament Sujo provide a comprehensive survey of the operations of CDS Gallery founded by the dealer and art critic in New York in 1981. There is also documentation on the center of contemporary art Estudio Actual created by Sujo in Caracas in 1968, as well as on her formative years studying with Jorge Romero Brest in Buenos Aires, and her writings and lectures. The archive comprises correspondence; financial records; scrapbooks; exhibition brochures; artist files; photographs; videos; and works on paper dedicated to Sujo. Among the artists represented by CDS Gallery and in the records are: Roberto Aizenberg; Jacobo Borges; Carlos Cruz-Diez; José Luis Cuevas; Stephen De Staebler; Wilfredo Lam; Roberto Matta; Henry Moore; José Clemente Orozco; Armando Reverón; Jesús Rafael Soto; Hedda Sterne; Joaquín Torres-García; and Adja Yunkers. | | | | Number: | 2018.M.31 | |
| 2 | Creator/Collector: | Willan,
Anne
| Requires cookie* | | | Title: | Anne Willan papers | | | | Dates: | 1570-2018 | | | | Abstract: | The papers of Anne Willan, a British-American expert in French gastronomy, provide a comprehensive survey of the operations of the École de cuisine La Varenne founded by Willan in Paris in 1975 and of Willan's writings and TV programs. The papers consist of correspondence, brochures, drafts, typescripts, press clippings, photographs, videos, and electronic records. The archive also includes drawings, ephemera, manuscripts and prints collected by Willan and her husband Mark Cherniavsky. Dating from the 16th to the late 20th century, these works illuminate the preparation and consumption of food and its display in England, France, Germany, Italy, the Netherlands, and the United States. | | | | Number: | 2018.M.15 | |
| 3 | Creator/Collector: | Mother
Art
| Requires cookie* | | | Title: | Mother Art records | | | | Dates: | 1973-2017, undated | | | | Abstract: | The Mother Art records document the Los Angeles collective's artistic engagement with sociopolitical concerns relating to maternity, domesticity, and women's issues through photographs, posters, ephemera, press kits, and audio and videorecordings. | | | | Number: | 2017.M.60 | |
| 4 | Creator/Collector: | Woman's Building
(Los Angeles, Calif.)
| Requires cookie* | | | Title: | Woman's Building records | | | | Dates: | 1960-2016, undated | | | | Abstract: | The Los Angeles Woman's Building was established in 1973 by artist Judy Chicago, designer Sheila Levrant de Bretteville, and art historian Arlene Raven. The Woman's Building was a center for women's art education and a facility for women's groups and organizations. During its time, the Woman's Building played a key role in the field of feminist art and arts education. Materials in the collection offer a comprehensive overview of the activities of the Woman's Building from 1973 to 1991, and document the organization's post-1991 projects. Materials were collected by Sue Maberry during her time as an artist and administrator of the Woman's Building and later as Director of Library and Instructional Technologies at Otis College of Art and Design. Materials consist of printed ephemera and photographic material related to educational programs, exhibitions, performances, events, and various collaborative projects. Included are administrative files, artist files, publications, correspondence, project files, audio and video recordings, and digital files produced for various projects. The collection also contains material documenting the Doin' It In Public: Feminism and Art at the Woman's Building exhibition held at Otis College of Art and Design in 2011-2012. | | | | Number: | 2017.M.43 | |
| 6 | Creator/Collector: | Getty Education Institute for the Arts
| Requires cookie* | | | Title: | Event and publication images | | | | Dates: | 1985-1997 | | | | Abstract: | Records consist of black-and-white and color photographs, color slides, black-and-white and color negatives, forms, and letters, 1985-1997, created for and used by the Getty Education Institute (GEI), and housed in the Slide Library. The images depict conferences and seminars organized and hosted by the GEI; art appreciation instruction in elementary school classrooms; adults attending lectures and museums; and publication artwork. | | | | Number: | IA20018 | |
| 7 | Creator/Collector: | Coracle Press
| Requires cookie* | | | Title: | Coracle Press records | | | | Dates: | 1953-2013, bulk 1975-2008 | | | | Abstract: | Coracle Press records from 1953 to 2013 document the press's production of books, printed matter and exhibitions under the direction of Simon Cutts. | | | | Number: | 880024 | |
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