Subject • | Abbott, Berenice, 1898-1991 |
(1)
| • | Adams, Ansel, 1902-1984 |
(1)
| • | Allen, Terry |
(1)
| • | Arbus, Diane, 1923-1971 |
(1)
| • | Architectural drawings (visual works) |
(1)
| • | Architecture, Modern -- 20th century |
(1)
| • | Archives in art |
(1)
| • | Archives users |
(1)
| • | Art -- Collectors and collecting -- United States -- 20th century |
(1)
| • | Art -- History |
(2)
| • | Art -- Provenance |
(1)
| • | Art and music |
(1)
| • | Art archives |
(1)
| • | Art dealers -- United States -- 20th century |
(1)
| • | Art galleries, Commercial -- United States |
(1)
| • | Art galleries, Commercial--California--Los Angeles |
(1)
| • | Art galleries, Commercial--United States |
(1)
| • | Art museums -- Educational aspects |
(3)
| • | Art museums--United States |
(1)
| • | Art, American--California--Los Angeles--20th century |
(1)
| • | Art, Greek |
(1)
| • | Art, Modern -- 20th century |
(2)
| • | Art, Modern--20th century |
(1)
| • | Art, Roman |
(1)
| • | Artists |
(1)
| • | Artists -- California |
(1)
| • | Arts, Asian |
(1)
| • | Arts, Modern -- 20th century |
(1)
| • | Asher, Michael |
(1)
| • | Atget, Eugène, 1857-1927 |
(1)
| • | Audiocassettes |
(2)
| • | Beato, Felice, 1832-1909 |
(1)
| • | Benjamin, Karl |
(1)
| • | Black-and-white negatives |
(1)
| • | Black-and-white photographs |
(1)
| • | Born digital |
(1)
| • | Brassaï, 1899-1984 |
(1)
| • | Building sites -- Planning -- United States |
(1)
| • | Buren, Daniel |
(1)
| • | CD-ROMs |
(1)
| • | Cameron, Julia Margaret, 1815-1879 |
(1)
| • | Charnay, Désiré, 1828-1915 |
(1)
| • | City Front Plaza (Chicago, Ill.) |
(1)
| • | Classical antiquities |
(1)
| • | Clippings (information artifacts) |
(1)
| • | Color negatives |
(1)
| • | Color photographs |
(1)
| • | Color slides |
(1)
| • | Color slides -- 20th century |
(1)
| • | Color slides--United States--20th century |
(1)
| • | Color transparencies -- 20th century |
(1)
| • | Compact discs | [X] | • | Computer-aided designs (visual works) |
(1)
| • | Conceptual Art |
(1)
| • | Conceptual art--United States--20th century |
(1)
| • | Condition surveys |
(1)
| • | Congresses and conventions |
(1)
| • | Consejo Nacional para la Cultura y el Arte (El Salvador) |
(1)
| • | Contracts |
(1)
| • | Copley, Claire |
(1)
| • | Correspondence |
(2)
| • | Cultural property -- Conservation and restoration |
(1)
| • | Cultural property -- Protection |
(1)
| • | DVDs |
(3)
| • | Deruytter, Wouter |
(1)
| • | Dia:Beacon (Art museum) |
(1)
| • | Digital images |
(2)
| • | Digital media |
(1)
| • | Disdéri, André-Adolphe-Eugène, 1819-1889 |
(1)
| • | Du Camp, Maxime, 1822-1894 |
(1)
| • | Earthquake engineering |
(1)
| • | Electronic documents |
(1)
| • | Electronic records (digital records) |
(5)
| • | Environment (Art) |
(1)
| • | Environmental monitoring |
(1)
| • | Ephemera |
(2)
| • | Ephemera--20th century |
(1)
| • | Evans, Walker, 1903-1975 |
(1)
| • | Everts, Connor |
(1)
| • | Exhibitions |
(1)
| • | Experimental films |
(1)
| • | Falkenstein, Claire, 1908-1997 |
(1)
| • | Frank, Robert, 1924-2019 |
(1)
| • | Gelatin silver prints--United States--20th century |
(1)
| • | Getty Center (Los Angeles, Calif.) |
(1)
| • | Getty Conservation Institute. Field Projects Division |
(1)
| • | Getty Research Institute |
(1)
| • | Getty Research Institute. Contemporary Programs and Research |
(1)
| • | Getty Research Institute. Curatorial Department |
(1)
| • | Getty Research Institute. Department of Architecture and Contemporary Art |
(1)
| • | Getty Research Institute. Department of Research and Education |
(1)
| • | Getty Research Institute. Exhibitions |
(1)
| • | Getty Villa (Malibu, Calif.) |
(1)
| • | Graphics International Ltd |
(1)
| • | Hard disks |
(1)
| • | Hill, David Octavius, 1802-1870 |
(1)
| • | Hine, Lewis Wickes, 1874-1940 |
(1)
| • | Howells, Michael |
(1)
| • | Indian art |
(1)
| • | Instituto Hondureño de Antropología e Historia |
(1)
| • | Irwin, Robert, 1928- |
(1)
| • | J. Paul Getty Museum. Public Programs |
(2)
| • | J. Paul Getty Museum. Public Programs Villa |
(2)
| • | J. Paul Getty Museum. Villa Program Coordination |
(1)
| • | J. Paul Getty Trust |
(1)
| • | Kainen, Jacob |
(1)
| • | Kanemitsu, Matsumi |
(1)
| • | Karsh, Yousuf, 1908-2002 |
(1)
| • | Kerzie, Ted |
(1)
| • | Kosuth, Joseph |
(1)
| • | Landscape architecture |
(1)
| • | Leavitt, William |
(1)
| • | Lectures |
(3)
| • | Light in art |
(1)
| • | Literature, Modern -- 20th century |
(1)
| • | Lunn Gallery |
(1)
| • | Lunn Ltd |
(1)
| • | Lunn, Harry H. (Harry Hyatt), 1933- |
(1)
| • | Manuscripts |
(1)
| • | Mapplethorpe, Robert |
(1)
| • | McDermott & McGough |
(1)
| • | Miami International Airport |
(1)
| • | Minimal art |
(1)
| • | Museum outreach programs |
(2)
| • | Nadar, Félix, 1820-1910 |
(1)
| • | Nègre, Charles, 1820-1880 |
(1)
| • | Old Post Office and Clock Tower (Washington, D.C.) |
(1)
| • | Performance art |
(1)
| • | Performing arts |
(1)
| • | Photographic prints |
(3)
| • | Photographs |
(1)
| • | Photographs -- Collectors and collecting |
(1)
| • | Photographs -- Collectors and collecting -- United States -- 20th century |
(1)
| • | Photographs, Original |
(3)
| • | Photography |
(1)
| • | Pierre et Gilles |
(1)
| • | Printed ephemera |
(2)
| • | Prints -- Collectors and collecting |
(1)
| • | Public art -- United States |
(1)
| • | Public sculpture -- United States |
(1)
| • | Safety film |
(1)
| • | Sculpture, Modern -- 20th century |
(1)
| • | Serrano, Andres, 1950- |
(1)
| • | Site plans |
(1)
| • | Slides (photographs) |
(1)
| • | Sound recordings |
(5)
| • | Study models |
(1)
| • | Talbot, William Henry Fox, 1800-1877 |
(1)
| • | Technical reports |
(1)
| • | Video art |
(1)
| • | Video recordings |
(5)
| • | Videocassettes |
(2)
| • | Videocassettes--United States--20th century |
(1)
| • | Videodiscs (video recording disks) |
(1)
| • | Videotapes |
(3)
| • | Witkin, Joel-Peter, 1939- |
(1)
| • | symposia (conferences) |
(2)
|
| 1 | Creator/Collector: | J. Paul Getty Museum. Public Programs J. Paul Getty Museum. Public Programs Villa
| Requires cookie* | | Title: | J. Paul Getty Museum Public Programs performing arts recordings and ephemera  | | | Dates: | 1998-2018 | | | Abstract: | The records comprise audiovisual recordings of performances sponsored by the J. Paul Getty Museum Public Programs department at the Getty Center and Getty Villa between 1998 and 2018, and documentation of the events from 1998 to 2013. Events include presentations in the series Friday Nights at the Getty, Saturday Nights at the Getty, Sounds of L.A., Selected Shorts, Gordon Getty Concerts, Summer Sessions, and Garden Concerts for Kids, as well as standalone performances. Recordings include audiocassettes, videocassettes, DAT tapes, and born-digital files stored on CDs, DVDs, and Getty servers. | | | Number: | IA40012 | |
2 | Creator/Collector: | J. Paul Getty Museum. Villa Program Coordination J. Paul Getty Museum. Public Programs Villa
| Requires cookie* | | Title: | J. Paul Getty Museum Getty Villa public event recordings  | | | Dates: | 2006-2018 | | | Abstract: | This collection consists of audiovisual recordings and ephemera of public programming events sponsored by the J. Paul Getty Museum that were held at the Getty Villa campus from 2006 to 2018. Events comprise lectures, conversations, panel discussions, symposia, seminars, colloquia, and workshops with curators, scholars, conservators, artists, and museum professionals. They were organized by the Museum's department of Public Programs at the Getty Villa. Recordings include born-digital files stored on CDs, DVDs, and Getty servers. | | | Number: | IA20035 | |
3 | Creator/Collector: | J. Paul Getty Museum. Public Programs
| Requires cookie* | | Title: | J. Paul Getty Museum Getty Center public event recordings  | | | Dates: | 1998-2018, undated | | | Abstract: | This collection consists of audiovisual recordings of public programming events sponsored by the J. Paul Getty Museum that were held at the Getty Center campus from 1998 to 2018. One event is undated. Events comprise lectures, conversations, panel discussions, symposia, seminars, adult gallery courses, and special programs with curators, scholars, conservators, artists, and museum professionals. They were organized by the Museum's department of Public Programs at the Getty Center. Recordings include analog files stored on cassettes, and born-digital files stored on CDs, DVDs, and Getty servers. | | | Number: | IA20037 | |
4 | Creator/Collector: | Hemmerdinger, William
| Requires cookie* | | Title: | William Hemmerdinger papers  | | | Dates: | 1871, 1941-2007 | | | Abstract: | The William Hemmerdinger papers document his multifaceted career as a teacher, artist, writer, gallerist and curator. The collection is particularly rich in research files about artists and in ephemera from Southern California galleries. Also included are original artworks by artists such as Claire Falkenstein, Karl Benjamin, Connor Everts and Matsumi Kanemitsu. | | | Number: | 2010.M.74 | |
5 | Creator/Collector: | Claire Copley Gallery
| Requires cookie* | | Title: | Claire Copley Gallery records  | | | Dates: | 1968-2011, bulk 1973-1977 | | | Abstract: | The records of one of the first Los Angeles galleries to show the work of conceptual artists such as Terry Allen, Michael Asher, Daniel Buren, Joseph Kosuth, and William Leavitt. The collection includes artist files containing correspondence, ephemera, and comprehensive photographic documentation of each exhibition. | | | Number: | 2014.M.2 | |
6 | Creator/Collector: | Getty Conservation Institute. Field Projects Division
| Requires cookie* | | Title: | Getty Conservation Institute Maya Initiative records  | | | Dates: | 1972-2016, undated | | | Abstract: | The Maya Initiative records date from 1972 to 2016, undated (bulk 1996-2016) and primarily document the Getty Conservation Institute's collaborations with the Instituto Hondureño de Antropología e Historia (IHAH) of Honduras to develop a conservation strategy for the Hieroglyphic Stairway at Copán and with the Consejo Nacional para la Cultura y el Arte (CONCULTURA) of El Salvador to develop a site management plan for Joya de Cerén. The records are a mix of analog and digital files and cover the initial planning meetings that led to the Maya Initiative, as well as the logistical planning, progress, findings, and final outputs of the Copán and Joya de Cerén projects. There are also some files pertaining to the El Salvador Earthquake Relief project, another collaboration with CONCULTURA under the Maya Initiative. | | | Number: | IA30023 | |
7 | Creator/Collector: | Getty Research Institute
| Requires cookie* | | Title: | Getty Research Institute public event records and recordings  | | | Dates: | 1998-2020 | | | Abstract: | The materials consist of audio recordings, video recordings, images, planning materials and ephemera that document public events sponsored by the Getty Research Institute from 1998 to 2020. The materials include audiocassettes and born-digital files. The events include lectures, discussions, film and video screenings, and collaborative symposia with other arts institutions. The events focus on topics related to art history, performance art, provenance, digital humanities, architecture and the contemporary arts. | | | Number: | IA40002 | |
8 | Creator/Collector: | Irwin, Robert, 1928-
| Requires cookie* | | Title: | Robert Irwin papers  | | | Dates: | circa 1940-2011, bulk 1970-2011 | | | Abstract: | Robert Irwin is a California artist associated with the Light and Space movement. His papers document many of Irwin's site-specific, primarily public artworks from the 1980s with correspondence, writings, clippings, drawings, photographs, models, and sound and video recordings. Additions (1999-2011) to the archive include papers, photographs, and drawings relating to the Getty central garden and other projects (ca. 1992-2011). | | | Number: | 940081 | |
9 | Creator/Collector: | Lunn, Harry H.
(Harry Hyatt), 1933-
| Requires cookie* | | Title: | Harry Lunn Papers  | | | Dates: | 1855-1999, bulk 1965-1999 | | | Abstract: | The Harry Lunn papers document the business dealings of the print and photography dealer from the mid-1960s until his death in 1998, and provide a glimpse into the workings of one of the creators of the photography art market during the second half of the twentieth century. | | | Number: | 2004.M.17 | |
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