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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Administrative records (1)
Allyn, Jerri, 1952- (2)
Andō, Tadao, 1941- (1)
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Chicago, Judy, 1939- (1)
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Diament Sujo, Clara (1)
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Irwin, Robert, 1928- (1)
J. Paul Getty Museum. Public Programs Villa (1)
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Maberry, Sue (1)
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Mies van der Rohe, Ludwig, 1886-1969 (1)
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Moore, Peter, 1932-1993 (1)
Morris, Robert, 1931-2018 (1)
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Old Post Office and Clock Tower (Washington, D.C.) (1)
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Rainer, Yvonne, 1934- (1)
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Richard Meier & Partners (1)
Romero Brest, Jorge (1)
Saarinen, Eero, 1910-1961 (1)
Safdie, Moshe, 1938- (1)
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Silagi, Laura (1)
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Whitehill, Walter Muir, 1905-1978 (1)
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Willan, Anne -- Correspondence (1)
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World's Columbian Exposition (1893 : Chicago, Ill.) (1)
Yamasaki, Minoru, 1912-1986 (1)
symposia (conferences) (1)
École de cuisine La Varenne (1)
1Creator/Collector:  J. Paul Getty Museum. Villa Program Coordination
J. Paul Getty Museum. Public Programs Villa
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 Title:  J. Paul Getty Museum Getty Villa public event recordings  
 Dates:  2006-2018 
 Abstract:  This collection consists of audiovisual recordings and ephemera of public programming events sponsored by the J. Paul Getty Museum that were held at the Getty Villa campus from 2006 to 2018. Events comprise lectures, conversations, panel discussions, symposia, seminars, colloquia, and workshops with curators, scholars, conservators, artists, and museum professionals. They were organized by the Museum's department of Public Programs at the Getty Villa. Recordings include born-digital files stored on CDs, DVDs, and Getty servers. 
 Number:  IA20035 
2Creator/Collector:  Diament Sujo, Clara
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 Title:  Clara Diament Sujo papers  
 Dates:  1944-2014 (bulk 1981-2008) 
 Abstract:  The papers of Clara Diament Sujo provide a comprehensive survey of the operations of CDS Gallery founded by the dealer and art critic in New York in 1981. There is also documentation on the center of contemporary art Estudio Actual created by Sujo in Caracas in 1968, as well as on her formative years studying with Jorge Romero Brest in Buenos Aires, and her writings and lectures. The archive comprises correspondence; financial records; scrapbooks; exhibition brochures; artist files; photographs; videos; and works on paper dedicated to Sujo. Among the artists represented by CDS Gallery and in the records are: Roberto Aizenberg; Jacobo Borges; Carlos Cruz-Diez; José Luis Cuevas; Stephen De Staebler; Wilfredo Lam; Roberto Matta; Henry Moore; José Clemente Orozco; Armando Reverón; Jesús Rafael Soto; Hedda Sterne; Joaquín Torres-García; and Adja Yunkers. 
 Number:  2018.M.31 
3Creator/Collector:  Rainer, Yvonne, 1934-
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 Title:  Yvonne Rainer papers  
 Dates:  1871-2013 (bulk 1959-2013) 
 Abstract:  Yvonne Rainer is an avant-garde American dancer, choreographer, filmmaker and writer. Her papers document her life as an artist from the late 1950s through 2013, and include photographic material dated as early as 1933. Materials include dance scores; programs and posters; photographic and audiovisual documentation of performances, rehearsals, and films; correspondence; writings, including Rainer's feature-length film scripts; and critical response to her work. 
 Number:  2006.M.24 
4Creator/Collector:  Huxtable, Ada Louise
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 Title:  Ada Louise Huxtable papers  
 Dates:  1859-2013 (bulk 1954-2012) 
 Abstract:  The Ada Louise Huxtable papers contain the writing and research of the outspoken architecture critic and ardent advocate of the contemporary preservation movement. Huxtable wrote 11 books and worked as a dedicated architecture critic at the New York Times and the Wall Street Journal. This collection is comprised of correspondence, typescripts, photographs, awards and research files spanning her career as a writer and one of the most important voices in the field of architectural criticism during the second half of the twentieth century. 
 Number:  2013.M.9 
5Creator/Collector:  Waitresses (Group of artists)
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 Title:  The Waitresses records  
 Dates:  1971-2015, undated 
 Abstract:  The Waitresses was one of the first performance art groups to emerge from the Los Angeles Woman's Building. Founded in 1977 by Jerri Allyn and Anne Gauldin, the group used their collective experiences working as waitresses to explore feminist issues such as sex discrimination and wage inequality in the food service industry. Materials in the collection document the performances produced by the group from 1976 to 1985, as well as American Dining: A Working Woman's Movement, a performance produced by Jerri Allyn from 1986 to 1989. Materials also relate to a 25th anniversary re-staging of five performances in 2007, as well as other exhibitions and publications about The Waitresses after 1985. The collection consists of performance notes, scripts, costumes, photographs, press clippings, props and ephemera, research files related to social issues in the food service industry, and audiovisual recordings related to various performances and exhibitions. 
 Number:  2017.M.45 
6Creator/Collector:  Willan, Anne
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 Title:  Anne Willan papers  
 Dates:  1570-2018 
 Abstract:  The papers of Anne Willan, a British-American expert in French gastronomy, provide a comprehensive survey of the operations of the École de cuisine La Varenne founded by Willan in Paris in 1975 and of Willan's writings and TV programs. The papers consist of correspondence, brochures, drafts, typescripts, press clippings, photographs, videos, and electronic records. The archive also includes drawings, ephemera, manuscripts and prints collected by Willan and her husband Mark Cherniavsky. Dating from the 16th to the late 20th century, these works illuminate the preparation and consumption of food and its display in England, France, Germany, Italy, the Netherlands, and the United States. 
 Number:  2018.M.15 
7Creator/Collector:  Sisters of Survival
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 Title:  Sisters of Survival records  
 Dates:  1954-2015, undated 
 Abstract:  Sisters of Survival (S.O.S.) was an anti-nuclear performance group founded in 1981 by Cheri Gaulke, Jerri Allyn, Nancy Angelo, Anne Gauldin, and Sue Maberry. The archive consists primarily of project files documenting performances, exhibitions, and publications from Sisters of Survival's main period of activity from 1982 to 1985 and some later projects, and includes photographic materials, planning documents, ephemera, digital files, audiovisual materials, and exhibition materials. The archive also contains press clippings and promotional images, administrative files, and a small amount of materials by other anti-nuclear artists and activists. 
 Number:  2017.M.47 
8Creator/Collector:  Feminist Art Workers
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 Title:  Feminist Art Workers records  
 Dates:  1976-2013, undated 
 Abstract:  The archive consists of papers, photographs, audiovisual and born digital material documenting the performances, exhibitions, and administrative activities of the Feminist Art Workers. 
 Number:  2017.M.48 
9Creator/Collector:  Mother Art
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 Title:  Mother Art records  
 Dates:  1973-2017, undated 
 Abstract:  The Mother Art records document the Los Angeles collective's artistic engagement with sociopolitical concerns relating to maternity, domesticity, and women's issues through photographs, posters, ephemera, press kits, and audio and videorecordings. 
 Number:  2017.M.60 
10Creator/Collector:  Getty Research Institute
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 Title:  Getty Research Institute public event records and recordings  
 Dates:  1998-2020 
 Abstract:  The materials consist of audio recordings, video recordings, images, planning materials and ephemera that document public events sponsored by the Getty Research Institute from 1998 to 2020. The materials include audiocassettes and born-digital files. The events include lectures, discussions, film and video screenings, and collaborative symposia with other arts institutions. The events focus on topics related to art history, performance art, provenance, digital humanities, architecture and the contemporary arts. 
 Number:  IA40002 
11Creator/Collector:  Irwin, Robert, 1928-
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 Title:  Robert Irwin papers  
 Dates:  circa 1940-2011, bulk 1970-2011 
 Abstract:  Robert Irwin is a California artist associated with the Light and Space movement. His papers document many of Irwin's site-specific, primarily public artworks from the 1980s with correspondence, writings, clippings, drawings, photographs, models, and sound and video recordings. Additions (1999-2011) to the archive include papers, photographs, and drawings relating to the Getty central garden and other projects (ca. 1992-2011). 
 Number:  940081 
12Creator/Collector:  Woman's Building (Los Angeles, Calif.)
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 Title:  Woman's Building records  
 Dates:  1960-2016, undated 
 Abstract:  The Los Angeles Woman's Building was established in 1973 by artist Judy Chicago, designer Sheila Levrant de Bretteville, and art historian Arlene Raven. The Woman's Building was a center for women's art education and a facility for women's groups and organizations. During its time, the Woman's Building played a key role in the field of feminist art and arts education. Materials in the collection offer a comprehensive overview of the activities of the Woman's Building from 1973 to 1991, and document the organization's post-1991 projects. Materials were collected by Sue Maberry during her time as an artist and administrator of the Woman's Building and later as Director of Library and Instructional Technologies at Otis College of Art and Design. Materials consist of printed ephemera and photographic material related to educational programs, exhibitions, performances, events, and various collaborative projects. Included are administrative files, artist files, publications, correspondence, project files, audio and video recordings, and digital files produced for various projects. The collection also contains material documenting the Doin' It In Public: Feminism and Art at the Woman's Building exhibition held at Otis College of Art and Design in 2011-2012. 
 Number:  2017.M.43