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Collection Inventories and Finding Aids

The Special Collections and Institutional Archives departments create finding aids for the Getty Research Institute's archival and visual resource collections and for a few historical records of the J. Paul Getty Trust. A "finding aid" describes the scope and contents of a group of records and provides an inventory of materials within the records.

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Cavellini, Guglielmo Achille, 1914- in subject [X]
Mail art in subject [X]
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Angelo, Laurence (1)
Art -- Collectors and collecting -- United States -- 20th century (1)
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Banana, Anna, 1940- (1)
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Brown, Jean, 1911-1994 (1)
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Cavellini, Guglielmo Achille, 1914-[X]
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Institute for Art and Urban Resources (1)
Johnson, Ray, 1927-1995 (1)
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Kitchen Center for Video, Music, Dance, Performance, Film, and Literature (New York, N.Y.) (1)
Knowles, Alison, 1933- (1)
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Mail art[X]
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Paik, Nam June, 1932-2006 (1)
Patterson, Ben, 1934-2016 (1)
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Random, S. (Steven), 1954- (1)
Roth, Dieter, 1930-1998 (1)
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Schwitters, Kurt, 1887-1948 (1)
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Shimamoto, Shōzō, 1928-2013 (1)
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Vostell, Wolf, 1932-1998 (1)
Vries, Herman de, 1931- (1)
Watts, Robert, 1923-1988 (1)
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Young, La Monte (1)
1Creator/Collector:  Evans, James
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 Title:  James Evans mail art collection  
 Dates:  1970-1987, bulk 1984-1987 
 Abstract:  The collection assembled by James Evans reflects his own involvement in the mail art movement from from 1970 to 1987, particularly in the 1980s. Included are approximately 280 mail art projects by American, European and Japanese artists, as well as related ephemera, correspondence and publications. A large portion of the collection is books, stamps, stickers, postcards, and manifestos by Guglielmo Achille Cavellini, the Italian mail artist who coined the term autostoricizzazione (self-historicization). 
 Number:  2010.M.37 
2Creator/Collector:  Brown, Jean, 1911-1994
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 Title:  Jean Brown papers  
 Dates:  1916-1995 (bulk 1958-1985) 
 Abstract:  An extensive study collection of avant-garde materials amassed by librarian and art collector, Jean Brown. Her collection documents the Dada and Surrealist art movements and their offshoots, especially Fluxus, mail art, and concrete poetry. Materials include letters, printed matter and ephemera, clippings, nearly 500 art objects, sound recordings, motion pictures, and video recordings. 
 Number:  890164