Subject • | A.I.R. Gallery (New York, N.Y.) |
(1)
| • | Acetate film |
(1)
| • | Acker, Kathy, 1948-1997 |
(1)
| • | Africano, Nicholas, 1948- |
(1)
| • | Allen, Jo Harvey, 1942- |
(1)
| • | Allen, Terry, 1943- |
(1)
| • | Alloway, Lawrence, 1926-1990 |
(1)
| • | Antin, David |
(1)
| • | Antin, Eleanor |
(1)
| • | Appointment books |
(1)
| • | Art critics-United States-Correspondence |
(1)
| • | Art museum curators-United States-Professional relationships |
(1)
| • | Art, American -- 20th century |
(1)
| • | Art, American-20th century |
(1)
| • | Artists -- Correspondence |
(1)
| • | Artists -- United States -- Correspondence |
(1)
| • | Audiocassettes |
(2)
| • | Audiotapes |
(2)
| • | Baldessari, John, 1931- |
(1)
| • | Black-and-white negatives |
(2)
| • | Black-and-white photographs |
(1)
| • | Black-and-white prints (photographs) |
(1)
| • | Born digital |
(1)
| • | CD-Rs |
(3)
| • | Chicago, Judy, 1939- |
(1)
| • | Color negatives |
(2)
| • | Color photographs |
(1)
| • | Color prints (photographs) |
(1)
| • | Color slides |
(2)
| • | Compact disks |
(1)
| • | Conceptual Art |
(1)
| • | Contact sheets |
(1)
| • | Copley, Noma |
(1)
| • | Copley, William Nelson, 1919-1996 |
(1)
| • | Correspondence |
(1)
| • | De Bretteville, Sheila Levrant |
(1)
| • | Drawings |
(1)
| • | Ephemera |
(1)
| • | Exhibitions |
(1)
| • | Experimental films -- United States -- 20th century |
(1)
| • | Experimental films -- United States -- 21st century |
(1)
| • | Feminism and art -- United States | [X] | • | Goss, Jacqueline, 1966- |
(1)
| • | July, Miranda, 1974- |
(1)
| • | Karras, Maria, 1950- |
(1)
| • | Lippard, Lucy R. |
(1)
| • | Luce, Henry, III, 1925-2005 |
(1)
| • | Morton, Ree, 1936-1977 |
(1)
| • | Museum curators -- United States -- Correspondence |
(1)
| • | Nauman, Bruce, 1941- |
(1)
| • | New Museum of Contemporary Art (New York, N.Y.) |
(1)
| • | O'Doherty, Brian |
(1)
| • | Paintings |
(1)
| • | Performance art -- United States |
(1)
| • | Phonograph records |
(1)
| • | Photographic prints |
(1)
| • | Photographs, Original |
(2)
| • | Posters |
(1)
| • | Printed ephemera |
(1)
| • | Raven, Arlene |
(1)
| • | Sketchbooks -- 20th century |
(1)
| • | Sleigh, Sylvia |
(1)
| • | Slides (photographs) |
(1)
| • | Soho 20 (Gallery) |
(1)
| • | Sound recordings |
(1)
| • | Tucker, Marcia |
(1)
| • | Tucker, Michael |
(1)
| • | Tuttle, Richard, 1941- |
(1)
| • | Tworkov, Jack |
(1)
| • | Video art -- United States -- 20th century |
(1)
| • | Video art--United States--21st century |
(1)
| • | Video recordings -- United States -- 20th century |
(1)
| • | Video recordings -- United States -- 21st century |
(1)
| • | Videocassettes |
(2)
| • | Videodiscs (video recording disks) |
(1)
| • | Videotapes |
(1)
| • | Whitney Museum of American Art |
(1)
| • | Woman's Building (Los Angeles, Calif.) |
(1)
| • | Women artists -- Archives |
(3)
| • | Women artists -- California -- Los Angeles |
(1)
| • | Women artists -- United States -- 20th century |
(3)
| • | Zines |
(1)
|
| 1 | Creator/Collector: | July, Miranda,
1974-
| Requires cookie* | | Title: | Joanie 4 Jackie videos and records  | | | Dates: | 1990-2012, undated | | | Abstract: | Joanie 4 Jackie, a video art project comprising "chainletters and zines," was established by interdisciplinary artist Miranda July in 1995 and later continued by students at Bard College. An active participant in the Riot Grrrl scene in the 1990s, July was frustrated by the lack of girls and women creating film and video -- particularly women of color, Queer women, women of lower socioeconomic strata, and older women -- and sought to remedy their absence with a project that embraced the "DIY" ethos of the Riot Grrrl subculture. The collection comprises over 300 videos, zines, and supporting materials collected, compiled, and circulated as part of the Joanie 4 Jackie project, as well as editing masters and videos documenting Joanie 4 Jackie events and media coverage. Also present are administrative files, correspondence relating to the project, posters, and ephemera. | | | Number: | 2016.M.20 | |
2 | Creator/Collector: | Karras, Maria,
1950-
| Requires cookie* | | Title: | Maria Karras collection of Woman's Building papers and photographs  | | | Dates: | 1972-2018, undated | | | Abstract: | The collection presents a record of the historic first years of the Woman's Building in Los Angeles and the women involved with it, including Feminist Studio Workshop founders Judy Chicago, Sheila de Bretteville, and Arlene Raven. Maria Karras's photographs are joined by related ephemera, correspondence, posters, and other documentary materials, together with a selection of original artwork by Karras and her peers. | | | Number: | 2018.M.16 | |
3 | Creator/Collector: | Antin,
Eleanor
| Requires cookie* | | Title: | Eleanor Antin papers  | | | Dates: | 1953-2010 | | | Abstract: | The papers of artist Eleanor Antin contain comprehensive documentation of her work and work processes throughout her career as a pioneer in the fields of conceptual, feminist, and performance art. Included are extensive correspondence, notebooks and sketchbooks, ephemera, thousands of photographs and negatives, and master recordings of video, film, and audio works. | | | Number: | 2012.M.5 | |
4 | Creator/Collector: | Tucker, Marcia
| Requires cookie* | | Title: | Marcia Tucker papers  | | | Dates: | 1918-2007, bulk 1957-2005 | | | Abstract: | Museum files, correspondence, writings and other materials pertinent to Marcia Tucker's career as curator at the Whitney Museum of American Art and founding director of the New Museum (New York, N.Y.). | | | Number: | 2004.M.13 | |
5 | Creator/Collector: | Sleigh,
Sylvia
| Requires cookie* | | Title: | Sylvia Sleigh papers  | | | Dates: | 1803-2013, undated (bulk 1940-2000) | | | Abstract: | The papers of noted Welsh-born feminist painter Sylvia Sleigh (1916-2010) document her life, career, and the larger context of contemporary feminist art, with the bulk of the collection dating from 1940-2000. Sleigh, a realist painter, moved to the United States in 1961 with her husband, art critic Lawrence Alloway. Sleigh's paintings of nude males in traditional odalisque poses remain her best-known works. She was a central figure in the New York City area feminist art movement of the 1970s. | | | Number: | 2004.M.4 | |
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