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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Kosuth, Joseph[X]
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1Creator/Collector:  Claire Copley Gallery
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 Title:  Claire Copley Gallery records  
 Dates:  1968-2011, bulk 1973-1977 
 Abstract:  The records of one of the first Los Angeles galleries to show the work of conceptual artists such as Terry Allen, Michael Asher, Daniel Buren, Joseph Kosuth, and William Leavitt. The collection includes artist files containing correspondence, ephemera, and comprehensive photographic documentation of each exhibition. 
 Number:  2014.M.2 
2Creator/Collector:  Corris, Michael
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 Title:  Michael Corris papers of the Art & Language New York group  
 Dates:  1965-2002 
 Abstract:  The collection documents the activities of the conceptual art group Art & Language New York. Art & Language New York challenged the assumption that art is necessarily visual by questioning ideas of perception and the institutional stake of museums and the art market. 
 Number:  2003.M.32 
3Creator/Collector:  Coracle Press
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 Title:  Coracle Press records  
 Dates:  1953-2013, bulk 1975-2008 
 Abstract:  Coracle Press records from 1953 to 2013 document the press's production of books, printed matter and exhibitions under the direction of Simon Cutts. 
 Number:  880024 
4Creator/Collector:  Leavin, Margo, 1936-
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 Title:  Margo Leavin Gallery records  
 Dates:  1947-2017, bulk 1966-2013 
 Abstract:  In nearly forty-two years of operation as one of the foremost art venues in Los Angeles (1970 -2012), Margo Leavin Gallery presented over five hundred exhibitions. Grounded in Minimalism and Pop Art, the gallery showed a mix of works by both New York and Los Angeles artists such as Dan Flavin and Claes Oldenburg, and gradually moved into the terrain of Conceptual Art, representing artists such as Alexis Smith, John Baldessari, and Sherrie Levine. In 1976 Wendy Brandow joined the gallery staff, and became Director and Partner in 1989. Brandow played a key role in the gallery: she was active in all aspects of the enterprise, from conceptualizing and organizing exhibition to managing business affairs, and was instrumental in engaging with a younger, conceptually oriented generation of artists such as Larry Johnson, Stephen Prina, Christopher Williams, and Roy Dowell. Leavin and Brandow placed numerous works at the world's top museums, had a profound effect on the art world of the city, and made an indisputable contribution to the international acclaim accorded to Los Angeles Conceptual Art. 
 Number:  2015.M.5 
5Creator/Collector:  Panza, Giuseppe
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 Title:  Giuseppe Panza papers  
 Dates:  1956-1990 
 Abstract:  Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs. 
 Number:  940004 
6Creator/Collector:  Galerie Paul Maenz (Cologne, Germany)
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 Title:  Galerie Paul Maenz Köln records  
 Dates:  1956-1991 (bulk 1970-1990) 
 Abstract:  German gallery in Cologne, dealing in contemporary art. Maenz exhibited, loaned, and sold works by conceptual artists and the German neo-Expressionist painters. Correspondence, financial files, artists' biographies, press clippings, printed matter, and photographs cover virtually every facet of the gallery's operations, 1970-1990. The photograph files comprise approximately half of the archive and document works by artists and most of the gallery's exhibitions. 
 Number:  910066