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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Graham, Dan, 1942- in subject [X]
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Arakawa, Shūsaku, 1936-2010 (1)
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Dine, Jim, 1935- (1)
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Graham, Dan, 1942-[X]
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Lippert, Werner, 1950- (1)
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Prospect 69 (1969 : Düsseldorf, Germany) (1)
Salvo, 1947- (1)
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Smith, David, 1906-1965 (1)
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Wilson, Ian, 1940- (1)
1Creator/Collector:  Unidentified
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 Title:  Minimal and Conceptual Art Documents  
 Dates:  1969-1989 
 Abstract:  An assembled collection of visual and written documentation, including correspondence and artists' statements, and photographs and drawings relating to gallery installations, sculptural pieces, conceptual pieces, land art, and performances. Includes artists' letters to German critic and editor Werner Lippert and Galleria Toselli in Milan, and materials pertaining to the exhibition Prospect 69 (Dusseldorf, 1969). Includes letters from artists and gallery owners to Konrad Fischer, and some Fluxus printed ephemera. 
 Number:  920025 
2Creator/Collector:  Leavin, Margo, 1936-
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 Title:  Margo Leavin Gallery records  
 Dates:  1947-2017, bulk 1966-2013 
 Abstract:  In nearly forty-two years of operation as one of the foremost art venues in Los Angeles (1970 -2012), Margo Leavin Gallery presented over five hundred exhibitions. Grounded in Minimalism and Pop Art, the gallery showed a mix of works by both New York and Los Angeles artists such as Dan Flavin and Claes Oldenburg, and gradually moved into the terrain of Conceptual Art, representing artists such as Alexis Smith, John Baldessari, and Sherrie Levine. In 1976 Wendy Brandow joined the gallery staff, and became Director and Partner in 1989. Brandow played a key role in the gallery: she was active in all aspects of the enterprise, from conceptualizing and organizing exhibition to managing business affairs, and was instrumental in engaging with a younger, conceptually oriented generation of artists such as Larry Johnson, Stephen Prina, Christopher Williams, and Roy Dowell. Leavin and Brandow placed numerous works at the world's top museums, had a profound effect on the art world of the city, and made an indisputable contribution to the international acclaim accorded to Los Angeles Conceptual Art. 
 Number:  2015.M.5